By night, vampires rise from loamy graves in search of human prey. By day, vampire slayer Jack Crow (Woods) leads a contingent of Vatican mercenaries in a long-waged war against these enemies.
An examination of the trials and tribulations of the Jordache family from the period following World War II to the late 1960s and beyond.
Henry Fonda is the strict new commander of a frontier fort (Henry Fonda) who soon clashes with his more experienced second in command (John Wayne), jepordising the fragile peace with the native americans.
The incomparable Alfred Hitchcock presents a collection of his finest suspenseful thrillers! Includes: 1. Strangers On A Train (1951) 2. Stage Fright (1950) 3. I Confess (1953) 4. Dial M For Murder (1954) 5. The Wrong Man (1956) 6. North By Northwest (1959)
The unexpected casting of Tony Curtis as the presumed Boston Strangler, Albert DeSalvo, is only the first of the attractions of this hard-nosed suspense picture. Although the style of The Boston Strangler looks dated today, with its split-screen experiments and post-Bonnie and Clyde permissiveness, the film still has the clean, strong lines of a methodical policier. For the first hour, we don't focus on the Strangler, instead following the Beantown cops (led by Henry Fonda) as they track down leads; the best sequence is the near-accidental connection made between burglary suspect DeSalvo and the killings. Director Richard Fleischer had a forceful hand with true-crime material (Compulsion, 10 Rillington Place) and he takes an unblinking look into the then-taboo subject of sexual pathology. Curtis's physical transformation into a dumpy, dull-eyed brute is the best aspect of his performance; it's a role he lobbied hard for, but it did not lead to more challenging work. --Robert Horton
A masterpiece of African American filmmaking and one of the finest debuts in cinema history Killer Of Sheep was chosen for the National Film Registry of the Library of Congress and named one of the 100 Essential Films by the National Society of Film Critics. In the Los Angeles community of Watts Stan a sensitive dreamer is growing detached and numb from the toll of working at a slaughterhouse. Frustrated by money problems he finds respite in moments of simple beauty: the warmth of a teacup against his cheek slow dancing with his wife holding his daughter. Combining lyrical moments with neorealist style Burnett unfolds his story with compassion and humor.
With a remarkable cast headlined by Ian Carmichael, Richard Attenborough, Dennis Price and Terry Thomas, WWII army comedy Private's Progress was one of the major British hits of 1956. Carmichael is Stanley Windrush, a naïve young soldier who during training falls in with the streetwise Private Cox (Attenborough). Windrush's uncle is the even more ambitiously corrupt Colonel Tracepurcel (Price), who plans to divert the war effort to liberate art treasures already looted by the Germans. The first half of the film is quite pedestrian, though the pace picks up considerably once the heist gets underway, and the cheery tone masks a really rather dark and cynical heart. Carmichael's innocent abroad quickly wears thin, but Attenborough and Price steal the film, as well as the paintings, with typically excellent turns. With a nod in the direction of Ealing's The Ladykillers (1955) the film also anticipates the attitudes of both The League of Gentlemen (1959) and Joseph Heller's novel Catch 22 (1961), though lacks the latter's greater sophistication. The cast also contains such British stalwarts as William Hartnell, Peter Jones, Ian Bannen, John Le Mesurier, Christopher Lee and David Lodge, and was sufficiently popular to reunite all the major players for the superior sequel, I'm Alright Jack (1959). On the DVD: Private's Progress is presented in black and white at 4:3 Academy ratio, though the film appears to have been shot full frame and then unmasked for home viewing so there is more top and bottom to the images than at the cinema. The print used shows constant minor damage and is quite grainy, though no more than expected for a low-budget film of the time. The mono sound is average and unremarkable, and there are no special features. --Gary S Dalkin
In this gripping classic Cary Grant stars as a dairy farmer whose kindness towards an unmarried woman (Loretta Young) and her son results in betrayal. Malcolm Trevor (Grant) and his wife (Marion Burns) are unable to conceive a child of their own. So when Malcolm's truck accidentally hits Letty's (Young) son (Henry Travers) the couple gladly take the boy into their home to raise as their own. Determined to take advantage of Malcolm's riches however Letty tries to blackmail him. In
Code of Silence (Dir. Andrew Davis 1985): Chuck Norris plays Det. Eddie Cusack a tough Chicago cop who battles two opposing mob gangs in this fast-paced police actioner. Norris is asked to rectify the situation when the daughter of an underworld Don is used as a pawn in an escalating drug war. Complete with dazzling martial arts action and incredible stunts! Lone Wolf McQuade (Dir. Steve Carver 1983): Chuck Norris is Lone Wolf McQuade a legendary Texas Ranger feared by outlaws and respected by other lawmen. When McQuade uncovers a gun smuggling operation led by an American gangster the action explodes with McQuade wreaking havoc on all those who come between him and the law... Missing In Action (Dir. Joseph Zito 1984): American servicemen are still being held captive in Vietnam - and it's up to one man to bring them home in this blistering fast-paced action-adventure starring martial arts superstar Chuck Norris. Following a daring escape from a Vietnamese POW camp Special Forces Colonel James Braddock (Norris) is on a mission to locate and save remaining MIAs. Aided by a beautiful State Department official (Lenore Kasdorf) and a former Army buddy (M. Emmet Walsh) Braddock amasses top-secret information and state-of-the-art weaponry. Now this one-man army is prepared to blast his way into Vietnam...but will he be able to blast his way back out?
Journalist, screenwriter, novelist, soldier, filmmaker Samuel Fuller was one of American cinema's most prolific and multi-faceted talents. However, the films based on Fuller's early work as a screenwriter remain under appreciated. It Happened in Hollywood: Regarded by Fuller as his first real Hollywood credit', the film has a now-familiar premise: the silent film star who finds they are unable to make the transition to talkies. Blending comedy, romance, action, and a playful self-reflexive streak, the film established Fuller in Hollywood. Adventure in Sahara: Fuller takes full story credit on this rip-roaring adventure yarn inspired he claimed by Victor Hugo, Beau Geste, and Mutiny on the Bounty. Power of the Press: Drawing on Fuller's own experiences as young newspaperman and journalist, this crime drama is a passionate cry for freedom of speech and expression. The film also features Fuller's first fully formed and vital female heroine in the shape of the impassioned Edwina (Gloria Dickson). Special Features: High Definition remasters of all three films Original mono audio It Happened in Hollywood (1937, 68 mins): Richard Dix and Fay Wray star as big-screen actors adapting to the coming of sound in this witty exposé of Tinseltown, directed by Harry Lachman from a screenplay co-written by Samuel Fuller Adventure in Sahara (1938, 57 mins): action-packed drama of revenge and honour, starring Paul Kelly and Lorna Gray, directed by D Ross Lederman from a story by Fuller Power of the Press (1943, 64 mins): Lew Landers directs this hard-edged drama about corruption within the newspaper industry, based on a story by Fuller and starring Guy Kibbee, Lee Tracy and Gloria Dickson All-Star Party (2018, 6 mins): who's who of the stars' and their impersonators in the climactic party scene from It Happened in Hollywood Sam Fuller's Search for Truth with Tim Robbins (2009, 7 mins): the celebrated actor explores Fuller's time as a reporter Image gallery: publicity photography and promotional material for all three films New and improved English subtitles for the deaf and hard-of-hearing
All 6 films from the legacy of the original Invisible Man. Includes The Invisible Man - 1933. The invisible Man Returns - 1940. The Invisible Woman - 1940. Invisible Agent - 1942. The Invisible Man's Revenge - 1944. Abbott and Costello Meet The Invisible Man - 1951. The original Invisible Man is one of the silver screen's most unforgettable characters and, along with the other Universal Classic Monsters, defined the Hollywood horror genre. The Invisible Man: Complete Legacy Collection includes all 6 films from the original legacy including the chilling classic starring Claude Raines and the timeless films that followed. These landmark motion pictures featured groundbreaking special effects and continue to inspire countless remakes and adaptations that strengthen the legend of the Invisible Man to this day. Bonus Features: Now You See Him: The Invisible Man Revealed Feature Commentary with Film Historian Rudy Behlmer Production Photographs Theatrical Trailers
At the crumbling stately home of Hazelwood Manor life for its few remaining downstairs staff is about to take a dramatic leap upstairs when their small syndicate beats the unlikely odds and wins the lottery. Overlooking the seaside town of Scarborough the once impressive manor has been in the family of Lord Hazelwood (Anthony Andrews Brideshead Revisited) since his ancestors built it in the 18th century. There used to be more than thirty staff at the house but now with a mounting debt of £6.5 million and counting there are just five remaining since Lord and Lady Hazelwood (Alice Krige Thor: The Dark World) were forced to let the others go. Gardener and math enthusiast Godfrey (Lenny Henry Othello Harry Potter and the Prisoner of Azkaban) housekeeper Sarah (Cara Theobold Downton Abbey) cleaner Dawn (Elizabeth Berrington Mr. Turner) cook Julie (Melanie Hill Stardust) and gamekeeper-cum-groomsman Sean (Richard Rankin The Crimson Field) all have to pitch in and do more than one job just to keep the household running smoothly. Now Lord Hazelwood’s health is failing and the second Lady Hazelwood and her son Spencer (Sam Phillips In The Flesh) - who have grown a little too accustomed to their lives of grandeur - are more concerned with maintaining their lifestyle than sorting out the estate’s disastrous finances. With the future of Hazelwood in question and their jobs on the line the unthinkable happens - the staff wins the lottery! This touching drama from BAFTA award-winning writer Kay Mellor follows the highs and lows of their journey from downstairs to upstairs… There are now 14.5 million reasons why the lives and loves of the staff of Hazelwood Manor are about to change beyond recognition - but will the dream of instant riches be different from the reality?
OUIJA - A group of friends must confront their most terrifying fears when they awaken the dark powers of an ancient spirit board. OUIJA: ORIGIN OF EVIL - In 1967 Los Angeles, a widowed mother and her two daughters add a new stunt to bolster their seance scam business and unwittingly invite authentic evil into their home. When the youngest daughter is overtaken by a merciless spirit, the family confronts unthinkable fears to save her and send her possessor back to the other side.
Asian American director Ang Lee sums up America in the early 1970s by focusing on the arrival of the sexual revolution in the 'burbs. Isolationism within a family, consumerism, and selfishness are personified by a cast that captures the self-obsession within two New England families. As the children struggle awkwardly with adolescence, their parents stumble through sexual experimentation. In the days of Watergate and Vietnam, society is breaking boundaries and ignoring convention. Following suit, these families are eschewing polite barriers and social taboos, with disastrous results. The Ice Storm of the title refers not only to a natural phenomenon but is a (rather heavy-handed) metaphor for a pervasive emotional temperament. The entire cast delivers textured, finely nuanced performances. This movie lingers in the psyche not only for the scope of the tragedy at its conclusion, but for Lee's often humorous and stingingly accurate assessment of pop culture. Based on Rick Moody's novel, this won the best-screenplay award at Cannes in 1997. --Rochelle O'Gorman
Clark Gable and Claudette Colbert team up for laughs as mismatched lovers in this 1934 screwball comedy classic. Spoiled Ellie Andrews (Colbert) escapes from her millionaire father (Walter Connolly) who wants to stop her from marrying a worthless playboy. En route to New York Ellie gets involved with an out-of-work newsman Peter Warne (Gable). When their bus breaks down the bickering couple set off on a madcap hitchhiking expedition. Peter hopes to parlay the inside story of their
Family Guy shouldn't work at all. Even by the witless standards of modern television, it is breathtakingly derivative: does an animated series about the travails of a boorish, suburban yob with a saintly wife, a hopeless son, a clever daughter and a baby sound familiar at all? Even the house in Family Guy looks like it was built by the same architects who sketched the residence of The Simpsons. However, Family Guy does work, transcending its (occasionally annoyingly) obvious influences with reliably crisp writing and the glorious sight gags contained in the surreal flashbacks which punctuate the episodes. Most importantly, the show's brilliance comes from two absolutely superb characters: Stewie, the baby whose extravagant dreams of tyrannising the world are perpetually thwarted by the prosaic limitations of infanthood, and the urbane family dog Brian--Snoopy after attendance at an obedience class run by Frank Sinatra. Family Guy does not possess the cultural or satirical depth of The Simpsons--very little art in any field does. But it is a genuinely funny and clever programme. --Andrew Mueller
The Tudors is back with Season 2! Passion ambition and treachery collide in this compelling drama about the early years of King Henry VIII's infamous 40-year reign. With a lust for power and an appetite for love this young Monarch (Jonathan Rhys-Meyers) rules his kingdom as he lives his life - with ruthless abandon. Affairs of the state carry little interest for him as England's ruler is intent upon his own desires.
3:10 to Yuma is a tight, taut Western in the High Noon tradition. Struggling rancher and family man Van Heflin sneaks captured outlaw Glenn Ford out from under the eyes of his gang and nervously awaits the prison train. Adapted from an Elmore Leonard story, this tense thriller is boiled down to its essential elements: a charming and cunning criminal, an initially reluctant hero whose courage and resolution hardens along the way and a waiting game that pits them in a battle of wills and wits. Glenn Ford practically steals the film in one of his best performances ever: calm, cool and confident, he's a ruthless killer with polite manners and an honourable streak. Director Delmer Daves (Broken Arrow) sets it all in a harsh, parched frontier of empty landscapes, deserted towns and dust, creating a brittle quiet that threatens to snap into violence at any moment. --Sean Axmaker, Amazon.com
Codebreaker: The remarkable and tragic story of one of the 20th century's most important people; Alan Turning. 100 years after his birth we rediscover the man and the mystery. Codebreaker re-counts the story of this maverick British genius who was crucial to founding three new fields of science as well as breaking the Nazis' naval Enigma code during World War II. Historians credit his codebreaking with helping to shorten the war by two years and saving millions of lives. As the founding father of computer science and artificial intelligence Alan Turing envisioned our digital world long before anyone else. Turing's visionary brilliance was overshadowed by his conviction for gross indecency with another man in 1952. He was forced to undergo so-called organo-therapy (chemical castration) to change his sexual orientation. In despair Turing committed suicide in 1954. He was only 41 years old. Codebreaker is an award-winning drama documentary that uses emotional and engaging reconstructions to bring Turing to life in intricate detail and high color. Documentary elements seamlessly interconnect with drama scenes in Codebreaker to offer a three dimensional picture of Turing his accomplishments his tragic end and his lasting legacy.
Sheriff John Higgins quits and goes into prospecting after he thinks he has killed his best friend in shooting it out with robbers...
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