This box set contains the following three titles; all classic war films. 633 Squadron: 633 Squadron has enjoyed an unqualified stream of successes. Their luck changes when they are assigned to bomb a German heavy water plant which is part of the Nazi effort to develop an atomic bomb in Norway which is shielded by a mountain and guarded by heavy anti-aircraft defences. Their nearly impossible mission is further complicated by a German air raid the difficult approach to the target and the capture and torture of the underground leader who is assisting the squadron. The Bridge At Remagen: In the last days of World War II the Allied Army desperatly searched for a bridgehead across the impenetrable Rhein River in order to launch a major assault into the center of Germany. 'Bridge At Remagen' tells the true story of the battle for this last bridgehead from both the German and the American perspective. The Great Escape: Based on a true story 'The Great Escape' deals with the largest Allied escape attempt from a German prisoner of war camp during the Second World War. The first part of the film focuses on the escape efforts within the camp and the process of secretly digging an escape tunnel. The second half of the film deals with the massive effort by the German Gestapo to track down the 70 escaped prisoners who are at this point throughout the Third Reich attempting to make their way to England and various neutral countries.
The last instalment in Herschell Gordon Lewis' ground-breaking 'Blood Trilogy' (begun with Blood Feast and Two Thousand Maniacs!) Color Me Blood Red saw the director focusing his grisly attention on the world of art. But this is graphic art! When temperamental artist Adam Sorg's latest paintings fail to impress his critics he finds himself unable to change his style using the materials at his disposal. Searching in vein for the perfect pigment he discovers that it is the deep re
Fiendish is the word for it! In Herschell G. Lewis's Colour Me Blood Red a demented artist (Don Joseph) finds that his paintings sell better when he uses real human blood for his crimson pigments. Not wanting to use his own vital fluids the artist begins killing his models and disemboweling them when his red paint supply runs low. This is the final film in Lewis's Blood Trilogy that began with Blood Feast and Two Thousand Maniacs!
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