It seemed like a pretty good career move, and for the most part it was. Demi Moore will never top any rational list of great actresses, but as her career stalled in the mid-1990s she had enough internal fire and external physicality to be just right for her title role in G.I. Jane. Her character's name isn't Jane--it's Jordan O'Neil--but the fact that she lacks a penis makes her an immediate standout in her elite training squad of Navy SEALs. She's been recruited as the first female SEAL trainee through a series of backroom political manoeuvres and must prove her military staying power against formidable odds--not the least of which is the abuse of a tyrannical master chief (Viggo Mortensen) who puts her through hell to improve her chances of success. Within the limitations of a glossy star vehicle, director Ridley Scott manages to incorporate the women-in-military issue with considerable impact, and Moore--along with her conspicuous breast enhancements and that memorable head-shaving scene--jumps into the role with everything she's got. Not a great movie by any means, but definitely a rousing crowd pleaser and it's worth watching just to hear Demi shout the words "Suck my ----!!" (rhymes with "chick"). --Jeff Shannon, Amazon.com
An epic story of a world at war. And a boy at play.
Cambridge Spies, the BBC's moody 2003 dramatisation of the most notorious debacle in the history of the British Secret Service, raises the spectre of the treachery of Philby, Burgess, MacLean and Blunt for a generation of viewers who can only imagine the shockwaves generated by their duplicity. Inevitably the story suffers from the basically repellent quality of its raw material. Determinedly non-judgemental, it frequently stumbles along a precarious path between romantic eulogy and fact-based fable of the perils of idealism. For all the handsome casting, the characters have little charm to compensate for their deeds. Their motivations are sketched only vaguely. Even in moments of personal vulnerability, however poignant the performances, sympathy is at a premium. But it has its high points as an atmospheric soap opera: the recreation of a period that stretches from the radical aspects of 1930s university life at Cambridge to Cold War London, dipping into the Spanish Civil War and the Washington diplomatic circle en route, is vivid. The acting, too, is fine. Tom Hollander's rampantly dissolute Burgess verges constantly on parody. But Toby Stephens (Philby), Samuel West (a frosty Blunt) and Rupert Penry-Jones (an emotionally wrung-out MacLean) work wonders with Peter Moffat's insubstantial script. On the DVD: Cambridge Spies is a handsome production with a cinematic quality enhanced by an appropriately edgy soundtrack and widescreen presentation. The main extra is the commentary shared by director Tim Fywell, producer Mark Shivas and writer Peter Moffat. It's a rather self-congratulatory affair, but includes some interesting insights: attempts to film some events in their real location met with refusal, suggesting that in some quarters, the outrage and embarrassment that Burgess, Philby and MacLean left in their wake is still very close to the surface. --Piers Ford
Pitch Perfect 1 Musical teen comedy following the fortunes of an all-girl a cappella singing group. Anna Kendrick stars as Beca, a freshman who is persuaded to join The Bellas, her university's all-female singing group. Raising their energy and expanding their repertoire, The Bellas have soon taken their music to a whole new level, culminating in a sing-off against their male counterparts in a campus-wide competition. Rebel Wilson and Elizabeth Banks co-star. Pitch perfect 2 Anna Kendrick and Rebel Wilson return in this musical comedy sequel following the fortunes of an all-girl a cappella singing group. The film follows The Barden Bellas as they enter an international singing competition that a group from the US have yet to win. Can they impress the judges enough to beat their competitors? The cast also includes Elizabeth Banks, Hailee Steinfeld, Brittany Snow and Katey Sagal. Pitch Perfect 3 Now graduated from college and out in the real world where it takes more than a cappella to get by, the Bellas return in Pitch Perfect 3, the next chapter in the beloved series. After the highs of winning the World Championships, the Bellas find themselves split apart and discovering there aren't job prospects for making music with your mouth. But when they get the chance to reunite for an overseas USO tour, this group of awesome nerds will come together to make some music, and some questionable decisions, one last time
Indiana Jones and the Raiders of the Lost Ark It's said that the original is the greatest, and there can be no more vivid proof than Raiders of the Lost Ark, the first and indisputably best of the initial three Indiana Jones adventures cooked up by the dream team of Steven Spielberg and George Lucas. Expectations were high for this 1981 collaboration between the two men, who essentially invented the box office blockbuster with `70s efforts like Jaws and Star Wars, and Spielberg (who directed) and Lucas (who co-wrote the story and executive produced) didn't disappoint. This wildly entertaining film has it all: non-stop action, exotic locations, grand spectacle, a hero for the ages, despicable villains, a beautiful love interest, humour, horror not to mention lots of snakes. And along with all the bits that are so familiar by now--Indy (Harrison Ford) running from the giant boulder in a cave, using his pistol instead of his trusty whip to take out a scimitar-wielding bad guy, facing off with a hissing cobra, and on and on--there's real resonance in a potent storyline that brings together a profound religious-archaeological icon (the Ark of the Covenant, nothing less than "a radio for speaking to God") and the 20th century's most infamous criminals (the Nazis). Now that's entertainment. --Sam Graham Indiana Jones and the Temple of Doom It's hard to imagine that a film with worldwide box office receipts topping US$300 million worldwide could be labeled a disappointment, but some moviegoers considered Indiana Jones and the Temple of Doom, the second installment in Steven Spielberg and George Lucas' 1980s adventure trilogy, to be just that. That doesn't mean it's a bad effort; any collaboration between these two cinema giants (Spielberg directed, while Lucas provided the story and was executive producer) is bound to have more than its share of terrific moments, and Temple of Doom is no exception. But in exchanging the very real threat of Nazi Germany for the cartoonish Thuggee cult, it loses some of the heft of its predecessor (Raiders of the Lost Ark); on the other hand, it's also the darkest and most disturbing of the three films, what with multiple scenes of children enslaved, a heart pulled out of a man's chest, and the immolation of a sacrificial victim, which makes it less fun than either Raiders or The Last Crusade, notwithstanding a couple of riotous chase scenes and impressively grand sets. Many fans were also less than thrilled with the new love interest, a spoiled, querulous nightclub singer portrayed by Kate Capshaw, but a cute kid sidekick ("Short Round," played by Ke Huy Quan) and, of course, the ever-reliable Harrison Ford as the cynical-but-swashbuckling hero more than make up for that character's shortcomings. --Sam Graham Indiana Jones and the Last Crusade The third episode in Steven Spielberg's rousing Indiana Jones saga, this film recaptures the best elements of Raiders of the Lost Ark while exploring new territory with wonderfully satisfying results. Indy is back battling the Nazis, who have launched an expedition to uncover the whereabouts of the Holy Grail. And it's not just Indy this time--his father (played with great acerbic wit by Sean Connery, the perfect choice) is also involved in the hunt. Spielberg excels at the kind of extended action sequences that top themselves with virtually every frame; the best one here involves Indy trying to stop a Nazi tank from the outside while his father is being held within. For good measure, Spielberg reveals (among other things) how Indy got his hat, the scar on his chin, and his nickname (in a prologue that features River Phoenix as the young Indiana). --Marshall Fine Indiana Jones and the Kingdom of the Crystal Skull Nearly 20 years after riding his last Crusade, Harrison Ford makes a welcome return as archaeologist/relic hunter Indiana Jones in Indiana Jones and the Kingdom of the Crystal Skull, an action-packed fourth installment that's, in a nutshell, less memorable than the first three but great nostalgia for fans of the series. Producer George Lucas and screenwriter David Koepp (War of the Worlds) set the film during the cold war, as the Soviets--replacing Nazis as Indy's villains of choice and led by a sword-wielding Cate Blanchett with black bob and sunglasses--are in pursuit of a crystal skull, which has mystical powers related to a city of gold. After escaping from them in a spectacular opening action sequence, Indy is coerced to head to Peru at the behest of a young greaser (Shia LaBeouf) whose friend--and Indy's colleague--Professor Oxley (John Hurt) has been captured for his knowledge of the skull's whereabouts. Whatever secrets the skull holds are tertiary; its reveal is the weakest part of the movie, as the CGI effects that inevitably accompany it feel jarring next to the boulder-rolling world of Indy audiences knew and loved. There's plenty of comedy, delightful stunts--ants play a deadly role here--and the return of Raiders love interest Karen Allen as Marion Ravenwood, once shrill but now softened, giving her ex-love bemused glances and eye-rolls as he huffs his way to save the day. Which brings us to Ford: bullwhip still in hand, he's a little creakier, a lot grayer, but still twice the action hero of anyone in film today. With all the anticipation and hype leading up to the film's release, perhaps no reunion is sweeter than that of Ford with the role that fits him as snugly as that fedora hat. --Ellen A. Kim
Simply Media are delighted to announce the release of BBC's The Eagle of the Ninth: The Complete Series on DVD and Vimeo on Demand for the first time 15th January 2018. This gripping series was first broadcast on BBC Scotland during the Sunday primetime drama slot in 1977, where it captivated audiences. Despite recent remakes of the tale, this original adaptation is fondly remembered for being the most faithful adaptation of Rosemary Sutcliff's popular novel. Directed by BAFTA-winner Michael Simpson (The Bill) and produced by BAFTA-nominee Pharic Maclaren (The Vital Spark), The Eagle of the Ninth was inspired by the legendary story of the mysterious disappearance of Rome's Ninth Legion in Britain, and the discovery of a bronze Roman eagle unearthed in Silchester in 1866. Set around 117AD, when Britain was under Roman occupation, The Eagle of the Ninth stars a young Anthony Higgins (Raiders of the Lost Ark) in the lead role as the ambitious Roman officer Marcus Flavius Aquila. He is on a mission to discover the truth of what happened to his father's legion, the Ninth Legion. Four thousand men disappeared without a trace while travelling to battle the rising Caledonian tribes in northern England. Disguising himself as a Greek doctor, and joined by his freed ex-slave, Esca (Christian Rodska - The Monuments Men) Marcus travels beyond Hadrian's Wall to unravel the mystery surrounding his father's last stand and discover what really happened to the Ninth Legion. It's a perilous journey, but Marcus is determined to bring back the bronze eagle standard that was a symbol of the Legion's honour, the Eagle of the Ninth.
Taste the Blood of Dracula is one of the best of Christopher Lee's Dracula series for Hammer. A group of businessmen who, out of sight of their families, like nothing more than to frequent brothels and generally behave in sensation-seeking ways, are persuaded by Dracula's servant (a splendidly manic Ralph Bates) that summoning up the orthodontically-challenged aristocrat would be the ultimate thrill. They warily agree, purchasing relics for the necessary ritual from a shifty dealer (Roy Kinnear--who else?), but panic halfway through the proceedings and decide to kick their initiator to death instead. Unfortunately, it's too late, and Dracula materialises as they make good their escape, swearing to avenge the murder of his servant. While the subsequent descent into paranoia by the three villains-Dracula himself hardly counts in comparison with this odious bunch--isn't exactly the stuff of Rosemary's Baby, it still infuses the plot with an element of psychodrama that is unusual for a Hammer fang-fest. There are strong performances pretty much all round, but Peter "Clegg" Sallis quakes exceptionally nicely as one of the trio of miscreants. The sets, props and costumes are of an unusually high order, too. --Roger Thomas
Fast paced and edgy this mini-series (first shown on BBC3) alternates between the gripping love triangle involving the young Casanova Henriette and her husband Grimani and the swan song of the world's most notorious lothario! Written by Russell T. Davies creator of 'Queer As Folk' and the scribe behind the new 'Doctor Who'.
WE HAVE SUCH SIGHTS TO SHOW YOU! In 1987, master of horror Clive Barker unleashed Hellraiser upon unsuspecting audiences launching what has proven to be one of the genre s most enduring franchises and creating an instant horror icon in the figure of Pinhead in the process. In Barker s original Hellraiser, Kirsty Cotton (Ashley Laurence) comes head-to-head with the Cenobites demonic beings from another realm who are summoned by way of a mysterious puzzle box. Picking up immediately after the events of the original Hellraiser, Hellbound: Hellraiser II finds Kirsty detained at a psychiatric institute and under the care of Dr. Channard, a man with an unhealthy interest in the occult. Meanwhile, Hellraiser III: Hell on Earth sees Pinhead and his band of Cenobites let loose in our own world, with terrifying consequences.
Some teachers just don't give an F. For example there's Elizabeth (Cameron Diaz). She's foul-mouthed ruthless and inappropriate. She drinks she gets high and she can't wait to marry her meal ticket and get out of her bogus day job. When she's dumped by her fiance she sets her plan in motion to win over a rich handsome subsititute (Justin Timberlake) - competing for his affections with an overly energetic colleague Amy (Lucy Punch). When Elizabeth also finds herself fighting of the advances of a sarcastic irreverent gym teacher (Jason Segel) the consequences of her wild and outrageous schemes give her students her coworkers and even herself an education like no other.
WE HAVE SUCH SIGHTS TO SHOW YOU! In 1987, master of horror Clive Barker unleashed Hellraiser upon unsuspecting audiences launching what has proven to be one of the genre's most enduring franchises and creating an instant horror icon in the figure of Pinhead in the process. In Barker's original Hellraiser, Kirsty Cotton (Ashley Laurence) comes head-to-head with the Cenobites demonic beings from another realm who are summoned by way of a mysterious puzzle box. Picking up immediately after the events of the original Hellraiser, Hellbound: Hellraiser II finds Kirsty detained at a psychiatric institute and under the care of Dr. Channard, a man with an unhealthy interest in the occult. Meanwhile, Hellraiser III: Hell on Earth sees Pinhead and his band of Cenobites let loose in our own world, with terrifying consequences. Here presented in brand new 2k restorations, Arrow Video is proud to present the first three instalments in one of the most fiercely original horror franchises of all time. Includes Special Edition Content: Brand new 2K restorations of Hellraiser, Hellbound: Hellraiser II, and Hellraiser III: Hell on Earth Uncompressed PCM Stereo 2.0 and Lossless DTS-HD MA 5.1 sound for Hellraiser and Hellbound: Hellraiser II Lossless DTS-HD MA 2.0 sound for Hellraiser III: Hell on Earth English subtitles for the deaf and hard of hearing for all three films Reversible sleeves for all three films featuring original and newly commissioned artwork by Gilles Vranckx Disc 1 - Hellraiser Brand new 2K restoration approved by director of photography Robin Vidgeon Audio commentary with writer/director Clive Barker Audio commentary with Barker and actress Ashley Laurence Leviathan: The Story of Hellraiser brand new version of the definitive documentary on the making of Hellraiser, featuring interviews with key cast and crew members Being Frank: Sean Chapman on Hellraiser actor Sean Chapman talks candidly about playing the character of Frank Cotton in Barker's original Soundtrack Hell: The Story of the Abandoned Coil Score Coil member Stephen Thrower on the Hellraiser score that almost was Hellraiser: Resurrection vintage featurette including interviews with Clive Barker, actors Doug Bradley and Ashley Laurence, special make-up effects artist Bob Keen and others Under the Skin: Doug Bradley on Hellraiser Original EPK featuring on-set interviews with cast and crew Draft Screenplays [BD-ROM content] Trailers and TV Spots Image Gallery Disc 2 - Hellbound: Hellraiser II Brand new 2K restoration approved by director of photography Robin Vidgeon Audio Commentary with director Tony Randel and writer Peter Atkins Audio Commentary with Randel, Atkins and actress Ashley Laurence Leviathan: The Story of Hellbound: Hellraiser II brand new version of the definitive documentary on the making of Hellbound, featuring interviews with key cast and crew members Being Frank: Sean Chapman on Hellbound actor Sean Chapman talks about reprising the role of Frank Cotton in the first Hellraiser sequel Surgeon Scene the home video world premiere of this legendary, never before-seen excised sequence from Hellbound, sourced from a VHS workprint Lost in the Labyrinth vintage featurette including interviews with Barker, Randel, Keen, Atkins and others Under the Skin: Doug Bradley on Hellbound: Hellraiser II On-set interview with Clive Barker On-set interviews with cast and crew Behind-the-Scenes Footage Rare and unseen storyboards Draft Screenplay [BD-ROM content] Trailers and TV Spots Image Gallery Disc 3 - Hellraiser III: Hell on Earth Brand new 2K restoration of the Original Theatrical Version [93 mins] Alternate Unrated Version [97 mins] Brand new audio commentary with writer Peter Atkins Audio commentary with director Anthony Hickox and Doug Bradley Hell on Earth: The Story of Hellraiser III making-of documentary featuring interviews with Atkins, Keen and actor Ken Carpenter Terri's Tales brand new interview with actress Paula Marshall Under the Skin: Doug Bradley on Hellraiser III: Hell on Earth Raising Hell on Earth archival interview with Hickox On-set interviews with Barker and Bradley Never-before-seen Hellraiser III SFX dailies Theatrical Trailer Image Gallery Hellraiser III comic book adaptation [Disc gallery]
Following the successful video release of Cats comes another Andrew Lloyd Webber blockbuster musical, Joseph and the Amazing Technicolor Dreamcoat, and it's a savvy choice. It hasn't been represented on film before, it's short enough (78 minutes) to present without cuts and it has the star-power of former teen icon Donny Osmond, who played over 1,800 performances across North America. Rather than record a live performance, Cats director David Mallet conceived Joseph as a film, though one that is based strongly on co-director Steven Pimlott's 1991 London revival and relies more on camerawork than venturing beyond its stagelike sets.Lloyd Webber's first project with lyricist Tim Rice was originally written in 1968 as a school cantata; accordingly, this film uses a framing sequence of a school recital, with an audience of clapping, singing kids and members of the faculty playing the roles. The Old Testament tale of Joseph and his coat of many colours gets a splashy, vigorous treatment with an energetic cast, Las Vegas-style glitz and catchy, eclectic songs, including "Any Dream Will Do", "Close Every Door", the peppy "Go, Go, Go Joseph" and various bits of country, calypso and Elvis. Osmond is perfect in the title role, with a strong voice and winning persona, while London stage veteran Maria Friedman performs well in the central role of the narrator. Richard Attenborough appears (and sings a little) as Jacob, and Joan Collins makes a brief, non-singing cameo.Joseph certainly isn't revolutionary musical theatre, but if you view it as a kids' show, it's a silly good time (though there are poignant moments too). Parents should note, however, that this production might warrant a little discretion due to one suggestive scene and some risqu&ecute; costumes. --David Horiuchi, Amazon.com
The Ultimate Weapon Reborn! Naruto Sakura and Lee are hired to escort a 'Ninja Dropout' - a criminal ninja - named Gantetsu to prison and guard him against his comrades who may be trying to free him. When they get to the transport boat they meet Todoroki who seems to harbour a personal vendetta against Gantetsu .Will the three ninja be able to fend off any attacks if Gantetsu's friends come to save him? And what is Todoroki's connection with Gantetsu? Meanwhile a Sand shinobi Matsuri has been abducted by a mysterious ninja. In order to bring them bring back Gaara must accept the mystery ninja's challenge. Can Naruto prevent this challenge ending in catastrophe? The time has finally come and its now or never!
Collects all six of the Digimon Adventure Tri movies into one boxset. A mysterious anomaly is causing distortions in the Real World and Digimon are being plagued by a virus that turns them hostile. These circumstances lead to the DigiDestined being reunited with their partner Digimon. Joined by another DigiDestined named Meiko Mochizuki and her partner Meicoomon, the DigiDestined must not only deal with the infected Digimon and the mystery behind them but also with the responsibilities and burdens of growing up.
A humourous and revealing tale of a group of eight women from verying walks of life who have volunteered for a fugged survival course at a tough mountain school in the English lakes. Perhaps the most complex is wise cracking Fran (Julie Waters) a single girl of about thirty whose incessant cheerfulness often hides a sad loneliness. For a week thrown together in dormitory living they march climb swim and canoe. Often wet cold tired and hungry despondent too. And sometimes ver
Now graduated from college and out in the real world where it takes more than a cappella to get by, the Bellas return in Pitch Perfect 3, the next chapter in the beloved series. After the highs of winning the World Championships, the Bellas find themselves split apart and discovering there aren't job prospects for making music with your mouth. But when they get the chance to reunite for an overseas USO tour, this group of awesome nerds will come together to make some music, and some questionable decisions, one last time. The boxset also includes a bonus disc packed with OVER 30 MINUTES of additional exclusive behind the scenes content, including: Bellas Through the Years The A Cappella Aquatica Aca-Boot Camp: Round 3 Bellas Find Love
A routine wire-tap job turns into a modern nightmare as expert surveillance man Harry Caul hears something disturbing in his recording of a young couple in a park. He begins to worry about what the tape may be used for and becomes involved in a maze of secrecy and murder.
Wag the Dog (1997) is a rarity: an intelligent, sophisticated and very funny film about American politics. Just before an election the President--in an uncanny anticipation of real life--gets sexually involved with a young woman, leaving spin-doctor Robert De Niro to think of something quick. He enlists Hollywood producer Dustin Hoffman to help him concoct a war against Albania to take the public's mind off the President's peccadilloes. Both stars are in top form, with Hoffman particularly funny as the larger than life producer. Scripted by David Mamet (House of Games, Glengarry Glen Ross) and directed by Barry Levinson, (whose previous comedies include Good Morning, Vietnam with Robin Williams and Tin Men with Danny De Vito) Wag the Dog manages to make you laugh even while you're thinking about how true the insights are, and how politics is getting more like the media every day. On the DVD: The so-called platinum DVD is packed with features. There is a series of production shots, assembled in no particular order, some showing the director watching filming on his monitor. There are interview clips with Hoffman, De Niro, Anne Heche, William H Macy and Barry Levinson talking about the film, plus scrolled filmographies. There's an audio commentary on the whole film by Levinson and Hoffman, occasionally rambling but with some interesting insights. In another feature, Macy talks at some length about David Mamet. There are extensive scroll-down production notes giving useful information (such as the film's budget), and finally a 50-minute documentary in which producer Jane Rosenthal talks about the relationship between the film and real-life politics. Her comments are supplemented by such luminaries as writer Budd Schulberg, director John Frankenheimer, newscaster Tom Brokaw and Dee Dee Myers, former White House press secretary. The Dolby Digital soundtrack is good quality, as is the image in 16:9 ratio. --Ed Buscombe
WE HAVE SUCH SIGHTS TO SHOW YOU...In the 1980s, Clive Barker changed the face of horror fiction, throwing out the rules to expose new vistas of terror and beauty, expanding the horizons for every genre writer who followed him. With Hellraiser, his first feature film, he did the same for cinema.Hedonist Frank Cotton (Sean Chapman) thinks he has reached the limits of earthly pleasure. But a mysterious puzzle box will take him further than he can possibly imagine, opening the doors to a dominion where pain and pleasure are indivisible and summoning the Cenobites, whose experiments in the higher reaches of experience will tear his soul apart. When he manages to escape, Frank returns to the world skinless and in need of help. Now his former lover Julia (Clare Higgins) must kill to make him whole again. But the Cenobites want Frank back, and there'll be hell to pay when they find him.Hellbound: Hellraiser II expands on Barker's original vision as screenwriter Peter Atkins takes Julia Cotton, her stepdaughter Kirsty (Ashley Laurence) and the sinister Dr Channard (Kenneth Cranham) into the dominion of the Cenobites themselves. Hellraiser III: Hell on Earth sees Pinhead set loose on the sinful streets of New York City to create chaos with a fresh cadre of Cenobitic kin. Then, Hellraiser IV: Bloodline sinks its hooks into past, present and future with the story of Philip LeMarchand, the 18th-century toymaker who made the lament configuration puzzle box, his descendent John Merchant - a 20th-century architect whose most recent building bears a striking resemblance to the lament configuration - and Dr Paul Merchant, a 22nd-century engineer and designer of The Minos, a space station which is a great deal more than it seems.Experience the sublime agony of the original Hellraiser tetralogy with these 4K restorations from the original camera negatives. Hell has never looked better!4 DISC ULTRA HD SPECIAL EDITION CONTENTS4K restorations of all four films from the original camera negatives by Arrow Films4K Ultra HD Blu-rayTM (2160p) presentations of all four films in Dolby Vision (HDR10 compatible)Original lossless stereo and DTS-HD MA 5.1 surround audio for all four filmsOptional English subtitles for the deaf and hard of hearingSpecial edition packaging featuring newly commissioned artwork by Matt GriffinReversible sleeves featuring original and newly commissioned artwork by Matt GriffinDISC 1 - HELLRAISERAudio commentary featuring genre historian (and unit publicist of Hellraiser) Stephen Jones with author and film critic Kim NewmanArchival audio commentary with writer/director Clive Barker and actor Ashley Laurence, moderated by Peter AtkinsArchival audio commentary with writer/director Clive BarkerPower of Imagination, 60-minute discussion about Hellraiser and the work of Clive Barker by film scholars Sorcha NÃ Fhlainn (editor of Clive Barker: Dark Imaginer) and Karmel KniprathUnboxing Hellraiser, visual essay celebrating the Lament Configuration by genre author Alexandra Benedict (The Beauty of Murder)The Pursuit of Possibilities, 60-minute discussion between acclaimed horror authors Paula D. Ashe (We Are Here to Hurt Each Other) and Eric LaRocca (Everything the Dark Eats) celebrating the queerness of Hellraiser and the importance of Clive Barker as a queer writerFlesh is a Trap, visual essay exploring body horror and transcendence in the work of Clive Barker by genre author Guy Adams (The World House)Extended EPK interviews with Clive Barker and stars Andrew Robinson, Clare Higgins, Ashley Laurence, and effects artist Bob Keen, shot during the making of Hellraiser, with an introduction by Stephen Jones and Kim NewmanOriginal 1987 Electronic Press KitBeing Frank: Sean Chapman on Hellraiser, archival interview with the actorUnder the Skin: Doug Bradley on Hellraiser, archival interview with the iconic actor about his first appearance as 'Pinhead'Soundtrack Hell: The Story of the Abandoned Coil Score, archival interview with Coil member Stephen ThrowerTrailers and TV spotsImage galleryDraft screenplaysDISC 2 - HELLBOUND: HELLRAISER IIAudio commentary featuring Stephen Jones and Kim NewmanArchival audio commentary with director Tony Randel, writer Peter Atkins and actor Ashley LaurenceAudio commentary with director Tony Randel and writer Peter AtkinsHell Was What They Wanted!, 80-minute appreciation of Hellbound, the Hellraiser mythos and the work of Clive Barker by horror authors George Daniel Lea (Born in Blood) and Kit Power (The Finite)That Rat-Slice Sound, appreciation of composer Christopher Young's scores for Hellraiser and Hellbound: Hellraiser II by Guy AdamsArchival on-set interview with Clive BarkerArchival on-set interview with cast and crewBehind the scenes footageBeing Frank: Sean Chapman on Hellbound, archival interview about the actor's return to the role of Frank CottonUnder the Skin: Doug Bradley on Hellbound, archival interview with the iconic actor about his second appearance as 'Pinhead'Lost in the Labyrinth, archival featurette including interviews with Barker, Randel, Keen, Atkins and othersTrailers and TV spotsImage galleryDISC 3 - HELLRAISER III: HELL ON EARTHAlternative Unrated version (contains standard definition inserts)Audio commentary featuring Stephen Jones and Kim NewmanArchival audio commentary with screenwriter Peter Atkins (Theatrical Cut only)Archival audio commentary with director Anthony Hickox and actor Doug Bradley (Unrated Version only)Extended EPK featuring interviews with Clive Barker and Doug BradleyFX dailiesTime with Terri, archival interview with actor Paula MarshallRaising Hell on Earth, archival interview with director Anthony HickoxUnder the Skin: Doug Bradley on Hellraiser III, archival interview with the iconic actor about his third appearance as 'Pinhead'Theatrical trailerImage galleryDISC 4 - HELLRAISER: BLOODLINEAudio commentary featuring screenwriter Peter Atkins, with Stephen Jones and Kim NewmanThe Beauty of Suffering, featurette exploring the Cenobites' connection to goth, fetish cultures and BDSMWorkprint version of the film, providing a fascinating insight into how it changed during post-productionHellraiser Evolutions, archival documentary on the evolution of the franchise and its enduring legacy, featuring interviews with Scott Derrickson (director, Hellraiser: Inferno), Rick Bota (director, Hellraiser: Hellseeker, Deader and Hellworld), Stuart Gordon (director, Re-Animator, From Beyond) and othersBooks of Blood and Beyond: The Literary Works of Clive Barker, archival appreciation by horror author David Gatwalk of Barker's written work, from The Books of Blood to The Scarlet GospelsTheatrical trailerImage galleryEaster egg
This winning 1987 epic written and directed by John Boorman (Deliverance, The General) serves as a picaresque and semi-autobiographical remembrance of a boy's coming of age during the Second World War. Exhibiting a defiant and humorous take on life during the London blitz, the family of the young boy at the center of the story (Sebastian Rice-Edwards) are a close-knit and resilient bunch, undeterred in the face of the war and revelling in each other's company even as they hide from the incessant bombing. To be sure, there are some poignant moments in this childhood reminiscence, such as when the boy's older sister (Sammi Davis) falls in love with a Canadian, becomes pregnant, and marries him, only to see him taken away by the military police. And the boy's mother (Sarah Miles) serves as a strong influence in the his life as she leads her family through this tumultuous time. The majestic sweep of the film is contrasted with so many comic moments as the people in town go about the mundane details of their daily lives yet also engage in the most absurd rituals in dealing with the onslaught of German artillery - from taking the air raids for granted to wearing gas masks at school. Boorman doesn't dwell on the horrors of war; instead he celebrates the richness and resilience of the people he remembers so fondly. An adventurous and nostalgic slice of life, Hope and Glory is a superb and memorable film. --Robert Lane
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