"Actor: Howard McNea"

• Blue Hawaii | DVD | (18/03/2002) from £5.99   |  Saving you £7.00 (116.86%)   |  RRP £12.99

  Elvis Presley's seventh film was the first of his "Hawaii trilogy" (a group completed by Girls! Girls! Girls! and Paradise, Hawaiian Style). While its story is daft--the King has just been released from his army-posting in Italy and returned to the islands, where he's trying to avoid working in his father's fruit business--the music, including "Blue Hawaii," "Almost Always True" and the beautiful "Can't Help Falling in Love", is not. Angela Lansbury plays Elvis's mother, who can't seem to get through to him. The film is directed by Elvis's frequent collaborator, Norman Taurog. --Tom Keogh

• Elvis 5 Movies Collection | DVD | (18/05/2020) from £28.98   |  Saving you £N/A (N/A%)   |  RRP £N/A

  Tune in with the ˜King of Rock and Roll' with a curated collection of his finest movies. Includes performances of hit songs Wooden Heart , Shoppin Around , Little Egypt , Can't Help Falling In Love', Rock-A-Hula Baby , Bossa Nova Baby and Return To Sender . Lightweight fun and soundtracks to get you on your feet, there is no better gift for Elvis superfans. Collection Includes: G.I Blues Tulsa, a soldier with dreams of running his own nightclub, places a bet with his friend Dynamite that he can win the heart of an untouchable dancer...but when Dynamite is transferred, Tulsa must replace him in the bet. Blue Hawaii After arriving back in Hawaii from the Army, Chad Gates (Elvis Presley) defies his parents' wishes for him to work at the family business and instead goes to work as a tour guide at his girlfriend's agency. Girls! Girls! Girls! When he finds out his boss is retiring to Arizona, a sailor has to find a way to buy the Westwind, a boat that he and his father built. He is also caught between two women: insensitive club singer Robin and sweet Laurel. Roustabout After a singer loses his job at a coffee shop, he finds employment at a struggling carnival, but his attempted romance with a teenager leads to friction with her father. Fun in Acapulco A yacht owner's spoiled daughter gets Mike fired, but a boy helps him get a job as singer at Acapulco Hilton etc. He upsets the lifeguard by taking his girl and 3 daily work hours.

• Bell, Book And Candle | DVD | (19/08/2002) from £15.27   |  Saving you £-2.28 (N/A%)   |  RRP £12.99

  Bell, Book and Candle (1958) is a sparkling, exotic and intelligent comedy based on John Van Druten's original play about the unlikely subject of witchcraft in Manhattan. In his last romantic lead role, James Stewart is publisher Shep Henderson, sucked into the underworld of Greenwich Village by the extraordinarily beautiful Gillian Holroyd (Kim Novak). Their liaison kicks off when Gillian employs her skills to indulge in a bit of fun. By the time Shep gets wise and rejects the artificial premise for a relationship, she has sacrificed her powers to emotional awakening and all is set for a happy ending. Largely thanks to an eccentric supporting cast, which includes Jack Lemmon as Gillian's warlock brother, Hermione Gingold as a fruity nightclub owner and Elsa Lanchester as Gillian's dotty aunt, the film has a delightfully off-centre quality. It's also a bittersweet allegory about being different. "We forfeit everything and then we end up in a little world of separateness from everyone", sighs Gillian. Novak is at the height of her beauty and here, as in her other 1958 triumph Vertigo (also with Stewart), her other-worldly quality fits the character so perfectly that her thespian limitations are well disguised. It's entrancing in every sense. On the DVD: Bell, Book and Candle's vibrant Technicolor explodes from the screen in this DVD release, which is enhanced for 16:9 widescreen televisions. Everything looks fresh and new--particularly the exotic nightclub scenes--and the mono soundtrack has lasted well. Extras include selected filmographies and original trailers, and detailed background in the booklet notes. --Piers Ford

• Irma La Douce | DVD | (17/04/2019) from £14.18   |  Saving you £1.81 (12.76%)   |  RRP £15.99

  Irma La Douce reunited The Apartment team of Jack Lemmon and Shirley MacLaine with director Billy Wilder in an adaptation of the stage musical of the same name which had been a hit in Paris, London and New York. The screen transfer by Wilder and his colleague--writer IAL Diamond--however, omits the show's songs, relegating them to a background score refashioned by Andre Previn with some additional themes of his own. Background here is a complimentary term, for whatever qualms one might entertain as to this move, the two sets of themes are skilfully woven together by Previn and emerge as a witty and lyrical aural delight in their own right which is given due prominence on the soundtrack. Wilder is no rush to tell prostitute Irma's story: her affair with Lemmon being the pivot of the tale as he takes on the disguise of an English Lord. Lemmon and MacLaine beautifully play their mutual attraction under Wilder's deft direction with the slapstick never allowed to get out of hand. Many will recognise Wilder's touch in his handling of the scene where Lemmon as a policeman is carted off in a van full of voracious prostitutes from the bunks-in-the-train sequence in Some Like It Hot. The handsome production, designed by Alexander Tranner--with the occasional view of the Seine thrown in for good measure--and the Panavision photography by Joseph La Shelle are further assets. On the DVD: The DVD contains a longer than usual theatrical trailer, half shot as a cartoon with characters closely resembling those Pink Panther figures who emerged at the same time from the Mirisch Brothers, a pair prominent in sustaining the unique success of United Artists, whose name was deleted, in favour of the MGM logo, in the early 1960s. It's too bad that the music on this DVD transfer sometimes strikes a coarse note particularly over the extended opening credits. --Adrian Edwards

• Fantastic Voyage/Voyage to Bottom of the Sea | DVD | (02/06/2003) from £N/A   |  Saving you £N/A (N/A%)   |  RRP £14.99

  Irwin Allen's visually impressive but scientifically silly Voyage to the Bottom of the Sea updates 20,000 Leagues Under the Sea as the world's most advanced experimental submarine manoeuvres under the North Pole while the Van Allen radiation belt catches fire, giving the concept "global warming" an entirely new dimension. As the Earth broils in temperatures approaching 170 degrees F, Walter Pidgeon's maniacally driven Admiral Nelson hijacks the Seaview sub and plays tag with the world's combined naval forces on a race to the South Pacific, where he plans to extinguish the interstellar fire with a well-placed nuclear missile. But first he has to fight a mutinous crew, an alarmingly effective saboteur, not one but two giant squid attacks and a host of design flaws that nearly cripple the mission (note to Nelson: think backup generators). Barbara Eden shimmies to Frankie Avalon's trumpet solos in the most form-fitting naval uniform you've ever seen; fish-loving Peter Lorre plays in the shark tank; gloomy religious fanatic Michael Ansara preaches Armageddon; and Joan Fontaine looks very uncomfortable playing an armchair psychoanalyst. It's all pretty absurd, but Allen pumps it up with larger-than-life spectacle and lovely miniature work. Fantastic Voyage is the original psychedelic inner-space adventure. When a brilliant scientist falls into a coma with an inoperable blood clot in the brain, a surgical team embarks on a top-secret journey to the centre of the mind in a high-tech military submarine shrunk to microbial dimensions. Stephen Boyd stars as a colourless commander sent to keep an eye on things (though his eyes stay mostly on shapely medical assistant Raquel Welch), while Donald Pleasence is suitably twitchy as the claustrophobic medical consultant. The science is shaky at best, but the imaginative spectacle is marvellous: scuba-diving surgeons battle white blood cells, tap the lungs to replenish the oxygen supply and shoot the aorta like daredevil surfers. The film took home a well-deserved Oscar for Best Visual Effects. Director Richard Fleischer, who had previously turned Disney's 1954 20,000 Leagues Under the Sea into one of the most riveting submarine adventures of all time, creates a picture so taut with cold-war tensions and cloak-and-dagger secrecy that niggling scientific contradictions (such as, how do miniaturised humans breathe full-sized air molecules?) seem moot. --Sean Axmaker