During the Wimsey family retreat in Yorkshire Captain Cathcart the fiancee of Lord Peter's (Ian Carmichael) sister Mary Winsey receives an unwelcomed letter causing him to flee Riddlesdale Lodge in the middle of the night. But he is not the only one with departure plans. One Wimsey plans to escape in the early hours of the morning until she finds a body in the garden.
The Nazis Created it! The Allies Must Destroy it! In the face of an impending colossal defeat the Germans are desperate during the final days of World War II. In a bid to turn the tide of the battle Nazi scientist Professor Ullman manages to create the ultimate soldier - one who cannot be killed by bullets or grenades. A group of American soldiers handpicked to infiltrate and destroy the Citadel where this monstrous super-soldier is created find themselves facing the wrath of the extremely powerful and uncontrollable Doomtrooper.
News reporter Nicky Wells is shocked when she discovers her former fiance who apparently committed suicide just before their wedding is alive and living in Barcelona. This discovery could cost Nicky her life.... Based on the novel by Barbara Taylor Bradford.
Between heroic spells as the Saint and James Bond, Roger Moore was teamed with Tony Curtis in The Persuaders, a derivative but fun series about a couple of millionaire dilettante adventurers who swan around the world competing for the attention of beautiful women and getting involved in perplexing mysteries. Moore is Lord Brett Sinclair, an upper crust Brit of impeccable breeding, while Curtis is Danny Wilde, an up-from-the-streets self-made man whose trademark is a pair of brown gloves. The allegedly tasteful Brett and the crasser Danny both model a succession of garish early 70s fashions while their pursuits of duplicitous crumpet usually wind up with the women getting away and the heroes stuck with each other. Given all that, this may well be the most blatantly homoerotic of all the buddy television pairings (see the eponymous stars of Starsky and Hutch, Regan and Carter in The Sweeney, Bodie and Doyle of The Professionals) that ran ove! r the screen in the 70s, in which the male leads sublimated their feelings for each other by pulling out their guns and shooting at baddies. --Kim Newman
France 1796: in the Republic poverty is rife and crimes harshly punished. Jean Valjean (Richard Jordan) is sentenced to five years at the gallery for stealing a loaf of bread. There the Inspector of Guards Javert (Anthony Perkins) takes and intense loathing to him - and every rebellion on Jean's part is met with strict punishment and a longer sentence. Jean eventually escapes. Five years later he is living a respectable life as a Mayor when fate intervenes and brings him face to face with his old enemy Javert. Victor Hugo's enduring classic is lavishly recreated and performed by an outstanding cast.
The reputation of a popular all-girl Catholic school is on the line when a serial killer launches a series of brutal attacks on its pupils...
John Carpenter's Vampires (1998): In the blood-chilling tradition of Halloween and Village Of The Damned comes John Carpenter's unique vision of the ultimate killing machines vampires. ""Forget everything you've ever heard about vampires"" warns Jack Crow (James Woods) the leader of Team Crow a relentless group of mercenary vampire slayers. When master Vampire Valek (Thomas Ian Griffith) decimates Jack's entire team Crow and the sole team survivor Montoya (Daniel Baldwin) set out in pursuit. Breaking all the rules Crow and Montoya take one of Valek's victims hostage. The beautiful prostitute (Sheryl Lee) is their sole psychic link to Valek and through her senses they will track down the leader of the undead. As Valek nears the climax of his 600 year search for the Berziers cross Jack and the new Team Crow do everything humanly possible to prevent him from possessing the only thing that can grant him and all vampires the omnipotent power to walk in the daylight... John Carpenter's Ghosts Of Mars(2001): 200 years in the future a Martian police unit is dispatched to transport a dangerous prisoner from a mining outpost back to justice. But when the team arrives they find the town deserted and some of the inhabitants possessed by the former inhabitants of the planet.
Lilies an extravagantly mannered revenge fantasy opens in a men's prison in Quebec in 1952. A certain Bishop Bilodeau is lured into hearing the dying confession of a prisoner Simon Doucet only to be held captive by the gay contingent in the prison and forced to watch their re-enactment of a play This play however soon turns into the story of a lethal gay triangle set in a Catholic boy's school 40 years earlier involving an 18 year old Bilodeau Simon and doomed third party Val
When local London gangster and ex-boxer Tom Sheridan (Ian Pirie, Da Vinci's Demons) agrees to hire his strip club out to lifelong friend and colleague Ian Levine (Michael Mckell, Essex Boys) he soon discovers the private party involves something so atrocious and unspeakable that it sparks a bloody feud between the two old friends and their foot soldiers in a story of morality, loyalty and betrayal.
At the end of World War I a division of the French Foreign Legion led by Major Foster (Gene Hackman) has been ordered to protect an archaeological expedition led by Marneau (Max Von Sydow) The last expedition was destroyed along with its Legionnaire guards but Foster must follow orders despite his opposition to what he believes is grave robbing. The excavation incites the wrath of El Krim (Ian Holm) a powerful Arab leader who uses it to arouse religious fanaticism amongst his tribes and lead an attack on the foreigners.
A special film version of Schubert's monumental song cycle 'Winterreise'. A dream team performance of one of the most popular vocal works in the repertoire. Ian Bostridge is one of the young tenor starts of the international classical music scene. Includes fifty minute documentary.
This release consists of two episodes--"This is Not Happening" and "Deadalive"--of the eighth series of The X-Files spliced together into a feature-length story. With David Duchovny contracted only to do a certain percentage of shows this year, Robert Patrick was brought in as Agent John Doggett, partnering Gillian Anderson's Agent Scully while Duchovny's Mulder is off being tortured by alien-abductors in what looks like an industrial dentist's chair. This story comes about two-thirds of the way through the arc and sets up Duchovny's return to the show--though he literally has to die and come back to get back on the case. It's an unfortunate paradox that most X-Files stand-alone releases concentrate on the dreary alien-abduction/conspiracy episodes which carry the greater storyline of the show, giving the misleading impression that the series is a drearily solemn, badly plotted, straight-faced but stupid sci-fi soap opera. Always skipped over are the far more interesting, entertaining and impressive stand-alone supernatural mysteries or strange comic exercises. Though Duchovny is mostly lying in a hospital bed with oatmeal all over his face, Anderson--whose character is pregnant this series, another dull sub-plot--still gives an amazingly committed performance and gets terrific support from Patrick, whose character has shaken up a lot of what was settled or stale about the show, and the always-underrated Mitch Pileggi as Assistant Director Skinner. The story features several wild-eyed UFO guru types (including Roy Thinnes, once star of The Invaders) and returned abductees transformed into un-killable alien zombies. It's as well made as ever, with ominous shadows and the odd smart line, but you need to have been paying very close attention for seven years to understand what's going on. With Duchovny a potential escapee and Anderson perhaps in line to follow, this episode brings on the excellent Annabeth Gish as Agent Monica Reyes, a specialist in bizarre rituals, who is being effectively set up to partner Patrick in a post-Mulder-and-Scully X-Files that might well keep the franchise going on forever Star Trek-fashion. --Kim Newman
Jason Statham leads the cast of an action-thriller set in the post-industrial wasteland of tomorrow, with the world's most brutal sporting event as its backdrop - The famed Death Race!
Released in 1971 (the same year Straw Dogs and A Clockwork Orange hit the screens, which must make 71 the annus mirabilis for violent films set in Britain), Get Carter opens with gangsters leering over pornographic slides and ends on a filthy, slag-stained beach in Newcastle. It's a low-down and dirty movie from beginning to end, and possibly the grittiest and best film of its kind to come out of Britain. The granddaddy of Lock, Stock & Two Smoking Barrels and all its ilk, director Mike Hodges' Get Carter offers revenge tragedy swinging-60s style, all nicotine-stained cinematography, shabby locations and the kind of killer catchphrases Vinnie Jones would die for ("You're a big man, but you're in bad shape. With me, it's a full-time job. Now behave yourself", says Michael Caine's deadpan anti-hero Carter before inflicting a few choice punches on Brian Mosley, aka Coronation Street's Alf Roberts, to name but one example from Hodges and Ted Lewis' exquisitely laconic script).Presenting the dark horse in his family of loveable Cockney geezer roles (Alfie, The Italian Job), Michael Caine plays the title role of Jack Carter, a man so hard he barely registers a flicker of regret watching a woman he has just had sex with plunge to her death. After taking the train up to Newcastle as the credits roll and Roy Budd's chunky bass-heavy theme tune plays, Carter returns to his hometown to attend his brother's funeral and investigate the circumstances of his death. Not that he's all that sentimental about family: he shaves nonchalantly over the open coffin, and shows affection to his niece Doreen (Petra Markham) by cramming a few notes in her hand and telling her to "be good and don't trust boys". Gradually, Carter unravels the skein of drugs, pornography and corruption tangled around his brother's death, which brings him up against supremely oleaginous kingpin Kinnear (played by the author of Look Back in Anger John Osborne) among others. A remake starring Sylvester Stallone is in the offing, but quite frankly it will be a 30-degree (Celsius) Christmas night in Newcastle before Hollywood could ever make something as assured, raw and immortal as this. --Leslie Felperin
The aristocratic sleuth Lord Peter Wimsey investigates the death of a young copywriter at a top advertising agency. Can Lord Peter solve the crime before more deaths occur?
THEY WILL RISE TO SUCK THE BLOOD OF THE LIVING! From the sleazy video nasty vaults comes a movie so stained with controversy and moral indignation that the very mention of its name sends shudders down the spines of the weak stomached and censorious Zombie Flesh Eaters. A gut-munching, shark wrestling, eye-gouging orgy of topless skin divers, mud-caked undead terror and Italian splatter from the dark imagination of horror genius Lucio Fulci (The Beyond, City of The Living Dead). An abandoned boat in New York Harbour unleashes a deadly flesh crazed Zombie cargo... A Young American woman and a journalist investigate a tropical island where a deadly disease is making the dead walk... Soon, thoughts of getting to the bottom of the murderous curse will be forgotten, as Fulci s walking corpses overwhelm the living and reports come in that the Big Apple is swarming with the living dead... After over thirty years, Zombie Flesh Eaters still has the power to shock and offend the unwilling... Check out this classic sadist video and revel in a wonderfully offensive movie that once helped usher in a moral panic!
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