One of Oshima's most powerful and controversial films. Telling the brutal story of real-life rapist and serial murderer Eisuke (Kei Sato) and his relationship with his protective schoolteacher wife Matsuko (Akiko Koyama) and his only surviving victim Shino (Saeda Kawagushi) Oshima takes the format of the 'real-life crime' drama and uses it as a canvas to lay bare the lost idealism and decay in postwar Japan. Although the action takes place in a seemingly idyllic rural setting Oshima's portrait of humanity is as dark violent and uncompromising as the urban wastes and hellish ghettos of Naked Youth and The Sun's Burial. Never presenting Eisuke as anything less than a monster Oshima goes further to suggest how such deviancy and (specifically male) violence reflects an amoral and corrupt modern society. Part thriller part reaction against the austere Japanese cinematic tradition with avant-garde experimentation and grim social commentary Violence At High Noon is fresh and as fearsome today as when it was first released.
A wandering miner looking for work with his young son is pursued and savagely killed by a mysterious silent assassin in a white suit and hat. The killer threatens a female witness to lie to the police and blame it on someone else. As mistrust and more killings spread through the barely populated rundown mining community ghosts of the dead appear and follow the action unheard by the living yet imploring them for answers. Who is the man in white and why does he sow confusion? Te
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