"Actor: Heather"

• End Game | DVD | (04/07/2011) from £6.73   |  Saving you £3.26 (48.44%)   |  RRP £9.99

  The Assassination Was Only The Beginning... A secret Service agent and a hardbitten news reporter investigate the conspiracy behind the assassination of the President and find the truth is not only closer but also deadlier than they ever imagined...

• Devious Beings | DVD | (29/03/2010) from £10.78   |  Saving you £-0.79 (N/A%)   |  RRP £9.99

  Casey. Arrow. Jackson. They've been buddies since they were kids. They're the rave crowd who can get any illicit drug for the right price. No way these guys could get played right? Wrong. When their latest deal goes south their entire world may go up in smoke. They're up against the wall and they're running out of options. In the tradition of Go and Pulp Fiction Devious Beings is a wild ride you'll never forget.

• Hannah Montana The Movie DVD SPECIFICS | DVD | (07/09/2009) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  It's easy to forget that superstars are real people, but when Hannah Montana (Miley Cyrus) shows signs of forgetting her roots as Miley Stewart, her father Robbie Ray (Billy Ray Cyrus) puts his foot down. Miley has always strived to live a relatively normal teenage life, but when late stage entrances, exclusive shopping trips that end in brawling catfights, and ditching friends and family in favour of Hannah appearances become commonplace, Robbie Ray whisks her away from a date at the New York Music Awards for a dose of hometown reality at her grandma's in Crowley Corners, Tennessee. Unfortunately, she's followed by Oswald (Peter Gunn), a relentless reporter from Britain's Bon Chic Magazine. Miley's initial fury at being tricked into staying at Grandma's spurs her to commence operation Save Hannah Montana, but her bad attitude eventually gives way to resignation and then the beginnings of reconnection between Miley and her family. As the days progress, Miley glimpses her growing self-absorption, finds she's attracted to old elementary friend Travis (Lucas Till), realizes that her selfishness has negatively affected her dad's personal relationships, and is drawn into her grandma's fight against the commercialization of Crowley Corners. A boastful impulse leads to Miley being charged with bringing Hannah Montana to Crowley Corners for a benefit concert; when Miley's worlds collide onstage, she reveals her true identity and declares that Hannah Montana is no more. Can Miley's hometown possibly keep Miley's secret, silence the reporter, and convince Miley that she can have the best of both worlds, or is this the end of Hannah Montana? Well-known Hannah Montana songs, including "Best of Both Worlds" and "Let's Get Crazy" are featured in the film as well as the fun new song "Hoedown Throwdown" (complete with line dance instruction), the heartfelt "Butterfly Fly Away," and the inspirational "The Climb." More important than the great music is the film's wholesome message about staying true to oneself and one's family and friends. (Ages 7 and older) --Tami Horiuchi

• Perfect Man/Honey | DVD | (31/07/2006) from £4.50   |  Saving you £20.49 (455.33%)   |  RRP £24.99

  The Perfect Man (Dir. Mark Rosman 2005): Teenager Holly Hamilton (Hilary Duff) is fed up of moving every time her single-parent mother Jean (Heather Locklear) breaks-up with another dead-beat boyfriend. To distract her mother from her latest bad choice Holly conceives the perfect plan for the perfect man - an imaginary secret admirer who will romance Jean and boost her self-esteem. When the virtual relationship takes off Holly finds herself having to produce a suitor from

• Freak Talks About Sex | DVD | (12/04/2005) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £5.99

  Two friends spend their days smoking pot and talking about sex in a sharp and witty film about America's Generation X.

• The Guru | DVD | (02/11/2015) from £5.39   |  Saving you £N/A (N/A%)   |  RRP £N/A

• Austin Powers 2 - The Spy Who Shagged Me | UMD | (27/02/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

• Silent Hill: Revelation | Blu Ray | (18/03/2013) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Heather Mason and her father have been on the run, always one step ahead of dangerous forces that she doesn't fully understand, Now on the eve of her 18th birthday, plagued by horrific nightmares and the disappearance of her father, Heather discovers she's not who she thinks she is. The revelation leads her deeper into a demonic world that threatens to trap her forever.

• The Guru | DVD | (10/03/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  An Indian immigrant cribs pop psychology insights from a good-hearted porn star and becomes a self-help guru celebrity.

• Shocker | DVD | (22/10/2001) from £7.99   |  Saving you £8.00 (100.12%)   |  RRP £15.99

  Shocker allows Wes Craven to hang onto his title as the master of the horror genre--but only just. Centring once more on a charismatic lead character (Horace Pinker) Shocker continues Craven's penchant for combining fantasy and horror. Pinker (played with zeal by Mitch Pileggi of X-Files fame) is a serial killer--the "family slasher"--terrorising the inhabitants of the city of. Having murdered the foster family and girlfriend of all-American boy Jonathon Parker (Peter Berg), the latter finds he can foresee Pinker's actions in his dreams. The resulting supernatural developments (including ghosts, magic charms and possessed bodies) are more than a little muddled but underpinned by the continuous gruesome hack and slash action. A film with its brain most definitely disengaged, Shocker is still undemanding, wince-inducing fun. On the DVD: Not much to offer from this format. The splendidly dated 1980's American heavy metal soundtrack (including Kiss and Megadeth) comes through loud and clear and the sound effects are certainly horribly audible. Picture quality is fine but not spectacular. Extras are limited to scene selection, the trailer and a selection of storyboards and their cinematic equivalents. --Phil Udell

• Bulldog Drummond - Double Feature - Vol. 3 | DVD | (20/03/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £7.99

  Bulldog Drummond In Africa: Captain Hugh ""Bulldog"" Drummond will not let anything get in the way of his wedding preparations. He has his phones shut off and refuses to take orders from Scotland Yard. But when his bride Phyllis goes to pick up Drummond's friend Colonel Nielson she finds that he's been kidnapped. Drummond investigates and learns that Nielson has been spirited away to Morocco. Losing no time Drummond and his friends hop aboard his plane and fly down to North Africa to rescue Nielson. But they have to dodge bombs bullets and lions before they can complete their task. Bulldog Drummond's Secret Police: In ""Bulldog Drummond's Secret Police"" once again Captain Hugh ""Bulldog"" Drummond of Scotland yard tries to go through with his marriage to Phyllis but once again his plans are foiled. A dead body turns up and the murderer is Borjei Islanyani a man masquerading as Phyllis's butler. It seems that Islanyani is in search of a treasure buried underneath Drummond's castle. He kidnaps Phyllis and takes her into the castle's catacombs. So Drummond and his ""secret police"" - his butler Tenny his friend Algy and Colonel Nielson - embark on a search for the missing bride. But the catacombs are vast and perilous and the villain is resourceful.

• The Hole/The Blair Witch Project/The Good Son | DVD | (05/02/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £12.99

  The Hole (Dir. Nick Hamn 2001): Liz (Thora Birch) staggers towards her exclusive school bloodied and deeply traumatised. Whilst a police psychologist is trying to figure out what happened to her she reveals this twisted and chilling tale. Three rebellious friends Mike Geoff and Frankie are desperate to avoid a school fieldtrip to Wales. Martin the school nerd helps them hide away in an old underground bunker and his only condition is that his friend Liz joins them. Martin is in love with Liz but she wants Mike the coolest guy in school. The teenagers party uncontrolled and undetected in the soundproofed bunker hidden deep in the woods. For three days it is this wild place; Mike even starts to notice Liz for the first time. But when Martin doesn't return to let them out the party atmosphere drains and their sanctuary quickly becomes their living nightmare. The Blair Witch Project (Dir. Daniel Myrick ; Eduardo Sanchez 1999): Now prepare for a motion picture experience unlike anything you've ever seen heard or feared before. The Blair Witch Project follows a trio of filmmakers on what should have been a simple walk in the woods but quickly becomes an excursion into heart-stopping terror. As the three become inexplicably lost morale deteriorates hunger sets in accusations fly. By night unseen evil stirs beyond their campfire's light. By day chilling ritualistic figures are discovered nearby. As the end of their journey approaches they realise that what they are filming now is not a legend but their own descent into unimaginable horror. The Good Son (Dir. Jospeh Ruben 1993): For Mark Evans (Wood) the loss of his mother is too much to bear. What Mark needs is friendship and companionship so in a desperate bid to overcome his bereavement he is sent to stay with his cousin Henry (Culkin). But Mark discovers to his horror that his cousin is hiding dark secrets and a wicked mind full of trouble. His idea of fun is both evil and deadly... so deadly that Mark soon finds himself hunted and on the run in a deadly cat and mouse game of horror.

• The Lord of the Rings: The Return of the King (Extended Edition) | DVD | (10/12/2004) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £7.99

  The greatest trilogy in film history, presented in the most ambitious sets in DVD history, comes to a grand conclusion with the extended edition of The Lord of the Rings: The Return of the King. Not only is the third and final installment of Peter Jackson's adaptation of the works of J.R.R. Tolkien the longest of the three, but a full 50 minutes of new material pushes the running time to a whopping 4 hours and 10 minutes. The new scenes are welcome, and the bonus features maintain the high bar set by the first two films, The Fellowship of the Ring and The Two Towers. What's New? One of the scenes cut from the theatrical release but included here, the resolution of the Saruman storyline, generated a lot of publicity when the movie opened, as actor Christopher Lee complained in the press about losing his only appearance. It's an excellent scene, one Jackson calls "pure Tolkien," and provides better context for Pippin to find the wizard's palantir in the water, but it's not critical to the film. In fact, "valuable but not critical" might sum up the ROTK extended edition. It's evident that Jackson made the right cuts for the theatrical run, but the extra material provides depth and ties up a number of loose ends, and for those sorry to see the trilogy end (and who isn't?) it's a welcome chance to spend another hour in Middle-earth. Some choice moments are Gandalf's (Ian McKellen) confrontation with the Witch King (we find out what happened to the wizard's staff), the chilling Mouth of Sauron at the gates of Mordor, and Frodo (Elijah Wood) and Sam (Sean Astin) being mistaken for Orc soldiers. We get to see more of Éowyn (Miranda Otto), both with Aragorn and on the battlefield, even fighting the hideously deformed Orc lieutenant, Gothmog. We also see her in one of the most anticipated new scenes, the Houses of Healing after the battle of the Pelennor Fields. It doesn't present Aragorn (Viggo Mortensen) as a savior as the book did, but it shows the initial meeting between Éowyn and Faramir (David Wenham), a relationship that received only a meaningful glance in the theatrical cut. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. And for those who complained, no, there are no new endings, not even the scouring of the Shire, which many fans were hoping to see. Nor is there a scene of Denethor (John Noble) with the palantir, which would have better explained both his foresight and his madness. As Jackson notes, when cuts are made, the secondary characters are the first to go, so there is a new scene of Aragorn finding the palantir in Denethor's robes. Another big difference is Aragorn's confrontation with the King of the Dead. In the theatrical version, we didn't know whether the King had accepted Aragorn's offer when the pirate ships pulled into the harbor; here Jackson assumes that viewers have already experienced that tension, and instead has the army of the dead join the battle in an earlier scene (an extended cameo for Jackson). One can debate which is more effective, but that's why the film is available in both versions. If you feel like watching the relatively shorter version you saw in the theaters, you can. If you want to completely immerse yourself in Peter Jackson's marvelous and massive achievement, only the extended edition will do. How Are the Bonus Features? To complete the experience, The Return of the King provides the same sprawling set of features as the previous extended editions: four commentary tracks, sharp picture and thrilling sound, and two discs of excellent documentary material far superior to the recycled material in the theatrical edition. Those who have listened to the seven hours of commentary for the first two extended editions may wonder if they need to hear more, but there was no commentary for the earlier ROTK DVD, so it's still entertaining to hear him break down the film (he says the beacon scene is one of his favorites), discuss differences from the book, point out cameos, and poke fun at himself and the extended-edition concept ("So this is the complete full strangulation, never seen before, here exclusively on DVD!"). The documentaries (some lasting 30 minutes or longer) are of their usual outstanding quality, and there's a riveting storyboard/animatic sequence of the climactic scene, which includes a one-on-one battle between Aragorn and Sauron. One DVD Set to Rule Them All Peter Jackson's trilogy has set the standard for fantasy films by adapting the Holy Grail of fantasy stories with a combination of fidelity to the original source and his own vision, supplemented by outstanding writing, near-perfect casting, glorious special effects, and evocative New Zealand locales. The extended editions without exception have set the standard for the DVD medium by providing a richer film experience that pulls the three films together and further embraces Tolkien's world, a reference-quality home theater experience, and generous, intelligent, and engrossing bonus features. --David Horiuchi

• The Blu-ray Horror Collection (5 titles - Hostel/Hostel 2/Vacancy/Dracula/The Covenant) | Blu Ray | (10/12/2007) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £99.99

  Hostel The hallowed tradition of the post-college European backpacking trip turns into an unimaginable nightmare for two unsuspecting American 20-somethings in Eli Roth's (Cabin Fever) sensational second outing. Paxton (Jay Hernandez) and Josh (Derek Richardson) have embarked upon a hedonistic tour of the continent, and somewhere along the way pick up travelling companion Oli (Eythor Gudjonsson). In Amsterdam the trio partakes of the pastimes most dear to frat boys everywhere: weed, prostitutes, and nightclubs. But when a fellow traveller tells these thrill-seekers about the decadent scene that awaits them in Bratislava, they find themselves unable to resist its lures. Enticed by the promise of a hostel full of beautiful girls who love Americans, they set out for the remote areas of Eastern Europe. There, the sex farce to which the film's first half is devoted slowly turns ominous, as the boys hook up immediately with the gorgeous Natalya (Barbara Nedeljakova) and Svetlana (Jana Kaderabkova), whose eagerness masks more sinister intentions. Soon, the disagreeable backpackers find themselves on the other side of the flesh trade, sold by the girls into an exclusive human trafficking operation that gives its customers the opportunity to torture and kill a helpless victim. Much of what follows consists of the squirm-inducing surgical horrors that characterise precursors such as Saw, with the implications regarding the capitalist system and the human soul becoming ever darker. Produced by Quentin Tarantino, the film amps up the gore factor as much as it can get away with, and, in the tradition of the best horror films, offers a satirical socially conscious commentary. Hostel Part II The inevitable sequel to one of the decade's most intriguing and well-made horror films, Hostel Part II, as the title implies, picks up pretty much where the last film left off. And it doesn't take too long for the sequel to find the same groove that earned its predecessor so much attention. The setting is once again an underground club, where people bid for the right to torture residents at the hostel of the title. Hostel Part II, however, lets us see events from the other perspective too, as we meet the wealthy businessmen who are availing themselves of the club's services. It's a logical dynamic for the movie, and it does bring a fresh perspective to a film that does eventually settle down to a cavalcade of gore and shock. As a director, Eli Roth has clearly improved since last time around, even if this time he too often succumbs to the temptation to show rather than imply, and Hostel Part II as a result feels a little less fresh and more uncomfortable than its predecessor. Yet it's most certainly an unsettling piece of cinema, and one likely to find favour with Roth's increasing fanbase. A word of warning, though: Hostel Part II isn't shy about pulling its punches, and it very much justifies its 18 certificate. It's also a cut above many of its modern day contemporaries in the genre, even though it fails to measure up to part one. --Jon Foster Vacancy A confined setting is a useful tool for thriller-makers, and Vacancy is definitely boxed in: a run-down motel way, way off the Interstate, the kind of place where unsuspecting movie characters go to get stabbed to death in the shower. If Vacancy doesn't quite live up to its Hitchcockian forebears, at least it provides 80 minutes of well-designed mayhem. You know somebody's paying attention just from the opening credits, a clever vortex with pounding music by Paul Haslinger. Then we meet unhappy couple Luke Wilson and Kate Beckinsale, driving along in the dark and forced to stay at the Pinewood Motel after a car breakdown. There's a night man (Frank Whaley, World Trade Center) in the tradition of Dennis Weaver's Touch of Evil gargoyle, but the real mess of trouble is waiting in room number four. Director Nimrod Antal, who scored a stylish international hit with the Hungarian thriller Kontroll, squeezes maximum juice out of the Route 66 atmosphere of the motel, although the movie doesn't get under your skin the way Kontroll did. Wilson and Beckinsale are a little too marquee-namish for this kind of heavy-breathing work, and the script doesn't give them much to play with. But hey, it's not that kind of movie. Where it really belongs is on the top half of a drive-in double bill, or maybe as a nightmare-scenario TV movie from the Seventies. Either way, it works. --Robert Horton, Amazon.com Bram Stoker's Dracula Francis Ford Coppola's take on the Dracula myth is visually stunning and overflows with passionate seduction and Gothic romance. In Bram Stoker's Dracula, Coppola draws from the original source of the Dracula story to create a modern masterpiece. Gary Oldman's metamorphosis as Dracula, who grows from old to young, from man to beast, is breathtaking. Winona Ryder brings as much intensity to the character of the beautiful young woman who becomes the object of Dracula's devastating desire. Anthony Hopkins co-stars as the famed doctor who dares to believe in Dracula and then dares to confront him. Opulent and irresistible, Bram Stoker's Dracula is an unforgettable film. The Covenant Renny Harlin (Die Hard 2, Deep Blue Sea) directs this supernatural thriller about descendants of powerful New England families. The sons of Ipswich are legendary at Spenser Academy, the local boarding school. Handsome and popular, these four teenage friends can trace their roots to the founding families of the Ipswich Colony, settled in the late 1600s. For years these Massachusetts families have harboured the secret that they possess supernatural powers. Their descendants--Caleb (Steven Strait), Reid (Toby Hemingway), Tyler (Chace Crawford), and Pogue (Taylor Kitsch)--have inherited magical powers that first manifested themselves when the boys turned 13 years old. In a nutshell, they can do anything. As they approach their 18th birthdays, they are preparing to 'ascend', which means their powers will grow stronger. The downside? The magic is seductive and addictive, and causes premature aging with each use. Ringleader Caleb tries to keep his friends from using magic recklessly, but as the school year begins, strange events and a strong gut instinct convince Caleb that someone is using very powerful magic. Meanwhile, Caleb is exploring his newfound affection for transfer student Sarah (Laura Ramsey). To Caleb''s dismay, Sarah becomes a pawn in a power struggle with a descendant of the fifth founding family of Ipswich, a line thought to be lost during Salem''s witch trials. Is Caleb strong enough to maintain his power and keep his family and friends safe, or will he yield to this new threat and sacrifice himself? The film draws interesting parallels between the luring, addictive power of magic and the addictions real teenagers face. The sufficiently creepy setting echoes New England and sets the stage for supernatural phenomena. The Covenant also stars Sebastian Stan as Chase Collins, a wealthy newcomer to Spenser, and Jessica Lucas as Kate, Sarah's roommate and Pogue's girlfriend.

• The Blair Witch Project | DVD | (23/10/2000) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £18.99

  Anyone who has even the slightest trouble with insomnia after seeing a horror movie should stay away from The Blair Witch Project--this film will creep under your skin and stay there for days. Credit for the effectiveness of this mock documentary goes to filmmakers Daniel Myrick and Eduardo Sanchez, who armed three actors (Heather Donahue, Michael Williams, and Josh Leonard) with video equipment, camping supplies, and rough plot outlines. They then let the trio loose into the Maryland woods to improvise and shoot the entire film themselves as the filmmakers attempted to scare the crap out of them. Gimmicky, yes, but it worked--to the wildly successful tune of $130 million at the US box office upon its initial release (the budget was a mere $40,000). For those of you who were under a rock when it first hit the cinemas, The Blair Witch Project tracks the doomed quest of three film students shooting a documentary on the legend of the Blair Witch from Burkittsville, Maryland. After filming some local yokels (and providing only scant background on the witch herself), the three, led by Heather (something of a witch herself), head into the woods for some on-location shooting. They're never seen again. What we see is a reconstruction of their "found" footage, edited to make a barely coherent narrative. After losing their way in the forest, whining soon gives way to real terror as the three find themselves stalked by unknown forces that leave piles of rocks outside their campsite and stick-figure art projects in the woods. (As Michael succinctly puts it, "No redneck is this clever!") The masterstroke of the film is that you never actually see what's menacing them; everything is implied, and there's no terror worse than that of the unknown. If you can wade through the tedious arguing--and the shaky, motion-sickness-inducing camerawork--you'll be rewarded with an oppressively sinister atmosphere and one of the most frightening denouements in horror-film history. Even after you take away the monstrous hype, The Blair Witch Project remains a genuine, effective original. --Mark Englehart, Amazon.com

• Deadly Whispers | DVD | (01/11/2002) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £1.99

  Tom Acton (Tony Danza) is a strict but loving father whose only wish is for a safe kind world for his family. His main worry: his 19 year old daughter Kathy (Heather Tom) a pretty and flirtatious girl who thinks nothing of having an affair with a married man. Even worse she suspects that an old boyfriend is stalking her. Then one day Kathy goes missing. Tom and his wife Carol (Pamela Reed) are convinced that she has been abducted and are devastated when the police find a body shot to death and horribly mutilated. The Actons refuse to believe that it could be Kathy but as the police detective assigned to the case begins to dig deeper he confronts Carol with a terrible possibility: that the truth behind the killing could lie very close to home... Based on a true story...

• Baby On Board | DVD | (08/03/2010) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Angela (Heather Graham) and Curtis (Jerry O'Connell) have it all - a loving relationship a beautiful house and successful careers - until an unexpected pregnancy sends them on a nine-month roller coaster ride. Now they must deal with jealousy and suspicion Angela's over-demanding boss (Lara Flynn Boyle) plus all the drama caused by their happily married friends Danny (John Corbett) and Sylvie (Katie Finneran). It all adds up to one uproarious battle of the sexes.

• Double Indemnity | DVD | (11/07/2005) from £9.99   |  Saving you £N/A (N/A%)   |  RRP £9.99

  Director Billy Wilder and writer Raymond Chandler adapted James M. Cain's hard-boiled novel into this wildly thrilling story of insurance man Walter Neff (Fred MacMurray), who schemes the perfect murder with the beautiful dame Phyllis Dietrichson (Barbara Stanwyck): kill Dietrichson's husband and make off with the insurance money. But, of course, in these plots things never quite go as planned, and Barton Keyes (Edward G. Robinson) is the wily insurance investigator who must sort things out. From the opening scene you know Neff is doomed, as the story is told in flashback; yet, to the film's credit, this doesn't diminish any of the tension of the movie. This early film noir flick is wonderfully campy by today's standards, and the dialogue is snappy ("I thought you were smarter than the rest, Walter. But I was wrong. You're not smarter, just a little taller"), filled with lots of "dame"s and "baby"s. Stanwyck is the ultimate femme fatale, and MacMurray, despite a career largely defined by roles as a softy, is convincingly cast against type as the hapless, love-struck sap. --Jenny Brown, Amazon.com

• A Nightmare On Elm Street | DVD | (25/06/2001) from £4.98   |  Saving you £15.01 (301.41%)   |  RRP £19.99

  Nightmare on Elm Street is the only Elm street film that falls into the "really scary" category. A dead murderer returns in the dreams of the children of his old enemies, and torments them. Wes Craven tamps down the humour that would overtake the films and goes all out for shivers. There are several memorably surreal horror sequences involving tongued telephones and bottomless baths as Craven's unhealthy imagination runs riot. With Heather Langenkamp as the plucky Nancy, John Saxon and Ronee Blakely as her dim bulb parents, Amanda Wyss and young Johnny Depp as teen victims, and Robert Englund as "Fred" Krueger. -- Kim Newman

• Lifeboat | DVD | (27/03/2006) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £17.99

  Six men and three women. Against the sea. Against each other. Nine survivors of a torpedoed ship awaiting a rescue that may never arrive find themselves in the same boat with one of the perpetrators... Alfred Hitchock's nail-biting guessing game thriller was nominated for 3 Oscars.