The mythical world starts a rebellion against the human realm in order to rule the Earth, so Hellboy and his team must save the world from the myriad creatures.
The mythical world starts a rebellion against the human realm in order to rule the Earth, so Hellboy and his team must save the world from the myriad creatures.
HellboyIn the ongoing deluge of comic-book adaptations, Hellboy ranks well above average. Having turned down an offer to helm Harry Potter and the Prisoner of Azkaban in favour of bringing Hellboy's origin story to the big screen, the gifted Mexican director Guillermo del Toro compensates for the excesses of Blade II with a moodily effective, consistently entertaining action-packed fantasy, beginning in 1944 when the mad monk Rasputin--in cahoots with occult-buff Hitler and his Nazi thugs--opens a transdimensional portal through which a baby demon emerges, capable of destroying the world with his powers. Instead, the aptly named Hellboy is raised by the benevolent Prof. Bloom, founder of the Bureau for Paranormal Research and Defense, whose allied forces enlist the adult Hellboy (Ron Perlman, perfectly cast) to battle evil at every turn. While nursing a melancholy love for the comely firestarter Liz (Selma Blair), Hellboy files his demonic horns ("to fit in," says Bloom) and wreaks havoc on the bad guys. The action is occasionally routine (the movie suffers when compared to the similar X-Men blockbusters), but del Toro and Perlman have honored Mike Mignola's original Dark Horse comics with a lavish and loyal interpretation, retaining the amusing and sympathetic quirks of character that made the comic-book Hellboy a pop-culture original. He's red as a lobster, puffs stogies like Groucho Marx, and fights the good fight with a kind but troubled heart. What's not to like? --Jeff ShannonHellboy 2: The Golden ArmyThe feverish Hellboy 2: The Golden Army is a very busy sequel that might have looked unhinged in the hands of a less visionary director than Guillermo del Toro. Ron Perlman returns as Hellboy, aka "Red," the Dark Horse Comics demon-hero with roots in the mythical world but personal ties in the human realm. Still working, as he was in Hellboy, for a secret department of the federal government that deals (as in "Men In Black") with forces of the fantastic, Red and his colleagues take on a royal elf (Luke Goss) determined to smash a longtime truce between mankind and the forces of magic. Meanwhile, Red's relationship with girlfriend Liz (Selma Blair), who can burst into flames at will, is going through a rocky stage observed by Red's fishy friend Abe (Doug Jones), himself struck by love in this film. Del Toro brilliantly integrates the ordinary and extraordinary, diving into an extended scene set in a troll market barely hidden behind the façade of typical city streets. He also unleashes a forest monster that devastates an urban neighborhood, but then--interestingly--brings a luminous beauty to the same area as the creature (an "elemental") succumbs to a terrible death. Del Toro's art direction proves masterful, too, in a climactic battle set in a clockworks-like stronghold tucked away in rugged Irish landscape. But it's really the juxtaposition of visual marvels with not-so-unusual relationship issues that gives Hellboy 2 a certain jaunty appeal hard to find in other superhero movies. --Tom Keogh
It is one of humankind s greatest achievements. More than twelve billion miles away a tiny spaceship is leaving our Solar System and entering the void of deep space the first human-made object ever to do so. Slowly dying within its heart is a nuclear generator that will beat for perhaps another decade before the lights on Voyager finally go out. But this little craft will travel on for millions of years, carrying a Golden Record bearing recordings and images of life on Earth. In all likelihood Voyager will outlive humanity. From Crossing The Line Productions, The Farthest celebrates these magnificent machines, the men and women who built them and the vision that propelled them farther than anyone could ever have hoped.
It is one of humankind s greatest achievements. More than twelve billion miles away a tiny spaceship is leaving our Solar System and entering the void of deep space the first human-made object ever to do so. Slowly dying within its heart is a nuclear generator that will beat for perhaps another decade before the lights on Voyager finally go out. But this little craft will travel on for millions of years, carrying a Golden Record bearing recordings and images of life on Earth. In all likelihood Voyager will outlive humanity. From Crossing The Line Productions, The Farthest celebrates these magnificent machines, the men and women who built them and the vision that propelled them farther than anyone could ever have hoped.
Ensemble drama from acclaimed director Robert Altman centered around a group of ballet dancers, with a focus on one young dancer (Neve Campbell) who's poised to become a principal performer.
The fate of mankind hangs in the balance in Hellboy II: The Golden Army when a ruthless prince awakens an unstoppable army of creatures and wages war with the human world. It's up to Hellboy (Ron Perlman) and his team of paranormal outcasts to face off with the forces of darkness in the ultimate battle of good versus evil! Prepare to be taken by the visionary director of The Shape of Water (Guillermo del Toro) into a fantastical world with imaginative creatures and thrilling fight sequences unlike anything you've ever seen before! Disc 1: FOR THE ULTIMATE MOVIE WATCHING EXPERIENCE, THIS DISC FEATURES: ¢ 4X sharper picture than HD ¢ HDR (HIGH DYNAMIC RANGE) for brilliant brights and deepest darks ¢ IMMERSIVE AUDIO for a multi-dimensional sound experience ¢ COMMENTARIES Disc 2: Blu-ray Movie + Bonus Features: ¢ FEATURE COMMENTARY WITH DIRECTOR GUILLERMO DEL TORO (PLUS PROLOGUE) ¢ FEATURE WITH CAST COMMENTARY ¢ SCENE EXPLORER: SCHUFFTEN GOGGLE VIEW ¢ DIRECTORS NOTEBOOK ¢ SET VISITS ¢ CONCEPT ART GALLERY
This new film of Leonard Bernstein's music-theatre piece Trouble in Tahiti, produced by BBC Wales and Opus Arte and directed by Tom Cairns, makes a strong case for a neglected work. Bernstein wrote his satire on American materialism in 1952, drawing on elements of opera, revue and musical comedy to tell a story of a marriage that's turned sour amid the trappings of suburban prosperity. The brevity of the piece, which flashes by in 39 minutes, perhaps accounts for its rare appearances, making this version specially welcome. Tom Cairns directs with style and panache, moving the camera effortlessly to and fro between the seven scenes. Amir Hosseinpour's choreography recalls with affection the heyday of the MGM musical then at its zenith. The film opens with a Greek-style chorus singing in scat jazz fashion to a montage of 1950s imagery: flickering television adverts, manicured lawns and white picket fences. Characters within the narrative appear in flash-back in home video footage. This is all highly diverting and possibly a ruse to mask some dramatic weakness in the story written by Bernstein himself. The wife never offers an explanation for her visit to the cinema to see Trouble in Tahiti instead of attending her son's school play, nor do we see the boy again after witnessing his parents having a tiff. The two principals, Karl Daymond as Sam and Stephanie Novacek as Dinah, are well cast and sing in a natural and pleasing manner with clear diction. The scat vocal trio is well matched and the City of London Sinfonia under Paul Daniel catch the spirit of the jazz inflected score as if it were second nature. On the DVD: Trouble in Tahiti is shot in wide-screen, appropriate for the era that gave us CinemaScope. There are subtitles in German, Spanish and French. A full translation in English is printed in the booklet. The extras include an introduction that partly overlaps with "A Very Testing Piece", in which Paul Daniel touches on the parallel with Bernstein's own unhappy childhood. Humphrey Burton in "Not Particularly Romantic" elaborates on this theme and goes on to offer a further fascinating commentary on Bernstein, whom he knew well. --Adrian Edwards
Charlie (Dan Futterman) is a tormented young gay man who has recently become romantically unattached. Unable to reconcile himself to the loss of his long term companion Charlie decides to live on the edge. One night as he aimlessly wanders the streets of downtown Manhattan he locks gaze with a mysterious stranger. This chance encounter marks the beginning of a nightmarish quest as he haunts the city nightly in an increasingly desperate attempt to find him. Charlie meets a host of bizarre characters on his journey each of whom recounts an urban myth. Charlie finds his borders of reality quickly shifting - the lines separating past and present truth and illusion hate and healing gay and straight have been blurred. As a result the urban myths that are imparted - the man with the stolen kidney the poodle in the microwave - as well as his own visions fuse to create a new reality round him. Disturbed and dejected Charlie decides to punish those people responsible for his misery. 'Urbania' is a provocative sexually charged noir that probes the powerful and the trancendant nature of love
""There is a fifth dimension beyond that which is known to man. It is a dimension as vast as space and as timeless as infinity. It is the middle ground between light and shadow between science and superstition and it lies between the pit of man's fears and the summit of his knowledge. This is the dimension of imagination. It is an area we call... The Twilight Zone!"" All the episodes from Season 4! Episodes Comprise: 1. In His Image 2. The Thirty Fathom Grave 3. Vall
The fate of mankind hangs in the balance when a ruthless prince awakens an unstoppable army of creatures and wages war with the human world. It’s up to Hellboy and his team of paranormal outcasts to face off with the forces of darkness in the ultimate battle of good versus evil!
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