It Came from Beneath the Sea appeared two years after Ray Harryhausen unleashed The Beast from 20,000 Fathoms upon New York City. This time the master special-effects creator turned loose a giant (albeit six-armed) octopus on San Francisco, and the result is another enjoyable atom-age adventure that should please fans of vintage science fiction. Kenneth Tobey, who battled The Thing (From Another World) in 1951, stars as a Navy captain pursuing a monstrous octopoid (sextapoid?) after it attacks his atomic sub. After it wreaks havoc with shipping lanes, he tracks the creature to San Francisco for a final showdown. Scripting by George Worthing Yates (Them) and Hal Smith and direction by Robert Gordon are perfunctory at best, which gives the always-reliable Tobey and costar Faith Domergue little to do, but this is Harryhausen's show, and his monster, though the budget was restrained, is still impressive. Younger audiences weaned on digital FX may find this creaky, but nostalgic viewers will enjoy its simple thrills. --Paul Gaita
Charles Fuller adapted his Pulitzer Prize-winning A Soldier's Play for the big screen in 1984. The film version, A Soldier's Story is essentially a murder mystery, played out against a background of inter and intra-racial conflict at a Second World War training camp. To the consternation of his white opposite number at the camp, a black captain (Howard W Rollins) arrives to investigate the death of a black sergeant (Adolph Caesar). Suspicion immediately falls on a pair of bigoted white officers but as the tale unfolds in a series of flashbacks, it soon becomes clear that a different kind of prejudice is also at work. Assisted by some excellent performances, director Norman Jewison opens the story out from its stage roots. There's a wonderful baseball scene (filmed on location at Little Rock) in which the double standards of Dennis Lipscomb's fidgety white captain are exposed with neat irony; he'll cheer his successful black team all the way home in the name of sport. His gradual, forced liberalisation provides the film with an important comic element. A Soldier's Story wears its heart on its sleeve without being superficial in any way. It's a compelling tale, well told and often highly entertaining, in which nobody gets off lightly, least of all the good guy. On the DVD: The widescreen presentation helps give an epic feel to what could, in other hands, have been a claustrophobic production. The picture quality is fine. But the monaural sound track is often rather muffled, leaving you straining to catch some of the dialogue. This is also a shame because the blues music--an inspired job by Herbie Hancock, assisted by Patti Labelle singing her lungs out as bar owner Big Mary--is an important element of the film's underlying theme and deserves to be better heard. The extras are valuable. Norman Jewison's commentary is detailed and sensitive. As he says, the film deals with "ideas in racism never seen on screen before", and he acknowledges the strength of his actors in getting those ideas across. "March to Freedom" is an excellent short documentary which features the moving testimonies of black servicemen on the insufferable prejudices they encountered while attempting to defend their country during the Second World War; A Soldier's Story is thus put sharply into context. --Piers Ford
It Happened When A Killer With A Rope Ruled Nevada! Hangman's Knot is an exciting suspense-filled Western starring Randolph Scott and an excellent supporting cast including Donna Reed and Lee Marvin. At the end of the American Civil War a small band of Confederate soldiers ambush a Union gold shipment. To their horror they learn from a dying soldier that the war between the North and the South has been over for a month. Now facing certain criminal prosecution for a
Rodney Dangerfield makes the grade with this laugh-riot comedy that's in a class of its own! Higher education will never be the same when co-stars Sally Kellerman Robert Downey Jr. Sam Kinison Ned Beatty and more join the maniac as he takes on the brainiacs! Thornton Melon's (Dangerfield) son is a college misfit so Thornton's lending some fatherly support...by enrolling as a fellow freshman! Who cares if the owner of the ""Tall and Fat"" clothing empire never finished high school
After a first season made controversial by the mere presence of openly gay characters, Will & Grace returned triumphantly with renewed confidence and vigour. In their second season, sidekicks Jack and Karen (the very, very funny Sean Hayes and Megan Mullally) are more snide and gleefully obnoxious than ever; Will (Eric McCormack) has perfected his prickly panache; and in particular Grace (Debra Messing) has entered a whole new plane of sexy goofiness, diving even more headlong into physical comedy--such as the episode when, in order to woo a high school crush, she gets a water-padded bra that springs a leak. The writing has also become tighter, grown more deft in its gay and pop culture references (which were often self-conscious in the first season) and at juggling sustained storylines, such as the Immigration department investigating Jack's marriage to Karen's Salvadorian maid Rosario (Shelley Morrison), Grace and Will struggling to become less emotionally incestuous, and Jack seeking his biological father. The show excels at tackling emotional subjects (like Will discovering that his father, who has accepted and even embraced his homosexuality at home, has told his co-workers that Will is married to Grace) with a sharp comic eye. Guest stars start to accumulate: Molly Shannon returns, Sydney Pollack and Debbie Reynolds play Will's dad and Grace's mom, Joan Collins appears as a rival designer, Neil Patrick Harris (Doogie Howser, MD) plays the leader of a going-straight support group, and Gregory Hines takes on a recurring role as Will's new boss, a high-powered lawyer who seduces Grace. Will & Grace mixes superb sitcom farce with sly sociopolitical commentary; the fusion is smart and consistently entertaining. --Bret Fetzer
This film documents the 1987 North American tour of the great rock band U2. Fresh with their success of their best selling album The Joshua Tree the band plays monster gigs. Along the way the band takes the opportunity in indulge in some special musical activities like playing with BB King and performing I Still Haven't Found What I'm Looking For with a famous church choir. All the while concert footage of the band's biggest hits on tour is featured while Bono speaks his mind on the problems of his homeland.
A Few Good Men Collector's Edition (Dir. Rob Reiner 1992): One man is dead. Two men are accused of his murder. The entire Marines Corps is on trial. And 'A Few Good Men' are about to ignite the most explosive episode in US military history. Universally acclaimed A Few Good Men unites the big screen's biggest stars as Hollywood heavyweights Jack Nicholson Tom Cruise and Demi Moore lead an all star cast in director Rob Reiner's powerful account of corruption cover-up and a relentless quest for justice within the sacred corridors of the US Navy. As Good As It Get's (Dir. James L. Brooks 1997): Nicholson gives a show-stopping performance as Melvin Udall an obsessive-compulsive novelist who takes pride in his ability to affront repulse offend and wound. His targets are random his aim reckless. Winner of three Golden Globe Awards two Oscars and a staggering further five Oscar nominations As Good As It Gets is a comedy from the heart that goes straight for the throat! Five Easy Pieces (Dir. Bob Rafelson 1970): In an Academy Award nominated performance for Best Actor (1970) Jack Nicholson is outstanding in Five Easy Pieces the acclaimed drama from director Bob Rafelson. Although a brilliant classical pianist from an intellectual well-to-do family - Robert Dupea (Nicholson) has made a career out of running from job to job and woman to woman. Presently working in an oil field Dupea spends most of his free time downing beers playing poker and being non-committal with his sexy but witless girlfriend Rayette (Karen Black). But when he is summoned to his father's deathbed Dupea returns home with Rayette where he meets and falls for a sophisticated woman (Susan Anspach). Now caught between his conflicting lifestyles the gifted but troubled Dupea must face issues that will change his life forever. Deceptively simple but one of the most complex and interesting films of its time.
Jim Jarmusch's Down by Law is in the same minimalist, oddball, black-and-white groove as his classic of American independent cinema, Stranger than Paradise (1984). The setting is Louisiana, where two losers (musicians Tom Waits and John Lurie) find themselves stuck in a jail cell together. One day they are joined by a boisterous Italian (Roberto Benigni), and the chemistry changes--suddenly an escape attempt is on the horizon. Conventional drama is not Jarmusch's intention; one of the emotional high points of this film is the three guys marching around their prison cell shouting, "I scream, you scream, we all scream for ice cream!" Yet the deadpan style creates its own humorous mood, underscored by melancholy (also underscored by the music of Lurie and the gravel-voiced songs of Waits). This was the first American film for Italian comedian Benigni, (Life is Beautiful), and he lights it up with his effervescent clowning. Jarmusch has said that Down by Law forms a loose trilogy with Stranger than Paradise and the subsequent Mystery Train (1989)--a triptych of disaffected, drifting life in the United States. Few filmmakers have ever surveyed ennui so entertainingly. --Robert Horton, Amazon.com
At home hardened police detective Aidan Breslin has grown increasingly distant from his two young sons Alex and Sean since the death of his wife. At work he finds himself thrust into an investigation of perverse serial killings rooted in the Biblical prophecy of the Four Horsemen of the Apocalypse: The White Horsemen a master of deception and the unexpected leader hell- bent on conquest; The Red Horsemen a sharp-witted warrior intent on turning man against man with an innocence that hides a burning rage within; The Black Horsemen a manipulative and dark tyrant unbalanced but always one step ahead; and The Pale Horsemen an executioner with disarming strength determined to spread death through surgical precision. As Breslin grapples with each new revelation in the case he slowly discovers a shocking connection between himself and the four suspects.
Alvin and the Chipmunks in a full-length feature! The Chipmunks are working at an amusement park but little do they know in the Frankentein's Castle is the real Frankenstein! One night they get trapped in the park after dark with Frankenstein on the loose it's the start of a wild adventure!
After the huge lavish spectacles of previous tours, U2 decided to tone things down a bit for Elevation, which accompanied their All That You Can't Leave Behind album. Just as the album marked a return to a simpler more stripped-down sound, so the live shows did away with the glitter-ball lemons and huge stadiums, returning to smaller venues and all-together more intimate shows. From the small stage with its heart-shaped walkway, and a minimum of special effects, the emphasis is on the music, and from start to finish Elevation provides a welcome reminder of what a great band U2 are. Recorded in Boston, the show features a healthy mixture of new and old tracks, which--considering they were written over the course of two decades--sound as fresh and relevant as ever. From classics such as "Sunday Bloody Sunday", "Where the Streets Have No Name" and "I Will Follow" right up to instant favourites such as "Beautiful Day" and "Elevation", every track is stunningly executed. If you saw the concerts, this is a worthy lasting souvenir, if you didn't, watch this recording and you'll be kicking yourself that you didn't go. On the DVD: With the full concert on the first disc, the second one contains a wealth of superb extras. For starters there's the "Another Perspective", which enables you to watch the concert from alternative points of view--the "Fancam" (from the heart of the crowd ensconced within the heart-shaped walkway) and the "Directorcam" (from the production office where director Hamish Hamilton creates his masterpiece). There's also a Road Movie, which gives a time-lapse photography look behind the scenes of a day on the road, and an insight into how to turn an empty, cold impersonal indoor arena into an intimate, spectacular concert venue. It also includes some alternative live takes of some of the key tracks from the album, including a fantastic performance of "Beautiful Day" from the rooftops of Dublin. With the concert offered in a choice of sound ratios (Dolby 5.1, PCM Stereo) the songs sound even greater. As concert DVDs go, Elevation is a definite benchmark. --Helen Marquis
Fresh out of jail motor-mouth con man Gabriel Cane (Woods) sets up a bet with local gangster John Gillon (Dern) in which ageing prize fighter 'Honey' Roy Palmer must knock out 10 opponents within 24 hours. The con is on but exactly who is scamming who?
The murder of his brother has left Jake moody and frustrated. The killer was a martial arts champion who is now asking for volunteers to star in his new kickboxing movie. Jake decides to take him up on his invitation....
Due Date stars Robert Downey Jr. (Iron Man and Sherlock Holmes) and Zach Galifianakis (The Hangover) as two unlikely companions who are thrown together on a road trip that turns out to be as life-changing as it is outrageous.
Hollywood star Douglas Fairbanks Jr gives a lively performance as a man on the run in this dramatic thriller from British film legends Frank Launder and Sidney Gilliat. Co-starring Glynis Johns and featuring cinematography from Oscar-winning Robert Krasker, State Secret is presented here as a brand-new High Definition transfer from original film elements in its original theatrical aspect ratio. The East European state of Vosnia appears to outsiders as a civilised and beautiful country but is, in truth, a tightly controlled dictatorship. When a visiting American surgeon is duped into becoming dangerously involved in Vosnian power politics he goes on the run - a wanted man, his life is forfeit if he's captured!
First volume of episodes from the follow-up series to 'Power Rangers Samurai'. This generation of rangers is comprised of Red Ranger Jayden (Alex Heartman), Blue Ranger Kevin (Najee De-Tiege), Pink Ranger Mia (Erika Fong), Green Ranger Mike (Hector David Jr.), Yellow Ranger Emily (Brittany Anne Pirtle) and Gold Ranger Antonio (Steven Skyler). Together the six rangers are tasked with protecting innocent civilians from a variety of threats. How will they fare?
This film adaptation of a critically acclaimed stage production of Shakespeare's historical drama stars Ian McKellen in the title role. The setting is a comic-book vision of 1930s London: part art deco, part Third Reich, part industrial-age rust and rot. The play's force is turned into a synthetic high by art directors and storyboard sketchers, all of whom have a field day condensing the material into disposable pop imagery. Richard III is a fun film, more than anything, so infatuated with its own monstrous stitchery that even the most awkward casting (Annette Bening and Robert Downey Jr) seems a part of the ridiculous design. McKellen is the best thing about the movie, his mesmerising portrayal of freakish despotism and poisoned desire a thing to behold. --Tom Keogh
Regardless of the moniker, this superb slice and dice sickie is one of the most underrated knife-play pot boilers ever imagined... with Love portraying a femme fatale that has a damaged background and a wonderfully skillful way with sharp utensils. Let's put it this way: you may well want her to undress... but the chances are that it is her who will be doing the penetrating! Whilst THE BOOGEYMAN might be Lommel's most famous freak-show, PROZZIE is his most outrageous orgy of sex and violence and only 88 Films, the label that seeks out forgotten splatter flicks and restores them in awesome HD, could have understood the need for a new generation to see this crimson-caked gem in all of its hi-def delirium!!! See PROZZIE and admire a timeless mix of curves and carnage!
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