Features the episodes 'House Arrest' 'Knight in White Satin' and 'Armour Funhouse'. Tony Soprano impacts many people. Dr. Melfi steels herself with vodka before sessions with the trouble capo di tutti. The eyes of Richie Aprile become hate-filled Manson lamps as he schemes to cap the capo. Uncle Corrado (Dominic Chianese) is still allowed to pull strings that aren't there. Pussy is playing junior G-Man to nail his boss to an indictment. But the person Tony impacts the most is Tony. He's a tormented work in progress - a torment that would lessen if Richie took a permanent nap. Janice took a bus back to Seattle and Pussy took a boat ride from which he didn't return. So guess what happens?
Episode 42 - Death Trap When the son of a Glasgow politician is assassinated the Taggart team are brought in. Episode 43 - Fire Burn A body is found in a burnt out factory. When the bombmaker's body turns up the race is on to find the real culprit before he plants more bombs and kills again. Episode 44 - Watertight When a young prostitute is found dead in a river Ross enlists the help of police informant Sadie wo gets killed. It is Ross's job to find out who killed Sadie.
In ""Fearless Hyena "" he plays a young man whose grandfather and teacher Master Chen escapes from the tyrannical Ching Dynasty and come to live in his village. Although Jackie wants to learn martial arts more than anything his grandfather won't permit this out of fear that the villainous Ching rulers will come after him. After seeing his grandfather murdered Jackie promises to get revenge. So he enlists the aid of a local Master who teaches the young student Kung Fu. Soon the pupil has learned enough to make him invincible --even against the infamous ""death blows."" Now Jackie sets out to avenge his grandfather's death...
The FBI take an unhealthy interest in the family's life causing more strain on life. If that's not enough the world of movie making seems to be poking its nose in. Skeletons come out the closet causing huge revelations... Golden Globe winners January 2000 for Best Actor (James Gandolfini) Best Actress (Edie Falco) and Best Supporting Actress (Nancy Marchand).
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: this ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: This ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com
A quartet of intriguing adventures for the Glaswegian detectives. Babushka: After the murder of a wealthy Scottish businessman the Taggart team becomes involved with a shady agency which pairs up Russian women with available Scottish men. They piece together a story of blackmail and intrigue where the villains play for high stakes... Berserker: A new amphetamine-type drug Berserker appears on the streets of Glasgow and is particularly popular with bodybuilders.
Golden Ninja Warrior: The Golden Ninjas decide to return their valuable golden statue to China for an important ceremony. However their long-time enemies the Red Ninjas intend to steal the statue and send their best Ninja heroine to draw out the Golden Ninja leader Max.
This box set contains the following films: The Notebook (Dir. Nick Cassavetes) (2004): A sweeping love story told by a man reading from his faded notebook (James Garner) to a woman in a nursing home (Gena Rowlands). The Notebook follows the lives of two North Carolina teens from very different worlds (Ryan Gosling and Rachel McAdams). Though her upbringing takes place in an antebellum mansion and he grew up in the kind of house where musicians strum on the porch that doesn't stop Noah and Allie from spending one incredible summer together before they are separated first by her parents and then by WWII. After the war is over everything is different. Allie is engaged to a successful businessman and Noah lives alone with his 200-year-old house that he lovingly restores. But when Allie reads a newspaper article about Noah's handiwork. She knows that she's got to find him and make a decision once and for all about the path her life - and her love - must take... She's The Man (Dir. Andy Fickman) (2006): Viola Johnson (Amanda Bynes) had her own good reasons for disguising herself as her twin brother Sebastian (James Kirk) and enrolling in his place at his new boarding school Illyria Prep. She was counting on Sebastian being AWOL from school as he tried to break into the music scene in London. What she didn't count on was falling in love with her hot roommate Duke (Channing Tatum) who in turn only has eyes for the beautiful Olivia (Laura Ramsey). Making matters worse Olivia is starting to fall for Sebastian who-for reasons Olivia couldn't begin to guess-appears to be the sensitive type of guy she'd always dreamed of meeting. If things weren't complicated enough the real Sebastian has come back from London two days earlier than expected and arrives on campus having no clue that he's been replaced... by his own twin sister. The Wedding Date (Dir. Clare Kilner) (2005): In this sparkling romantic comedy Debra Messing plays Kat a never-married New Yorker who is invited to her parents' London home for her younger sister's wedding. What should be a joyous occasion bodes disaster for Kat however when she discovers that the best man will be none other than her ex-fianc'' who two years before inexplicably dumped her. In a desperate attempt to face the ordeal with dignity Kat hires Nick (Dermot Mulroney) a charming and handsome professional male escort to pose as her new boyfriend and escort her to the wedding. Even more valuable to Kat than Nick's good looks and charisma is his keen insight into human behavior--a well-learned trick of his trade. Over the course of the weekend Nick takes on the role of the bride's therapist the father's ideal son-in-law the groom's new best friend and the object of every woman's affection. For Kat what starts out as a pretend relationship with Nick begins to turn into something entirely unexpected: a second chance at love.
Ninja Terminator: All-action martial arts tale of three Ninjas competing for a statue of the Golden Ninja Warrior which embodies the divine power of the Ninja Empire. Spectacular fight scenes and swordplay. Ninja Dragon: Set in Great Shanghai two rival gangs the Furious Fox and the Black Eagle are fighting to establish domination in the territory. Only one force can stop the never-ending killings: the Ninja Dragon!
In the fall of 2003 Milwaukee native James Chance commissioned the up-and-coming Chicago band Watchers for a four city tour of Detroit Milwaukee Chicago and Minneapolis. Joining Watchers was James' brother David who was enlisted months in advance to help direct the rehearsals in Chicago and bring in a three piece horn section to round out the group. When this young talented assemblage took on the classic Contortions material the results were nothing short of magical... In rehearsal for the tour James remarked 'I feel like I'm back in 1980.' This first ever James Chance DVD production shot by Chicago artist Steve Glabman includes the entire Chicago concert.Tracklisting:Designed To KillRoving EyeJadedThrow Me AwayThe ScreamAlmost BlackSax ManiacKing HeroinContort YourselfTwice RemovedBedroom Athlete
Boo Zino And The Snurks (Dir. Lenard Fritz Krawinkel and Holger Tappe 2004): German animation with featuring the voice of Captain Jean Luc-Picard! When Gaya's power stone the Dalamite is stolen by the diabolical scientist Professor N. Icely (Lander) using his vortex machine local hero Zino (Wrage) his trusted companion Boo (Mariot) the major's daughter Alanta (Watson) and the local trouble makers The Snurks are pulled into the swirling vortex as well. They awake to find themselves in a strange world filled with giants monster rats and buildings that reach into the sky. Realising they are not in Gaya anymore the group are shocked to discover that Gaya is not real but their homeland and themselves are in fact the creation of Albert Drollinger (Stewart) and have been pulled out of a TV show! Secondhand Lions (Dir. Tim McCanlies 2003): A coming-of-age story about a shy young boy sent by his irresponsible mother to spend the summer with his wealthy eccentric uncles in Texas. Neighbours think the crazy old men have a secret fortune stashed away... But what's the real truth and where's the cash? Elf (Dir. Jon Favreau 2003): After inadvertently wreaking havoc on the elf community due to his ungainly size a man raised as an elf at the North Pole is sent to the U.S. in search of his true identity. This charming fantasy is packed full of hysterically funny moments and is destined to be a future classic!
This boxset features American Ninja 1 2 and 3. American Ninja (Dir. Sam Firstenberg 1985): US army private Joe Armstrong is escorting a supply convoy when it is ambushed by rebels. Instinctively he defends himself using the martial art of Ninjitsu - an ability that puts him under suspicion by his commander and fellow soldiers. In a plot riddled with dark intrigue Armstrong now finds himself a lone warrior fighting corruption within his ranks. In the depths of the Philippino jungle he discovers a dark secret in his past. He has been initiated into the deadliest art of the Orient and he must now face his destiny and fight the evil Black Star Ninja in the ultimate martial arts battle. This is a seminal Ninja movie with breath taking action as swift and sure as the blade of a samurai sword! American Ninja 2 (Dir. Sam Firstenberg 1987): On a remote Caribbean island Army Ranger Joe Armstrong saves an old friend from the clutches of The Lion an evil super-criminal who has kidnapped a local scientist and mass-produced an army of mutant Ninja warriors. American Ninja 3 (Dir. Cedric Sundstrom 1989): Jackson is back and now he has a new partner karate champion Sean as they must face a deadly terrorist known as The Cobra...
Mr And Mrs Smith (Dir. Doug Liman 2005): A sexy action packed thrill ride about a bored married couple who discover that they are enemy assassins... Life Or Something like It:(Dir. Stephen Herek 2002): Lanie Kerrigan (Jolie) is a beautiful blonde reporter for a Seattle news station. With a baseball-superstar boyfriend a wonderful apartment and a job opportunity with a national network in New York Lanie's life is all going according to plan. The only thorn in her side is the cameraman and ex-lover she's been teamed with called Pete (Burns). Pete is funny charming and utterly disinterested in a career much to Lanie's disbelief but the pair have an undeniable chemistry that Pete exploits at every turn. Everything changes for Lanie in an instant when she meets homeless Prophet Jack (Shalhoub) for an interview. After he gives her routine predications about the weather and football scores he breaks the ominous news that she will be dead in seven days...
DESPITE THE REVIEWS FROM AMAZON.COM ON HERE, this set contains these 5 movies:- ANGEL AND THE BADMAN: Gunslinger Quirt Evans is injured & found by Penelope Wirth & her father Thomas, a Quaker family with values & a way of living in contrast to Quirt Evans'. Quirt & Penelope are drawn to each other, although Quirt has no intention of embracing the Quaker lifestyle. He does, however, intervene to convince a rancher to restore their water supply, even if the family would not have approved of his methods. Evans' rival Laredo Stevens is unimpressed with the new, peaceful Quirt Evans, whilst local Marshall Wistful McClintock stokes up trouble between the two men, certain he'll get one or the other (the survivor) brought to justice in the end...Widely regarded as one of the most romantic of all John Wayne's films, this marked his first production credit. HELL TOWN: A carefree cowhand finally wants to settle down, but before he can he gets involved with rustlers.... McLINTOCK: He Tamed The West But Could He Tame Her? Cattle baron, banker & model citizen George McLintock has the world in his hands. The only thing missing is his wife, Katherine, who left him two years earlier, suspecting him of adultery. In an effort to get on with his life, McLintock saves a beautiful but impoverished widow from resettlement & hires her as his cook, welcoming both her & her two children into his home. Sparks begin to fly & McLintock's simple & serene lifestyle comes to a crashing halt as an unexpected turn of events results in brawls, gunfire, an Indian attack, the engagement of his only daughter & the return of Mrs McLintock! SAGEBRUSH TRAIL: A young cowboy breaks out of jail after being falsely accused of murder & must prove his innocence before the authorities lock him back up... HIS PRIVATE SECRETARY: Dick Wallace, a millionaire's son, tends to chase rather dubious women causing his father to despair of him. When he really falls in love his father assumes the girl is a gold digger...
Please wait. Loading...
This site uses cookies.
More details in our privacy policy