Two ambitious women have their friendship destroyed by jealousy. Based on a novel by Barbara Taylor Bradford.
Samuel Fuller re-worked and reinvented popular film genres as lenses through which to examine American history, ideals, and topical events. His detective thriller The Crimson Kimono, with its frank and unsentimental interracial romance twist, attacked the stubborn prejudice, ignorance and bigotry that Fuller saw lurking beneath the surface of the American nation. Special Features: High Definition remaster Original mono audio The Culture of The Crimson Kimono' (2009, 10 mins): analysis by filmmaker Curtis Hanson Switch-Hitting Between Three Triangles (2018, 15 mins): audiovisual essay by Cristina Ãlvarez López Sam Fuller Storyteller (2009, 25 mins): insightful documentary with contributions from Martin Scorsese and Wim Wenders, as well as Fuller's wife, Christa, and daughter, Samantha Sam Fuller on Henry Chapier's Couch (1989, 22 mins): archival interview from French TV in which Fuller answers questions about his life The Typewriter, the Rifle & the Movie Camera' Rushes Tapes 01-06 (1996, 194 mins): unedited interview footage of Sam Fuller in conversation with actor Tim Robbins, recorded for Adam Simon's classic documentary Original theatrical trailers Image gallery: publicity photography and promotional material New and improved English subtitles for the deaf and hard-of-hearing
I Love You to Death is a spotty black comedy from Lawrence Kasdan (The Big Chill)--based on a true story--that stars Kevin Kline as a womanising pizzeria owner whose mousy wife (Tracey Ullman) tries multiple ways of murdering him with the aid of sundry friends and hired hands. The film never picks up the necessary momentum or develops the necessary tone to drive it and one is left picking and choosing which of the performers is at least adequately entertaining. Kline is good but perhaps a bit too theatrical and Joan Plowright is hilarious as his mother-in-law. The funniest joke in the whole thing belongs to William Hurt and Keanu Reeves as deeply stoned, would-be-killers who emerge from a taxi and look as if they can't remember what planet they're on. --Tom Keogh
He is a man of peace in a violent land. He is Kwai Chang Caine schooled in the spirit-mind-body ways of the Shaolin priesthood by the blind avuncular Master Po and the stern yet loving master Kan. Caine speaks softly but hits hard. He lives humbly yet knows great contentment. He is the Old West's most unusual hero. But hero is not a word Caine would use. He would simply say ""I am a man""... Episodes comprise: 1. The Well 2. The Assassin 3. The Chalice 4. The Brujo 5. The Sp
A collection of classic films from famed British director David Lean. Bridge On The River Kwai (1957): When British P.O.W.s build a vital railway bridge in enemy occupied Burma Allied commandos are assigned to destroy it in David Lean's epic World War II adventure The Bridge on the River Kwai. Spectacularly produced The Bridge on the River Kwai captured the imagination of the public and won seven 1957 Academy Awards including Best Picture Be
Chato is a half-breed Apache Indian who treads the thin line between two cultures balancing allegiance to his his tribe with the allure of the white man's world. When Chato kills a Sheriff in self-defense he finds himself hunted by a posse determined to see him hang.
The comedy series about self-sufficiency written by Harry Driver and Vince Powell (""Nearest and Dearest"" ""Love Thy Neighbour"") from 1969 which pre-empted ""The Good Life"" by six years. All the episodes from the comedy series starring Carry On stalwart Sid James.
Romeo Is Bleeding is the flawed black comedy from director Peter Medak (The Krays) about a bad cop who slowly gets his due. Gary Oldman plays yet another quirky character, this time a New York detective on the take. His life goes haywire as he squares off with a Russian hit woman. Despite an intriguing cast and great dialogue, the movie becomes a bit too eccentric for its own good as several actors have nothing to do. The high point is Lena Olin, who finally has a role she can sink her teeth into: her zesty, monstrous assassin, Mona Demarkov, is one of the great movie villains. --Doug Thomas
Charming and bittersweet this modern-day romantic comedy starring Uma Thurman Janeane Garofalo and Ben Chaplin explores the beguiling perils of mistaken identity. Abby a gutsy and witty veterinarian who hosts her own radio talk show is anything but confident when it comes to love. A petite brunette she describes herself as tall and blonde when Brian a caller who is smitten with her radio persona asks her on a date. She talks her tall blonde neighbour Noelle into assuming
Harking back to the wilderness days of British cinema, The Wedding Tackle is an unsophisticated comedy of manners and relationships. Dealing with the impending matrimony of Hal and Vinny, a union that neither are particularly keen to enter into, the story intertwines a number of characters during the events of Hal's stag night. As the title suggests, much of the humour is aimed below the waist, and although it does wend its way to some sort of romantic conclusion, subtlety is not the film's strong point. Victoria Smurfit's Clodegh is by far the best character, an urban Tank Girl whose morals are as erratic as her driving skills. Bold, brash and noisy, The Wedding Tackle isn't the worst film around, but we can do so much better. --Phil Udell
Kevin James continues to deliver the laughs as parcel deliveryman Doug Heffernan in the sixth hysterical season of The King Of Queens.
When Chicago police officer Sharon Pogue (Jennifer Lopez) is saved from a bullet by a mysterious stranger, it proves a life-changing experience.
It's good to be King! Kevin James continues to deliver the laughs as parcel deliveryman Doug Heffernan in the fifth hysterical season of The King Of Queens. In these 24 uproarious episodes Doug his loving wife Carrie (Leah Remini) and his royal pain of a father-in-law Arthur (Jerry Stiller) hold court over such regal issues as paintball parties job strikes expanding waistlines cheating husbands and positive home-pregnancy tests. So join Doug and his noble entourage of family and friends in this crowning collection of sidesplitting comedy and laughter - uncut unedited and commercial-free!
A daring expedition happens across a giant ape in this classic 1933 creature feature.
Ninth entry in the Carry On series. Ancient British slaves save Caesar (Kenneth Williams) from assassination in Rome 50 B.C. Meanwhile Mark Antony (Sid James) romances Egyptian Empress Cleopatra (Amanda Barrie). Revolting Britons include Kenneth Connor and Charles Hawtrey while Warren Mitchell plays a partner in the slave-trading firm Markus & Spencius.
"Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man." Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T. rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the 20th century. Kong making his last stand atop the Empire State Building is one of the movies' most indelible and iconic images. --Donald Liebenson
Philadelphia resident Will (Will Smith) is sent to live with his exceedingly wealthy Bel-Air cousins and finds that his street sensibilities cause havoc with the well-ordered lives of his distant family! Season 1 episodes: 1. The Fresh Prince Project 2. Bang The Drum Ashley 3. Clubba Hubba 4. Not With My Pig You Don't 5. Homeboy Sweet Homeboy 6. Mistaken Identity 7. Def Poet's Society 8. Someday Your Prince Will Be In Effect (Part 1) 9. Someday Your Prince Will Be In Effect
Trying to explain the cult appeal of John Carpenter's Big Trouble in Little China to the uninitiated is no easy task. The plot in a nutshell follows lorry driver Jack Burton (Kurt Russell) into San Francisco's Chinatown, where he's embroiled in street gang warfare over the mythical/magical intentions of would-be god David Lo Pan. There are wire-fu fight scenes, a floating eyeball and monsters from other dimensions. Quite simply it belongs to a genre of its own. Carpenter was drawing on years of chop-socky Eastern cinema tradition, which, at the time of the film's first release in 1986, was regrettably lost on a general audience. Predictably, it bombed. But now that Jackie Chan and Jet Li have made it big in the West, and Hong Kong cinema has spread its influence across Hollywood, it's much, much easier to enjoy this film's happy-go-lucky cocktail of influences. Russell's cocky anti-hero is easy to cheer on as he "experiences some very unreasonable things" blundering from one fight to another, and lusts after the gorgeously green-eyed Kim Cattrall. The script is peppered with countless memorable lines, too ("It's all in the reflexes"). Originally outlined as a sequel to the equally obscure Adventures of Buckaroo Banzai Across the Eighth Dimension, Big Trouble is a bona fide cult cinema delight. Jack sums up the day's reactions perfectly, "China is here? I don't even know what the Hell that means!". On the DVD: Big Trouble in Little China is released as a special edition two-disc set in its full unedited form. Some real effort has been put into both discs' animated menus, and the film itself is terrific in 2.35:1 and 5.1 (or DTS). The commentary by Carpenter and Russell may not be as fresh as their chat on The Thing, but clearly they both retain an enormous affection for the film. There are eight deleted scenes (some of which are expansions of existing scenes), plus a separate extended ending which was edited out for the right reasons. You'll also find a seven-minute featurette from the time of release, a 13-minute interview with FX guru Richard Edlund, a gallery of 200 photos, 25 pages of production notes and magazine articles from American Cinematographer and Cinefex. Best of all for real entertainment value is a music video with Carpenter and crew (the Coupe de Villes) coping with video FX and 80s hair-dos.--Paul Tonks
Doctor Dolittle Betty Thomas directs and Eddie Murphy stars in Doctor Dolittle, the 1998 hit film which, while ostensibly aimed at children, has a high quotient of hip and even mildly gross humour. Murphy stars as John Dolittle, whom we see as a child talking to a neighbourhood dog who explains that the reason mutts sniff each others' butts is to assess their characters when first meeting them. Little John promptly tries this out on being introduced to his school principal. Warned off such social eccentricity, Dolittle stops talking to animals and as an adult becomes a respectable doctor running his own medical practice--until a bump on the head revives his capacity to understand animals, whereupon mayhem, mortification and a menagerie of needy and freeloading creatures are heaped upon his ordered existence. Murphy plays it relatively straight. It's the animals, some of them vividly enhanced by Jim Henson's animating team, who provide the real laughs here, and a thoroughly worldly, wisecracking bunch of characters they prove to be. There's a couple of hard-boiled, squabbling rats, a pigeon who complains of impotence, Rocky the guinea pig (voiced by Chris Rock) with a neat line in hip backchat, while Albert Brooks voices the gruff, melancholy tiger whose life Dolittle must try to save. A sweet but by no means saccharine comedy. --David Stubbs Dr Dolittle 2It's only a marginal improvement, but Dr Dolittle 2 defies the odds by rising above its popular 1998 predecessor (and once again, let's not confuse these movies with the earlier Rex Harrison musical). Eddie Murphy plays the title role with ease and with the confident professionalism of a comedian who knows when to share the spotlight--especially when he's being upstaged by a bunch of animals who steal all the punch lines. And once again the film is aimed at a pre-teen audience: so many of those punch lines involve flatulence, bodily functions and frequent use of the word "butt". The difference this time is that Dr Dolittle has settled into his talk-to-the-animals routine; his 16-year-old daughter (Raven-Symone) is getting to be a feisty handful (it turns out she's coping with a hereditary gift); and his lawyer wife (Kristen Wilson) is representing him in a trial against corporate villains who want to clear-cut a local forest. Naturally, the local critter mafia (their Don is a beaver... fuggeddaboudit!) want Dolittle to fight for their cause, and this involves the successful mating of an endangered bear and a domesticated circus bear who's forgotten all the bear necessities of life in the wild. The bears are voiced by Lisa Kudrow and Steve Zahn and they almost steal the show, but the whole menagerie (with digitally animated "talking") is equally amusing. Adults might wish that the filmmakers had tried harder to make a truly memorable sequel, but this is a movie for kids, and they're going to love it without quibbling. --Jeff Shannon, Amazon.com
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