The curiosity of Quentin Tarantino's Jackie Brown is Robert Forster's worldly wise bail bondsman Max Cherry, the most alive character in this adaptation of Elmore Leonard's Rum Punch. The film is more "rum" than "punch", though, with a slow, decaffeinated story of six characters glued to a half million dollars brought illegally into the country. The money belongs to Ordell (Samuel L Jackson), a gunrunner just bright enough to control his universe and do his own dirty work. His just-paroled friend Louis (Robert De Niro) is just taking up space and could be interested in the money. However, his loyalties are in question between his old partner and Ordell's doped-up girl (Bridget Fonda). Certainly Federal Agent Ray Nicolette (Michael Keaton) wants to arrest Ordell with the illegal money. The key is the title character, a late-40-ish flight-attendant (Pam Grier) who can pull her own weight and soon has both sides believing she's working for them. Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows him to heap on black culture and language, something he has a gift and passion for, though the film is not a salute to Grier's blaxploitation films beyond the soundtrack. Unexpectedly the most fascinating scenes are between Grier and Forster: glowing in the limelight of their first major Hollywood film after decades of work. --Doug Thomas
City Lights: The Tramp struggles to help a blind flower girl with whom he has fallen in love. The Kid: The Tramp cares for an abandoned child but events put that relationship in jeopardy... The Circus: The Tramp finds work and the girl of his dreams at a circus... Monsieur Verdoux: A suave yet cynical man supports his family by marrying and murdering rich women for their money but the job has some unforseen occupational hazards... Also include
Buster Crabbe stars as Flash Gordon in this classic 1930s serial presented for the first time on DVD. Humanity is doomed to destruction! A distant planet has broken its orbit and is headed straight toward the Earth. While Dr. Hans Zarkov works feverishly to finish a rocket ship of his own design internationally renowned polo player and Yale graduate Flash Gordon is a passenger on a small plane where he meets fellow passenger Dale Arden. When a meteor storm destroys their aircraft Flash and Dale bail out and land near Zarkov's ship. The great scientist enlists them to join him on his quest to save Earth and the heroic trio blasts off into space to rendezvous with the runaway planet Mongo. Featuring all 13 episodes of the exciting serial series.
The curiosity of Quentin Tarantino's Jackie Brown is Robert Forster's worldly wise bail bondsman Max Cherry, the most alive character in this adaptation of Elmore Leonard's Rum Punch. The Academy Awards saw it the same way, giving Forster the film's only nomination. The film is more "rum" than "punch" and will certainly disappoint those who are looking for Tarantino's trademark style. This movie is a slow, decaffeinated story of six characters glued to a half million dollars brought illegally into the country. The money belongs to Ordell (Samuel L Jackson), a gunrunner just bright enough to control his universe and do his own dirty work. His just-paroled friend--a loose term with Ordell--Louis (Robert De Niro) is just taking up space and could be interested in the money. However, his loyalties are in question between his old partner and Ordell's doped-up girl (Bridget Fonda). Certainly Fed Ray Nicolette (Michael Keaton) wants to arrest Ordell with the illegal money. The key is the title character, a late-40-ish flight-attendant (Pam Grier) who can pull her own weight and soon has both sides believing she's working for them. The end result is rarely in doubt, and what is left is two hours of Tarantino's expert dialogue as he moves his characters around town. Tarantino changed the race of Jackie and Ordell, a move that means little except that it allows Tarantino to heap on black culture and language, something he has a gift and passion for. He said this film is for an older audience although the language and drug use may put them off. The film is not a salute to Grier's blaxploitation films beyond the musical score. Unexpectedly the most fascinating scenes are between Grier and Forster: glowing in the limelight of their first major Hollywood film after decades of work. --Doug Thomas
Modern Times: In this delightfully madcap comedy Chaplin plays a hapless factory worker who cracks under the strain of his job and runs amok. Unemployed on the streets of Depression America he joins forces with a young woman fleeing the childcare authorities and they embark on a misadventure-filled search for happiness. The Great Dictator: Tomanian dictator Adenoid Hynkel has a double a poor Jewish barber who one day is mistaken for Hynkel and comic catastrophes ensue! Gold Rush: The Tramp goes to the Klondike in search of gold and finds a whole lot more! Limelight: Fading comedian Calvero (Chaplin) and suicidally despondent ballet dancer Thereza (Bloom) look to each other to find meaning and hope in their lives... Charlie: The Life And Art Of Charles Chaplin: Richard Schickel's new documentary Charlie chronicles Charles Chaplin's brilliant career as an actor writer director producer and composer as well as his controversial and much publicised private life - his love affairs and four marriages his paternity suit scandal and persecution by the FBI culminating in a self-imposed exile from the United States. With its brilliant observations rare footage interwoven with scenes from Chaplin's greatest films and a remarkable series of newly recorded interviews Charlie is the definitive documentary overview of Chaplin and his Little Tramp.
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