In this thrilling sequel to Disney's Escape To Witch Mountain automobiles mysteriously fly and humans float in thin air as sinister masterminds Christopher Lee and Bette Davis unleash a diabolical plan. The entire city of Los Angeles teeters on the brink of nuclear disaster when the greedy criminals manipulate a young boy's supernatural powers for their own devious gain. But the youth's sister and a streetwise band of truants join forces in a desperate attempt to save the city from destruction.
A vehicle floats in midair... a coat rack comes to life and attacks a sheriff... and wild animals are putty in the hands of Tony and Tia Malone in Disney's thrilling fantasy adventure about the psychic powers of two young orphans. Their clairvoyance prompts evil millionaire Aristotle Bolt (Ray Milland) to lure them to his mansion to exploit their powers. While escaping they meet a friendly camper (Eddie Albert) and begin to unravel the mystery of their origin. Soon all three are fleeing townspeople who have branded the children witches. But then IT happens! Someone with even greater powers takes over and leads the children - and the audience - into a dazzling and unexpected experience...one that is truly out of this world!
Director Nicholas Meyer's concept for Star Trek II: The Wrath of Khan was to make it "Captain Horatio Hornblower in space". Equipped with a budget a fraction the size of that accorded the first movie, and bolstered by James Horner's swashbuckling score, Meyer accordingly delivered the most exciting of all the Trek big-screen outings, referencing both CS Forester's Hornblower and classic submarine dramas, as well as adding some literary flourishes and ground-breaking CGI work for good measure (the Genesis device sequence is a computer-animation landmark). Resurrected from the "Space Seed" episode of the TV series, Ricardo Montalban's Khan is the hammiest, most passionately alive Trek villain, infused with Captain Ahab's self-destructive single-mindedness and quoting Moby Dick and Shakespeare in his furious pursuit of Kirk. Given permission to be melodramatic, William Shatner has never been stronger, or made Kirk seem more vulnerable. And even after seeing all the later movies, no self-respecting Trekker can sit through Spock's ultimate illogical sacrifice with a dry eye. Unlike the major revisions made to The Motion Picture, this new Director's Edition of Wrath of Khan is only a very slightly extended version of the original, with some fairly minor additions--most notably scenes that establish Midshipman Peter Preston as Scotty's nephew, thereby explaining Scotty's grief at the young man's death. Some other scenes--such as Kirk and Spock discussing the Genesis Device--have also been expanded. On the DVD: Star Trek II: The Wrath of Khan is now presented in a lovely 2.35:1 anamorphic widescreen print with Dolby 5.1 sound. The first disc has an audio commentary from Nicholas Meyer, plus another fascinating all-you-ever-needed-to-know text commentary from Trek expert Michael Okuda (he did the same for The Motion Picture's DVD release). The second disc has a series of informative documentaries, the most substantial being a lengthy retrospective "Captain's Log", featuring contributions from Producer Harve Bennett, Meyer, Shatner, Nimoy and Montalban. Other featurettes focus on the production design ("Designing Khan"), "Visual Effects", and the writers of Star Trek novel spin-offs about Khan and the Kobayashi Maru ("The Star Trek Universe"). It's a shame that James Horner's major contribution goes unnoticed though. To round things off there are some promotional interviews from 1982, storyboards and the original trailer. --Mark Walker
The effects are low-tech and no longer special, but Escape to Witch Mountain still has plenty of Disney live-action charm. It's rather quaint by later standards, coming just two years before Star Wars upped the ante on movie magic, but the story's got timeless appeal as a precursor to Harry Potter's more lavish brand of kid-wizardry. Here you've got Tony (Ike Eisenmann) and sister Tia (Kim Richards), orphans unaware of their mysterious past, who are taken in by a nefarious liar (Ray Milland) seeking to exploit their supernatural powers. Populated by '70s stalwarts like Donald Pleasance and Eddie Albert (the latter playing the kids' grown-up accomplice, unwittingly rescuing them from Milland), this lightweight Disney fare is perfect for kids under 10, with such enticements as a clever cat mascot named Winky (because he winks a lot), Tony's magical harmonica... and a Winnebago that flies! With a sci-fi climax, this popular hocus-pocus spawned a 1978 sequel (Return from Witch Mountain) that proved similarly popular with kids. --Jeff Shannon
An entire city teeters on the brink of nuclear disaster when greedy criminals manipulate a young boy's supernatural powers for their own devious gain.
Escape To Witch Mountain (Dir. John Hough 1975): Two young orphans with supernatural powers are adopted by a ruthless millionaire who plans to harness use their abilities for his own selfish purposes... Return From Witch Mountain (Dir. John Hough 1978): An entire city teeters on the brink of nuclear disaster when greedy criminals manipulate a young boy's supernatural powers for their own devious gain.
Prepare to be transported back in time to a planet where humans and dinosaurs join forces to rid civilization of all evil. The virtuous Valorians speed through space to escape the Rulons a sinister civilization that has destroyed their planet and seeking universal domination.
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