Sometimes dismissed as a pale descendant of a great original, The New Avengers deserves a second look and is perhaps best considered as a largely successful attempt to re-imagine its predecessor for 1970s audiences. Patrick McNee was never the most convincing of action heroes, and the decision to make his John Steed the supervisor and mentor of two younger agents was a sensible one--Steed's virtues are style, wisdom and fortitude rather than physical prowess. Gareth Hunt's Gambit has an unattractively smug side, but has also a louche charm. Joanna Lumley's Purdey is one of the most attractive heroines of genre television, astonishingly leggy and beautiful. Those who only know her later incarnation as Patsy in Absolutely Fabulous will understand now why such a fuss is made over her. The script team overlaps heavily with that of the original series; the new show has the same quirkiness, only occasionally varying it with a rather darker leCarrésque complexity or sudden outbreaks of Hammer Horror. If it lacks some of the sheer style of the original, that is a reflection of its period--the 1970s were less visually imaginative than the 60s. Tightly plotted, imaginatively cast with interesting guest stars, it is only with The Avengers that The New Avengers suffers by comparison. --Roz Kaveney
A whimsical comedy from Ealing Films, starring Robert Beatty as an idle fantasist and Moira Lister as the girl who falls for his poetic charm. Supported by Stanley Holloway and directed by the legendary Charles Crichton, Another Shore is featured here as a brand-new remaster from original film elements in its as-exhibited theatrical aspect ratio. Gulliver Shiels lies abed in Dublin, loafing to the best of his ability. He whiles away his time dreaming of a South Sea island that, he believes, will be bequeathed to him for an act of selfless charity. When he bumps into ace toper Alastair McNeil, Shiels believes that McNeil could be the benefactor of his daydreams. SPECIAL FEATURE: Image gallery
By way of an experiment, a mixed-sex anti-aircraft battery is set up during World War II. The result is Carry On England, and the sex is indeed pretty mixed, although the drafting in of Patrick Mower and Judy Geeson rather demonstrates the need for at least some of the cast to be attractive in order to make this premise feasible. For the most part, of course, it's tits-out sex-comedy slapstick all the way, but there's a nicely ambivalent performance from Kenneth Connor, who portrays the wartime British officer class as being pretty much bonkers, a telling interpretation which Stephen Fry was to perfect years later in Blackadder Goes Forth. The location is of course typically Carry On cheap-and-cheerful, but its inevitable drabness, together with the indistinguishable khaki uniforms, tends to put a bit of a damper on the adult-panto atmosphere which the best Carry Ons deliver. The cast commendably manage to transcend this, though, so there's still plenty of fun to be had. On the DVD: The feature is presented in 1.77:1 aspect ratio, but the disc has no added features. --Roger Thomas
From J.J. Abrams the creator of Alias comes an action-packed adventure that will bring out the very best and the very worst in the people who are lost on a faraway desert island... Out of the blackness the first thing Jack (Matthew Fox) senses is pain. Then burning sun. A bamboo forest. Smoke. Screams. With a rush comes the horrible awareness that the plane he was on tore apart in mid-air and crashed on a Pacific island. From there it's a blur as his doctor's instinct kicks in: people need his help. Stripped of everything the 48 survivors scavenge what they can from the plane for their survival. Some panic. Some pin their hopes on rescue. A few find inner-strength they never knew they had. Kate (Evangeline Lilly) with no medical training suddenly finds herself suturing the doctor's wounds. Hurley (Jorge Garcia) - a man with a warm sense of humour despite the desperate situation - does his best to keep his cool as he helps those around him to survive. Charlie (Dominic Monaghan) is a faded rock star who harbours a painful secret. Sayid (Naveen Andrews) is a Middle Eastern man and former member of the Elite Republican Guard who must wrestle with the racial profiling directed at him by some of his fellow survivors. Jin (Daniel Dae Kim) and Sun (Kim Yun-jin) are a Korean couple whose traditions values and language are foreign and thus causes much to get lost in the translation. Sawyer (Josh Holloway) has an air of danger surrounding him and his intense sense of mistrust for everyone around him could prove to be fatal to his fellow castaways. Michael (Harold Perrineau) has just gained custody of his nine-year-old son Walt (Malcolm David Kelley) after the death of his ex-wife - they are a father and son who don't even know each other. Locke (Terry O'Quinn) is a mysterious man who keeps to himself and who harbours a deeper connection to the island than any of the others. And self-centered Shannon (Maggie Grace) - who actually gives herself a pedicure amid the chaos - and her estranged controlling brother Boone (Ian Somerhalder) - constantly bicker and must learn to get along if they are to survive.
When your thoughts are all you have for comfort. A brutal and realistic depiction of war from Lewis Milestone. In the 1943 invasion of Italy an American platoon lands and attempts to storm a fortified farmhouse with grim results...
It's a dog's life in this hilarious British comedy! When Willie Joy (comedy legend Frankie Howerd) is fired from his job at the greyhound stadium he takes pity on a fellow victim and adopts an injured greyhound called Lindy Lou who would otherwise be destroyed. Teaming up with amiable con-man 'Captain' Montague (Stanley Holloway - The Lavender Hill Mob The Titfield Thunderbolt) Willie decides to train Lindy to compete for the prestigious Golden Bowl trophy. But it's not just the other dogs she has to beat - there are crooked bookies and race-track spivs to deal with too!
Frankie Howerd stars as a lowly boot-boy who is a terrible coward and only goes to war after he has been hypnotised to 'Save England'! With the German master plan tattooed on his backside he goes to the British headquarters with the Germans in hot pursuit to try and 'hand over the plans'!
Patrick Cargill stars in Father Dear Father as Patrick Glover Divorcee Thriller Writer and Father to two teenage Daughters. His Life revolves around his writing his family & their Saint Bernard dog H.G.(Wells). Episodes Comprise: 1. The Proposal 2. Pussies Galore 3. The Return Of The Mummy 4. Publish And Be Damned 5. It Won't Be A Stylish Marriage 6. I Should Have Danced All Night 7. The Lost Weekend
Shot in the bright postal colours of a seaside postcard, Carry on Henry applies the usual Carry On sniggering to the married life of Henry VIII. Talbot Rothwell's script is standard bedroom farce and full of jokes about choppers, while the threat of beheading and the actuality of torture are constantly present but only as the terrible things that happen to cartoon characters who will be back next time. Sid James turns in one of his better performances as the endlessly lecherous and fickle Henry, married to Joan Sims and lusting after Barbara Windsor. There is a genuine sexual chemistry between James and Windsor which at times almost breaks open the farce formula. The usual regulars--Kenneth Williams as Thomas Cromwell, Terry Scott as Cardinal Wolsey, Charles Hawtrey as Sir Roger--do their usual turns; Williams is more subdued than usual, while Hawtrey hugely enjoys playing the Queen's secret lover. This was not one of the high points of the series, but it has its own curious charm. On the DVD: The DVD has no extras whatever, but is a good clean print in 1.77:1 ratio with crisp mono sound. --Roz Kaveney
Episodes Comprise: Brief Encounter The Third Man Odette Outcast of the Islands Heart of the Manner
Directed by Bernard Vorhaus and produced by the prolific Joe Rock at Rock Studios. Joe produced 123 tiles acted in 96 films and wrote 36. Cotton Queen is a story of two feuding Lancashire mill owners Sam (Stanley Holloway) and Bill (Will Fyffe). They find if they work together they can secure a major American contract. Further trouble ensues when Bills' niece (Mary Lawson) has a romance with Sams' son (Jimmy Hanley) - but all is sorted out at the annual Cotton Queen festival. Cotton Queen was the final film Vorhaus made in Britain. Following the collapse of Julius Hagen’s Twickenham Studios where he had directed most of his films during the previous few years. He then returned to the United States. Watch out for Gibson Gowland who played McTeague in Erich Von Stroheim's silent masterpiece Greed.
A continuing hit with viewers on its first appearance in 1970 Father Dear Father regularly topped the ITV ratings during its six year run. Patrick Cargill plays a divorced thriller writer Patrick Glover who finds himself responsible for the welfare and upbringing of his irrepressible teenage daughters Anna and Karen. The two lively dolly-birds are always up to something and their lively exploits cause Patrick many a difficult and embarrassing moment. He's sometimes driven almost to distraction by their constant teasing and to him shockingly modern outlook on love sex and marriage. Hhelping Patrick keep Anna and Karen in order is the patient and much put-upon housekeeper Nanny but the real power in the household is the family's splendid St Bernard dog H.G. Wells. This complete fifth series of Father Dear Father is available here for the first time and also guest stars Donald Sinden Richard O'Sullivan Jack Smethurst and Robin Askwith.
This box sets has the same contents as the box set available on Amazon.com.Lost: Season One Along with Desperate Housewives, Lost was one of the two breakout shows of 2004. Mixing suspense and action with a sci-fi twist, it began with a thrilling pilot episode in which a jetliner traveling from Australia to Los Angeles crashes, leaving 48 survivors on an unidentified island with no sign of civilisation or hope of imminent rescue. That may sound like Gilligan's Island meets Survivor, but Lost kept viewers tuning in every Wednesday night--and spending the rest of the week speculating on Web sites--with some irresistible hooks (not to mention the beautiful women). First, there's a huge ensemble cast of no fewer than 14 regular characters, and each episode fills in some of the back story on one of them. There's a doctor; an Iraqi soldier; a has-been rock star; a fugitive from justice; a self-absorbed young woman and her brother; a lottery winner; a father and son; a Korean couple; a pregnant woman; and others. Second, there's a host of unanswered questions: What is the mysterious beast that lurks in the jungle? Why do polar bears and wild boars live there? Why has a woman been transmitting an SOS message in French from somewhere on the island for the last 16 years? Why do impossible wishes seem to come true? Are they really on a physical island, or somewhere else? What is the significance of the recurring set of numbers? And will Kate ever give up her bad-boy fixation and hook up with Jack? Lost did have some hiccups during the first season. Some plot threads were left dangling for weeks, and the "oh, it didn't really happen" card was played too often. But the strong writing and topnotch cast kept the show a cut above most network TV. The best-known actor at the time of the show's debut was Dominic Monaghan, fresh off his stint as Merry the Hobbit in Peter Jackson's Lord of the Rings films. The rest of the cast is either unknowns or "where I have I seen that face before" supporting players, including Matthew Fox and Evangeline Lilly, who are the closest thing to leads. Other standouts include Naveen Andrews, Terry O'Quinn (who's made a nice career out of conspiracy-themed TV shows), Josh Holloway, Jorge Garcia, Yunjin Kim, Maggie Grace, and Emilie de Ravin, but there's really not a weak link in the cast. Co-created by J.J. Abrams (Alias), Lost left enough unanswered questions after its first season to keep viewers riveted for a second season. --David Horiuchi Lost: Season Two What was in the Hatch? The cliffhanger from season one of Lost was answered in its opening sequences, only to launch into more questions as the season progressed. That's right: Just when you say "Ohhhhh," there comes another "What?" Thankfully, the show's producers sprinkle answers like tasty morsels throughout the season, ending with a whopper: What caused Oceanic Air Flight 815 to crash in the first place? As the show digs into more revelations about its inhabitant's pasts, it also devotes a good chunk to new characters (Hey, it's an island; you never know who you're going to run into.) First, there are the "Tailies," passengers from the back end of the plane who crashed on the other side of the island. Among them are the wise, God-fearing ex-drug lord Mr. Eko (standout Adewale Akinnuoye-Agbaje); devoted husband Bernard (Sam Anderson); psychiatrist Libby (Cynthia Watros, whose character has more than one hidden link to the other islanders); and ex-cop Ana Lucia (Michelle Rodriguez), by far the most infuriating character on the show, despite how much the writers tried to incur sympathy with her flashback. Then there are the Others, first introduced when they kidnapped Walt (Malcolm David Kelley) at the end of season one. Brutal and calculating, their agenda only became more complex when one of them (played creepily by Michael Emerson) was held hostage in the hatch and, quite handily, plays mind games on everyone's already frayed nerves. The original cast continues to battle their own skeletons, most notably Locke (Terry O'Quinn), Sun (Yunjin Kim) and Michael (Harold Perrineau), whose obsession with finding Walt takes a dangerous turn. The love triangle between Jack (Matthew Fox), Kate (Evangeline Lilly) and Sawyer (Josh Holloway), which had stalled with Sawyer's departure, heats up again in the second half. Despite the bloating cast size (knocked down by a few by season's end) Lost still does what it does best: explores the psyche of people, about whom "my life is an open book" never applies, and cracks into the social dynamics of strangers thrust into Lord of the Flies-esque situations. Is it all a science experiment? A dream? A supernatural pocket in the universe? Likely, any theory will wind up on shaky ground by the season's conclusion. But hey, that's the fun of it. This show was made for DVD, and you can pause and slow-frame to your heart's content. --Ellen Kim Lost: Season ThreeWhen it aired in 2006-07, Lost's third season was split into two, with a hefty break in between. This did nothing to help the already weirdly disparate direction the show was taking (Kate and Sawyer in zoo cages! Locke eating goop in a mud hut!), but when it finally righted its course halfway through--in particular that whopper of a finale--the drama series had left its irked fan base thrilled once again. This doesn't mean, however, that you should skip through the first half of the season to get there, because quite a few questions find answers: what the Others are up to, the impact of turning that fail-safe key, the identity of the eye-patched man from the hatch's video monitor. One of the series' biggest curiosities from the past--how Locke ended up in that wheelchair in the first place--also gets its satisfying due. (The episode, "The Man from Tallahassee," likely was a big contributor to Terry O'Quinn's surprising--but long-deserved--Emmy win that year.) Unfortunately, you do have to sit through a lot of aforementioned nuisances to get there. Season 3 kicks off with Jack (Matthew Fox), Kate (Evangeline Lilly), and Sawyer (Josh Holloway) held captive by the Others; Sayid (Naveen Andrews), Sun (Yunjin Kim), and Jin (Daniel Dae Kim) on a mission to rescue them; and Locke, Mr. Eko (Adewale Akinnuoye-Agbaje), and Desmond (Henry Ian Cusick) in the aftermath of the electromagnetic pulse that blew up the hatch. Spinning the storylines away from base camp alone wouldn't have felt so disjointed were it not for the new characters simultaneously being introduced. First there's Juliet, a mysterious member of the Others whose loyalty constantly comes into question as the season goes on. Played delicately by Elizabeth Mitchell (Gia, ER, Frequency), Juliet is in one turn a cold-blooded killer, by another turn a sympathetic friend; possibly both at once, possibly neither at all. (She's also a terrific, albeit unwitting, threat to the Kate-Sawyer-Jack love triangle, which plays out more definitively this season.) On the other hand, there's the now-infamous Nikki and Paulo (Kiele Sanchez and Rodrigo Santoro), a tagalong couple who were cleverly woven into the previous seasons' key moments but came to bear the brunt of fans' ire toward the show (Sawyer humorously echoed the sentiments by remarking, "Who the hell are you?"). By the end of the season, at least two major characters die, another is told he/she will die within months, major new threats are unveiled, and--as mentioned before--the two-part season finale restores your faith in the series. --Ellen A. Kim Lost: Season Four Season four of Lost was a fine return to form for the series, which polarized its audience the year before with its focus on The Others and not enough on our original crash victims. That season's finale introduced a new storytelling device--the flash-forward--that's employed to great effect this time around; by showing who actually got off the island (known as the Oceanic Six), the viewer is able to put to bed some longstanding loose ends. As the finale attests, we see that in the future Jack (Matthew Fox) is broken, bearded, and not sober, while Kate (Evangeline Lilly) is estranged from Jack and with another guy (the identity may surprise you). Four others do make it back to their homes, but as the flash-forwards show, it's definitely not the end of their connection to the island. Back in present day, however, the islanders are visited by the denizens of a so-called rescue ship, who have agendas of their own. While Jack works with the newcomers to try to get off the island, Locke (Terry O'Quinn), with a few followers of his own, forms an uneasy alliance with Ben (Michael Emerson) against the suspicious gang. Some episodes featuring the new characters feel like filler, but the evolution of such characters as Sun and Jin (Yunjin Kim and Daniel Dae Kim) is this season's strength; plus, the love story of Desmond (Henry Ian Cusick) and Penny (Sonya Walger) provides some of the show's emotional highlights. As is the custom with Lost, bullets fly and characters die (while others may or may not have). Moreover, the fate of Michael (Harold Perrineau), last seen traitorously sailing off to civilisation in season two, as well as the flash-forwards of the Oceanic Six, shows you never quite leave the island once you've left. There's a force that pulls them in, and it's a hook that keeps you watching. Season four was a shorter 13 episodes instead of the usual 22 due to the 2008 writers' strike. --Ellen A. Kim Lost: Season Five Since Lost made its debut as a cult phenomenon in 2004, certain things seemed inconceivable. In its fourth year, some of those things, like a rescue, came to pass. The season ended with Locke (Terry O'Quinn) attempting to persuade the Oceanic Six to return, but he dies before that can happen--or so it appears--and where Jack (Matthew Fox) used to lead, Ben (Emmy nominee Michael Emerson) now takes the reins and convinces the survivors to fulfill Locke's wish. As producers Damon Lindelof and Carlton Cuse state in their commentary on the fifth-season premiere, "We're doing time travel this year," and the pile-up of flashbacks and flash-forwards will make even the most dedicated fan dizzy. Ben, Jack, Hurley (Jorge Garcia), Sayid (Naveen Andrews), Sun (Yunjin Kim), and Kate (Evangeline Lilly) arrive to find that Sawyer (Josh Holloway) and Juliet (Elizabeth Mitchell) have been part of the Dharma Initiative for three years. The writers also clarify the roles that Richard (Nestor Carbonell) and Daniel (Jeremy Davies) play in the island's master plan, setting the stage for the prophecies of Daniel's mother, Eloise Hawking (Fionnula Flanagan), to play a bigger part in the sixth and final season. Dozens of other players flit in and out, some never to return. A few, such as Jin (Daniel Dae Kim), live again in the past. Lost could've wrapped things up in five years, as The Wire did, but the show continues to excite and surprise. As Lindelof and Cuse admit in the commentary, there's a "fine line between confusion and mystery," adding, "it makes more sense if you're drunk." --Kathleen C. FennessyLost Season SixIts taken a long time to get here, but finally, the last season of Lost arrives, with answers to at least some of the questions that fans of the show have been demanding for the past few years. In true Lost fashion, it doesnt tie all its mysteries up with a bow, but it does at least answer some of the questions that have long being gestating. In the series opening, for instance, we finally learn the secret of the smoke monster, which is a sizeable step in the right direction. In terms of quality, the show has been on an upward curve since the end date of the programme was announced, and season six arguably finds Lost at its most confident to date. Never mind the fact that it's juggling lots of proverbial balls: there's a very clear end point here, and the show benefits enormously from it. Naturally, Lost naysayers will probably find themselves more alienated than ever here. But this season nonetheless marks the passing of a major television show, one that has cleverly managed to reinvent itself on more than one occasion, and keep audiences across the world gripped as a result. There's going to be nothing quite like it for a long time to come. --Jon Foster
48 survivors struggle to comprehend the enormity of living through a violent plane crash. Stranded on a remote desert island with death all around them the band of strangers enemies and estranged families work together against the cruel weather and harsh terrain to overcome the toughest challenge of their lives. Amongst the survivors is the dashingly handsome Jack (Matthew Fox) a fearless doctor best equipped to cope with the aftermath of the tragedy Charlie (Dominic Monaghan) a faded rock star harbouring a painful secret and the beautiful Kate (Evangeline Lilly) who surprises herself with her own bravery. As secrets unfold some characters are thrust deeper into conflict and confusion whilst others find friendships slowly developing amid the chaos and despair that surrounds them. Episodes Comprise: 1. Pilot (Part 1) 2. Pilot (Part 2) 3. Tabula Rasa 4. Walkabout 5. White Rabbit 6. House Of The Rising Sun 7. The Moth 8. Confidence Man 9. Solitary 10. Raised By Another 11. All The Best Cowboys Have Daddy Issues 12. Whatever The Case May Be 13. Hearts And Minds 14. Special 15. Homecoming 16. Outlaws 17. ...In Translation 18. Numbers 19. Deus Ex Machina 20. Do No Harm 21. The Greater Good (aka Sides) 22. Born To Run 23. Exodus (Part 1) 24. Exodus (Part 2) 4 8 15 16 23 42. Push the button and prepare to be blown away by the groundbreaking drama that has become a television event around the world. The acclaimed series reaches new heights in its spectacular second season as the survivors of the Oceanic Flight 815 discover they are not alone in their battle against ""The Others"" and a contested decision to open the hatch reveals a new realm of mystery and intrigue. Now you can experience the non-stop excitement and mystery of Season Two complete with hours of original bonus material you can't see anywhere else - including unaired original flashbacks - and you'll soon discover for yourself why ""everything happens for a reason"". Episodes Comprise: 1. Man of Science Man of Faith 2. Adrift 3. Orientation 4. Everybody Hates Hugo 5. ...And Found 6. Abandoned 7. The Other 48 Days 8. Collision 9. What Kate Did 10. The 23rd Psalm 11. The Hunting Party 12. Fire + Water 13. The Long Con 14. One of Them 15. Maternity Leave 16. The Whole Truth 17. Lockdown 18. Dave 19. S.O.S. 20. Two for the Road 21. ? 22. Three Minutes 23. Live Together Die Alone (feature-length episode)
A delightful British romantic comedy set at the time of the English Civil War.
Come along and celebrate music's most exciting and innovative performers on Soulful Sixties.Exciting archival performances from soul's cream of the crop are included on this nostalgic compilation featuring great artists such as The Supremes Marvin Gaye Dionne Warwick Smokey Robinson & The Miracles The Four Tops The Righteous Brothers and many more.So sit back relax and get ready to relive those halcyon days of the Swinging Sixties.Track List:1. Nowhere To Run - Martha & The Vandellas2. Baby Love - The Supremes3. Stop! In The Name Of Love - The Supremes4. Every Little Bit Hurts - Brenda Holloway5. Shotgun - Jr. Walker & The All Stars6. Jenny Take A Ride - Mitch Ryder & The Detroit Wheels7. When I'm Gone - Brenda Holloway8. Something About You - The Four Tops9. Nothin' But Heartaches - The Supremes10. Good Lovin - The Young Rascals11. Going To A Go Go - Smokey Robinson & The Miracles12. Don't Mess With Bill - The Marvelettes13. Ain't That Peculiar - Marvin Gaye14. Message To Michael - Dionne Warwick15. Soul & Inspiration - The Righteous Brothers16. The In Crowd - Dobie Gray
Prepare for an onslaught of robust breezy humour when the Carry On team take to the great Outdoors.
Setting a Carry On film in a marriage bureau has a certain self-serving obviousness, so it's hardly surprising that Carry On Loving milks the idea for all it's worth. The Wedded Bliss Agency is of course a pretty dubious outfit, being run by Sid (James) and Sophie Bliss (Hattie Jacques), who together are the worst possible argument both for marriage and for their own profession: they constantly snipe at each other, they aren't actually married and their sophisticated computer matching system is in fact a complete fake. The remainder of the team are mostly cast as hapless clients, with predictable but often very funny situations arising from the various mismatches engineered by the agency, such as the inevitable misunderstanding over one client's interest in modelling. Yes, the humour is about as subtle as a flatulent elephant, but you can't help entering into the spirit of the thing. If there's an outstanding performance it has to be that of Imogen Hassall, who handles her transformation from round-shouldered frump to well-bred love goddess with considerable expertise and a genuine sense of fun. On the DVD: The picture ratio is 4:3, and as is usual for this series the disc has no added features, which always seems like a terribly missed opportunity.--Roger Thomas
Adapted from H.E. Bates' novel My Uncle Silas is set at the turn of the last century and stars Albert Finney as the country-living womanizing rogue Uncle Silas. The series tells of what happens when Silas' townie nephew (Joe Prospero) comes to stay with him. Co-stars Lynda Bellingham and Sue Johnston.
There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow between science and superstition and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area we call...The Twilight Zone! All the episodes from Season 5!
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