Such a simple idea--yet so fiendishly complex in the execution. 24, as surely everyone knows by now, is a thriller that takes place over 24 hours, midnight to midnight, in 24 one-hour episodes (well, 45-minute episodes if you extract the ad breaks). Everything to take place in real time--on-screen and off-screen time the same--which means no flash-backs, no flash-forwards, no nice handy time-dissolves. Every strand of the plot has to be dovetailed and interlocked to make sure that things happen just when they should, in the right amount of time. Not that easy. Creator Robert Cochran and his team of writers and directors have done a pretty impressive job in putting the jigsaw together and keeping the tension ratcheted up high, as Federal Agent Jack Bauer (Kiefer Sutherland) hares around LA trying to stall an assassination attempt on a black Presidential candidate and rescue his wife and daughter from the clutches of the Balkan baddies. Twists, turns, revelations and cliffhangers are tossed at us with satisfying regularity. Its not perfect: we get some hokey plot devices (instant amnesia, anybody?) and the final twist, once you start thinking back, makes no sense whatsoever. There are altogether too many huggy family moments ("I love you, Dad." "I love you, son"); and as for überbaddie Dennis Hoppers "Serbian" accent Even so, this is undeniably mould-breaking TV. Sutherland, rescuing his career from the doldrums in one heroic leap, fully deserves his Golden Globe. Sets and locations are artfully deployed--we gain a real sense of LAs splayed-out geography--and Sean Callerys score is a powerful, brooding presence. Like Murder One and The Sopranos, 24 is one of those series future TV thrillers will have to measure themselves against. On the DVDs: 24 is released in a six-disc box set. On discs 1- 5 there are no extras, but disc 6 includes the "alternative" ending and a preview of Series 2, presented by an urbane Kiefer Sutherland, that tells us precisely nothing. The transfer, in 16x9 widescreen and 2.0 Dolby Digital sound, does the high production values of the original every justice.--Philip Kemp
The second of Francis Ford Coppola's films based on the popular juvenile novels of S.E. Hinton (the first being The Outsiders), Rumble Fish split critics into opposite camps: those who admired the film for its heavily stylised indulgence, and those who hated it for the very same reason. Whatever the response, it's clearly the work of a maverick director who isn't afraid to push the limits of his innovative talent. Filmed almost entirely in black and white with an occasional dash of color for symbolic effect, this tale of alienated youth centers on gang leader Rusty James (Matt Dillon) and his band of punk pals. Rusty's got a girlfriend (Diane Lane), an older brother named Motorcycle Boy (Mickey Rourke), and a drunken father (Dennis Hopper) who've all given up trying to straighten him out. He's best at making trouble, and he pursues that skill with an enthusiastic flair that eventually catches up with him. But it's not the whacked-out story here that matters--it's the uninhibited verve of Coppola's visual approach, which includes everything from time-lapse clouds to the kind of smoky streets and alleyways that could only exist in the movies. The supporting cast includes a host of fresh faces who went on to thriving careers, including Nicolas Cage, Christopher Penn, Vincent Spano, Laurence Fishburne, and musician Tom Waits. --Jeff Shannon
Rusty James (Dillon) is the leader of a small dying gang in an industrial town. He lives in the shadow of the memory of his absent older brother - The Motorcycle Boy (Rourke) - his mother has left his father drinks school has no meaning for him and his relationships are shallow. He is drawn into one more forbidden gang fight and the events that follow begin to change his life.
STEALING. CHEATING. KILLING. WHO SAYS ROMANCE IS DEAD? In 1993, action movie supremo Tony Scott teamed up with a hot new screenwriter named Quentin Tarantino to bring True Romance to the screen, one of the most beloved and widely-quoted films of the decade. Elvis-worshipping comic book store employee Clarence Worley (Christian Slater) is minding his own business at a Sonny Chiba triple bill when Alabama Whitman (Patricia Arquette) walks into his life and from then on, the two are inseparable. Within 24 hours, they're married and on the run after Clarence is forced to kill Alabama's possessive, psychopathic pimp. Driving a Cadillac across the country from Detroit to Hollywood, the newlyweds plan to sell off a suitcase full of stolen drugs to fund a new life for themselves... but little do they suspect that the cops and the Mafia are closing in on them. Will they escape and make their dream of a happy ending come true? Breathtaking action set pieces and unforgettably snappy dialogue combine with a murderers' row of sensational performances from a stunning ensemble cast in Scott and Tarantino's blood-soaked, bullet-riddled valentine, finally restored in dazzling 4K with hours of brilliant bonus features. Special Features: New 4K restorations of both the Theatrical Cut and the Director's Cut from the original camera negatives by Arrow Films Limited Edition packaging with reversible sleeve featuring newly commissioned artwork by Sara Deck 60-page perfect-bound collectors' booklet featuring new writing on the film by Kim Morgan and Nicholas Clement, a 2008 Maxim oral history featuring interviews with cast and crew, and Edgar Wright's 2012 eulogy for Tony Scott Double-sided poster featuring original and newly commissioned artwork by Sara Deck Six double-sided, postcard-sized lobby card reproductions High Definition (1080p) Blu-ray presentation of both cuts Original uncompressed stereo audio and DTS-HD MA 5.1 surround audio Optional English subtitles for the deaf and hard-of-hearing Audio commentary by director Tony Scott Audio commentary by writer Quentin Tarantino Audio commentary by stars Christian Slater & Patricia Arquette Audio commentary by critic Tim Lucas Select scene commentaries by stars Dennis Hopper, Val Kilmer, Brad Pitt and Michael Rapaport Brand new select scene commentary by star Saul Rubinek New interview with costume designer Susan Becker New interview with co-editor Michael Tronick New interview with co-composers Mark Mancina and John Van Tongeren New interview with Larry Taylor, author of Tony Scott: A Filmmaker on Fire New interview with Daniel Storm, co-founder of the annual True Romance Fest and owner of the original Cadillac Deleted scenes with optional commentary by Tony Scott Alternate ending with optional commentaries by Tony Scott and Quentin Tarantino Electronic press kit featurettes, behind-the-scenes footage and interviews with Tony Scott, Christian Slater, Patricia Arquette, Dennis Hopper and Gary Oldman Trailers and TV spots Image galleries *** EXTRAS STILL IN PRODUCTION AND SUBJECT TO CHANGE ***
The movie stars Theron as the director of an international aid organization working in Liberia who embarks on a love affair with a stubborn and impulsive relief-aid doctor, played by Bardem.
The second of Francis Ford Coppola's films based on the popular juvenile novels of S.E. Hinton (the first being The Outsiders), Rumble Fish split critics into opposite camps: those who admired the film for its heavily stylised indulgence, and those who hated it for the very same reason. Whatever the response, it's clearly the work of a maverick director who isn't afraid to push the limits of his innovative talent. Filmed almost entirely in black and white with an occasional dash of color for symbolic effect, this tale of alienated youth centers on gang leader Rusty James (Matt Dillon) and his band of punk pals. Rusty's got a girlfriend (Diane Lane), an older brother named Motorcycle Boy (Mickey Rourke), and a drunken father (Dennis Hopper) who've all given up trying to straighten him out. He's best at making trouble, and he pursues that skill with an enthusiastic flair that eventually catches up with him. But it's not the whacked-out story here that matters--it's the uninhibited verve of Coppola's visual approach, which includes everything from time-lapse clouds to the kind of smoky streets and alleyways that could only exist in the movies. The supporting cast includes a host of fresh faces who went on to thriving careers, including Nicolas Cage, Christopher Penn, Vincent Spano, Laurence Fishburne, and musician Tom Waits. --Jeff Shannon
Two lovers (Christian Slater Patricia Arquette) are thrust into a dangerous game of high-stakes negotiations and high-speed adventure. The pair come into unexpected possession of a suitcase of mob contraband. Fleeing to Los Angeles they hope to sell the goods and begin a new life. But both sides of the law have other ideas...
Vincent Swan is a retired cop. He receives a postcard one day seemingly from a serial killer (The Prophet) who he had brought to justice years earlier. Then begins a number of high profile murders in L.A. and Swan is forced to re-open the case. But every move he makes draws him further into The Prophet's game.
Sometimes Your Only Chance For Love Comes Once. Academy Award winner Diane Keaton (The First Wives Club Annie Hall) and Sam Shepard (Steel Magnolias) are paired as two ill-fated lovers who risk a chance at happiness for fear of commitment. Reece McHenry (Shepard) runs a clothing store where he meets Carol (Keaton) a seamstress and single mother looking for work. The two soon find they are attracted to each other but are afraid of expressing their emotions. As the years pass the deep friendship develops into love but perhaps because of time and circumstances it may be too late. Now Carol's daughter (Diane Lane) and Reece's son (Robert Patrick) who have been friends since childhood have fallen in love and may be making the same mistakes as their parents. The Only Thrill is the powerfully tender story of love long delayed and almost lost.
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