The fire of Barbra Steisand. The magnetism of Kris Kristofferson. The reckless world of big-time rock 'n' roll. All three bring anew passion and timelessness to A Star Is Born, one of the screen's classic love stories (previously filmed in 1937 and 1954) and winner of five Golden Globe Awards, including Best Picture, Actress and Actor (Musical/Comedy). // Paul Williams, Kenny Loggins, Leon Russell and others worked with Steisand on one of the most popular song scores ever, topped by the Streisand/Williams Evergreen winning the Academy Award and Golden Globe Award as 1976's Best Original Song. Their teamwork resulted in a box-office triumph as well as a considerable achievement (Clive Hirschborn, The Hollywood Musical).
To the cry of all for one and one for all comes a version of the Dumas classic that's fun for all - a rousing, swashbuckling adaptation that was Gene Kelly's favourite among his nonmusical movies.Kelly plays country lad D'Artagnan, who comes to Paris with heady ambition and duels his way into the ranks of King Louis XIII's musketeers. He swashes and buckles with brio, bringing to action scenes the virile athleticism that set him apart as a dancer in movie musicals. A top cast - Vincent Price as unctuous Cardinal Richelieu, Lana Turner as villainous Lady de Winter, June Allyson as Constance, Van Heflin as Athos, Robert Coote as Aramis, Gig Young as Porthos, and Frank Morgan and Angela Lansbury as King Louis and Queen Anne - joins Kelly in this exuberant tale.Product FeaturesVintage FitzPatrick Traveltalks Short Looking at London.Classic Cartoon What Price Fleadom.Audio-Only Bonus: Radio Promo.Theatrical Trailer
The life of Christ got an excessively long treatment (260 minutes, later trimmed to 195) in this 1965 film directed by George Stevens (The Diary of Anne Frank). Max von Sydow does beautiful work as Jesus--his spontaneous mourning at discovering his friend Lazarus has died is not like anything in other New Testament epics--and Stevens renders the familiar tale with a handsome authenticity. But the project is nearly undone by an unwise gimmick in which seemingly half of Hollywood's living stars at the time make brief cameo appearances, some of which are ridiculous (who can forget the sight of John Wayne as a Roman Centurion solemnly intoning, "Truly he was the son of Gaaad"?). But there is a lot to like in the film, and Von Sydow's sensitive nobility sticks in the memory. --Tom Keogh
Consciously crafted by director George Stevens as a piece of American myth making, Shane is on nearly everyone's shortlist of great movie Westerns. A buckskin knight, Shane (Alan Ladd) rides into the middle of a range war between farmers and cattlemen, quickly siding with the "sod-busters". While helping a kindly farmer (Van Heflin), Shane falls platonically in love with the man's wife (Jean Arthur, in the last screen performance of a marvellous career). Though the showdowns are exciting, and the story simple but involving, what most people will remember about this movie is the friendship between the stoical Shane and the young son of the farmers. The kid is played by Brandon De Wilde, an amazing child performer; his parting scene with Shane is guaranteed to draw tears from even the most stony-hearted moviegoer. And speaking of stony hearts, Jack Palance made a sensational impression as the evil gunslinger sent to clean house--he has fewer lines of dialogue than he has lines in his magnificently craggy face, but he makes them count. The photography, highlighting the landscape near Jackson Hole, Wyoming, won an Oscar. --Robert Horton
The evergreen Oscar winner ablaze with music and stardust. // The fire of Barbra Steisand. The magnetism of Kris Kristofferson. The Reckless world of big-time rock 'n' roll. All three bring a new passion and timeliness to A Star is Born, one of the screen's classic love stories (previously filmed in 1937 and 1954) and winner of five Golden Globe Awards, including Best Picture, Actress and Actor (Musical/Comedy). // Paul Williams, Kenny Loggins, Leon Russel and others worked with Steisand on one of the most popular song scores ever, topped by the Streisand / Williams Evergreen winning the Academy Award and Golden Globe Award as 1976's Best Original Song. Their teamwork resulted in a box-office triumph as well as a considerable achievement (Clive Hirschhorn, The Hollywood Musical). Features: Commentary by Barbra Steisand, Additional Scenes, wardrobe Tests, Soundtrack Remastered in Dolby Digital 5.1, A Star Is Born Trailer Gallery.
The King of Comedy, which flopped at the box office, is actually a gem waiting to be rediscovered. Like A Face in the Crowd (a not-so-distant cousin to this film), Network, and The Truman Show, its target is show business--specifically the burning desire to become famous or be near the famous, no matter what. Robert De Niro plays the emotionally unstable, horrendously untalented Rupert Pupkin, a wannabe Vegas-style comedian. His fantasies are egged-on by Marsha, a talk-show groupie (brilliantly played by Sandra Bernhard) who hatches a devious, sure-to-backfire plan. Jerry Lewis is terrific in the straight role as the Johnny Carson-like talk-show host Jerry Langford. De Niro's performance as the obsessive Pupkin is among his finest (which is saying a lot) and he never tries to make the character likable in any way. Because there's no hero and no-one to root for, and because at times the film insists we get a little too close and personal with Pupkin, some will be put off. Yet it's one of Scorsese's most original and fascinating films, giving viewers much to consider on the subject of celebrity. Its inevitable climax is clever and quietly horrific. --Christopher J Jarmick
Hollywood journeyman par excellence Michael Curtiz directs this historical Western which tells the stories of confederate soldier Jeb Stuart (Errol Flynn) and General George Armstrong Custer (Ronald Reagan) as they fight abolitionist John Brown (Raymond Massey).
3:10 to Yuma is a tight, taut Western in the High Noon tradition. Struggling rancher and family man Van Heflin sneaks captured outlaw Glenn Ford out from under the eyes of his gang and nervously awaits the prison train. Adapted from an Elmore Leonard story, this tense thriller is boiled down to its essential elements: a charming and cunning criminal, an initially reluctant hero whose courage and resolution hardens along the way and a waiting game that pits them in a battle of wills and wits. Glenn Ford practically steals the film in one of his best performances ever: calm, cool and confident, he's a ruthless killer with polite manners and an honourable streak. Director Delmer Daves (Broken Arrow) sets it all in a harsh, parched frontier of empty landscapes, deserted towns and dust, creating a brittle quiet that threatens to snap into violence at any moment. --Sean Axmaker, Amazon.com
Ten classic film noirs in this gripping 5 disc collection! Disc 1: Scarlet Street / Robinson / Detour Disc 2: The Strange Love of Martha Ivers / Whistle Stop Disc 3: He Walked By Night / Trapped Disc 4: Impact / D.O.A. Disc 5: Quicksand / The Hitchhiker
In 1866 the U.S. Government and the leaders of the Sioux Nations met to negotiate a passage through Indian territory, when gold is discovered in the mountains of Montana. Unable to reach an agreement, the U.S. Cavalry defy the peace treaty and build a fort to protect their new road. Van Heflin stars as Jim Bridger, a scout hired by the cavalry and the only man capable of defusing the powder-keg situation. Against the backdrop of a potential war, Bridger must also face personal demons when he runs into Lieutenant Rob Dancy, a bigoted army officer with a dark history.
This grippingly dramatic adventure film stars Eric Portman as a scholar who encounters deception and danger as he crosses the Sahara in search of the fabled tomb of a Roman general. Co-starring Oscar-winning character actor Van Heflin, featuring lush cinematography from Oswald Morris and solid direction from Jack Lee best-known for A Town Like Alice and the genre-defining The Wooden Horse South of Algiers is featured here in a brand-new transfer from original film elements, in its as-exhibited theatrical aspect ratio. Dr Burnet, an eminent archaeologist, sets out for North Africa to search for the lost tomb of Marcus Manilius, said to contain the priceless golden mask of Moloch. But it soon becomes clear that two crooked fortune-hunters are also seeking the mask, and a desperate and deadly race across the desert begins SPECIAL FEATURES: Original theatrical trailer Image gallery Promotional material PDFs
From acclaimed Oscar & BAFTA-nominated director Martin Ritt 'The Molly MaGuires' is a gritty compelling drama about a group of Irish immigrant miners who use sabotage and murder to fight the corruption of the Pennsylvanian mining company they work for. Starring Sean Connery as the leader of the immigrant band known as The Molly Maguires and Richard Harris as the man paid to infiltrate and bring down the gang the film depicts an era of brutal repression and the struggle to maintai
Till the Clouds Roll By was the big MGM extravaganza of 1946, purporting to be a life of the first giant of the stage musical, Jerome Kern. Great chunks of Show Boat, Sweet Adeline and Sunny dominate while, in between excerpts, reliable Robert Walker does valiant work as Kern, lending a gentle credibility to even the most extravagant licenses taken by the writers. The liberties taken with Kern's story beggar belief, but what a fine excuse this is to sit back and enjoy a procession of gems from the great American songbook, performed by genuine legends. Judy Garland has two numbers as Marilyn Miller, both directed by husband Vincente Minnelli at the peak of their creative and personal relationships. Singing "Who?", she has to float down the proverbial staircase, obviously pregnant (Liza was born a short time later). Others to shine include Kathryn Grayson, June Allyson, Dinah Shore and, more bizarrely, a skinny young Sinatra drafted in at the last for a rousing "Old Man River". Most poignant of all is the presence of Lena Horne who, but for the racist values of Hollywood at the time, would have been a great film star. Ever confined to guest appearances, she here sings the songs of Show Boat's tragic half-caste Julie. When MGM filmed the musical in 1951, the same part went to Ava Gardner. On the DVD: Till the Clouds Roll By may boast digital remastering, but it could have done with a deal of restoration, too. Presented in 4:3 format, the picture quality is often pixellated and the soundtrack in "HiFi Stereo" is muffled and occasionally cracked. Considering its value as an archive of great performers, some rarely seen on film, this film deserves better DVD treatment. --Piers Ford
Consciously crafted by director George Stevens as a piece of American myth making, Shane is on nearly everyone's shortlist of great movie Westerns. A buckskin knight, Shane (Alan Ladd) rides into the middle of a range war between farmers and cattlemen, quickly siding with the "sod-busters". While helping a kindly farmer (Van Heflin), Shane falls platonically in love with the man's wife (Jean Arthur, in the last screen performance of a marvellous career). Though the showdowns are exciting, and the story simple but involving, what most people will remember about this movie is the friendship between the stoical Shane and the young son of the farmers. The kid is played by Brandon De Wilde, an amazing child performer; his parting scene with Shane is guaranteed to draw tears from even the most stony-hearted moviegoer. And speaking of stony hearts, Jack Palance made a sensational impression as the evil gunslinger sent to clean house--he has fewer lines of dialogue than he has lines in his magnificently craggy face, but he makes them count. The photography, highlighting the landscape near Jackson Hole, Wyoming, won an Oscar. --Robert Horton
3:10 to Yuma is a tight, taut Western in the High Noon tradition. Struggling rancher and family man Van Heflin sneaks captured outlaw Glenn Ford out from under the eyes of his gang and nervously awaits the prison train. Adapted from an Elmore Leonard story, this tense thriller is boiled down to its essential elements: a charming and cunning criminal, an initially reluctant hero whose courage and resolution hardens along the way and a waiting game that pits them in a battle of wills and wits. Glenn Ford practically steals the film in one of his best performances ever: calm, cool and confident, he's a ruthless killer with polite manners and an honourable streak. Director Delmer Daves (Broken Arrow) sets it all in a harsh, parched frontier of empty landscapes, deserted towns and dust, creating a brittle quiet that threatens to snap into violence at any moment. --Sean Axmaker, Amazon.com
At the time of Rome's rule over Judea, Jesus (Max von Sydow) is born in a stable in Bethlehem. As a grown man, he preaches about his father's kingdom, gathers twelve disciples around him, performs miracles and is revered by the people as the long-awaited Messiah. Fearing for their position of power, the celebrated saviour is a thorn in the side of the Roman rulers and the Jewish priesthood: they have Jesus persecuted, arrested and sentenced to death on the cross. With his subsequent resurrection and ascension, he proves to humanity his identity as the Son of God. He Walks in Beauty Documentary, Filmmaker Documentary, Director's Commentary, Alternative Scene: Judas Dies , Original Theatrical Trailer.
Mildred PierceA classic American novel published to tie-in with a major new SKY series starring Kate Winslet.Whatever Happened to Baby JanePossessed
This dark melodrama based on the John Patrick story 'Love Lies Bleeding' stars Barbara Stanwyck as the wonderfully wicked Martha Ivers a wealthy and domineering woman who controls a small town after inheriting a large family fortune. She lives with her weakling husband a district attorney running for mayor played by Kirk Douglas in his feature film debut - a role that's an unusual departure from his later work. What no one in the town knows however is that Stanwyck and Douglas are bound by a dark secret involving murder. Gripping and suspenseful this film noir classic also stars Van Heflin as Martha's old love who returns to town after an 18-year absence whom Douglas thinks is there for one reason: blackmail.
Till the Clouds Roll By was the big MGM extravaganza of 1946, purporting to be a life of the first giant of the stage musical, Jerome Kern. Great chunks of Show Boat, Sweet Adeline and Sunny dominate while, in between excerpts, reliable Robert Walker does valiant work as Kern, lending a gentle credibility to even the most extravagant licenses taken by the writers. The liberties taken with Kern's story beggar belief, but what a fine excuse this is to sit back and enjoy a procession of gems from the great American songbook, performed by genuine legends. Judy Garland has two numbers as Marilyn Miller, both directed by husband Vincente Minnelli at the peak of their creative and personal relationships. Singing "Who?", she has to float down the proverbial staircase, obviously pregnant (Liza was born a short time later). Others to shine include Kathryn Grayson, June Allyson, Dinah Shore and, more bizarrely, a skinny young Sinatra drafted in at the last for a rousing "Old Man River". Most poignant of all is the presence of Lena Horne who, but for the racist values of Hollywood at the time, would have been a great film star. Ever confined to guest appearances, she here sings the songs of Show Boat's tragic half-caste Julie. When MGM filmed the musical in 1951, the same part went to Ava Gardner. On the DVD: Till the Clouds Roll By may boast digital remastering, but it could have done with a deal of restoration, too. Presented in 4:3 format, the picture quality is often pixellated and the soundtrack in "HiFi Stereo" is muffled and occasionally cracked. Considering its value as an archive of great performers, some rarely seen on film, this film deserves better DVD treatment. --Piers Ford
Please wait. Loading...
This site uses cookies.
More details in our privacy policy