Brand new BBC Drama starring Hugh Laurie, written by David Hare. Roadkill is a four-part fictional thriller about a self-made, forceful and charismatic politician called Peter Laurence. Peter s public and private life seems to be falling apart - or rather is being picked apart by his enemies. As the personal revelations spiral, he is shamelessly untroubled by guilt or remorse, expertly walking a high wire between glory and catastrophe as he seeks to further his own agenda whilst others plot to bring him down. However events show just how hard it is, for both an individual and a country, to leave the past behind. With enemies so close to home, can Peter Laurence ever out-run his own secrets to win the ultimate prize?
Stuart Little: Join the fun when the Little family adopts an adorably spunky boy named Stuart (voiced by Michael J. Fox) who looks a lot like a mouse. Mr. and Mrs. Little (Hugh Laurie and Geena Davis) fall in love with Stuart right away but their older son George (Jonathan Lipnicki) isn't so sure what to make of his new brother and the family's white cat Snowbell (voiced by Nathan Lane) devises a dastardly plan to get Stuart out of the house...permanently. Stuart Littl
Sequel to 'Saturday Night Fever' where Tony Manero older but not much wiser pursues his search for stardom on the Broadway stage...
Martha Marcy May Marlene creates a sense of uneasy suspense within seconds of coming on screen: a young woman, who will be known by all the title names at various times in the movie, is escaping from a rural commune of some sort. And not just a commune, but by the looks of it, a cult--an impression that will grow as Martha flashes back to her experiences once she reaches the safety of her sister's antiseptic country place. It is part of director Sean Durkin's design that we experience the film as Martha's point of view, which means there may be some question about whether she's an emotionally unstable person to begin with or simply in a legitimate terror about the traumatising events that have unfolded for her in recent months. Although the film has one storytelling contrivance (Martha withholds her experiences from her sister, when a little exposition would help matters tremendously), in general Durkin keeps a lid on this simmering situation, and he's got a good compositional eye that only occasionally tips over into preciousness. Sarah Paulson and Hugh Dancy play Martha's complacent but concerned sister and brother-in-law, and John Hawkes (Winter's Bone) is a spellbinder as the commune leader, a manipulator of subtle skill. (With some stories like this, you have a hard time believing cult followers could fall for these creepy charismatics; in this one, Hawkes demonstrates how such things might happen.) The movie's most unexpected and alluring touch is the performance by Elizabeth Olsen, as Martha; this younger sister of the child-star Olsen twins brings a zonked-out centre of gravity to the part. She's got just a bit of blankness, too, which enhances the movie's well-wrought guessing game. --Robert Horton
George Best was without doubt one of the greatest footballers to have graced the game. Over the course of his career he scored 115 goals for Manchester United was instrumental in helping the club win their first European Cup played for Northern Ireland 37 times and earned the admiration of players the world over. On august 8th 1988 a Testimonial Match was held in Best's honour at Windsor Park Belfast. Gathered there was a collection of some of the sport's greatest players from all over the world such as; Ossie Ardiles Rudi Krol Pat Jennings Liam Brady Paul Breitner Emlyn Hughes Johan Neeskens and Trevor Francis. The game was both exciting and rammed full of goals. An entertaining football event and a fitting and emotional farewell to one of the sport's most inspirational players. Relive that historic match time and again accompanied by original commentary and post-match interview. This is the full event and not to be missed by any football fan!
Martha Marcy May Marlene creates a sense of uneasy suspense within seconds of coming on screen: a young woman, who will be known by all the title names at various times in the movie, is escaping from a rural commune of some sort. And not just a commune, but by the looks of it, a cult--an impression that will grow as Martha flashes back to her experiences once she reaches the safety of her sister's antiseptic country place. It is part of director Sean Durkin's design that we experience the film as Martha's point of view, which means there may be some question about whether she's an emotionally unstable person to begin with or simply in a legitimate terror about the traumatising events that have unfolded for her in recent months. Although the film has one storytelling contrivance (Martha withholds her experiences from her sister, when a little exposition would help matters tremendously), in general Durkin keeps a lid on this simmering situation, and he's got a good compositional eye that only occasionally tips over into preciousness. Sarah Paulson and Hugh Dancy play Martha's complacent but concerned sister and brother-in-law, and John Hawkes (Winter's Bone) is a spellbinder as the commune leader, a manipulator of subtle skill. (With some stories like this, you have a hard time believing cult followers could fall for these creepy charismatics; in this one, Hawkes demonstrates how such things might happen.) The movie's most unexpected and alluring touch is the performance by Elizabeth Olsen, as Martha; this younger sister of the child-star Olsen twins brings a zonked-out centre of gravity to the part. She's got just a bit of blankness, too, which enhances the movie's well-wrought guessing game. --Robert Horton
Martha Marcy May Marlene creates a sense of uneasy suspense within seconds of coming on screen: a young woman, who will be known by all the title names at various times in the movie, is escaping from a rural commune of some sort. And not just a commune, but by the looks of it, a cult--an impression that will grow as Martha flashes back to her experiences once she reaches the safety of her sister's antiseptic country place. It is part of director Sean Durkin's design that we experience the film as Martha's point of view, which means there may be some question about whether she's an emotionally unstable person to begin with or simply in a legitimate terror about the traumatising events that have unfolded for her in recent months. Although the film has one storytelling contrivance (Martha withholds her experiences from her sister, when a little exposition would help matters tremendously), in general Durkin keeps a lid on this simmering situation, and he's got a good compositional eye that only occasionally tips over into preciousness. Sarah Paulson and Hugh Dancy play Martha's complacent but concerned sister and brother-in-law, and John Hawkes (Winter's Bone) is a spellbinder as the commune leader, a manipulator of subtle skill. (With some stories like this, you have a hard time believing cult followers could fall for these creepy charismatics; in this one, Hawkes demonstrates how such things might happen.) The movie's most unexpected and alluring touch is the performance by Elizabeth Olsen, as Martha; this younger sister of the child-star Olsen twins brings a zonked-out centre of gravity to the part. She's got just a bit of blankness, too, which enhances the movie's well-wrought guessing game. --Robert Horton
Martha Marcy May Marlene creates a sense of uneasy suspense within seconds of coming on screen: a young woman, who will be known by all the title names at various times in the movie, is escaping from a rural commune of some sort. And not just a commune, but by the looks of it, a cult--an impression that will grow as Martha flashes back to her experiences once she reaches the safety of her sister's antiseptic country place. It is part of director Sean Durkin's design that we experience the film as Martha's point of view, which means there may be some question about whether she's an emotionally unstable person to begin with or simply in a legitimate terror about the traumatising events that have unfolded for her in recent months. Although the film has one storytelling contrivance (Martha withholds her experiences from her sister, when a little exposition would help matters tremendously), in general Durkin keeps a lid on this simmering situation, and he's got a good compositional eye that only occasionally tips over into preciousness. Sarah Paulson and Hugh Dancy play Martha's complacent but concerned sister and brother-in-law, and John Hawkes (Winter's Bone) is a spellbinder as the commune leader, a manipulator of subtle skill. (With some stories like this, you have a hard time believing cult followers could fall for these creepy charismatics; in this one, Hawkes demonstrates how such things might happen.) The movie's most unexpected and alluring touch is the performance by Elizabeth Olsen, as Martha; this younger sister of the child-star Olsen twins brings a zonked-out centre of gravity to the part. She's got just a bit of blankness, too, which enhances the movie's well-wrought guessing game. --Robert Horton
School's out for the summer and the Littles are spending their vacation at a beautiful lakeside cabin. Leading the way is Stuart, who can't wait to become a Scout and spend his entire vacation canoeing, hiking and being the outdoorsy little guy he claims to be. But there is something lurking in the forest which could spoil the fun!
On November 29th 2009 the CWC returned to the Kings Hall in Belfast with Cage Wars Championship: Nightmare featuring international MMA superstar Rich 'No Love' Clementi against Ireland's Chris 'Menace' Stringer. MMA legend John 'Machine'Lober gets ready to make his CWC debut against the young 'Dragon' Lee Mckibbin. The event was packed with non stop MMA action with fighters from around the world.
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