This tense real-life political drama about the 1973 kidnap and murder in Chile of young American journalist Charles Horman, directed by provocateur Costa-Gavras (Z, State of Siege, Betrayal), follows the efforts of the journalist's wife (Sissy Spacek - Carrie, The Coal Miner's Daughter) and father (Jack Lemmon - Some Like It Hot, The China Syndrome) to uncover the crime and bring those responsible to justice. Causing controversy upon its release (prompting the US government to condemn the film), this powerful indictment of US foreign policy went on to win an Academy Award® for Best Adapted Screenplay, as well as nominations for Best Actor, Best Actress and Best Picture. Extras High Definition remaster Original mono audio The Guardian Interview with Costa-Gavras (1984, 85 mins): archival audio recording of an interview conducted by Derek Malcolm at London's National Film Theatre The Guardian Interview with Jack Lemmon (1986, 116 mins): archival audio recording of an interview conducted by Jonathan Miller at the National Film Theatre Costa-Gavras: Cannes Film Festival Interview (1982, 3 mins): short interview with the director Costa-Gavras: Journal Antenne 2 Interview (1982, 4 mins): news article with journalist Christine Ockrent Many Americas (2006, 31 mins): Costa-Gavras reflects upon the production and reception of the film Freedom of Information (2006, 27 mins): Joyce Horman discusses the real-life events behind Missing and the experience of being portrayed on screen Politically Personal (2018, 24 mins): a new filmed appreciation by filmmaker and actor Keith Gordon Original theatrical trailer Image gallery: promotional photography and publicity material New and improved English subtitles for the deaf and hard-of-hearing
Judy Holliday stars as Gladys Glover a young woman who wants to make a name for herself so she rents a billboard on Columbus Circle and advertises her name. When a wealthy soap manufacturer tries to wrestle the billboard away from Gladys he finds himself falling in love with her. Can an aspiring model find happiness on a billboard?
Romance at its most anti-romantic--that is the Billy Wilder stamp of genius, and this Best Picture Academy Award winner from 1960 is no exception. Set in a decidedly unsavoury world of corporate climbing and philandering, the great filmmaker's trenchant, witty satire-melodrama takes the office politics of a corporation and plays them out in the apartment of lonely clerk CC Baxter (Jack Lemmon). By lending out his digs to the higher-ups for nightly extramarital flings with their secretaries, Baxter has managed to ascend the business ladder faster than even he imagined. The story turns even uglier, though, when Baxter's crush on the building's melancholy elevator operator (Shirley MacLaine) runs up against her long-standing affair with the big boss (a superbly smarmy Fred MacMurray). The situation comes to a head when she tries to commit suicide in Baxter's apartment. Not the happiest or cleanest of scenarios, and one that earned the famously caustic and cynically humoured Wilder his share of outraged responses, but looking at it now, it is a funny, startlingly clear-eyed vision of urban emptiness and is unfailingly understanding of the crazy decisions our hearts sometimes make. Lemmon and MacLaine are ideally matched and while everyone cites Wilder's Some Like It Hot closing line "Nobody's perfect" as his best, MacLaine's no-nonsense final words--"Shut up and deal"--are every bit as memorable. Wilder won three Oscars for The Apartment, for Best Picture, Best Director and Best Screenplay (cowritten with long-time collaborator I A L Diamond). --Robert Abele
In 1979 The China Syndrome was the movie everyone was talking about thanks to the enormous publicity generated by the real-life Three Mile Island accident that not only mirrored the events depicted in the film but occurred just twelve days after the movie's release. Nominated for four Academy Awards - Best Actor (Lemmon) Best Actress (Fonda) Best Original Screenplay Best Art Direction The CHina Syndrome remains ""as explosive as the metaphor of its title"" (Los Angeles Herald Exa
Al Pacino, Jack Lemmon, Alec Baldwin star in this classic 1992 movie from director James Foley.
Irma La Douce reunited The Apartment team of Jack Lemmon and Shirley MacLaine with director Billy Wilder in an adaptation of the stage musical of the same name which had been a hit in Paris, London and New York. The screen transfer by Wilder and his colleague--writer IAL Diamond--however, omits the show's songs, relegating them to a background score refashioned by Andre Previn with some additional themes of his own. Background here is a complimentary term, for whatever qualms one might entertain as to this move, the two sets of themes are skilfully woven together by Previn and emerge as a witty and lyrical aural delight in their own right which is given due prominence on the soundtrack. Wilder is no rush to tell prostitute Irma's story: her affair with Lemmon being the pivot of the tale as he takes on the disguise of an English Lord. Lemmon and MacLaine beautifully play their mutual attraction under Wilder's deft direction with the slapstick never allowed to get out of hand. Many will recognise Wilder's touch in his handling of the scene where Lemmon as a policeman is carted off in a van full of voracious prostitutes from the bunks-in-the-train sequence in Some Like It Hot. The handsome production, designed by Alexander Tranner--with the occasional view of the Seine thrown in for good measure--and the Panavision photography by Joseph La Shelle are further assets. On the DVD: The DVD contains a longer than usual theatrical trailer, half shot as a cartoon with characters closely resembling those Pink Panther figures who emerged at the same time from the Mirisch Brothers, a pair prominent in sustaining the unique success of United Artists, whose name was deleted, in favour of the MGM logo, in the early 1960s. It's too bad that the music on this DVD transfer sometimes strikes a coarse note particularly over the extended opening credits. --Adrian Edwards
Airport (Dir. George Seaton 1970): Take a non-stop flight with an all-star cast to a world of tension-filled human drama in this trend-setting box office blockbuster. Based on Arthur Hailey's runaway best seller the emotion-charged adventure stars Burt Lancaster as the manager of a glamorous international airport who must juggle personal crisis with professional responsibilities as he attempts to keep his blizzard torn facility open to rescue a bomb-damaged jetliner. The la
Sequels might be the lifeblood of mainstream Hollywood film production but it took 30 years for The Odd Couple 2 to reunite Jack Lemmon, Walter Matthau and writer Neil Simon for a follow-up to their scintillating 1967 success. Now Felix (Lemmon) and Oscar (Matthau), once mismatched flatmates, are forced to renew their old friendship when their respective children get married. Cue all the ingredients for a disaster-riddled journey to California for the wedding: lost luggage, allergies, dangerously wanton women (and their husbands), illegal immigrants and repeat visits to the same police station. All the old irritations rise quickly to the surface, Simon's dialogue is as sharp as ever and the vocal sparring skills of these two magnificent comedy players are undiminished, though there's a certain poignancy in their physical frailty: "I'm too old to hit but I could spit you to death", threatens Matthau at one point. Crumpled and puffy, neither of them looks in great shape. But the film gives a neat symmetry to two of the finest cinematic careers. As Matthau says towards the end, it's "the biggest goddamndest déjà vu anyone's ever had". On the DVD: The Odd Couple 2 on disc has no extras apart from the original theatrical trailer. The film is presented in 2.35:1 anamorphic widescreen with a Dolby Digital Surround soundtrack. It looks and sounds good. Alan Silvestri's score borrows the Neal Hefti theme from the 1967 original from time to time. --Piers Ford
This tense real-life political drama about the 1973 kidnap and murder in Chile of young American journalist Charles Horman, directed by provocateur Costa-Gavras (Z, State of Siege, Betrayal), follows the efforts of the journalist's wife (Sissy Spacek - Carrie, The Coal Miner's Daughter) and father (Jack Lemmon - Some Like It Hot, The China Syndrome) to uncover the crime and bring those responsible to justice. Causing controversy upon its release (prompting the US government to condemn the film), this powerful indictment of US foreign policy went on to win an Academy Award® for Best Adapted Screenplay, as well as nominations for Best Actor, Best Actress and Best Picture. INDICATOR LIMITED EDITION SPECIAL FEATURES: High Definition remaster Original mono audio Audio commentary with actor John Shea and film historian Jim Hemphill The Guardian Interview with Jack Lemmon and Jonathan Miller (1986): archival audio recording of an interview conducted at London's National Film Theatre Keith Gordon on Missing' (2018): a new filmed appreciation by the filmmaker and actor Archival interviews with director Costa-Gavras Original theatrical trailer Image gallery: promotional photography and publicity material New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Michael Pattison, an overview of contemporary critical responses and historic articles on the film. UK premiere on Blu-ray Limited Edition of 3,000 copies All extras subject to change
Al Pacino, Jack Lemmon, Alec Baldwin star in this classic 1992 movie from director James Foley.
Romance at its most anti-romantic--that is the Billy Wilder stamp of genius, and this Best Picture Academy Award winner from 1960 is no exception. Set in a decidedly unsavoury world of corporate climbing and philandering, the great filmmaker's trenchant, witty satire-melodrama takes the office politics of a corporation and plays them out in the apartment of lonely clerk CC Baxter (Jack Lemmon). By lending out his digs to the higher-ups for nightly extramarital flings with their secretaries, Baxter has managed to ascend the business ladder faster than even he imagined. The story turns even uglier, though, when Baxter's crush on the building's melancholy elevator operator (Shirley MacLaine) runs up against her long-standing affair with the big boss (a superbly smarmy Fred MacMurray). The situation comes to a head when she tries to commit suicide in Baxter's apartment. Not the happiest or cleanest of scenarios, and one that earned the famously caustic and cynically humoured Wilder his share of outraged responses, but looking at it now, it is a funny, startlingly clear-eyed vision of urban emptiness and is unfailingly understanding of the crazy decisions our hearts sometimes make. Lemmon and MacLaine are ideally matched and while everyone cites Wilder's Some Like It Hot closing line "Nobody's perfect" as his best, MacLaine's no-nonsense final words--"Shut up and deal"--are every bit as memorable. Wilder won three Oscars for The Apartment, for Best Picture, Best Director and Best Screenplay (cowritten with long-time collaborator I A L Diamond). --Robert Abele
Bachelorhood is bliss for cartoonist Stanley Ford (Lemmon) - complete with an English butler (Terry Thomas) delectable dames and extra-dry martinis. But when he attends a bachelor party and meets an Italian beauty (Lisi) who pops out of a cake his fate is sealed. The next morning he discovers he's married to her even though she can barely speak English - and now the consummate bachelor will go to any lengths to untie the knot!
Sisters (Betty Garrett & Janet Leigh) who live in a Greenwich Village basement apartment find themselves mixed up with a magazine publisher (Jack Lemmon) who gives Ruth (Leigh) her big chance as a writer...
An Oscar winning film of a gripping study of alcoholism and love. Jack Lemmon and Lee Remmick star as Joe and Kirsten a couple who fall in love get married and have a baby. This happy family scene gradually changes as Joe's addiction casts an ever-increasing shadow over all their lives...
When a reporter and cameraman are assigned to cover the daily routine of a nuclear power plant, they witness and record an accident which could have wiped out the whole of Southern California, but their bosses refuse to broadcast the footage. Starring Jane Fonda (The Chase, Klute) Jack Lemmon (Some Like It Hot, Missing) and Michael Douglas (Basic Instinct, The Game), this daring and controversial thriller was nominated for four Academy Awards®, and proved to be horrifyingly prescient when the real-life Three Mile Island accident happened at a nuclear generator in Pennsylvania just 12 days after it was released in US cinemas. INDICATOR LIMITED EDITION BLU-RAY SPECIAL FEATURES: High Definition remaster Original mono audio Alternative 5.1 surround sound track A Fusion of Talent (1999, 28 mins): documentary about the making of the film, featuring interviews with cast and crew, including Jane Fonda, actor-producer Michael Douglas, executive producer Bruce Gilbert, and actor Jack Larson, partner of director James Bridges Creating a Controversy (1999, 30 mins): documentary about the controversy surrounding the film and the real-life events which occurred just after its release Deleted scenes Theatrical Trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing Limited edition exclusive booklet with a new essay by Neil Sinyard, an overview of contemporary critical responses and historic articles on the film UK premiere on Blu-ray Limited Edition of 3,000 copies ...MORE TBC All extras subject to change
Director Constantin Costa-Gavras made his English-language film debut with this political thriller based on a true story. Although the nation depicted is never named directly the action clearly takes place in Chile after the military coup. 'Missing' centers around the disappearance of Charles Horman (John Shea) an American expatriate who lives with his wife Beth (Sissy Spacek) in South America. One night armed soldiers enter their home and drag him away. In desperation Beth deci
Doris Day was nearing her popular zenith, and Jack Lemmon just hitting his stride, when they teamed up for It Happened to Jane, a small-town comedy in the Capra vein. Doris is a widowed mom whose Maine lobster business is snarled by railroad tycoon Ernie Kovacs (hiding behind a skullcap and a huge cigar), the "meanest man in America." Her lawsuit against him, aided by lawyer-suitor Lemmon, gains national headlines. This is a curious movie: crucial scenes seem to have been left unwritten, while sequences involving Cub Scouts and an oddly impassioned Town Hall Meeting go on endlessly. Director Richard Quine was making some fun movies around this time (Bell, Book, and Candle), but the fizz is only intermittent here, mostly provided by Lemmon's jack-in-the-box youthfulness. Doris sings a couple of tunes and brings her downhome tomboy routine to New York City, where the movie employs some of the quaint TV personalities of the day. --Robert Horton
Cowboy is both a sturdy Delmer Daves picture--his third with Glenn Ford, following Jubal and 3:10 to Yuma--and also one of the most offbeat Westerns ever. It must be the most true to form too, with Frank Harris's memoirs as the source and a picaresque screenplay by Edmund H. North and Dalton Trumbo (a blacklistee, credited only posthumously). There's a pileup of oddities and complications at the outset, with Chicago hotel clerk Harris (Jack Lemmon) already in mid-romance with a daughter of the Mexican aristocracy (Anna Kashfi--Mrs Marlon Brando at the time), and Texas cattleman Tom Reese (Ford) storming in to commandeer an entire floor of the hotel for him and his drovers so they can party 'till, well, the cows come home. Partying is curtailed when Reese loses big at cards; Harris bails him out with his savings, and Reese finds he's taken on not only an unwanted partner but a tenderfoot besides. Soon everyone is headed south. Cowboy merits its bedrock title. This is a rare Western in which the job of breaking horses, trail herding, and so on, figures as a dynamic aspect of the storytelling. The film also has a blunt and original way of looking at death, not as a genre convention but as something abrupt, ungainly, and often absurd, in both senses of the word. (This applies equally to men and cattle, by the way.) The camerawork is trim, angular, and somehow precarious, and the jagged editing hustles the very eventful proceedings to a close in barely an hour and a half. Saddle up. --Richard T. Jameson, Amazon.com
Adapted from his Pulitzer Prize winning play, Glengarry Glen Ross shows David Mamet, at his searing, profane best. A group of Chicago real-estate salesmen-cum-con artists live on the edge... life is good for the one on a roll, for the rest, life hangs in the balance. There is no room for losers. A-B–C Always Be Closing, sell or go under, is the salesman's mantra. With the pressure on, so begins a rainy night of cut-throat business and shattered lives. Oscar nominated Al Pacino plays the fast talking Ricky Roma, alongside a phenomenal performance by Jack Lemmon as the veteran Shelly The Machine Levene, struggling to keep his neck above water. With a star studded ensemble cast featuring Kevin Spacey, Alec Baldwin, Ed Harris and Alan Arkin. Special Features: Commentary by Director James Foley A.B.C. (Always Be Closing): An original documentary tracing the psychological intersection of fictional and real life salesman A Tribute to Jack Lemmon J. Roy: New and Used Furniture - Short Clip Archives from The Charlie Rose Show and Inside the Actor's Studio Scenes with Bonus Audio Commentary by Alec Balwin, Cinematographer Juan Ruiz Anchia, Alan Arkin, and Production Designer Jane Musky Original Theatrical Trailer
John Uhler ""Jack"" Lemmon III was born on February 8 1925. An only child he was raised in Boston Massachusetts and was that rarity among Hollywood stars a man with affectionate memories of his parents. Graduating from Harvard Jack headed for New York City to become a professional actor. A job playing piano to silent movies gave him the chance to study comics like Keaton and Chaplin up close. His first acting was on soap opera and live TV drama. But it was his appearance in a Broadway revival of Room Service that led to a co-starring role with Judy Holliday in his first movie It Should Happen To You (1954). However Jack had no intention of ""going Hollywood"" and he adamantly refused to change his name.
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