FOUR DISC DVD SET (To Have and Have Not / The Big Sleep / Dark Passage / Key Largo) TO HAVE AND HAVE NOT - "Anybody got a match?" The match for film fans is Bogart and Bacall in their incendiary (and legendary) first pairing. THE BIG SLEEP - In this unequaled masterpiece, the two stars are embroiled in suspense in this landmark hard-boiled Raymond Chandler whodunit. DARK PASSAGE - San Quentin escapee Bogart emerges from plastic surgery with a new face and with Bacall at his side as he tries to clear his name in this stylish film noir. KEY LARGO - Trapped by a storm and a killer! Bogart and Bacall ride out a hurricane while facing the business end of Edward G. Robinson's gun
A high point in the already success-laden career of writer-director Joseph L. Mankiewicz (A Letter to Three Wives, All About Eve), and one of the most glamorous and extravagant films from Hollywood s Golden Age, The Barefoot Contessa is a tragic drama about the tumultuous rise and fall of fictional Hollywood actress Maria Vargas (Ava Gardner). Humphrey Bogart plays down on his luck writer and director Harry Dawes, reduced to working for an egotistical and abusive producer, Kirk Edwards (Warren Stevens). Whilst scouting for the female lead in his new movie, Dawes meets the beautiful and charismatic Maria Vargas, a barefooted flamenco dancer, in a Madrid night club and convinces her to star in his movie. Maria is an overnight sensation, but cannot find satisfaction in the shallow world of Hollywood, and the men in her life who treat her as nothing more than a commodity. Also featuring Edmund O Brien in an Oscar winning role as a duplicitous publicist, and featuring cinematography from the legendary Jack Cardiff, The Barefoot Contessa was a massive success upon release, and The Masters of Cinema Series is proud to present the film in a special Dual Format edition, that includes the film on Blu-ray for the first time in the UK. Features: 1080p presentation of the film on Blu-ray Optional 5.1 and uncompressed LPCM dual mono soundtracks Optional English subtitles for the deaf and hard-of-hearing Rarely seen archival interview with director Joseph L. Mankiewicz Audio commentary with film historians Julie Kirgo and David Del Valle Original theatrical trailer A collector s booklet featuring a new essay by Farren Smith Nehme; and rare archival material.
Ripped from the headlines of the turbulent era between the Great War and the Great Depression, this dynamic, nostalgia-tinged crime drama balances tommy-gun action with epic historical sweep. Legends James Cagney and Humphrey Bogart star as army buddies whose fortunes rise and fall as their fates intersect, first in a foxhole on the front lines of World War I, then in Manhattan's Prohibition-era underworld. Directed by Hollywood master Raoul Walsh, and based on a story by prolific journalist turned screenwriter and producer Mark Hellinger, The Roaring Twenties brought to a close the celebrated Warner Bros. gangster cycle of the 1930s, and it remains one of the greatest and most influential crime films of all time. Product Features4K UHD + BLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features Audio commentary with film historian Lincoln Hurst New interview with critic Gary Giddins Excerpt from a 1973 interview with director Raoul Walsh Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by film critic Mark Asch
In 1925 Damascus Harry Smith (Bogart) runs guns to the rebels under Emir Hassan. The French arrest him along with others and force him to sell weapons to them where hHe develops an dangerous interest in French intelligence officer Feroud's mistress Violette...
Humphrey Bogart (The Harder They Fall), Lizabeth Scott (Pitfall), and Morris Carnovsky (Gun Crazy) star in Dead Reckoning, a dark tale of blackmail, vengeance, and murder. When Captain 'Rip' Murdock (Bogart) learns that his war buddy has been murdered, he sets out to find answers. His search leads him to nightclub owner Martinelli (Carnovsky) and the beautiful, dangerous Coral (Scott), and death and intrigue follow. Directed by John Cromwell (The Prisoner of Zenda), Dead Reckoning is a tense and atmospheric film noir, starring one of Hollywood's greatest screen icons. Product Features High Definition remaster Original mono audio Audio commentary with film scholar and preservationist Alan K Rode (2022) A Pretty Good Shot (2022, 17 mins): appreciation by writer and film programmer Tony Rayns Watchtower Over Tomorrow (1945, 16 mins): short film, directed by John Cromwell, documenting the formation of the United Nations following World War II Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
Humphrey Bogart plays Saloonkeeper Joe Barrett in postwar Tokyo. With an interesting cast including Alexander Knox and an outstanding performance by Sessue Hayakawa (Bridge on the River Kwai) as the japanese gang lord. Florence Marly adds a european/international touch as White Russian Cabaret singer. The theme of postwar Japan is rarely touched on, and like Sam Fuller's 'House of Bamboo', Tokyo Joe takes a long, slow look at the underbelly of Japan's postwar milieu. Like Casablanca, this film has all the elements, haunting theme music, guns, girls and gangsters with a whiff of geopolitical intrigue.
The Maltese Falcon is still the tightest, sharpest, and most cynical of Hollywood's official deathless classics, bracingly tough even by post-Tarantino standards. Humphrey Bogart is Dashiell Hammett's definitive private eye, Sam Spade, struggling to keep his hard-boiled cool as the double-crosses pile up around his ankles. The plot, which dances all around the stolen Middle Eastern statuette of the title, is too baroque to try to follow, and it doesn't make a bit of difference. The dialogue, much of it lifted straight from Hammett, is delivered with whip-crack speed and sneering ferocity, as Bogie faces off against Peter Lorre and Sidney Greenstreet, fends off the duplicitous advances of Mary Astor, and roughs up a cringing "gunsel" played by Elisha Cook Jr. It's an action movie of sorts, at least by implication: the characters always seem keyed up, right on the verge of erupting into violence. This is a turning-point picture in several respects: John Huston (The African Queen) made his directorial debut here in 1941, and Bogart, who had mostly played bad guys, was a last-minute substitution for George Raft, who must have been kicking himself for years afterward. This is the role that made Bogart a star and established his trend-setting (and still influential) antihero persona. --David Chute END
Humphrey Bogart (Sirocco) stars with Alexander Knox (The Damned), and Florence Marly (Queen of Blood) star in Tokyo Joe, a post-war film noir tale of smuggling, treason, and blackmail. World War II veteran Joe Barrett (Bogart) returns to his Tokyo gambling den and finds that his wife, Trina (Marly), has remarried to American lawyer Mark (Knox). After learning that Trina was forced to broadcast Japanese propaganda, he finds himself blackmailed into assisting war criminals in order to protect her. Directed by Stuart Heisler (The Glass Key), Tokyo Joe features a powerful central performance from its iconic star, and also represented a return to Hollywood for former silent screen legend Sessue Hayakawa (The Bridge on the River Kwai). Product Features High Definition remaster Original mono audio Audio commentary with writer and film historian Nora Fiore (2022) Bertrand Tavernier on 'Tokyo Joe' (2017, 34 mins): archival appreciation by the celebrated filmmaker and critic A Superstar Returns (2022, 15 mins): archivist Tom Vincent assesses the career of actor Sessue Hayakawa, the silent-era star who made his return to Hollywood filmmaking with Tokyo Joe Second unit photography (1948, 11 mins): rare footage shot by second unit director Art Black and cameramen Joseph Biroc and Emil Oster Jr in Tokyo for use in the main feature The Negro Soldier (1944, 41 mins): WWII documentary film intended as a recruitment drive for African American enlistees, directed by Stuart Heisler and now preserved by the National Film Registry for its cultural and historical significance Jim Pines on 'The Negro Soldier' (2010, 41 mins): audio presentation by the author and lecturer, recorded following a screening of the film at London's BFI Southbank Image gallery: promotional and publicity material New and improved English subtitles for the deaf and hard of hearing
On the mean streets of New York's Lower East Side Drina (Sylvia Sidney) hopes to save her brother from a life of crime. But notorious hoodlum Baby Face Martin (Bogart) has come back to his old haunts looking for trouble and threatening to drag the boy down with him. Drina turns to her childhood friend Dave (Joel McCrea) for help. But can he stop Martin without becoming just like him?
Ripped from the headlines of the turbulent era between the Great War and the Great Depression, this dynamic, nostalgia-tinged crime drama balances tommy-gun action with epic historical sweep. Legends James Cagney and Humphrey Bogart star as army buddies whose fortunes rise and fall as their fates intersect, first in a foxhole on the front lines of World War I, then in Manhattan's Prohibition-era underworld. Directed by Hollywood master Raoul Walsh, and based on a story by prolific journalist turned screenwriter and producer Mark Hellinger, The Roaring Twenties brought to a close the celebrated Warner Bros. gangster cycle of the 1930s, and it remains one of the greatest and most influential crime films of all time.Product FeaturesBLU-RAY SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary with film historian Lincoln Hurst New interview with critic Gary Giddins Excerpt from a 1973 interview with director Raoul Walsh Trailer English subtitles for the deaf and hard of hearing PLUS: An essay by film critic Mark Asch
Humphrey Bogart is heartbreaking as the tragic Captain Queeg in this 1954 film, based on a novel by Herman Wouk, about a mutiny aboard a navy ship during World War II. Stripped of his authority by two officers under his command (played by Van Johnson and Robert Francis) during a devastating storm, Queeg becomes a crucial witness at a court martial that reveals as much about the invisible injuries of war as anything. Edward Dmytryk (Murder My Sweet, Raintree County) directs the action scenes with a sure hand and nudges his all-male cast toward some of the most well-defined characters of 1950s cinema. The courtroom scenes alone have become the basis for a stage play (and a television movie in 1988), but it is a more satisfying experience to see the entire story in context. --Tom Keogh
Audrey Hepburn is the delightful, young, eponymous Sabrina, the daughter of a chauffeur who is hopelessly in love with David Larrabee (William Holden), the playboy younger son in the rich Long Island household her father works for. In order to help her forget her woes, Sabrina is shipped off to cooking school in Paris. While there, she befriends a baron who provides a bit of culture--and the encouragement to snip off her childlike ponytail. Upon her return to New York, Sabrina is transformed into a sophisticated woman, and David is entranced by her. However, his older brother Linus (Humphrey Bogart) has arranged David's marriage to Elizabeth Tyson in order to seal a business merger and thus must steer David away from Sabrina. To do this, Linus takes on the task of wooing her for himself. Full of great dialogue ("A woman happy in love, she burns the soufflé; a woman unhappy in love, she forgets to turn on the oven") and wonderful performances, this film is a romantic masterpiece. Also enjoyable is the 1995 remake, starring Julia Ormond and Harrison Ford. --Jenny Brown
The Public Enemy (Dir. William A. Wellman 1931): Tom's bad way of life is constantly set up against his brother Mike's who has a job during the day and goes to night school. Mike will enroll in the Marines to fight in WWI. He will come back and will constantly try to put Tom back on the right path. White Heat (Dir. Raoul Walsh 1950): Cody Jarrett is the sadistic leader of a ruthless gang of thieves. Afflicted by terrible headaches and fiercely devoted to his 'Ma ' Cody is a volatile violent and eccentric leader. Cody's top henchman wants to lead the gang and attempts to have an 'accident' happen to Cody while he is running the gang from in jail. But Cody is saved by an undercover cop who thereby befriends him and infiltrates the gang. Finally the stage is set for Cody's ultimate betrayal and downfall during a big heist at a chemical plant. Angels With Dirty Faces (Dir Michael Curtiz 1938): Rocky Sullivan and Jerry Connolly were tough kids who grew up together in the toughest part of New York - Hell's Kitchen. Early on Rocky gets sent to reform school where he learns how to be a first class criminal. Jerry who had escaped from the law goes straight and becomes a priest. As adults they reunite in the old neighborhood: Jerry works with the kids who like he and Rocky could end up on either side of the law. Rocky has returned looking for a safe place to stay till he can get back into his old racketeering organization -- something that his old partner isn't anxious to have happen. Lots of rapid fire wisecracks roughhousing and gunfire ensues. The Roaring Twenties (Dir. Raoul Walsh 1939): After the WWI Armistice Lloyd Hart goes back to practice law former saloon keeper George Hally turns to bootlegging and out-of-work Eddie Bartlett becomes a cab driver. Eddie builds a fleet of cabs through delivery of bootleg liquor and hires Lloyd as his lawyer. George becomes Eddie's partner and the rackets flourish until love and rivalry interfere.
One of the classics of the noir psychological thriller, In a Lonely Place is one of Humphrey Bogart's finest performances. He is almost unbearably intense as Dixon Steele, a screenwriter with high standards and a nasty temper who finds himself under suspicion when Mildred, a hat-check girl he knows, is found murdered. Immediately he gets an alibi from a neighbour, Laurel, and equally quickly, he recognises that this is a woman who meets his standards: the question is, as suspicion of his involvement in Mildred's death continues, can he make himself meet hers? This is a wonderful study in trust and suspicion and the limits of love; Bogart's performance is impressive simply because he is prepared to go well over the limits of our sympathy in the name of emotional truth. The scene where he explains imaginatively to a cop and his wife how the murder might have happened is a spine-chilling, creepy portrait of amoral artistic brilliance. Gloria Grahame is equally fine as the woman who lets herself love him, for a while. On the DVD: In a Lonely Place comes with an excellent documentary in which Curtis Hanson (LA Confidential) explains the importance of the film to him and discusses its place in the work of Bogart and the director Nicholas Ray; there is also a quick interesting documentary about the restoration and digitisation of classic films. The film is presented with a visual aspect ratio of 1.33:1 and with restored Dolby Surround sound that does full justice to the film's snappy dialogue and the moody George Antheil score. --Roz Kaveney
John Huston (The Maltese Falcon) directed this smart thriller about a gangster (Edward G. Robinson) who holds a number of people hostage in a hotel on the Florida keys during a tropical storm. Humphrey Bogart is the returning war veteran who takes on the villains, and Lauren Bacall is on hand as one of the people on the wrong end of Robinson's gun. Somewhat similar in tone to Howard Hawks's To Have and Have Not (which also featured Bogart and Bacall), Key Largo is a moody movie which captures a certain despair offset by the bond between individuals united by common purpose. Claire Trevor won an Academy Award for her part as Robinson's alcoholic girlfriend. --Tom Keogh
Attention all Audrey Hepburn fans! Now you can buy this delightful box set featuring 5 of her most famous and celebrated celluloid entries. Enjoy! Breakfast at Tiffany's (Dir. Blake Edwards 1961): The names Audrey Hepburn and Holly Golightly have become synonymous since this dazzling romantic comedy was translated to the screen from Truman Capote's best-selling novella. Holly is a deliciously eccentric New York City playgirl determined to marry a Brazilian millionaire. George Peppard plays her nextdoor neighbour a writer who is 'sponsored' by wealthy Patricia Neal. Guessing who's the right man for Holly is easy. Seeing just how that romance blossoms is one of the enduring delights of this classic set to Henry Mancini's Oscar-winning score and the Oscar-winning Mancini/Johnny Mercer song 'Moon River'. Roman Holiday (Dir. William Wyler 1953): Audrey Hepburn won an Oscar for her portrayal of a modern-day princess rebelling against her royal obligations who explores Rome on her own. She meets Gregory Peck an American newspaperman who seeking an exclusive story pretends ignorance of her true identity. But his plan falters as they rapidly fall in love... Paris When It Sizzles (Dir. Richard Quine 1964): A veteran Hollywood screenwriter goes to Paris to write the screenplay of his career--in three days. Lacking fresh ideas he turns to his gamine secretary to provide fuel for his imagination and they come up with various scenarios for his screenplay called 'The Girl Who Stole The Eiffel Tower'. William Holden and Audrey Hepburn heat up the main characters with terrific supporting help from the likes of Frank Sinatra Noel Coward Tony Curtis Fred Astaire Marlene Dietrich and the glorious city of Paris. Sabrina (Dir. Billy Wilder 1954): Humphrey Bogart William Holden and Audrey Hepburn star in a Cinderella story directed by renowned filmmaker Billy Wilder. Bogie and Holden are the mega-rich Larrabee brothers of Long Island. Bogie's all work Holden's all playboy. But when Sabrina daughter of the family's chauffeur returns from Paris all grown up and glamorous the stage is set for some family fireworks as the brothers fall under the spell of Hepburn's delightful charms. Funny Face (Dir. Stanley Donen 1957): Paris the City of Light shines even brighter when Audrey Hepburn and Fred Astaire team up for the only time and bring their luminous starpower to this exquisite musical featuring songs by George and Ira Gershwin. This dazzling romp -- filmed on location in Paris -- garnered four Academy Award nominations. In the role of bookstore clerk transformed into a modeling sensation Hepburn showcases singing and dancing skills she had honed on the London stage performing How Long Has This Been Going On? a Basal Metabolism dance in a cool-cat bistro and more. Astaire as the fashion photographer who discovers her conjures up his inimitable magic for sequences that include his Let's Kiss And Make Up matador diversion a heavenly dance with Hepburn to He Loves And She Loves and again with Hepburn the title-tune enchantment I Love Your Funny Face. Now and forever so do we.
The award winning tale of romance and adventure adapted from a novel by C.S. Forester and featuring screen legends Katharine Hepburn and Humphrey Bogart is widely seen as a cinematic classic. Bogart's role as the hard-drinking river trader won him an Oscar with Hepburn putting in a wonderfully astute performance as the prim missionary who must accompany Bogart in his boat the 'African Queen' during World War I. The two are forced to travel down a hazardous river together learning about each other along the way. Both John Huston's masterful direction and the onscreen chemistry between Hepburn and Bogart makes this a rare treat indeed. The film's restoration in 2010: ITV STUDIOS Global Entertainment has partnered with Paramount Pictures to save this great classic and restore it back to its former glory. The Original 35mm three strip camera negatives were scanned at high resolution and digitally recombined using restoration tools to repair tears and scratches remove dirt and stabilize the picture. The sound track underwent full digital audio restoration removing clicks hum and other audio defects before creating a new Optical soundtrack negative. The Digital files have been output to a high resolution digital cinema File as well as creating a pristine new combined 35mm negative and an HD master. This is a fine example of how today's technologies can protect and preserve film both digitally and photo-chemically for the next 100 years and beyond. The film is expected to be re-released in UK Cinemas in 2010 both on 35mm prints and digital projection and is available on DVD and Blu-ray to enjoy at home. Add it to your collection today!
'Beat The Devil' is a wacky comedy that's played as straight as any film noir and is even funnier as a result. Five men (Bogart Lorre Morley Barnard and Tulli) are out to garner control over East African land which they believe contains a rich uranium ore lode. Billy Dannreuther (Bogart) is married to Maria (Gina Lollobrigida) the other four are their ""business associates"" and Jones and Underdown are added to the mix for some interesting diversification. As the boat leaves from
As the private eye of private eyes Steve Martin is Rigby Reardon. He's tough rough and ready to take on anything when Juliet Forrest appears on the scene with a case: her father a noted scientist philanthropist and cheesemaker has died mysteriously. Reardon immediately smells a rat and follows a complex maze of clues that lead to the 'Carlotta Lists'. With a little help from his 'friends' Alan Ladd Barbara Stanwyck Ray Milland Burt Lancaster Humphrey Bogart Charles Laughton
For as long as crime boss Albert Mendoza has been running a notorious ring of hired hit men, District Attorney, Martin Ferguson, has been hunting him down. But Ferguson cuts a deal with Mendoza's henchman Joe Rico, and the mob boss is finally arrested. However, Rico dies mysteriously before he can testify against Mendoza, and Ferguson must re-examine years of potential evidence, desperately searching for something to incriminate the gangster with. Product Features High-Definition Transfer UK Blu-ray⢠Premiere Optional English SDH Subtitles Still Gallery
Please wait. Loading...
This site uses cookies.
More details in our privacy policy