A taxi driver is driving through the vibrant streets of Tehran. Diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his car, transforms the car into a mobile film studio, and captures the spirit and contradictions of Iranian society through this comedic and dramatic drive. Banned from travelling and making films in 2010, Jafar Panahi has managed to astonish us with his beautiful trilogy composed of This is not a Film (2011), Closed Curtain (2013) and now Taxi, winner of the Golden Bear at this year s Berlin Film Festival.
A taxi driver is driving through the vibrant streets of Tehran. Diverse passengers enter the taxi, each candidly expressing their views while being interviewed by the driver who is no one else but the director Jafar Panahi himself. His camera placed on the dashboard of his car, transforms the car into a mobile film studio, and captures the spirit and contradictions of Iranian society through this comedic and dramatic drive. Jafar Panahi has managed to astonish us with his trilogy composed of This is not a Film (2011), Closed Curtain (2013) and now Taxi, winner of the Golden Bear at this year's Berlin Film Festival
This clandestine documentary, shot partially on an iPhone and smuggled into France in a cake for a last-minute submission to Cannes, depicts the day-to-day life of acclaimed director Jafar Panahi (Offside, The Circle) during his house arrest in his Tehran apartment. While appealing his sentence - six years in prison and a 20 year ban from filmmaking - Panahi is seen talking to his family and lawyer on the phone, discussing his plight with Mirtahmasb and reflecting on the meaning of the art of filmmaking.
They are both on the run: the man with the dog he is not allowed to own because Islamic law deems it to be unclean, and the young woman who took part in an illicit party on the shores of the Caspian Sea. They barricade themselves in a secluded villa with curtained windows and eye each other suspiciously. Why has he shaved his head? How does she know he is being followed by the police? They are now prisoners in a house without a view in the midst of a hostile environment. The voices of police can be heard in the distance, but so too can the calming sound of the sea. One time they look at the night sky full of stars before again withdrawing behind their protective walls.Are we looking at outlaws, or are the man and the young woman merely phantoms, figments of the imagination of a filmmaker who is no longer allowed to work?
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