Romance at its most anti-romantic--that is the Billy Wilder stamp of genius, and this Best Picture Academy Award winner from 1960 is no exception. Set in a decidedly unsavoury world of corporate climbing and philandering, the great filmmaker's trenchant, witty satire-melodrama takes the office politics of a corporation and plays them out in the apartment of lonely clerk CC Baxter (Jack Lemmon). By lending out his digs to the higher-ups for nightly extramarital flings with their secretaries, Baxter has managed to ascend the business ladder faster than even he imagined. The story turns even uglier, though, when Baxter's crush on the building's melancholy elevator operator (Shirley MacLaine) runs up against her long-standing affair with the big boss (a superbly smarmy Fred MacMurray). The situation comes to a head when she tries to commit suicide in Baxter's apartment. Not the happiest or cleanest of scenarios, and one that earned the famously caustic and cynically humoured Wilder his share of outraged responses, but looking at it now, it is a funny, startlingly clear-eyed vision of urban emptiness and is unfailingly understanding of the crazy decisions our hearts sometimes make. Lemmon and MacLaine are ideally matched and while everyone cites Wilder's Some Like It Hot closing line "Nobody's perfect" as his best, MacLaine's no-nonsense final words--"Shut up and deal"--are every bit as memorable. Wilder won three Oscars for The Apartment, for Best Picture, Best Director and Best Screenplay (cowritten with long-time collaborator I A L Diamond). --Robert Abele
After the success of 1950's Destination Moon and 1951's When Worlds Collide, visionary producer George Pal brought the classic HG Wells story of a Martian invasion to the big screen, and it instantly became a science-fiction classic and winner of the 1953 Academy Award for Best Special Effects. It's a work of frightening imagination, with its manta-ray spaceships armed with cobra-like probes that shoot a white-hot disintegration ray. As formations of alien ships continue to wreak destruction around the globe, the military is helpless to stop this enemy while scientists race to find an effective weapon. Gene Barry and Ann Robinson play the hero and heroine roles that werede rigueur for movies like this in the 50s, and their encounter with one of the Martians is as creepy today as it was in 1953. It finally takes an unseen threat--simple Earth bacteria--to conquer the alien invaders, but not before War of the Worlds has provided a dazzling display of impressive visual and sound effects. This is a movie for the ages, the kind of spectacle that inspired little kids such as Steven Spielberg (not to mention Roland Emmerich and Dean Devlin, whose Independence Day is a remake in all but name) and still packs a punch. --Jeff Shannon, Amazon.com
Gregory Peck and Robert Mitchum star in Hollywood's classic tale of revenge and murder. Robert Mitchum is unforgettable as Max Cady an ex-con determined to exact a terrible revenge on Sam Bowden (Peck) and his family. Sam is a small-town lawyer whose worst nightmare comes true when the criminal he helped put away returns to stalk his beautiful young wife (Bergen) and teenage daughter (Martin). Despite help from the local police chief (Balsam) and a private detective (Savalas) Sam i
Cape Fear (1991): The film stars Oscar winner Robert De Niro (Casino Heat) as Max Cady a psychopath who has recently been released from prison. He is out seeking revenge on his lawyer Sam Bowden played by Nick Nolte (48 Hours Thin Red Line) who he believes deliberately withheld information about his case at trial which could have kept him out of jail. He embarks on a mission to terrorise Bowden his wife played by Oscar-winner Jessica Lange (Blue Sky Rob Roy) and their 15 year old daughter played by Juliette Lewis (Natural Born Killers). A remake of the 1962 classic film this has guest appearances from the stars of the original film Robert Mitchum and Gregory Peck. The film is directed by one of the leading filmmakers of his generation Oscar-nominated Martin Scorcese. Cape Fear (1962): The original version of this masterpiece of psychological terror and revenge stars Oscar-winner Gregory Peck (To Kill a Mocking Bird Moby Dick) in the role of Sam Bowden and Robert Mitchum (The Big Sleep The Last Tycoon) as psychotic killer Max Cady. The film also stars Polly Bergen (Cry Baby Move Over Darling) and was directed by highly acclaimed British director J. Lee Thompson (The Guns of Navarone MacKennas Gold).
Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart!
The original 1962 version of Cape Fear is directed by J Lee Thompson (The Guns of Navarone) in a deliberately Hitchcockian manner, and stars Robert Mitchum as a creepy ex-con angry at the attorney (Gregory Peck) whom he believes is responsible for his incarceration. After Mitchum makes clear his plans to harm Peck's family, a fascinating game of crisscrossing ethics and morality takes place. Superior to Martin Scorsese's punishing 1991 remake, which seems trapped in its explicitness, Thompson's film accomplishes a lot with a more economical and telling use of violence. The result is a rich character study that explores the nature of guilt. Martin Scorsese's 1991 remake dabbles a bit in some fascinating psychological crosscurrents between its characters, but it finally trades in all that rich material for extensive and gratuitous violence. Robert De Niro plays a serial rapist released from prison after 14 years. Angry because his appalled attorney (Nick Nolte) made it easy for him to be convicted, this monster is out to hurt Nolte's character through his wife (Jessica Lange) and daughter (Juliette Lewis). The themes of interlocking guilt and anger between these people suggests a smart film in the making. But the final act, set on a boat with De Niro's vengeful pervert attacking Nolte and the two women, takes a more unfortunate direction. The stars of the original film, Robert Mitchum and Gregory Peck, each make a cameo appearance. --Tom Keogh, Amazon.com
Romance at its most anti-romantic--that is the Billy Wilder stamp of genius, and this Best Picture Academy Award winner from 1960 is no exception. Set in a decidedly unsavoury world of corporate climbing and philandering, the great filmmaker's trenchant, witty satire-melodrama takes the office politics of a corporation and plays them out in the apartment of lonely clerk CC Baxter (Jack Lemmon). By lending out his digs to the higher-ups for nightly extramarital flings with their secretaries, Baxter has managed to ascend the business ladder faster than even he imagined. The story turns even uglier, though, when Baxter's crush on the building's melancholy elevator operator (Shirley MacLaine) runs up against her long-standing affair with the big boss (a superbly smarmy Fred MacMurray). The situation comes to a head when she tries to commit suicide in Baxter's apartment. Not the happiest or cleanest of scenarios, and one that earned the famously caustic and cynically humoured Wilder his share of outraged responses, but looking at it now, it is a funny, startlingly clear-eyed vision of urban emptiness and is unfailingly understanding of the crazy decisions our hearts sometimes make. Lemmon and MacLaine are ideally matched and while everyone cites Wilder's Some Like It Hot closing line "Nobody's perfect" as his best, MacLaine's no-nonsense final words--"Shut up and deal"--are every bit as memorable. Wilder won three Oscars for The Apartment, for Best Picture, Best Director and Best Screenplay (cowritten with long-time collaborator I A L Diamond). --Robert Abele
He Tamed The West But Could He Tame Her? Cattle baron banker and model citizen George McLintock has the world in his hands. The only thing missing is his wife Katherine who left him two years earlier suspecting him of adultery. In an effort to get on with his life McLintock saves a beautiful but impoverished widow from resettlement and hires her as his cook welcoming both her and her two children into his home. Sparks begin to fly and McLintock's simple and serene lifestyle comes to a crashing halt as an unexpected turn of events results in brawls gunfire an Indian attack the engagement of his only daughter and the return of Mrs. McLintock!
When the Kwimper family car runs out of gas on a new Florida highway and an officous state supervisor tries to run them off Pop Kwimper digs in his heels and decides to do a little homesteading. He and his son Toby and their adopted children - Holly Ariadne and the twins - start their own little community along a strip of the roadside. The fishing is good and the living is easy until the mob sets up a gambling operation and the state supervisor sets a sexy social worker on the Kwimpers in an effort to take away Ariadne and the twins.
Producer George Pal and director Byron Haskins' landmark adaptation of the H.G. Wells classic novel that focuses on the invasion of the earth by Martian war machines. It's a work of frightening imagination with its manta-ray spaceships armed with cobra-like probes that shoot a white-hot disintegration ray. As formations of alien ships continue to wreak destruction around the globe the military is helpless to stop this enemy while scientists race to find an effective weapon. It fi
McLintock: Cattle baron banker and model citizen George McLintock has the world in his hands. The only thing missing is his wife Katherine who left him two years earlier suspecting him of adultery. In an effort to get on with his life McLintock saves a beautiful but impoverished widow from resettlement and hires her as his cook welcoming both her and her two children into his home. Sparks begin to fly and McLintock's simple and serene lifestyle comes to a crashing halt
Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! (Dir. Delbert Mann 1961) Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense! (Dir. Michael Gordon 1959) Send Me No Flowers: Rock is ready to make love yesterday tomorrow and especially to Day (Doris that is!) When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! (Dir. Norman Jewison 1964)
A triple bill of Doris Day movies including Lover Come Back Send Me No Flowers and Pillow Talk. Lover Come Back: Jerry Webster (Hudson) and Carol Templeton (Day) are rival Madison Avenue advertising executives who each dislike each other's methods. After he steals a client out from under her cute little nose revenge prompts her to infiltrate his secret VIP campaign in order to persuade the mystery product's scientist to switch to her firm. Trouble is the product is phony and the scientist is Jerry who uses all his intelligence and charm to steal her heart! Send Me No Flowers: When he overhears a doctor discussing the imminent death of a patient hypochondriac George (Hudson) believes the doc is referring to him. Convinced he's living on borrowed time George enlists the aid of his best friend Arnold (Randall) to find a new husband for his soon-to-be-widowed wife Judy (Day). Already alarmed by her husband's increasingly strange behavior Judy is even more bewildered when an old flame shows up George bends over backwards to encourage his advances! Pillow Talk: Day is an uptight interior decorator forced to share a party line with an amorous playboy who ties up the line with his exploits while she is trying to conduct business. When the two accidentally meet he's taken with her beauty and pretending to be a wealthy Texan begins to court her mercilessly. Though flattered by this stranger's attention it's not long before she discovers his true identity. Now it's her turn to have a little fun...at his expense!
He tames the Wild West....but can he tame her? Rancher G W McLintock has everything a man could want: wealth influence respect. Everything that is except his spirited wife Kate who fled the ranch for the rarified atmosphere of the East. When their daughter Becky returns from college Kate arrives too - determined to take Becky back to society again and a boisterous battle of the sexes develops.
He Tamed The West But Could He Tame Her? Cattle baron banker and model citizen George McLintock has the world in his hands. The only thing missing is his wife Katherine who left him two years earlier suspecting him of adultery. In an effort to get on with his life McLintock saves a beautiful but impoverished widow from resettlement and hires her as his cook welcoming both her and her two children into his home. Sparks begin to fly and McLintock's simple and serene lifesty
George McLintock has to try and convince his wife that he has been faithful after a two year seperation with their fights the talk of the town. Matters are not helped by the extremely attractive cook Mrs Louise Warren he has hired at the ranch house... The film achieved a certain notoriety for the 'spanking' scene widely regarded as a cinematic first.
He tamed the West but could he tame her? Cattle baron banker and model citizen George McLintock has the world in his hands. The only thing missing is his wife Katherine who left him two years earlier suspecting him of adultery. In an effort to get on with his life McLintock saves a beautiful but impoverished widow from resettlement and hires her as his cook welcoming both her and her two children into his home. Sparks begin to fly and McLintock's simple and serene lifest
Gregory Peck and Robert Mitchum star in Hollywood's classic tale of revenge and murder. Robert Mitchum is unforgettable as Max Cady, an ex-con determined to exact a terrible revenge on Sam Bowden (Peck) and his family.; ; Sam is a small-town lawyer whose worst nightmare comes true when the criminal he helped put away returns to stalk his beautiful young wife (Bergen) and teenage daughter (Martin). Despite help from the local police chief (Balsam) and a private detective (Savalas), Sam is lega...
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