Graham Merrill (Travers) buys an otter from a London pet shop and decides to leave the hustle and bustle of the city for the tranquil beauty of the Scottish Highlands. Soon he and Mij become the best of friends and together they explore the natural wonders that surround them. When Graham meets and falls in love with the beautiful village doctor Mary (McKenna) the three become inseparable but when Mij's food source is threatened, so is their idyllic lifestyle.
Coincidence throws Mij the otter and Graham Merrill (Bill Travers) the computer worker together on a busy London street in Ring of Bright Water. What transpires from this chance meeting is an epiphany that leads to the complete upheaval of Graham's life. Evicted from his city flat thanks to the antics of his newly acquired, mischievous otter, Graham embarks on a train journey to the Scottish Highlands. Suffice it to say that trying to smuggle Mij onboard as a "diving terrier" is not successful. When the pair finally arrives in Scotland, they fall in love with the countryside and a dilapidated cottage by the sea. Fate introduces Graham to the town's animal-loving doctor (Virginia McKenna), and an enduring friendship and romance are forged. The photography of both the Scottish Highlands and the antics of Mij the otter in this 1969 movie are truly wonderful--it might just make you reconsider your current digs and friendships. The story (based on Gavin Maxwell's book of the same name) is somewhat formulaic and dated by its romanticism, but enjoyable nonetheless. Slip into an ideal world of simple happiness and celebrate the cyclical nature of life, if only for 106 minutes. --Tami Horiuchi, Amazon.com
Douglas's magnificent, award-winning Trilogy is the product of an assured, formidable artistic vision. These are some of the most compelling films about childhood ever made. Presented here in a High-Definition restoration, the Trilogy follows Jamie (played with heart-breaking conviction by Stephen Archibald) as he grows up in a poverty-stricken mining village in post-war Scotland. This is cinematic poetry: Douglas contracted his subject matter to the barest essentials - dialogue is kept to a minimum, and fields, slag heaps and cobbled streets are shot in bleak monochrome. Yet with its unexpected humour and warmth, the Trilogy brims with clear-eyed humanity, and affection for an ultimately triumphant young boy.
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