Hook is Steven Spielberg's most spectacular film of the 90s. It is also seriously underrated, arguably the equal of ET, (1982) and Close Encounters of the Third Kind, (1977). An unofficial sequel to J.M. Barrie's Peter Pan, Hook adopts the startling premise of what happened after "the boy who never grew up", grew up. Robin Williams, in his career best performance, is the corporate suit forced to remember he once was "The Pan", returning to Neverland to battle nefarious Captain Hook (a splendid Dustin Hoffman), for his children's love. This is a ravishingly beautiful, stunningly designed film, at once highly imaginative and with a genuinely magical atmosphere which ranges from exquisite, delicate fantasy to slapstick tomfoolery. There is fine support from Maggie Smith, Julia Roberts and Bob Hoskins, and John Williams' rapturously romantic score is yet another career high. Slated upon release, and dubbed a flop though it grossed $200 million, Hook reacted against the "greed is good" 80s by upholding family values and responsibility while evoking a genuine sense of wonder. Only the somewhat pantomime final showdown disappoints, but alongside Legend, (1985)and Labyrinth, (1986), Hook is ripe for reassessment as a fantasy classic. The DVD transfer is superb and the disc, though not packed with additional features, has some interesting extras. --Gary S. Dalkin
When Joe Buck (Jon Voight) a good-looking naively charming Texas Cowboy makes his way to the big apple to seek his fortune the only wealth he finds is in the friendship of Ratso Rizzo (Dustin Hoffman) a scrounging sleazy small-time con man with big dreams. Living on the tattered fringe of society these two outcasts develop an unlikely bond - one that transcends their broken dreams and get-rich-quick schemes. Winner of three Academy Awards including Best Picture and Best Director.
In Kung Fu Panda 2 we find Po now living his dream as The Dragon Warrior, protecting the Valley of Peace alongside his friends and fellow kung fu masters, The Furious Five...but how long can the dream last?
Suits delves into the fast-paced, high-stakes world of a Manhattan corporate law firm where hotshot attorney Harvey Specter (Gabriel Macht) makes a risky move by hiring legal prodigy Mike Ross (Patrick J. Adams) as his new associate despite not having a college or law degree. The two are forced to keep up the charade as they become an irrepressible duo. Boundaries are crossed, alliances are tested and fallouts are inevitable in the riveting nine seasons which also star Meghan Markle, Gina Torres, Sarah Rafferty, Rick Hoffman, Dulé Hill, Amanda Schull and Katherine Heigl. Binge watch this 35-disc set featuring all 134 episodes, plus bonus commentaries, deleted scenes and more! Bonus Features Deleted Scenes Behind the Scenes of Suits Gag Reels The Style of Suits The People Behind the Suits Audio Commentaries And More!
IS IT SAFE Three chilling words, spoken repeatedly by a sadistic exiled Nazi war criminal (Laurence Olivier), become a nightmare catchphrase for Thomas Babe Levy (Dustin Hoffman), a Manhattan graduate student who is innocently swept into a deadly international conspiracy involving a renegade U.S. government agent and a fortune in stolen diamonds.Director John Schlesinger (Midnight Cowboy, The Day of the Locust) builds terror and suspense in this thrilling adaptation of William Goldman's best-selling novel. The film's acclaimed cast also includes Roy Scheider, William Devane and Marthe Keller; Olivier garnered a Best Supporting Actor Oscar® nomination* for his terrifyingly unforgettable role of Christian Szell, a former concentration camp dentist. Product FeaturesThe Magic of Hollywood Is the Magic of People Going the Distance: Remembering Marathon Man Rehearsal Footage Theatrical Trailer
An unemployed dock worker discovers over a million dollars and a whole load of trouble...
It might have started out as a small, rather arty divorce drama but Kramer vs Kramer was the biggest cinema hit of 1979. It confirmed Dustin Hoffman's status as a major star in a performance that combined his trademark twitchy intensity with deep sensitivity. And it provided Meryl Streep with a pivotal role in her rise to big-screen greatness. Both won Oscars, as did director Robert Benton and the film itself scooped the Best Picture award. Kramer vs Kramer has worn well into the 21st century. Although clearly of its time--by the late 1970s, microscopic relationship analysis had become the theme of commercial cinema--it stands on the strength of its central performances. Hoffman's Ted Kramer is a vision of the Graduate grown up: serious, focused and thrown by anything that threatens his upwardly mobile professional trajectory. The news that his wife, who he has failed to notice teetering on the edge of a breakdown, is leaving him and their son sends him into a tailspin. The film is as much about his resilience and fulfilment as it is the story of a divorce and custody battle. Justin Henry is extraordinary as Billy, the boy caught in the middle, and turns in a remarkably complex, thoughtful performance, which is light years from the archetypal all-American kid you might anticipate. And in just a handful of scenes, Streep is mesmerising as Joanna, the deserting wife and mother who you just can't bring yourself to hate. Yes, this is soap opera. But it belongs up there with all the finest cinematic human dramas. On the DVD: The widescreen presentation ensures a theatrically authentic experience, with some fantastic shots of New York city coming into their own. The mono sound is adequate for the relative intimacy of most of the dialogue. But the real bonus is the retrospective documentary in which director and writer Benton, producer Stanley Jaffe and the cast look back with touching satisfaction at a piece which clearly meant a great deal to them all. Hoffman's initial reluctance (he was going through a real-life divorce) to get involved, the process of working with a gifted child actor and Streep's desire to make Joanna understood are all recalled in fascinating detail. --Piers Ford
Suits centres on a fast-paced Manhattan corporate law firm led by legendary lawyer Harvey Specter (Gabriel Macht), his intelligent but delicate partner Louis Litt (Rick Hoffman), and secretary-turned-COO Donna Paulsen (Sarah Rafferty). After surviving leadership turmoil and the loss of key partners, the trio continues to tackle top corporate cases with the support of the formidable Alex Williams (Dulé Hill) and the undeniably talented Katrina Bennett (Amanda Schull). After muscling her way into the firm, powerhouse attorney Samantha Wheeler (Katherine Heigl) joins the ranks of Specter Litt and challenges the status quo. Together, these top minds must rely on their knowledge, wit and intuition to keep their clients at bay and their firm afloat. Bonus Features: Gag reel Deleted scenes
It helps to have one of history's greatest scoops as your factual inspiration, but journalism thrillers just don't get any better than All the President's Men. Dustin Hoffman and Robert Redford are perfectly matched as (respectively) Washington Post reporters Carl Bernstein and Bob Woodward, whose investigation into the Watergate scandal set the stage for President Richard Nixon's eventual resignation. Their bestselling exposé was brilliantly adapted by screenwriter William Goldman, and director Alan Pakula crafted the film into one of the most intelligent and involving of the 1970s paranoid thrillers. Featuring Jason Robards in his Oscar-winning role as Washington Post editor Ben Bradlee, All the President's Men is the film against which all other journalism movies must be measured. --Jeff Shannon, Amazon.com
""Sometimes there's a man well he's the man for his time and place. He fits right in there. And that's the Dude. The Dude from Los Angeles. And even if he's a lazy man - and the Dude was most certainly that. Quite possibly the laziest in all of Los Angeles County which would place him high in the runnin' for laziest worldwide. Sometimes there's a man sometimes there's a man. Well I lost my train of thought here. But... aw hell. I've done introduced it enough."" - The Str
Based on the novel by the master of the spy genre John le Carré A Most Wanted Man is a gripping espionage thriller that prickles with tension right through to its last heart-stopping scene. Hamburg the city where the 9/11 bombers lived and plotted - remains on high alert. When a Chechnyan refugee and possible terror suspect arrives he attracts the interest of a secret anti-terror unit who must uncover the truth about his identity and possible connections to high level terrorists. As the clock ticks down the race is on to establish this most wanted man’s true motives – is he an oppressed victim or a militant terrorist bent on destruction?
When two brothers organize the robbery of their parents' jewellery store the job goes horribly wrong, triggering a series of events that threatens to tear the family apart once and for all.
The clock is ticking on Monty Brogan's freedom: in 24 hours he goes to prison for seven long years. Once a kingpin in Manhattan Monty is about to say goodbye to the life he knew - a life that opened doors to New York's swankiest clubs but also alienated him from the people closest to him. In his last day on the outside Monty tries to reconnect with his father who's never given up on his son and gets together with his two closest friends from the old days Jacob and Slaughtery
Greg Focker (Ben Stiller) has finally begun to earn the respect of his ex-CIA father-in-law Jack Byrnes (Robert DeNiro) but one important test still lies ahead: will Greg prove that he has what it takes to be the family's next Godfocker ... or will the circle of trust be broken for good? Returning co-stars Owen Wilson Blythe Danner Teri Polo Dustin Hoffman and Barbra Streisand are joined by newcomers Jessica Alba Laura Dern and Harvey Keitel in this hysterical family affair
Over the years, many film directors have attempted to tell the story of legendary 15th-century heroine Joan of Arc, a simple country girl who claimed she was inspired by God to lead the French troops in a victorious assault on the mighty English army. Luc Besson's 1999 epic might not be the best version of her life, but it's certainly the biggest. The movie cost a reported $60 million. Even if you are terminally unimpressed by the scale of such recent blockbusters as Gladiator, your eyes will pop out at the sheer number of bodies (living and dead) that Besson has assembled for the dynamic battle scenes. The lavish sets and costumes are almost equally gobsmacking, though neither will show to maximum advantage on the small screen. That's a pity because size is the only thing Joan of Arc really has going for it--as a human drama, it falls completely flat.The historical Joan was eventually made a saint by the Catholic Church, and earlier biopics tended to treat her celestial visions as literal fact. It was probably a mistake for Besson and his co-screenwriter Andrew Birkin to take a more psychological approach and present them as figments of her hysterical imagination. It makes it hard to work up the necessary empathy when the spectacle revolves around a confused and neurotic babe who couldn't organise a Tupperware party, let alone a vast military campaign. Milla Jovovich (the star of Besson's previous The Fifth Element and formerly his wife) doesn't help matters with her shrill and amateurish performance. But a couple of the supporting players are passably amusing--John Malkovich camps it up energetically as Charles, the dispossessed French king whom Joan reinstates, while Faye Dunaway wears outlandish headgear and carries on like a science-fiction creation in the role of his scheming mother-in-law. (The less said the better about Dustin Hoffman's pompous turn as Joan's personified conscience.) Besson keeps to the same glossy visual style even when the Maid is burning at the stake, but it isn't enough to prevent this empty shell of a movie from being a colossal yawn. --Peter Matthews
Highschooler Donnie is plagued by visions of a giant evil rabbit who orders him to commit acts of violence and predicts the impending end of the world.
Michael Dorsey is fine actor but an irreproachable perfectionist who can hardly make ends meet; the best he can do for his wallet is take on a couple of jobs as a part-time drama coach and a part-time waiter. But when with the help of a few accessories (including rouge and a padded bra) he transforms himself into Dorothy Michaels everything changes. Dorothy lands a hot job on a soap opera monopolizes the covers of glossy magazines and wins thousands of adoring fans. But when he falls head-over-heels for his co-star Julie (Jessica Lange) he's got a real problem: How can he tell Julie he loves her when she thinks he's a she? Michael desperate to relinquish his disguise proceeds as a she and endures a battle with his agent played by Pollack who refuses to end his contract with the soap; a fight with his best friend who is a woman; unwanted sexual advances from a fellow soap actor; and sweet affections from Julie's father.
The Dance Workout has been choreographed by the fantastic Gareth Walker who has worked with Take That Anastacia Mika and also choreographed the last two Pump It up DVD's Dance mix and Aeroburn proving his record for hot moves and producing the most effective exercise routines. Pump It Up: Powermix comprises of warm up tone powermix and abs & stretch routines. The work out is a great way to learn fantastic dance moves have fun while effortlessly getting intensive exercise. Hosting the new look workout is Dominique Tipper a professional dancer who has previously featured in Fedde le Grand 'Let Me Think About It' and Mark Ronson 'Valerie' as well as dancing for artists like Ludacris 50 cent Neyo Rihanna and on tours like X-Factor and most recently the Boy Zone tour. Teaming up with her are the four beautiful Ministry of Sound ladies Shanie Ryan Stephanie Fitzpatrick Cherie Cheung and Francesca Hoffman. Ministry of Sound combines another superb track list of the biggest hits of 2009 with the hottest dance moves complete with chart breakers such as Steve Angello & Laidback Luke 'Show Me Love' Kid Cudi vs Crookers 'Day n Nite' Calvin Harris 'I'm Not Alone' and the massive smash hit #1 from Dizzee Rascal 'Bonkers'. For anyone who likes to dance enjoy themselves and get fit the choice is clear Pump It Up!
24 hours in L.A.; it's raining cats and dogs. Two parallel and intercut stories dramatize a man about to die: both men are estranged from a grown child, both want to make contact, and neither child wants anything to do with dad.
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