By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd's The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters' great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon
First transmitted on Channel 4 in 1990 Nightingales focuses on three security guards who have the unenviable task of working the graveyard shift in a tower block a situation which regularly turns to the surreal. A werewolf that performs open-heart surgery bouts of Shakespearian verse and an undercover police operation are just some of the bizarre situations - and confrontations - the trio find themselves in. Starring the acclaimed Robert Lindsay as Carter David Threlfall
Yesterday, everyone knew The Beatles. Today, only Jack remembers their songs. He's about to become a very big deal. From Academy Award®-winning director DANNY BOYLE (Slumdog Millionaire, Trainspotting, 28 Days Later) and RICHARD CURTIS, the Oscar®-nominated screenwriter of Four Weddings and a Funeral, Love Actually and Notting Hill, comes a rock 'n' roll comedy about music, dreams, friendship, and the long and winding road that leads to the love of your life. Jack Malik (HIMESH PATEL, BBC's EastEnders) is a struggling singer-songwriter in a tiny English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie (LILY JAMES, Mamma Mia! Here We Go Again). Then, after a freak bus accident during a mysterious global blackout, Jack wakes up to discover that The Beatles have never existed and he finds himself with a very complicated problem indeed. Performing songs by the greatest band in history to a world that has never heard them, and with a little help from his steel-hearted American agent, Debra (Emmy Award winner KATE MCKINNON, TV's Saturday Night Live), and his kind-but-wildly-unreliable roadie Rocky (JOEL FRY, HBO's Game of Thrones), Jack's fame explodes. But as his star rises, he risks losing Elliethe one person who always believed in him. With the door between his old and new life closing, Jack will need to get back to where he once belonged and prove that all you need is love.
Yesterday, everyone knew The Beatles. Today, only Jack remembers their songs. He's about to become a very big deal. From Academy Award®-winning director DANNY BOYLE (Slumdog Millionaire, Trainspotting, 28 Days Later) and RICHARD CURTIS, the Oscar®-nominated screenwriter of Four Weddings and a Funeral, Love Actually and Notting Hill, comes a rock 'n' roll comedy about music, dreams, friendship, and the long and winding road that leads to the love of your life. Jack Malik (HIMESH PATEL, BBC's EastEnders) is a struggling singer-songwriter in a tiny English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie (LILY JAMES, Mamma Mia! Here We Go Again). Then, after a freak bus accident during a mysterious global blackout, Jack wakes up to discover that The Beatles have never existed and he finds himself with a very complicated problem indeed. Performing songs by the greatest band in history to a world that has never heard them, and with a little help from his steel-hearted American agent, Debra (Emmy Award winner KATE MCKINNON, TV's Saturday Night Live), and his kind-but-wildly-unreliable roadie Rocky (JOEL FRY, HBO's Game of Thrones), Jack's fame explodes. But as his star rises, he risks losing Elliethe one person who always believed in him. With the door between his old and new life closing, Jack will need to get back to where he once belonged and prove that all you need is love.
When retired East End villain CHARLIE ARCHER is murdered by a feral street gang his brother RITCHIE returns to London from Spain to investigate. With the police investigation drawing blank after blank Ritchie decides to take the law into his own hands and bring his old school justice back to the streets of East London. Rounding up his old firm he leads a vigilante crusade against the vicious young criminals using every grizzly method at his disposal to find and punish his brother’s killers. They’re outgunned and outnumbered but this firm has never been outclassed yet!
Peggy (Judy Geeson) is recovering from a nervous breakdown when she is attacked by an unseen assailant. As she struggles to break free, her attacker's artificial arm comes loose and Peggy blacks out in sheer terror. Peggy and her new husband Robert (Ralph Bates) spend their honeymoon at the country school where Robert is a teacher. The school is eerily deserted, except for the headmaster Michael (Peter Cushing) and his wife Molly (Joan Collins). Returningto her cottage, Peggy is once more attacked by a man with one arm. Robert goes to London on behalf of the headmaster, but leaves his shotgun behind to reassure Peggy. Michael visits Peggy at the cottage late at night, and she notices for the first time that he has only one arm. Terrified, she reaches for the gun Fear in the Night was the last, and one of the best, of the suspense thrillers that Hammer produced alongside the better-known Gothic horrors. The film was also the Hammer swansong of director and co-writer Jimmy Sangster, who had joined the company in 1949 and helped create its groundbreaking style. EXTRAS: NEW FEATURETTE - End of Term: Inside Fear in the Night ORIGINAL TRAILER
By any rational measure, Alan Parker's cinematic interpretation of Pink Floyd's The Wall is a glorious failure. Glorious because its imagery is hypnotically striking, frequently resonant and superbly photographed by the gifted cinematographer Peter Biziou. And a failure because the entire exercise is hopelessly dour, loyal to the bleak themes and psychological torment of Roger Waters' great musical opus, and yet utterly devoid of the humour that Waters certainly found in his own material. Any attempt to visualise The Wall would be fraught with artistic danger, and Parker succumbs to his own self-importance, creating a film that's as fascinating as it is flawed. The film is, for better and worse, the fruit of three artists in conflict--Parker indulging himself, and Waters in league with designer Gerald Scarfe, whose brilliant animated sequences suggest that he should have directed and animated this film in its entirety. Fortunately, this clash of talent and ego does not prevent The Wall from being a mesmerising film. Boomtown Rats frontman Bob Geldof (in his screen debut) is a fine choice to play Waters's alter ego--an alienated, "comfortably numb" rock star whose psychosis manifests itself as an emotional (and symbolically physical) wall between himself and the cold, cruel world. Weaving Waters's autobiographical details into his own jumbled vision, Parker ultimately fails to combine a narrative thread with experimental structure. It's a rich, bizarre, and often astonishing film that will continue to draw a following, but the real source of genius remains the music of Roger Waters. --Jeff Shannon
Every decade has its own kind of cop show and in the 1960s and early 70s following years of national love and acclaim for Dixon of Dock Green it came time for a new breed of policeman to take to the screen. Set in Newtown a fictional setting to the North of Liverpool it captures a time when coppers were leaving the beat for fast-paced response vehicles - the Z-Cars of the title. These colour episodes from 1972 make up our first collection capturing some of the characters and crimes that shaped the long ago decade of old-school policing when the concept of a crime family was up to three generations of burglars shoplifters and smash-and-grabbers. Z-Cars was also innovative in reflecting a changing and challenging time for the police men and women themselves engaging with their own personal crises and their impact on the force. So sit back and buckle-up as we let the criminal underworld of Newtown know that Z-Cars on the way.
Coincidence throws Mij the otter and Graham Merrill (Bill Travers) the computer worker together on a busy London street in Ring of Bright Water. What transpires from this chance meeting is an epiphany that leads to the complete upheaval of Graham's life. Evicted from his city flat thanks to the antics of his newly acquired, mischievous otter, Graham embarks on a train journey to the Scottish Highlands. Suffice it to say that trying to smuggle Mij onboard as a "diving terrier" is not successful. When the pair finally arrives in Scotland, they fall in love with the countryside and a dilapidated cottage by the sea. Fate introduces Graham to the town's animal-loving doctor (Virginia McKenna), and an enduring friendship and romance are forged. The photography of both the Scottish Highlands and the antics of Mij the otter in this 1969 movie are truly wonderful--it might just make you reconsider your current digs and friendships. The story (based on Gavin Maxwell's book of the same name) is somewhat formulaic and dated by its romanticism, but enjoyable nonetheless. Slip into an ideal world of simple happiness and celebrate the cyclical nature of life, if only for 106 minutes. --Tami Horiuchi, Amazon.com
Bringing together two of Hollywood's best-loved stars - James Stewart (It's A Wonderful Life Harvey) and Ginger Rogers (Kitty Foyle Top Hat) - and directed by the masterly George Stevens (Swing Time Gunga Din) Vivacious Lady is a genuine treat. Dispatched to the big city to recover his way-ward cousin straight-laced Peter Morgan (Stewart) falls for night-club chanteuse Francey (Rogers ) and invites her to come home with him. However back home in his quiet small town the exuberant Francey causes quite a scene; Peter gets cold feet about telling his conservative father that they are married...
"Flyboys," is inspired by the epic tale of the American young men who would become known as the legendary Lafayette Escadrille.
This 2000 television adaptation confirms Nicholas Nickleby's place among television dramatists' favourite Dickens novels. It has all the vital ingredients: a sensitive, intelligent young hero cast by circumstances in the role of everyman whose fortitude is tested at every turn; romance; danger; one of Dickens' richest braces of characters; and a sense of humanity that is, at times, overwhelming. Condensing all this into three hours is no mean achievement. Martyn Edward Hesford's screenplay maintains an impressive balance between dramatic tension and allowing the characters the space they need to reveal their essential qualities. Only in the last 30 minutes does it become something of a gallop to the finishing post. True, the horrors of the boarding school could be more horrific; the grime of Victorian London and its toothless inhabitants could be grimier and less cosmetic. But as always with a superior production of a Dickens novel, the richness and depth of the drama outweigh such minor quibbles. As for the cast, James D'Arcy's Nicholas is pitch-perfect: part cipher for the injustices and despair he encounters, part emblem for the triumph of goodness, an innocent whose eyes are quickly forced open to the darker realities of life. These darker realities are congealed in Charles Dance's relentlessly chilling, heartless Ralph Nickleby. This is a deceptively complex performance; even as we cheer the gathering forces which finally extinguish his increasingly desperate power, the awful tragedy of his end still elicits a discomforting ounce of sympathy. Gregor Fisher as the one-eyed Squeers and Pam Ferris as his fearsomely lascivious wife are outstanding in an ensemble of fine character actors. And Lee Ingleby's Smike gives our tear ducts a good workout while steering just the right side of sentimentality. On the DVD: Nicholas Nickleby is presented in widescreen format with Dolby Digital soundtrack, and has all the technical qualities you might expect from the DVD release of a modern television production. Extras include cast filmographies, a Dickens biography and a list of his work, all of which add to the disc's merits as a literary educational tool. --Piers Ford
The Official 2016 MCE insurance British Superbike Season Review covers every race from Silverstone in April through to the Showdown finale on the Brands Hatch Indy circuit in October. Shot in stunning HD, and featuring exclusive on-board race footage, the 2016 MCE British Superbike championship saw its normal feast of surprises, heartbreak and total elation from its line-up of international racing superstars. Whilst 2015 champion Josh Brookes departed, we saw ex-champion and fan s favourite, Leon Haslam, staking his credentials once again. This 2 DVD set includes over 5 hours of high octane action with ex-racer and MCE BSB TV commentator, James Whitham presenting the highlights of this season`s hair-raising, fairing bashing, wheel-to-wheel, close encounters of the biking kind! With no reigning champion, Shane `Shakey` Byrne is attempting to win an historic fifth title, but he knows that every man and woman on the grid is gunning for him. The MCE British Superbike championship is undoubtedly the best and most exciting domestic superbike series in the world don t miss it!
The Official 2015 MCE insurance British Superbike Season Review covers every race from a championship that saw its normal feast of surprises, heartbreak and total elation from its line-up of international racing superstars. This 2 DVD set includes nearly 6 hours of high octane action from all 12 rounds, with MCE BSB TV commentator, James Whitham presenting the highlights of this season's hair-raising, fairing bashing, wheel-to-wheel, close encounters of the biking kind!
Yesterday, everyone knew The Beatles. Today, only Jack remembers their songs. He's about to become a very big deal. From Academy Award®-winning director DANNY BOYLE (Slumdog Millionaire, Trainspotting, 28 Days Later) and RICHARD CURTIS, the Oscar®-nominated screenwriter of Four Weddings and a Funeral, Love Actually and Notting Hill, comes a rock 'n' roll comedy about music, dreams, friendship, and the long and winding road that leads to the love of your life. Jack Malik (HIMESH PATEL, BBC's EastEnders) is a struggling singer-songwriter in a tiny English seaside town whose dreams of fame are rapidly fading, despite the fierce devotion and support of his childhood best friend, Ellie (LILY JAMES, Mamma Mia! Here We Go Again). Then, after a freak bus accident during a mysterious global blackout, Jack wakes up to discover that The Beatles have never existed and he finds himself with a very complicated problem indeed. Performing songs by the greatest band in history to a world that has never heard them, and with a little help from his steel-hearted American agent, Debra (Emmy Award winner KATE MCKINNON, TV's Saturday Night Live), and his kind-but-wildly-unreliable roadie Rocky (JOEL FRY, HBO's Game of Thrones), Jack's fame explodes. But as his star rises, he risks losing Elliethe one person who always believed in him. With the door between his old and new life closing, Jack will need to get back to where he once belonged and prove that all you need is love.
Well, here's another nice mess you've gotten me into! Enter Laurel & Hardy's unique world of emblematic bowler hats and highly visual slapstick with this special compilation boxset of the very best Laurel & Hardy feature-length films. With Laurel playing the clumsy and childlike friend of the pompous bully Hardy, the misadventures of the most recognizable comedy double act, whose charm and on screen chemistry set a new standard, are perfectly captured here in high definition for the first time. Includes Block-Heads, Our Relations, Pardon Us, Sons of the Desert and Way Out West. Includes bonus: Another Fine Mess, Busy Bodies & Towed In A Hole
James Spader is an FBI agent taunted by serial killer Keanu Reeves, a man who sends his adversary a photo of each victim before he kills them, daring his adversary to catch him.
The Official 2017 MCE BSB Season Review covers every race from this stunning season, including over 5 hours of high octane action with ex-racer and TV commentator, James Whitham, presenting the highlights of this season's hair-raising, fairing bashing, wheel-to-wheel, close encounters of the biking kind! Features: Official Season Review for British Superbikes Includes every 2017 Race
The Official 2018 MCE BSB Season Review covers every race from this stunning season, including over 5 hours of high octane action with ex-racer and TV commentator, James Whitham, presenting the highlights of this season s hair-raising, fairing bashing, wheel-to-wheel, close encounters of the biking kind!
Brits Hits - the album to accompany the musical event of the year! 30 music videos of today's biggest UK & International artists with hit singles from Scissor Sisters Razorlight Lily Allen Snow Patrol and many more. Tracklist: 1. America - Razorlight 2. Supermassive Black Hole - Muse 3. Smile - Lily Allen 4. Monster - The Automatic 5. Is It Any Wonder? - Keane 6. Chasing Cars - Snow Patrol 7. Empire - Kasabian 8. Welcome To The Black Parade - My Chemical Romance 9. Crazy - Gnarles Barkley 10. You Give Me Something - New Version - James Morrison 11. Jenny Don't Be Hasty - Paulo Nutini 12. Trouble - Ray Lamontagne 13. Valerie - Zutons 14. Bang Bang You're Dead - Dirty Pretty Things 15. Break The Night With Colour - Richard Ashcroft 16. Wonderwall - Oasis 17. Nature's Law - Embrace 18. Fill My Little World - The Feeling 19. Something Kind Of Ooooh - Girls Aloud 20. When You Wasn't Famous - The Streets 21. Rehab - Amy Winehouse 22. Diamonds From Sierra Leone - Kanye West 23. Hips Don't Lie - Shakira 24. I Wish I Was A Punk Rocker (With Flowers In My Hair) 25. Put Your Records On - Corrine Bailey Rae 26. Star Girl - Star Girl 27. Who Knew - Pink 28. Easy - Sugababes 29. No Tomorrow - Orson 30. Chelsea Dagger - The Fratellis Bonus Live Performances: 31. In The Morning - Razorlight 32. Sewn - The Feeling 33. You're All I Have - Snow Patrol
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