Truman Capote's best seller, a breakthrough narrative account of real-life crime and punishment, became an equally chilling film in the hands of writer-director RICHARD BROOKS (Cat on a Hot Tin Roof). Cast for their unsettling resemblances to the killers they play, ROBERT BLAKE (Lost Highway) and SCOTT WILSON (The Great Gatsby) give authentic, unshowy performances as Perry Smith and Richard Hickock, who in 1959 murdered a family of four in Kansas during a botched robbery. Brooks brings a detached, documentary-like starkness to this uncompromising view of an American tragedy and its aftermath; at the same time, stylistically In Cold Blood is a filmmaking master class, with clinically precise editing, chiaroscuro black-and-white cinematography by the great CONRAD L. HALL (American Beauty), and a menacing jazz score by Quincy Jones. Special Features New 4K digital restoration, with 5.1 surround DTS-HD Master Audio soundtrack New interview with cinematographer John Bailey on the film's cinematography New interview with film historian Bobbie O'Steen on the film's editing New interview with film critic and jazz historian Gary Giddins on the film's music by Quincy Jones New interview with writer Douglass Daniel on director Richard Brooks Interview with Brooks from 1988 from the French television series Cinéma cinemas Interview with actor Robert Blake from 1968 from the British television series Good Evening with Jonathan King With Love from Truman, a short 1966 documentary featuring novelist Truman Capote, directed by Albert and David Maysles Two archival NBC interviews with Capote: one following the author on a 1966 visit to Holcomb, Kansas, and the other conducted by Barbara Walters in 1967 Trailer PLUS: An essay by critic Chris Fujiwara
Meet The Killer: Lost Caverns Hotel bellhop Freddie Phillips is suspected of murder. Swami Talpur tries to hypnotize Freddie into confessing but Freddie is too stupid for the plot to work. Inspector Wellman uses Freddie to get the killer (and it isn't the Swami). Jekyll And Hyde: Slim and Tubby are American cops in London to study police tactics. They wind up in jail and are bailed out by Dr. Jekyll. Jekyll has been murdering fellow doctors who laugh at his experiments. He has more murders in mind. At one point the serum that turns Jekyll into the murderous Hyde gets injected into Tubby.
A daring expedition happens across a giant ape in this classic 1933 creature feature.
Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man". Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T-rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the century. Kong making his last stand atop the Empire State Building is one of the film's most indelible and iconic images. --Donald Liebenson, Amazon.comOn the DVD: Although a little light on extras, this is happily the Director's Cut, restoring scenes that were censored after the film's original 1933 run, including Kong peeling off Fay Wray's clothes like a banana, and our hirsute hero using unfortunate natives as dental floss. The ratio of 4:3 is correct for a film of this age; the picture and (mono) sound are perfectly acceptable without being revelatory. The 25-minute "making of" documentary from 1992 is a 60th anniversary tribute to the film, which details all of Kong's many ground-breaking contributions to cinema, from Willis O'Brien's use of stop-motion and rear projection effects to Max Steiner's music score. There are contributions from film historians, modern admirers of the film including composer Jerry Goldsmith--who admits that Steiner created a template that Hollywood composers are still following--and a few surviving participants such as sound effects man Murray Spivak. Apparently, director Merian C. Cooper's original idea was to capture live gorillas, transport them to the island of Komodo and film them fighting the giant lizards! Thanks to Willis O'Brien's pioneering effects work good sense prevailed and a cinema classic was born. --Mark Walker
"Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man." Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T. rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the 20th century. Kong making his last stand atop the Empire State Building is one of the movies' most indelible and iconic images. --Donald Liebenson
This dark melodrama based on the John Patrick story 'Love Lies Bleeding' stars Barbara Stanwyck as the wonderfully wicked Martha Ivers a wealthy and domineering woman who controls a small town after inheriting a large family fortune. She lives with her weakling husband a district attorney running for mayor played by Kirk Douglas in his feature film debut - a role that's an unusual departure from his later work. What no one in the town knows however is that Stanwyck and Douglas are bound by a dark secret involving murder. Gripping and suspenseful this film noir classic also stars Van Heflin as Martha's old love who returns to town after an 18-year absence whom Douglas thinks is there for one reason: blackmail.
Richard Brooks's In Cold Blood is a faithful 1967 screen adaptation of Truman Capote's extraordinary non-fiction book about the course of two killers in this world--their lives, their senseless slaughter of an entire family, and their executions. Robert Blake and Scott Wilson are remarkable as the murderers, but what has kept this film special over the decades is Brooks's blunt, clearheaded, and non-sensational approach to the story. (The term "semi-documentary" has been applied to Brooks's style on this film, and it's an entirely fair description.) The experience of watching In Cold Blood is naturally unsettling, but the director--as with Capote--leaves final judgments about justice to the beholder. --Tom Keogh
The story of the life and careers of Jimmy and Tommy Dorsey. Features the tracks 'Marie' 'Green Eyes' 'I'm Getting Sentimental Over You' 'Dorsey Concerto' 'Object Of My Affections' and many more.
Eddie Ellison is an ex-con who spent time in Sing-Sing prison. Kay marries him as soon as he serves his time. Five years later Eddie and his ex-convict buddy Larry have both gone straight and Eddie and Kay have a beautiful little girl named Shirley. However Welch has kept a close eye on them for years. He believes in ""once a criminal always a criminal."" Then when Eddie's employer's wife's pearls go missing it comes out that Eddie and Larry both spent time in prison and they're
The fabulous life story of Mr Trombone and Mr Sax two brothers who attained fame and stardom together and went on to greater individual success following the break-up of their orchestra before the death of their father reunited them again.
CHINO Bronson is a half-Indian horse rancher in New Mexico who takes in a teenage runaway (Vincent Van Patten). He clashes with a wealthy breeder (Marcel Bozzuffi) and falls in love with his sister. When Bozzuffi sees what is going on he has Bronson beaten up and jailed. In an interesting departure from the vengeance-obsessed killer seen so many times before or since Bronson plays a sensitive man who wants only to be left alone. MAN WITH A CAMERA Bronson plays a photographe
This dark melodrama based on the John Patrick story 'Love Lies Bleeding' stars Barbara Stanwyck as the wonderfully wicked Martha Ivers a wealthy and domineering woman who controls a small town after inheriting a large family fortune. She lives with her weakling husband a district attorney running for mayor played by Kirk Douglas in his feature film debut - a role that's an unusual departure from his later work. What no one in the town knows however is that Stanwyck and Dougl
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