Although indisputably a film by Woody Allen, Interiors is about as far from "a Woody Allen film" as you can get--and maybe more people could have seen what a fine film it is if they hadn't been expecting what Allen himself called "one of his earlier, funnier movies." An entirely serious, rather too self-consciously Bergmanesque drama about a divorcing elderly couple and their grown daughters, it is slow, meditative and constructed with a brilliant, artistic eye. There is no music--a simple effect that Allen uses with extraordinary power. In fact, half the film is filled with silent faces staring out of windows, yet the mood is so engaging, hypnotic even, that you never feel the director is poking you in the ribs and saying, "sombre atmosphere". Diane Keaton, released for once from the ditzy stereotype, shines as the "successful" daughter. Some of the dialogue is stilted and it's hard to tell whether this is a deliberate effect or simply the way repressed upscale New Yorkers talk after too many years having their self-absorption sharpened on the therapist's couch. Fanatical, almost childish self-regard is the chief subject of Allen's comedy--it's remarkable that in this film he was able to remove the comedy but leave room for us to pity and care about these rather irritating people. --Richard Farr
As a tale of self-discovery, Silkwood, Mike Nichols' 1982 biopic of the plutonium factory worker who uncovered negligence and dangerous practices at the heart of her employer's company, works well enough. Karen Silkwood (Meryl Streep) is no saint. She drinks, cheerfully gets 'em out for the boys, has left her husband and kids and lives in a curious ménage à trois with her lover, (Kurt Russell) and their lesbian friend (Cher). But, through her own dawning suspicions, she is drawn into union activism and embarks on a crusade to expose the rottenness of her paymasters, only to die in a mysterious car crash. And here is the flaw. The film can't decide whether it's quirky soap opera, a campaigning blow for the anti-nuclear lobby or an allegory for the conflict between the rights of the individual and the demands of the corporate giant. It stops short of providing some important conclusions about what really happened to its central character, and why. Streep is fine though, injecting her character with a studied mixture of innate intelligence and trailer park trash. Russell offers solid support and Cher is outstanding as housemate Dolly Pelliker. Their performances give Silkwood its heart as a powerful human drama. On the DVD: Silkwood is well-served on this DVD release by sharp picture and sound quality (Georges Delerue's poignantly jaunty country and western soundtrack benefits in particular), but the extras are static and add little to the package apart from a strictly "budget" feel: standard biographies of the stars and director with some pretty pointless trivia facts, and a brief history of the production. There's nothing here that even the most generalist of film fans won't already know. A director's commentary explaining why the film loses its bottle in the final reel would be more interesting. --Piers Ford
In Chances Are the irresistible romantic comedy of two lifetimes Cybill Shepherd stars as Corinne Jeffries a beautiful young woman whose picture-perfect marriage comes to a shattering halt when her husband Louie dies unexpectedly. Fortunately Louie gets a second shot at life when he agrees to be ""recycled"" back to earth as the newborn Alex Finch. But fate crosses Alex's path twenty-three years later when he meets Corinne's daughter Miranda and is suddenly flooded wi
Two veteren railway workers find heroism in themselves when their railroad company is closed down leaving them unemployed. They set out for Chicago on a stolen locomotive to confront the railroad executives and find themselves locked in a fight for dignity pride and jobs.
Please wait. Loading...
This site uses cookies.
More details in our privacy policy