Escape is not freedom. Welcome back to Westworld, the Emmy®-winning drama series that follows the dawn of artificial consciousness and the evolution of sin. In Season Three, the real gods are coming... and they are very angry. Born into a world of pain, Westworld's android hosts were never allowed to go or see one place: our world. But now, at the end of the game, they're here. Bonus Features Escape from Westworld Creating Westworld's Reality Exploring Warworld We Live in a Technocracy A Vision for the Future RICO Westworld on Location Welcome to Westworld
Anna Karenina Anna Karenina is acclaimed director Joe Wright's bold, theatrical new vision of the epic story of love, stirringly adapted from Leo Tolstoy's great novel by Academy Award winner Tom Stoppard (Shakespeare in Love). The film marks the third collaboration of the director with Academy Award-nominated actress Keira Knightley and Academy Award-nominated producers Tim Bevan, Eric Fellner, and Paul Webster, following their award-winning box office successes Pride and Prejudice and Atonement. The timeless story powerfully explores the capacity for love that surges through the human heart, while illuminating the lavish society that was imperial Russia. The time is 1874. Vibrant and beautiful, Anna Karenina (Ms. Knightley) has what any of her contemporaries would aspire to; she is the wife of Karenin (Jude Law), a high-ranking government official to whom she has borne a son, and her social standing in St. Petersburg could scarcely be higher. She journeys to Moscow after a letter from her philandering brother Oblonsky (Matthew Macfadyen) arrives, asking for Anna to come and help save his marriage to Dolly (Kelly Macdonald). En route, Anna makes the acquaintance of Countess Vronsky (Olivia Williams), who is then met at the train station by her son, the dashing cavalry officer Vronsky (Aaron Taylor-Johnson). When Anna is introduced to Vronsky, there is a mutual spark of instant attraction that cannot - and will not - be ignored. Pride and Prejudice A romance ahead of its time... The five Bennet sisters - Elizabeth, or Lizzie (Keira Knightley), Jane (Rosamund Pike), Lydia (Jena Malone), Mary (Talulah Riley) and Kitty (Carey Mulligan) - have all been raised by their mother with one purpose in life - finding a husband. However, the second eldest Lizzie can think of 100 reasons not to marry. When Mrs Bennet hears the exciting news that a wealthy bachelor and his circle of sophisticated friends are to take up summer residence in a nearby mansion the Bennets are abuzz with the hope that potential suitors will be in full supply. Obligingly, the newcomer, Mr Charles Bingley, is immediately taken with the eldest Jane. However, when Lizzie meets up with the darkly handsome and snobbish Mr Darcy (Matthew Macfadyen), what seems like a match made in heaven quickly becomes divided by pride and prejudice. Can they get past this and can Lizzie finally find a reason to marry? Special Features: The Politics of Dating The Stately Homes of Pride and Prejudice The Bennets The Life and Times of Jane Austen On Set Diaries Galleries of the 19th Century Pride and Prejudice Family Tree Nanny McPhee Trailer Alternate US Ending Feature Commentary with Director Joe Wright Atonement The year is 1935 and on a hot summer's day a chain of events set in motion. Briony Tallis (Saoirse Ronan) is a young, imaginative preteen writer. She is the younger sister of Cecilia (Keira Knightley) who is an attractive, Cambridge graduate in an upper class family enjoying her life. On this hot summer's day she decides to take a swim in the family fountain. Robbie Turner (James McEvoy), the son of the housekeeper watches the beauty as she goes for a swim and little Briony's imagination runs rampant. It is not long until a few misconceptions and Briony's wild imagination starts rumours which lead to the arrest and conviction of Robbie; An event that will dramatically change the lives of all three people. Five years later in the madness of World War II appears Robbie, as a foot soldier in the army. He is preparing for an evacuation of Dunkirk. Meanwhile the two sisters train as nurses in London, all deeply affected by the events years before. Special Features: Feature Commentary with Director Joe Wright Bringing the Past to Life: The Making of Atonement From Novel to Screen: Adapting a Classic Deleted Scenes Deleted Scenes with Commentary by Director
Anna Karenina Anna Karenina is acclaimed director Joe Wright's bold, theatrical new vision of the epic story of love, stirringly adapted from Leo Tolstoy's great novel by Academy Award winner Tom Stoppard (Shakespeare in Love). The film marks the third collaboration of the director with Academy Award-nominated actress Keira Knightley and Academy Award-nominated producers Tim Bevan, Eric Fellner, and Paul Webster, following their award-winning box office successes Pride and Prejudice and Atonement. The timeless story powerfully explores the capacity for love that surges through the human heart, while illuminating the lavish society that was imperial Russia. The time is 1874. Vibrant and beautiful, Anna Karenina (Ms. Knightley) has what any of her contemporaries would aspire to; she is the wife of Karenin (Jude Law), a high-ranking government official to whom she has borne a son, and her social standing in St. Petersburg could scarcely be higher. She journeys to Moscow after a letter from her philandering brother Oblonsky (Matthew Macfadyen) arrives, asking for Anna to come and help save his marriage to Dolly (Kelly Macdonald). En route, Anna makes the acquaintance of Countess Vronsky (Olivia Williams), who is then met at the train station by her son, the dashing cavalry officer Vronsky (Aaron Taylor-Johnson). When Anna is introduced to Vronsky, there is a mutual spark of instant attraction that cannot - and will not - be ignored. Special Features: Deleted Scenes Anna Karenina: An Epic Story About Love Adapting Tolstoy Keira As Anna On the Set with Director Joe Wright Dressing Anna Anna Karenina: Time-Lapse Photography Feature Commentary with Director Joe Wright Pride and Prejudice A romance ahead of its time... The five Bennet sisters - Elizabeth, or Lizzie (Keira Knightley), Jane (Rosamund Pike), Lydia (Jena Malone), Mary (Talulah Riley) and Kitty (Carey Mulligan) - have all been raised by their mother with one purpose in life - finding a husband. However, the second eldest Lizzie can think of 100 reasons not to marry. When Mrs Bennet hears the exciting news that a wealthy bachelor and his circle of sophisticated friends are to take up summer residence in a nearby mansion the Bennets are abuzz with the hope that potential suitors will be in full supply. Obligingly, the newcomer, Mr Charles Bingley, is immediately taken with the eldest Jane. However, when Lizzie meets up with the darkly handsome and snobbish Mr Darcy (Matthew Macfadyen), what seems like a match made in heaven quickly becomes divided by pride and prejudice. Can they get past this and can Lizzie finally find a reason to marry? Special Features: Audio Commentary with Director Joe Wright Conversations with the Cast (AKA Onset Diaries) Jane Austen, Ahead of Her Time (AKA Life and Times of Jane Austen) A Bennet Family Portrait (AKA The Bennetts) Pride and Prejudice - A Classic in the Making (HBO First Look) The Politics of Dating (AKA The Politics of 18th Century) The Stately Homes of Pride and Prejudice Alternate US Ending Atonement The year is 1935 and on a hot summer's day a chain of events set in motion. Briony Tallis (Saoirse Ronan) is a young, imaginative preteen writer. She is the younger sister of Cecilia (Keira Knightley) who is an attractive, Cambridge graduate in an upper class family enjoying her life. On this hot summer's day she decides to take a swim in the family fountain. Robbie Turner (James McEvoy), the son of the housekeeper watches the beauty as she goes for a swim and little Briony's imagination runs rampant. It is not long until a few misconceptions and Briony's wild imagination starts rumours which lead to the arrest and conviction of Robbie; An event that will dramatically change the lives of all three people. Five years later in the madness of World War II appears Robbie, as a foot soldier in the army. He is preparing for an evacuation of Dunkirk. Meanwhile the two sisters train as nurses in London, all deeply affected by the events years before. Special Features: Deleted Scenes Deleted Scenes with Commentary Feature Commentary with Director Joe Wright From Novel to Screen: Adapting a Classic Bringing the Past to Life: The Making of Atonement
X-Men 2 picks up almost directly where X-Men left off: misguided super-villain Magneto (Ian McKellen) is still a prisoner of the US government, heroic bad-boy Wolverine (Hugh Jackman) is up in Canada investigating his mysterious origin, and the events at Liberty Island (which occurred at the conclusion of X-Men) have prompted a rethink in official policy towards mutants--the proposed Mutant Registration Act has been shelved by US Congress. Into this scenario pops wealthy former army commander William Stryker, a man with the President's ear and a personal vendetta against all mutant-kind in general, and the X-Men's leader Professor X (Patrick Stewart) in particular. Once he sets his plans in motion, the X-Men must team-up with their former enemies Magneto and Mystique (Rebecca Romjin-Stamos), as well as some new allies (including Alan Cumming's gregarious, blue-skinned German mutant, Nightcrawler). The phenomenal global success of X-Men meant that director Bryan Singer had even more money to spend on its sequel, and it shows. Not only is the script better (there's significantly less cheesy dialogue than the original), but the action and effects are also even more stupendous--from Nightcrawler's teleportation sequence through the White House to a thrilling aerial dogfight featuring mutants-vs-missiles to a military assault on the X-Men's school/headquarters to the final showdown at Stryker's sub-Arctic headquarters. Yet at no point do the effects overtake the film or the characters. Moreso than the original, this is an ensemble piece, allowing each character in its even-bigger cast at least one moment in the spotlight (in fact, the cast credits don't even run until the end of the film). And that, perhaps, is part of its problem (though it's a slight one): with so much going on, and nary a recap of what's come before, it's a film that could prove baffling to anyone who missed the first instalment. But that's just a minor quibble--X-Men 2 is that rare thing, a sequel that's actually superior to its predecessor. --Robert Burrow
A voyeuristic horror that will thrill and scare! A sadistic voyeuristic killer is stalking the city. Three curious teenagers while spying on their neighbours believe they've discovered his identity. But when your holiday high rise apartment is filled with hidden CCTV cameras. WHO is really watching WHO? In the tradition of Saw and Rear Window comes the next great thrilling voyeuristic horror movie. Spy With My Little Eye...
Returning from China, Marco Polo is given a stone by the Chinese Emperor after successfully establishing trading relationships with the country. Unknown to Marco, the stone unlocks the gates to the dragon world. When Marco is attacked on his journey, and the stone stolen, two fire-spitting dragons are released, bent on killing Marco and his companions. A merciless fight between man and beasts is about to begin...
X-Men 2 picks up almost directly where X-Men left off: misguided super-villain Magneto (Ian McKellen) is still a prisoner of the US government, heroic bad-boy Wolverine (Hugh Jackman) is up in Canada investigating his mysterious origin, and the events at Liberty Island (which occurred at the conclusion of X-Men) have prompted a rethink in official policy towards mutants--the proposed Mutant Registration Act has been shelved by US Congress. Into this scenario pops wealthy former army commander William Stryker, a man with the President's ear and a personal vendetta against all mutant-kind in general, and the X-Men's leader Professor X (Patrick Stewart) in particular. Once he sets his plans in motion, the X-Men must team-up with their former enemies Magneto and Mystique (Rebecca Romjin-Stamos), as well as some new allies (including Alan Cumming's gregarious, blue-skinned German mutant, Nightcrawler). The phenomenal global success of X-Men meant that director Bryan Singer had even more money to spend on its sequel, and it shows. Not only is the script better (there's significantly less cheesy dialogue than the original), but the action and effects are also even more stupendous--from Nightcrawler's teleportation sequence through the White House to a thrilling aerial dogfight featuring mutants-vs-missiles to a military assault on the X-Men's school/headquarters to the final showdown at Stryker's sub-Arctic headquarters. Yet at no point do the effects overtake the film or the characters. Moreso than the original, this is an ensemble piece, allowing each character in its even-bigger cast at least one moment in the spotlight (in fact, the cast credits don't even run until the end of the film). And that, perhaps, is part of its problem (though it's a slight one): with so much going on, and nary a recap of what's come before, it's a film that could prove baffling to anyone who missed the first instalment. But that's just a minor quibble--X-Men 2 is that rare thing, a sequel that's actually superior to its predecessor. --Robert Burrow
When Luke, a massively successful businessman, is brutally attacked and his fiance is viciously raped and murdered, he pledges to use every last penny he has to train himself in the art of combat and killing in order to use it against any wrong doers who dare to cross his path. What Luke doesn't know is that his own attackers are highly connected to the local crime family, and they have every intention of finishing what they started... Now the hunter has become the hunted and there will be violence...
Every secret has its price. In the city of Compton everybody has a secret... but every secret has its price. Zion 18 just arrived home from college for Christmas break and has one night to consummate his newly formed relationship with Lanise Bell 16 who became the smartest finest and ""freakiest"" girl at his high school alma mater after she lost 75 pounds this past summer at fat camp. Lanise has spent the last three months bragging about her sexual experiences. What Zion
A voyeuristic horror that will thrill and scare! A sadistic voyeuristic killer is stalking the city. Three curious teenagers while spying on their neighbours believe they've discovered his identity. But when your holiday high rise apartment is filled with hidden CCTV cameras. WHO is really watching WHO? In the tradition of Saw and Rear Window comes the next great thrilling voyeuristic horror movie. Spy With My Little Eye...
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