When writer Bill (Jeremy Theobald) is confronted by his latest 'target' of inspiration a man called Cobb (Alex Haw) he is drawn into a life of snooping and breaking and entering...
Extraordinary crimes against the people and the state must be avenged by agents extraordinary. See the crime solving capers of the eponymous 60s secret agents for the first time restored and packed with extras.
First shown on BBC One on New Year's Eve 1982, Ghost in the Water is a suspenseful and thrilling tale for the whole family to enjoy. A young woman drowns in 1860. Although it was an accident her death was recorded as suicide, considered to be a mortal sin at the time. Consequently her spirit lives on in a state of torment. Over a century later Tess, a teenager, experiences memories that aren't her own. These nightmarish visions of a drowning woman become too real for comfort and Tess convinces her friend David, a fellow history buff, to help her investigate the mysterious death. The pair must prove that the historical suicide was in fact a death by accident', in order to free Tess of her horrifying flashbacks. Little do they realise that their findings could also release the tormented spirit and finally let her soul rest in peace. Directed by BAFTA-winner Renny Rye, who went on to direct episodes of Midsomer Murders, Agatha Christie's Poirot, and the supernatural thriller Box of Delights. Features: Based on the novel by Edward Chitham, adapted for screen by BAFTA-winner Geoffrey Case (The Accountant) Directed by BAFTA-winner Renny Rye (Midsommer Murders / Agatha Christie's Poirot). Director also of the fondly remembered fantasy series Box of Delights Starring Jane Freeman (Last of the Summer Wine), Paul Copley (Downton Abbey), Ralph Lawton ( Z Cars) and Hilary Mason who starred in another supernatural thriller Don't Look Now
Nickelodeon recalls the early days of the motion picture industry and is based in part on Peter Bogdanovich's interviews with pioneering directors Raoul Walsh and Allan Dwan. Lawyer-turned-movie-director Leo Harrigan (Ryan O'Neal) and Buck Greenaway (Burt Reynolds) an actor are both sent to California to shut down a renegade group of silent movie makers. Joining forces with cameraman Franklin Frank (John Ritter) leading lady Kathleen Cooke (Jane Hitchcock) and precocious prop-girl Alice Forsythe (Tatum O'Neal) Harrigan and Greenaway somehow find themselves working with the movie crew instead of shutting them down. Greenaway becomes a star and Harrigan a respected director but both battle over the affections of Cooke...
In Better off Dead, Lane Myer (John Cusack) is stuck in a personal hell. A compulsive adolescent everyman growing up in Suburbia, USA; not only does he fail to make the prestigious high-school ski team (again), but his beloved sweetheart, Beth, also leaves him for Roy, the team's popular arrogant captain. If this isn't bad enough, he's stuck with a mother who frighteningly experiments--rather than cooks--with food, a brother who builds rockets out of models, and a best friend so desperate for drugs that he settles for snorting powdered snow. Faced with these prospects, Lane opts to end it all... until he comes up with a ridiculous plan to gain acceptance and win Beth back. Director Savage Steve Holland warps this simple, clichéd premise, letting his wacky imagination twist it into a fairly original, slightly dark, and completely hilarious 80s teen comedy. Not as serious a "suicide-attempt" movie as, say, Harold and Maude but just as funny, the film is more a collection of screwball sketches than a narrative. Holland enlivens the high jinks with surrealistic fantasy touches, including Jell-O that crawls, a hamburger that sings Van Halen, drawings that mock its creator, and a psychotic paperboy seeking blood over a missing two dollars. Cusack puts the whole thing on his shoulders and carries the insanity with another one of his touching, obsessively romantic performances, which along with Say Anything, The Sure Thing and One Crazy Summer, made him the quintessential (and appealing) personification of lovestruck adolescence and suffering. --Dave McCoy
The hit of the 1969-1970 season, Department S was an attempt on the part of television company ITC to create a "with-it" follow-up to the The Saint and Man in a Suitcase series which were starting to look staid by then. The department of the title is notionally part of Interpol, a group managed by the first of many black TV top cops (here Denis Albana Peters), and assigned all the bizarre cases The Avengers hadn't handled. Often they would come up against modern variations on the classic "locked-room" or "paradox" mysteries so favoured in crime fiction, mysteries which verge on the sort of phenomena The X Files would later specialise in (except no aliens appear in Department S). The supposed leads are Action-Man-type Stewart Sullivan (Joel Fabiani) and English-rose computer whiz Annabelle Hurst (Rosemary Nichols), but the break-out character is the flamboyant Jason King (Peter Wyngarde), a mystery writer and puzzle-solver notable for his Fu Manchu facial hair and an enormous wardrobe of safari suits, ruffled shirts, flared trousers and velvet jackets. King was the only male character on TV to be as fashion-conscious as the Avengers girls, and his preening peacock attitudes--along with the scripts' above-average mysteries--made this essential viewing for the Age of Aquarius. Volume One includes the following episodes: "Six Days", in which a missing airliner turns up but the passengers have no idea that they've lost six days, with Peter Bowles; and "The Trojan Tanker", in which a mystery woman is found in a luxury suite concealed inside an oil tanker, with Simon (Doomwatch) Oates. --Kim Newman
In this sweeping pioneer adventure a courageous young scout leads hundreds of settlers across treacherous cliffs through brutal snowstorms Indian attacks and buffalo stampedes to their destiny out west. Along the way he loses his heart to a beautiful pioneer woman and never stops trying to win her love. Tyrone Power co-stars in this visually spectacular epic from Raoul Walsh.
'Last Train From Gun Hill' is the ultimate revenge tale set in an unlawful Old West... The Marshal's trail to find his wife's murderer leads him to the town of Gun Hill where he discovers the son of an old ally is responsible for the crime. A dangerous game of cat-and-mouse unfolds as the Marshall is trapped in a race against time to avenge his wife's death before he can catch the last train out of town...
As The Flamingo Kid amply demonstrates, there's always room for one more rites of passage film if it's made with care and affection. Garry Marshall's 1984 study of a young Brooklyn poker player who thinks the grass is greener at a Long Island beach club, nails the bad guy, realises he got it wrong and returns to the bosom of his "humble" family certainly satisfies on both counts. It also has a strong cast: Matt Dillon as Jeffrey, whose niggling aspirations create the inevitable barrier between himself and his parents; Richard Crenna as his prospective role model who turns out to have feet of clay; and Hector Elizondo as his bemused father. But Jessica Walter (Clint Eastwood's stalker from hell in Play Misty for Me) almost steals the show as an acid-tongued beach-club wife. If the whole thing lacks the depth and warmth of, say, Neil Simon's Brighton Beach Memoirs, it succeeds on its own merits as an homage to a more innocent time when a young man didn't need to stray far from his own tenement block in order to find himself, with the help of a suitably nostalgic early-1960s soundtrack of course. On the DVD: As far as extras go, this is a budget offering. There are detailed actor biographies but precious little on the film itself, apart from the snippet that Richard Crenna earned a Golden Globe award nomination. There is an adequate scene index and, for those who want to study Dillon in detail, a reasonable stills gallery. The picture is presented in standard format, and hardly distinguishable from ordinary VHS or telecast quality, but the stereo audio certainly helps pump out the period soundtrack. --Piers Ford
After Beth (Amanda Wyss), the girl of his dreams, dumps him for the school's arrogant ski-team captain, Lane's (John Cusack) prolific and dark imagination runs overtime. He wavers between bungling attempts to kill himself and inept efforts to win his ex-girlfriend back. All the while, Lane's also dealing with his quirky family, dodging a relentless paperboy who's out to collect, and meeting the charming French-exchange-student-nextdoor who just might be the unexpected key to his happiness.
Sara Crew (Shirley Temple) is sent to boarding school by her widowed father Captain Crewe (Ian Hunter) so he can go and fight in the Boer War. When he is reported killed Sara is treated like a servant by the spiteful headmistress and can only cling to the hope that her father will one day return.
The scenario of this notorious splatter movie may be familiar- a group of teenage-counsellors at a lakeside summer camp face the vengeance of a twisted psychotic - but the nail-biting tension and graphic gore sequences of this bloody shocker will certainly not be. Described as 'a searing pulse-pounding bolt of energy sure to shock even the most hardened gore-addict' The Burning not only boasts the directorial talents of Tony Maylam - Director of The Recent SF/ Horror smash hit 'Spilt Second' - but also special effects by the genius of gore Tom Savini music by Rick Wakeman and a special appearance by 'Raising Arizona' star Holly Hunter. Long considered one of the goriest of horror films. The Burning the subject of numerous prosecutions has been unavailable since 1983. It is seemed to be an extremely frightening and nerve jolting movie.
Swingingly stylish adventures with super spies John Steed and Mrs Peel! Flashback to the Sixties with the coolest duo in crimefighting! Episode titles include: The Murder Market: In which Steed gets a wife and Emma gets buried. A surfeit of H2O: In which Steed plans a boat trip and Emma gets very wet. The Hour That Never Was: In which Steed has to face the music and Emma disappears. Dial A Deadly Number: In which Steed plays Bulls and Bears and Emma has no option. Man-Eater Of Surrey Green: In which Steed kills a climber and Emma becomes a vegetable. Two's A Crowd: In which Steed is single-minded and Emma sees double.
John Wayne hits the pioneer trail in his first feature film. Starring as the leader of a wagon trail he battles through tough terrain and Indian attacks and learns of love and friendship in this sweeping Western epic!
A rollicking comedy adventure with Brian Rix and Ronald Shiner playing two cabin stewards bound for Tangiers aboard a cruise ship. As comedy enthusiasts would expect Rix loses his trousers as the two bumbling stewards attempt to uncover the identity of a jewel thief and recover the priceless diamonds of a wealthy passenger.
The gripping story of James Dean's rise to fame his romantic entanglements and his fatal desire for fast cars that led to his untimely death.
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