EATEN BY LIONS tells the heart-warming story of half-brothers Omar (Antonio Aakeel) and Pete (Jack Carroll), who were raised by their Grandma after their parents were tragically killed by lions in a bizarre accident. When their beloved Gran passes away, they embark on a life-changing journey to find Omar's birth father. What follows is a funny and touching journey of self-discovery for both boys...in Blackpool. The Choudray family represent a truly contemporary example of modern multicultural Britain, but what will the brothers make of their eccentric newfound family?
Carry On Camping (1969): Sid (Sid James) and his reluctant mate Bernie (Bernard Bresslaw) hit on the idea of a nudist camping holiday to spice things up with their girlfriends! The arrival of Dr Soaper (Kenneth Williams) headmaster of the Chayste Place Finishing School his matron Miss Haggard (Hattie Jacques) in charge of eleven nubile girls including star pupil Babs (Barbara Windsor) set the scene for one of the funniest frolics in the Carry On repertoire. Carry On Abroad (1972): The Carry On team take a package holiday that starts disastrously and rapidly goes downhill. The paradise island of Elsbels is not all it's cracked up to be.... The hotel isn't finished the staff are abit thin on the ground - in fact Pepe (Peter Butterworth) is the staff - and the locals are far from friendly! Carry On Follow That Camel (1967): Can fresh Foreign Legion recruits 'B.O.' West (Jim Dale) and his faithful manservant Simpson (Peter Butterworth) help defeat the ruthless Sheikh Abdul Abulbul (Bernard Bresslaw)? Find out in the hysterical historical spectacular featuring a host of harem beauties a bevy of blood thirsty Bedouins and a troupe of Legionnaires getting the hump! Carry On Girls (1973): You might think that a beauty contest would be the perfect place for the Carry On team to discover new heights of hilarity and new depths of depravity - well you'd be right! Sidney Fiddler brings a beauty contest to a quiet seaside resort. His problems start with two curvaceous Hells Angels Miss Easy Rider and Miss Dawn Brakes. There's Major Bumble Bernard Bresslaw as Britain's first drag beauty queen and last but not least Mrs Angel Prodworthy who is fighting on behalf of Women's Lib. Carry on Behind (1975): Archaelogists Professors Anna Vooshka (Elke Sommer) and Roland Crump (Kenneth Williams) are desparate to begin poking round the remains of a Roman encampment. Unfortunately the local caravan site has been built over the historic site. Holiday pals Ernie Bragg (Jack Douglas) and Fred Ramsden (Windsor Davies) have their sites set on the local beauty spots - campers Sandra (Carol Hawkins) and Carol (Sherrie Hewson)! Carry On At Your Convenience (1971): The Carry On team throw caution to the wind and present an hour and a half of good clean lavatorial humour. Kenneth Williams is WC Boggs the troubled owner of a small company trying to manufacture fine toiletware. Incompetent management and a bolshy union are just about the least of Bogg's problems as you'll soon discover in this hysterical comedy that tells you everything you always wanted to know about your home's most vital convenience.
Rain Man is the kind of touching drama that Oscars are made for--and, sure enough, the film took Academy honours for best picture, director, screenplay and actor (Dustin Hoffman) in 1988. Hoffman plays Raymond, an autistic savant whose late father has left him $3 million in a trust. This gets the attention of his materialistic younger brother, a hot-shot LA car dealer named Charlie (Tom Cruise) who wasn't even aware of Raymond's existence until he read his estranged father's will. Charlie picks up Raymond and takes him on a cross-country journey that becomes a voyage of discovery for Charlie, and, perhaps, for Raymond too. Rain Man will either captivate or irritate you (Raymond's sputtering of repetitious phrases is enough to drive anyone crazy), but it is obviously a labour of love for those involved. Hoffman had been attached to the film for many years, as various directors and writers came and went, but his persistence eventually paid off--kind of like Raymond in Las Vegas. Look for director Barry Levinson in a cameo as a psychiatrist near the end of the film. --Jim Emerson, Amazon.com
Steven Moffat's second series of Coupling, first broadcast in 2001, is a brilliant consolidation of all those neuroses, small deceits, obsessions and personality tics that struck such a resonant chord when Steve, Susan and their four friends were first unleashed on us. Comparisons with Friends itself are tiresome and lazy: Coupling is an intrinsically British comedy that picks apart the trivial and the mundane in everyday relationships and takes them on surreal journeys, leaving the participants hilariously bemused and rarely any wiser. Its success is due to the magical combination of Moffat's very funny scripts and the talents of six extremely likable actors, including Jack Davenport (Steve) and Sarah Alexander (Susan). But it's Richard Coyle's Jeff, whose sexual fantasies and putting-your-his-in-it propensities exert a compelling fascination, who really keeps you watching through your fingers as you hold your hands to your face in disbelief. Breasts, bottoms and pants are the basis for most of the conversational analysis when these friends get together as a group, as couples, as girlfriends or as mates, invariably becoming metaphors for the state of a relationship or situation. Individual viewpoints and terrors are explored through respective memories of the same event and what-if scenarios. Chain reactions inevitably ensue, fuelling comedy that is based almost entirely on misunderstanding. On the DVD: Coupling, Series 2 on disc is presented in 16:9 anamorphic video aspect ratio, together with a crisp Dolby Digital stereo soundtrack; Mari Wilson's sensuous version of "Perhaps, Perhaps, Perhaps" for the theme tune deserves a special mention. Extras include disappointing interviews with writer Steven Moffat and Jack Davenport, which are mainly an excuse to repeat several major scenes from the series in full. The "Behind the scenes" feature is also a let-down: it's just a not very funny record of a cast photo shoot. --Piers Ford
A young filmmaker attempts to understand his life by recording it on film only to have his experiment turn into an alienating voyeuristic obsession. One of the neglected milestones in contemporary film history this legendary independent classic captures the state of mind and the state of the art in late 1960s America.
Clint Eastwood is Detective Harry Callahan in SUDDEN IMPACT the third sequel to DIRTY HARRY. This is probably the most violent film of the series. Here the brutal but effective Callahan is looking for a killer who shoots her male victims in the genitals. Jennifer Spencer (Sondra Locke) is tracking down the people responsible for raping her and her sister 10 years earlier killing them one by one. Callahan is on the case but will he stop her from meting out her own brand of jus
A nice rest in a state mental hospital beats a stretch in the pen right? Randle P. McMurphy (Nicholson) a free-spirited con with lightning in his veins and glib on his tongue fakes insanity and moves in with what he calls the ""nuts"". Immediately his contagious sense of disorder runs up against numbing routine. No way should guys pickled on sedatives shuffled around in bathrobes when the World Series is on. This means war! On one side is McMurphy. On the other is soft-spoken Nurse Ratched (Louise Fletcher) among the most coldly monstrous villains in film history. At stake is the fate of every patient on the ward...
Starring the great Lon Chaney Jr in one of his last acting roles, Witchcraft is a superb British horror film, directed by Don Sharp (Curse of the Fly, Kiss of the Vampire, Callan). During the 17th Century, the Lanier family buried a Whitlock woman alive as a witch to take over the Whitlock estate. Despite a bitter hatred, two descendants of the warring Lanier and Whitlock families Amy (Diane Clare) and Todd (David Weston), decide to marry. But when Bill Lanier (Jack Hedley) begins to renovate the old Whitlock Estate, a bulldozer overturns headstones and churns up graves in the old Whitlock Cemetery. Rising from an open grave, the buried witch Vanessa Whitlock (Yvette Rees) searches out Morgan Whitlock (Lon Chaney Jr.) to use their witchcraft to murder the despised Laniers - one by one .
Melodrama casts noirish shadows in this portrait of maternal sacrifice from Hollywood master Michael Curtiz. Joan Crawford's iconic performance as Mildred, a single mother hell-bent on freeing her children from the stigma of economic hardship, solidified Crawford's career comeback and gave the actor her only Oscar. But as Mildred pulls herself up by her bootstraps, first as an unflappable waitress and eventually as the well-heeled owner of a successful restaurant chain, the ingratitude of her materialistic firstborn (a diabolical Ann Blyth) becomes a venomous serpent's tooth, setting in motion an endless cycle of desperate overtures and heartless recriminations. Recasting James M. Cain's rich psychological novel as a murder mystery, this bitter cocktail of blind parental love and all-American ambition is both unremittingly hard-boiled and sumptuously emotional. FILM INFO- United States- 1945- 111 minutes- Black & White- 1.37:1- English 4K UHD + BLU-RAY SPECIAL EDITION FEATURES- 4K digital transfer, with uncompressed monaural soundtrack- One 4K UHD disc of the film presented in HDR and one Blu-ray with the film and special features- Conversation with critics Molly Haskell and Robert Polito- Excerpt from a 1970 episode of The David Frost Show featuring actor Joan Crawford- Joan Craw¬ford: The Ultimate Movie Star, a 2002 feature-length documentary- Q&A with actor Ann Blyth from 2006, presented by filmmaker Marc Huestis and conducted by film historian Eddie Muller- Segment from a 1969 episode of the Today show featuring Mildred Pierce novelist James M. Cain- Trailer- English subtitles for the deaf and hard of hearing- PLUS: An essay by critic Imogen Sara Smith- Cover by Sean Phillips
Based on Norman Lindsay's controversial autobiographical 1935 novel, Age of Consent is the story of an artist (James Mason), grown tired of producing art for wealthy Americans, who moves to the wilds of Australia's Great Barrier Reef where he meets Cora (Helen Mirren), a teenage girl who inspires him and becomes his muse as well as the object of his desire. The penultimate film from the great Michael Powell (Black Narcissus, The Red Shoes, Peeping Tom), Age of Consent explores the obsessive nature of an artist approaching the twilight of his career. Misjudged and mis-handled on its initial release (when the distributor removed key scenes and re-scored the film), Age of Consent is now regarded as one of Powell's key works. Extras High Definition remaster Original mono audio Two presentations of the film: the 2005 restoration of the director's cut, scored by Peter Sculthorpe (107 mins); and the studio cut, scored by Stanley Myers (100 mins) Audio commentary with film historian Kent Jones (2009) The Beauty of the Image: The John Player Lecture with Michael Powell (1971, 85 mins): archival audio recording of the celebrated filmmaker in conversation with Kevin Gough-Yates at London's National Film Theatre The Guardian Interview with Michael Powell and Emeric Pressburger (1985, 105 mins): archival audio recording of the Archers in conversation with Ian Christie at London's National Film Theatre Age of Innocence (2018, 38 mins): an in-depth appraisal of Age of Consent by Ian Christie, author of Arrows of Desire: The Films of Michael Powell and Emeric Pressburger Making Age of Consent' (2009, 17 mins): production manager Kevin Powell, composer Peter Sculthorpe and editor Anthony Buckley recall the film's turbulent history Martin Scorsese on Age of Consent' (2009, 6 mins): the acclaimed director discusses the impact and legacy of Powell's film Helen Mirren: A Conversation with Cora (2009, 13 mins): the award-winning actor reflects on one of her earliest and most memorable film roles Down-Under with Ron and Valerie Taylor (2009, 10 mins): a conversation with the celebrated underwater photographers The Boy Who Turned Yellow (1972, 54 mins): Powell and Pressburger's final collaboration, made for the Children's Film Foundation Original theatrical trailer Image gallery: promotional photography and publicity material for Age of Consent and The Boy Who Turned Yellow New and improved English subtitles for the deaf and hard-of-hearing
Season 1Summers span decades. Winters can last a lifetime. And the struggle for the Iron Throne has begun. It will stretch from the south where heat breeds plots lusts and intrigues; to the vast and savage eastern lands; all the way to the frozen north where an 800-foot wall of ice protects the kingdom from the dark forces that lie beyond. Kings and queens knights and renegades liars lords and honest men...all will play the 'Game of Thrones.' A new original series based on George R.R. Martin's best-selling 'A Song of Ice and Fire' series. Season 2The Battle continues in Westeros with feuding families and power hungry rulers. Five Kings vie for a single all-powerful throne in the all-new season of Game of Thrones - an epic story of duplicity and treachery nobility and honour conquest and triumph. Season 2 plays out against the backdrop of a fast-approaching winter. In King's Landing the coveted Iron Throne is occupied by cruel young Joffrey counseled by his conniving mother Cersei and uncle Tyrion. But the Lannister hold on the Throne is under assault on many fronts. There's Robb Stark son of the slain Lord of Winterfell Ned Stark; Daenerys Targaryen who looks to shore up her depleted power through three newborn dragons; Stannis Baratheon eldest brother of the late King Robert; and Stannis' brother Renly who has maintained his own claim since fleeing King's Landing. In the meantime a new leader is rising among the wildlings North of the Wall adding new perils for Jon Snow and the Night's Watch. With tensions and treaties animosity and alliances Season 2 of Game of Thrones promises to be a thrilling journey through a riveting unforgettable landscape. Season 3In Season 3 family and loyalty will be the overarching themes and many critical plot points from the first two seasons will come to a violent head with several major characters meeting cruel fates. While a primary focus continues to be on King's Landing where the Lannisters barely held onto power after a savage naval onslaught from Stannis Baratheon (brother of the late king) stirrings in the North threaten to alter the overall balance of power in Westeros. Robb Stark King of the North will face a major calamity in his efforts to build on his victories over the Lannisters in Season 2 while further north Mance Rayder (new character played by Ciarán Hinds) and his huge army of wildlings continue their inexorable march south to scale the Wall. Across the Narrow Sea Daenerys Targaryen - reunited with her three deadly fast-maturing dragons - attempts to raise an army of slaves to sail with her from Essos in hopes of eventually overthrowing the Iron Throne. Season 4As Season 4 begins the Lannisters' hold on the Iron Throne remains intact in the wake of the Red Wedding slaughter that wiped out many of their Stark nemeses. But can they survive their own egos as well as new and ongoing threats? Meanwhile an unbowed Stannis Baratheon continues to rebuild his army; the Lannister-loathing 'Red Viper of Dorne ' Oberyn Martell arrives at King's Landing for Joffrey's wedding to Margaery Tyrell; Daenerys Targaryen and her dragons and unsullied force aim to liberate the largest Slavery City in the east...with long-range plans to take back the Iron Throne; and a depleted Night's Watch faces the advance of Mance Rayder's wildling army who are in turn running from the undead White Walkers. Episodes Comprise: Season 1 Winter is Coming The Kingsroad Lord Snow Cripples Bastards and Broken Things The Wolf and the Lion A Golden Crown You Win or You Die The Pointy End Baelor Fire and Blood Season 2 The North Remembers The Night Lands What is Dead may never Die Garden of Bones The Ghost of Harrenhal The Old Gods and the New A Man without Honour The Prince of Winterfell Blackwater Valar Morghulis Season 3 Valar Dohaeris Dark Wings Dark Words Walk of Punishment And Now His Watch Is Ended Kissed by Fire The Climb The Bear and the Maiden Fair Second Sons The Rains of Castamere Mhysa Season 4 Two Words The Lion and the Rose Breaker of Chains Oathkeeper First of His Name The Laws of Gods and Men Mockingbird The Mountain and the Viper The Watchers on the Wall The Children Special Features: Season 1 Episodic Previews and Recaps (22:45) Making of Game of Thrones (25:00) Character Profiles (15 clips) (30:18) Creating the Dothraki Language (5:26) Inside the Night's Watch (8:05) From the Book to the Screen (5:15) Histories (30:00) (All on every disc) Creating the Show Open (5:05) Cast Audition Tapes (Title TBD) (25:00) Anatomy of Episode 6 A Golden Crown (60 min) Guide to Westeros (Menu-Based In-Episode Interactive Feature) Guide to Westeros (Menu-Based) 7 Audio Commentaries Season 2 Season 1 Recap (2:30) Episodic Previews and Recaps (20:57) Featurettes (74:50) Dragon Eggs (6:01) BTS piece (30 mins) Game of Thrones: Inner Circle The Religions of Westeros (7:32) Character Profiles (7 clips) (15:25) Guide to Westeros (In Episode Interactive Feature) - localized in French Spanish German only War of the Five Kings--localized in French Spanish German only 12 Episode Commentaries Season 3 In-episode Guide The Rains of Castamere Unveiled Histories and Lore Roots of Westeros New Characters A Gathering Storm The Politics of Marriage Inside the Wildlings Deleted Scenes/Extended Scenes 12 Audio Commentaries
After a foolproof scam turns sour, Jimmy the Saint (a soulful but miscast Andy Garcia, who mainly acts with his hair) and his hard-bitten crew must put their various sordid affairs in order before facing their final bloody curtain call. It's not nearly as clever as it thinks it is, but Things To Do In Denver When You're Dead is a terminally wise-ass (and extremely violent) caper flick, and is still one of the better post-Tarantino crime opuses, with some sharp dialogue, a scenery-chewing Christopher Walken (as a paraplegic archcriminal) and unhinged performances by Treat Williams and the obsequious Steve Buscemi that must be seen to be (dis)believed. Neophyte scripter Scott Rosenberg would later pen hipper-than-thou scripts for Beautiful Girls, Con Air and Armageddon, while director Gary Fleder moved on to the somewhat more reputable Kiss the Girls. The tongue-twisting title is from a Warren Zevon song. --Andrew Wright
Jeff Bridges actually corralled an Oscar nomination for his spirited, oddball performance in the genre-crime story Thunderbolt and Lightfoot, directed by first-timer Michael Cimino who (a short two films later) would bring down a studio with Heaven's Gate. Clint Eastwood plays a bank robber par excellence with a flair for explosives who is being hunted by his former partners, who think he has their loot from their last job. Bridges is his eager apprentice and sidekick, who helps him escape; when Eastwood finally makes peace with his hunters, Bridges convinces them to try a daring robbery--but things inevitably go awry. The relationship between Eastwood and Bridges is both funny and touching in this, one of Eastwood's better post-Dirty Harry efforts. --Marshall Fine
Nicholas Monsarrat's novel is an unflinching, realistic and emotionally involving account of naval life during the Second World War in which the "heroes" are the men, the "heroines" the ships and the "villain" is not so much the German U-Boats lurking below as "the cruel sea" itself. This 1953 film has become a classic of British cinema largely because it is a straightforward, no-frills adaptation of the book and retain's much of the original's compelling yet almost understated dramatic focus. On convoy duty in the North Atlantic, the crew of HMS Compass Rose face as a matter of routine the threat of destruction from U-Boats as well as a constant struggle against the elements. The convoys themselves are Britain's only lifeline and their loss would lead to certain defeat, but in the early years of the war the ships sent to protect them can do almost nothing to prevent the U-Boat attacks. Jack Hawkins gives one of his finest performances as Captain Ericson, the commander who has to balance destroying the enemy against saving the lives of the men under his care. In one unforgettable scene--a crucial turning point for all the characters--he must decide whether to depth charge a suspected submarine despite the presence of British sailors in the water. As with the book, the individual officers and their lives are carefully delineated, helped by the strength of a cast of (then) young actors (notably Donald Sinden and Denholm Elliot). Ultimately what makes The Cruel Sea such an undeniable classic is that it has neither the flag-waving jingoism nor the war-is-hell melodrama so common to most war movies: instead it relates in an almost matter-of-fact way the bitterness of the conflict at sea fought by ordinary men placed in the most extraordinary of circumstances. --Mark Walker
Its hard to remember a science fiction series that has hit so big so quickly. Yet by the end of the first series of Heroes, it feels--for all the right reasons--that the shows been around for longer than it has, such is the huge amount of success its enjoyed. The setup is simple, yet undeniably intriguing. It essentially tells the stories of a series of people who discover they have legitimate, differing superhero powers. On top of that, these people then gradually appreciate that these powers are needed for reasons that soon become apparent, and the story of Heroes builds up from there. Heavily influenced by comics both in its structure and story, Heroes sustains interest through a number of story arcs of different magnitudes, skilfully weaving them throughout the 23 episodes that make up the season. Its contained enough to keep you interested, yet offers enough threads to make several more seasons a very appealing prospect. Heroes, though, really gels because the basics are right. Its plotted intelligently, written and directed with real nerve and talent, and has a cast who you cant help but get emotionally involved with. Its also, for the overwhelming majority of its episodes, utterly compelling televisions. Ironically, its few miss-steps of any note come right at the back end, by which time you really would forgive it pretty much anything. Heroes is rightly being heralded as a sci-fi classic in the making. Yet even if subsequent seasons dont fully do justice to those words--and at the time of writing, season two is still some way from debuting--this boxset will serve as a glowing testament to just how good television can be when its just done right. Quite brilliant. --Jon Foster
A lawyer sends his girlfriend who cannot decide whether to marry him to a psychiatrist to help her increase her confidence. However she falls hopelessly in love with the charming psychiatrist who is uncertain of his best course of action... This delightful film features a superb score from Irving Berlin including the songs 'I Used To Be Colour Blind' 'The Yam' and 'The Night Is Filled With Music'.
Things go hilariously awry when Barney, a socially awkward middle schooler, receives a malfunctioning, digitally connected device that's supposed to be his best friend out of the box. In this action-packed animated story set against the backdrop of the social media age, a boy and his robot discover the wonderful messiness of true friendship Bonus Features A Boy and His B*Bot: When Jack Met Zach Making Ron Right Theatrical Trailer
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