Clint Eastwood made his directorial debut with this contemporary thriller about psychotic obsession. Eastwood also takes the lead in the starring role as Dave Garver a popular radio disc jockey who repeatedly receives on-air phone requests from a sexy female fan to ""play Misty for me"". When the woman Evelyn Draper (Jessica Walter) orchestrates a rendezvous with Dave at his favorite nightspot the two begin a torrid affair But when Dave decides to end the relationship Evelyn's obsession turns to violence. Soon everything and everyone in Dave's life becomes a target for Evelyn's increasing deadly campaign of terror. Beautifully photographed on location in Eastwood's hometown of Carmel California 'Play Misty for Me' continues to be considered one of the great modern-day thrillers.
Sparkling comedy about the strange relationship of a bachelor dentist (Matthau) with his nutty mistress (Oscar-winning Hawn) and his rather stoic receptionist (Bergman)...
The Lady Is Willing (Dir. Mitchell Leisen 1942): Bold eccentric Broadway performer Lisa Madden befuddles her handlers by coming home with a baby she picked up on the street. She wants to keep the baby but has to find a husband to make adoption viable. Why not her new obstetrician Dr. McBain? She offers him help with his research on rabbits in exchange for marriage - and he accepts. The marriage of convenience turns into a marriage of real love but when Dr. McBain's ex-wife comes looking for money matters get complicated... Shanghai Express (Dir. Josef von Sternberg 1932): Many passengers on the Shanghai Express are more concerned that the notorious Shanghai Lil is on board than the fact that a civil war is going on that may make the trip take more than three days. The British Army doctor Donald Harvey knew Lil before she became a famous ""coaster."" A fellow passenger defines a coaster as ""a woman who lives by her wits along the China coast."" When Chinese guerillas stop the train Dr. Harvey is selected as the hostage. Lil saves him but can she make him believe that she really hasn't changed from the woman he loved five years before? Destry Rides Again (Dir. George Marshall 1939): Kent the unscrupulous boss of Bottleneck has Sheriff Keogh killed when he asks one too many questions about a rigged poker game that gives Kent a stranglehold over the local cattle rangers. The mayor who is in cahoots with Kent appoints the town drunk Washington Dimsdale as the new sheriff assuming that he'll be easy to control. But what the mayor doesn't know is that Dimsdale was a deputy under famous lawman Tom Destry and is able to call upon the equally formidable Tom Destry Jr to be his deputy. Foreign Affair (Dir. Billy Wilder 1948): In occupied Berlin an army captain is torn between an ex-Nazi cafe singer and the U.S. congresswoman investigating her. Blonde Venus (Dir. Josef von Sternberg): American chemist Ned Faraday marries a German entertainer and starts a family. However he becomes poisoned with Radium and needs an expensive treatment in Germany to have any chance of being cured. Wife Helen returns to night club work to attempt to raise the money and becomes popular as the Blonde Venus. In an effort to get enough money sooner she prostitutes herself to millionaire Nick Townsend. While Ned is away in Europe she continues with Nick but when Ned returns cured he discovers her infidelity. Now Ned despises Helen but she grabs son Johnny and lives on the run just one step ahead of the Missing Persons Bureau. When they do finally catch her she loses her son to Ned. Once again she returns to entertaining this time in Paris and her fame once again brings her and Townsend together. Helen and Nick return to America engaged but she is irresistibly drawn back to her son and Ned. In which life does she truly belong? Devil Is A Woman (Dir. Josef von Sternberg 1935): Told in flashbacks Devil Is A Woman is a tale of an older man's obsession for a woman who can belong to no-one but can frustrate everyone. The backdrop is Sternbergs surreal and fantastic Carnaval in Spain. In a cafe the older man details his encounters with the heartbreaker that his younger friend has only just met at the parade. Forewarned the young man swears he will avoid the fate of his friend but rushes all the same to his evening rendevous. A dreamlike story of frustrated lost romance spoken in the past tense never really resolved.
Clint Eastwood (making his very assured directorial debut) is a poetry-spouting stud-muffin DJ stalked by a maniacally amorous fan after a misguided one-night stand in this enjoyably schlocky, undeniably effective film about good intentions gone murderously wacky. Although many of the very 1970s trappings presented here may ultimately be too dated to be taken seriously (including a highly self-indulgent jazz number and a hilariously gooey seduction number between Eastwood and Donna Mills), the core premise of infatuation taken out of bounds remains uncomfortably plausible--and was influential enough to be appropriated by one of the biggest hits of the 1980s. (Here's a hint--it starred Michael Douglas, Glenn Close, and a very unfortunate bunny rabbit.) A well-staged and occasionally very frightening thriller worth watching for Jessica Walter's peerlessly unhinged performance alone. Frequent Eastwood collaborator Don Siegel (director of Dirty Harry, Coogan's Bluff and The Beguiled, to name but a few) has a nice cameo as Murphy, the moustachioed, chess-playing bartender. --Andrew Wright, Amazon.com
Clint Eastwood (making his very assured directorial debut) is a poetry-spouting stud-muffin DJ stalked by a maniacally amorous fan after a misguided one-night stand in this enjoyably schlocky, undeniably effective film about good intentions gone murderously wacky. Although many of the very 1970s trappings presented here may ultimately be too dated to be taken seriously (including a highly self-indulgent jazz number and a hilariously gooey seduction number between Eastwood and Donna Mills), the core premise of infatuation taken out of bounds remains uncomfortably plausible--and was influential enough to be appropriated by one of the biggest hits of the 1980s. (Here's a hint--it starred Michael Douglas, Glenn Close, and a very unfortunate bunny rabbit.) A well-staged and occasionally very frightening thriller worth watching for Jessica Walter's peerlessly unhinged performance alone. Frequent Eastwood collaborator Don Siegel (director of Dirty Harry, Coogan's Bluff and The Beguiled, to name but a few) has a nice cameo as Murphy, the moustachioed, chess-playing bartender. --Andrew Wright, Amazon.com
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