En route from New York City to Hollywood for a drag queen beauty pagent Noxeema Vida and Chi Chi are forced to take an unwelcome detour when their 1967 Cadillac convertible breaks down. Stranded in the tiny midwestern town of Snydersville the three try to make the best of their unfortunate circumstance. And when their glitz and glamour wake up the sleepy local citizens the stage is set for an outrageously funny weekend...
Beldar and Prymaat are emissaries from Remulak a planet within the Cone Nebula 26 light years from Earth. They belong to a civilisation intent on expanding its empire by enslaving the populations of other worlds. The Coneheads' mission: conquer the Earth. When a wrong turn at Machu Pichu crash-lands them in the middle of New York's East River Beldar and Prymaat find themselves stranded and forced to assimilate into mainstream America. With INS agents in hot pursuit of these most
John Breen (John Wayne) is a a Kentucky soldier in the early 1800s who pauses on his way home from the Battle of New Orleans to battle land-claim jumpers and woo the daughter of a French general. Oliver Hardy (of Laurel and Hardy fame) does a solo comedic turn as Breen's sidekick.
Limited edition 6 film box set
Entertaining children's stories danced by the Royal Ballet wearing animal masks. Music by John Lanchbery choreography by Frederick Ashton. The adventures are alive with same energy and passion of the books and feature unheard melodies from British Museum manuscripts recovered and transcribed by composer John Lanchbery. As the characters waltz their way across set to the rhythm of the songs you'll join in with the merriment and hot step with the cast - a must see treat for the entire family.
Pittsburgh (Dir. Lewis Seiler 1942): Charles 'Pittsburgh' Markham rides roughshod over his friends his lovers and his ideals in his trek toward financial success in the Pittsburgh steel industry only to find himself deserted and lonely at the top. When his crash comes he finds that fate has dealt him a second chance. Dakota (Dir. Joseph Kane 1945): John Devlin helps Dakota wheat farmers save their land from swindling entrepeneurs who hope to make a fortune selling it to the railroad for its right-of-way.
When a young couple stumble upon a bizarre chair their attempts at sexual adventure turn into a nightmare. Years after the event one of the couple is struggling to come to terms with what went on and a reknowned Cambridge professor attempts to soothe his anguish with experimental treatment. Ultimately they return to the scene of the crime to discover the dreadful truth about The Devil's Chair...
Pop diva Mariah Carey plays a young young singer who is eager to become a big star who dates a DJ who helps her get into the music business.
A bumper box set of classic films featuring the voluptuous sex-siren Sophia Loren! Pride And The Passion (Dir. Stanley Kramer 1957): Napoleonic forces are sweeping across Europe and Spain is on the brink of falling to the mighty invasion. Standing alone against the onslaught is one brave fighter and his ragtag band of guerillas. Seizing a gigantic cannon Spanish fighter Miguel (Sinatra) plans to attack Napoleon's army by battering the walls of French-occupied Avila. But because he's untrained in complex weaponry he must rely on the expertise of Captain Trumbell (Grant) a British naval officer. Allies on the battlefield Trumbell and Miguel soon find themselves in a bitter struggle over Miguel's mistress (Loren) a sultry beauty drawn to the captain's refined ways even as they race toward the most harrowing battle of their lives... El Cid (Dir. Anthony Mann 1961): El Cid is an epic movie masterpiece a tribute to one of history's greatest legends. This dazzling spectacle with a cast of thousands fills the screen with action and romance - from knights in armour jousting on horseback to massive battles on sea and land where columns of warriors stretch across the horizon. At the centre of this powerful motion picture is Charlton Heston in the role he was born to play... the immortal El Cid. Heston is the Spanish warrior battling to drive the Moors from Spain with the vision to be just and the courage to be merciful whose love and devotion to the radiant Chimene (Sophia Loren) knows no bounds... Anthony Mann's epic was nominated for three Oscars but surprisingly returned home empty-handed. The Fall Of The Roman Empire (Dir. Anthony Mann 1964): This classic film re-enacts the spectacular collapse of perhaps the greatest dominion the world has ever known. Pestilence greed and corruption bring a once-proud empire to its knees. Now restored with stunning scenes and a cast of thousands - in battles gladiatorial and otherwise; martyrs burning at the stake; chariot races in the midst of which is the romance between two people.... White Sister (Dir. Alberto Lattuada 1972): The Key (Dir. Carol Reed 1958): In wartime England circa 1941 poorly-armed tugs are sent into U-Boat Alley to rescue damaged Allied ships. An American named David Ross arrives to captain one of these tugs. He's given a key by a fellow tugboat-man -- a key to an apartment and its pretty female resident. Should something happen to the friend Ross can use the key. Countess From Hong Kong (Dir. Charlie Chaplin 1966): Charlie Chaplin's final film is a delightful romantic comedy filled with the clever touches for which he's famous. Written directed and composed by Chaplin it revolves around Russian ''migr'' countess Natascha (Sophia Loren) forced into prostitution in Hong Kong who stows away in wealthy American Ogden's (Marlon Brando's) stateroom to blackmail her way to the States. Since Ogden has a mind of his own and can even resist Natascha's charms what follows is one of the funniest tugs of war ever devised! A wealth of talent supports these stars. There's Chaplin's son Sydney as Brando's cruise companion Tippi Hedren as his icy wife Patrick Cargill as the ultimate gentleman's gentleman and Margaret Rutherford as a dotty old dame. Chaplin himself tops it off with a cameo as the ship's steward! The gags are pure Charlie and his actors make the most of them sailing in and out of slamming doors and outrageous situations with ease!
A bumper box set of classic films featuring the voluptuous sex-siren Sophia Loren! Pride And The Passion (Dir. Stanley Kramer 1957): Napoleonic forces are sweeping across Europe and Spain is on the brink of falling to the mighty invasion. Standing alone against the onslaught is one brave fighter and his ragtag band of guerillas. Seizing a gigantic cannon Spanish fighter Miguel (Sinatra) plans to attack Napoleon's army by battering the walls of French-occupied Avila. But because he's untrained in complex weaponry he must rely on the expertise of Captain Trumbell (Grant) a British naval officer. Allies on the battlefield Trumbell and Miguel soon find themselves in a bitter struggle over Miguel's mistress (Loren) a sultry beauty drawn to the captain's refined ways even as they race toward the most harrowing battle of their lives... El Cid (Dir. Anthony Mann 1961): El Cid is an epic movie masterpiece a tribute to one of history's greatest legends. This dazzling spectacle with a cast of thousands fills the screen with action and romance - from knights in armour jousting on horseback to massive battles on sea and land where columns of warriors stretch across the horizon. At the centre of this powerful motion picture is Charlton Heston in the role he was born to play... the immortal El Cid. Heston is the Spanish warrior battling to drive the Moors from Spain with the vision to be just and the courage to be merciful whose love and devotion to the radiant Chimene (Sophia Loren) knows no bounds... Anthony Mann's epic was nominated for three Oscar's but surprisingly returned home empty-handed. The Fall Of The Roman Empire (Dir. Anthony Mann 1964): This classic film re-enacts the spectacular collapse of perhaps the greatest dominion the world has ever known. Pestilence greed and corruption bring a once-proud empire to its knees. Now restored with stunning scenes and a cast of thousands - in battles gladiatorial and otherwise; martyrs burning at the stake; chariot races in the midst of which is the romance between two people.... White Sister (Dir. Alberto Lattuada 1972) The Key (Dir. Carol Reed 1958): In wartime England circa 1941 poorly-armed tugs are sent into U-Boat Alley to rescue damaged Allied ships. An American named David Ross arrives to captain one of these tugs. He's given a key by a fellow tugboat-man -- a key to an apartment and its pretty female resident. Should something happen to the friend Ross can use the key. Countess From Hong Kong (Dir. Charlie Chaplin 1966): Charlie Chaplin's final film is a delightful romantic comedy filled with the clever touches for which he's famous. Written directed and composed by Chaplin it revolves around Russian ''migr'' countess Natascha (Sophia Loren) forced into prostitution in Hong Kong who stows away in wealthy American Ogden's (Marlon Brando's) stateroom to blackmail her way to the States. Since Ogden has a mind of his own and can even resist Natascha's charms what follows is one of the funniest tugs of war ever devised! A wealth of talent supports these stars. There's Chaplin's son Sydney as Brando's cruise companion Tippi Hedren as his icy wife Patrick Cargill as the ultimate gentleman's gentleman and Margaret Rutherford as a dotty old dame. Chaplin himself tops it off with a cameo as the ship's steward! The gags are pure Charlie and his actors make the most of them sailing in and out of slamming doors and outrageous situations with ease!
Set in the mid-1980s against a backdrop of the rising club scene Glitter is the tale of Billie Frank, a modest young singer with a phenomenal talent just hoping to make it big in New York City. Billie (Mariah Carey) hooks up with super-cool club DJ and producer Dice (Max Beesley) and, as you might guess, hits the big time. But as both her lover and producer, Dice is a bit put out by the label's recommendation that Billie finds a more talented producer, while at the same time her girlfriends are telling her to "kick him to the kerb". So that's the basic gist. Throw in an estranged alcoholic mother and the rags-to-riches story is complete, or sadly not as the case might be. Presumably because the story is an old chestnut that everyone involved knows has been roasted a few too many times already the filmmakers thought it wasn't worth bothering with trying to make the plot even vaguely interesting, and it drags for what seems like days. The two leads are likeable characters, though their performances don't make up for the plodding storyline. Mariah is just Mariah--smiling, singing and equally accomplished at both--whereas Beesley is let down by his shocking American accent. If you like the sound of early US Garage and post-disco dance music then Mariah's soundtrack is a winner (although it got slated) but Glitter isn't even one of those films that's so bad it's good. It's just dull. On the DVD: Glitter comes complete with a redundant director's commentary that attempts to explain events requiring no explanation, a cheesy trailer which is very sparkly, plus bog-standard discographies and filmographies of the cast and director.--David Trueman
A classic punk rock movie from 1980 starring Richard Hell illustrating the end of the first wave of New York City punk rock better than any documentary. Nada (Carole Bouquet) a beautiful French journalist on assignment in New York records the life and work of an up and coming punk rock star Billy (Richard Hell). Soon she enters into a volatile relationship with him and must decide whether to continue with it or return to her lover a fellow journalist trying to track down the elusive Andy Warhol (playing himself). Featuring members of the Voidoids and the Ramones. This long lost film is like a time capsule from pre-Disneynification New York City: sleazy dirty and most importantly real. Includes a lengthy new interview with Hell about the film and more.
The Bogey Man had been banned since 1982. The Bogey Man is the chilling story of concentrated evil and its gruesome effect on a small American farming community. The evil is so great that even exorcism cannot stop the blood-bath. As a young girl Lucy witnessed her brother murder her mother's lover. In an attempt to recover her psychological turmoil she later visits the house and finds the demons have not left.
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