The Beiderbecke Collection is a charming mix of comedy and drama that has all the hallmarks of a classic detective thriller. Follow the exploits of jazz fan Trevor and his long-suffering girlfriend Jill as they find themselves embroiled in various mysteries which follow them to Amsterdam and Edinburgh and include dodgy businessmen black economies refugees and much much more.... 'The Beiderbecke Affair' (1984) - Follow the exploits of Jazz nut Trevor Chaplin (James Bolam) and his long-suffering girlfriend Jill Swinburne (Barbara Flynn). Whilst trying to track down a set of missing records they encounter a mystery platinum blonde who weaves a complex web of intrigue that soon escalates to dealing with dodgy businessmen 'black economies' and council corruption. 'The Beiderbecke Tapes' (1987) - Feature length mystery with Trevor and Jill as they continue to embroil themselves in all sorts of clandestine meetings and intrigue. Nuclear waste in the Yorkshire Dales sinister conversations and a missing barman take Trevor and Jill on a whirlwind mystery from the Dales to Amsterdam and Edinburgh. 'The Beiderbecke Connection' (1988) - Trevor and Jill are now parents to a baby boy however their old pals Big Al and Little Norm prevail upon them to give sanctuary to a homeless refugee. It is not long however before they are again caught up in a complex deception of a musical kind featuring the music of jazz supremo Frank Ricotti.
This autumn, the worldwide phenomenon DOWNTON ABBEY, becomes a grand motion picture event, as the beloved Crawleys and their intrepid staff prepare for the most important moment of their lives. A royal visit from the King and Queen of England will unleash scandal, romance and intrigue that will leave the future of Downton hanging in the balance. Written by series creator Julian Fellowes and starring the original cast.
Few monsters lend themselves better to allegory than the zombie. In the years since George Romero first set the shambling mold with Night of the Living Dead, filmmakers have been using the undead as handy substitutes for concepts as varied as mall-walking consumers, punk rockers, soccer hooligans, and every political movement imaginable. (All this, plus brain chomping.) World War Z, the mega-scale adaptation of Max Brooks's richly detailed faux-historical novel, presents a zombie apocalypse on a ginormous level never seen before on film. Somehow, however, the sheer size of the scenario, coupled with a distinct lack of visceral explicitness, ends up blunting much of the metaphoric impact. While the globe-hopping action certainly doesn't want for spectacle, viewers may find themselves wishing there was something more to, you know, chew on. Director Marc Forster and his team of screenwriters (including J. Michael Straczynski and Lost's Damon Lindelof) have kept the basic gist of the source material, in which an unexplained outbreak results in a rapidly growing army of the undead. Unlike the novel's sprawling collection of unrelated narrators, however, the film streamlines the plot, following a retired United Nations investigator (Brad Pitt) who must leave his family behind in order to seek out the origins of the outbreak. While the introduction of a central character does help connect some of Brooks's cooler ideas, it also has the curious effect of narrowing the global scale of the crisis. By the time of the third act, in which Pitt finds himself under siege in a confined space, the once epic scope has decelerated into something virtually indistinguishable from any other zombie movie. Even if it's not a genre changer, though, World War Z still has plenty to distinguish itself, including a number of well-orchestrated set pieces--this is a movie that will never be shown on airplanes--and the performances, with Pitt's gradually eroding calm strengthened by a crew of supporting actors (including Mireille Enos, James Badge Dale, and a fantastically loony David Morse) who manage to make a large impression in limited time. Most importantly, it's got those tremendous early scenes of zombie apocalypse, which display a level of frenetic chaos that's somehow both over-the-top and eerily plausible. When the fleet-footed ghouls start dogpiling en masse, even the most level-headed viewer may find themselves checking the locks and heading for the basement. --Andrew Wright
Franco Zeffirelli's epic TV retelling of Jesus' life was filmed in Morocco and Tunisia with an all-star cast, including Robert Powell in the lead role. The script, co-written by renowned author Anthony Burgess, attempts to remain faithful to its source by using material from all four Gospels.
Christmas family comedy directed by independent filmmaker Jon Favreau. Will Ferrell stars as Buddy, a human being who has spent his whole life believing himself to be an elf. Brought up by Santa (Edward Asner) and his elves at the North Pole, Buddy has spent the last 30 years happily working in Santa's toy workshop. But when his ungainly size starts to become a liability in the elf-sized working environment, Santa suggests that Buddy head to New York City to find his biological father (James Caan). Needless to say, the unlikely spectacle of a 6'5' man dressed from head to foot in bright green stands out a mile on the streets of the Big Apple, and the good-natured Buddy finds himself in all sorts of scrapes as he gets used to his new family and surroundings - and they get used to him.
True to the spirit of a great Disney classic, this extraordinary film bursts with music and adventure from Just Around the Riverbend, and now, for the first time, witness it all in high definition on Blu-ray.Along the edgewaters of Virginia, Pocahontas, the free-spirited daughter of Chief Powhatan, watches as a mysterious shipload of English settlers arrives, led by the greedy Governor Ratcliffe and the courageous Captain John Smith. Along with her playful pals, Meeko, a mischievous raccoon, and feisty hummingbird, Flit, Pocahontas develops a strong friendship with Captain Smith. But when tensions mount between their two very different cultures, Pocahontas seeks the lively wisdom of Grandmother Willow to help her find a way for everyone to live together in peace.Winner of two Academy Awards (1995) for Best Song ('Colours Of The Wind) and Best Musical Score, Pocahontas surrounds you with the riches of another glowing winner in Disney's animated hit parade!
Sid James stars as successful travelling stationery salesman and average family man Sid Abbott in this classic television comedy. A man who would give anything for a quiet life his position as head of the chaotic Abbott household is constantly being eroded by the harassment and seemingly unreasonable demands made by his family - wife and sparring partner Jean (Diana Coupland) groovy art school dropout son Mike (Robin Stewart) and schoolgirl daughter Sally (Sally Geeson). The sympathetic neighbours Betty (Patsy Rowlands) and Trevor (Anthony Jackson) are always on hand to make a bad situation worse... This 12-disc set features all 65 episodes of the series and also includes the feature film version made in 1972.
Eddie Murphy's 1988 vehicle Coming to America was probably the point at which his status as a mainstream big-screen comedian finally gelled, following the highly successful 48 Hours pairing with Nick Nolte. Never mind the hackneyed storyline: under John Landis's tight direction, he turns in a star performance (and several brilliant cameos) that is disciplined and extremely funny. Murphy plays an African prince who comes to New York officially to sow his wild oats. Privately, he is seeking a bride he can marry for love rather than one chosen by his parents. With his companion (Arsenio Hall, who pushes Murphy all the way in the comedy stakes), he settles in the borough of Queens and takes a job in a hamburger joint. A succession of hilarious satire-barbed adventures ensue, plus the required romantic conclusion. The script is crammed with ripe one-liners , but "Freeze, you diseased rhinoceros pizzle" has to be the most devastating hold-up line of all time. Film buffs will appreciate a brief appearance by Don Ameche as a down-and-out, but this is Murphy's film and he generates warmth enough to convert the most ambivalent viewer. On the DVD: The only--rather pointless--extra on offer is the original theatrical trailer which adds nothing apart from a rapid recap of the story. But the 1.78:1 anamorphic widescreen presentation (the picture quality is diamond sharp) and Dolby Digital 5.1 soundtrack recreate the original authentic cinematic experience. The choreography of 1980s pop diva Paula Abdul in the lavish wedding scenes and Nile Rodgers' pounding musical score are the main beneficiaries. --Piers Ford
Filmed in 1968 and set in British India in 1895, Carry On Up the Khyber is one of the team's most memorable efforts. Sid James plays Sid James as ever, though nominally his role is that of Sir Sidney Ruff-Diamond, the unflappable British Governor who must deal with the snakelike, scheming Khasi of Khalabar, played by Kenneth Williams. A crisis occurs when the mystique of the "devils in skirts" of the 3rd Foot and Mouth regiment is exploded when one of their number, the sensitive-to-draughts Charles Hawtrey, is discovered by the natives to be wearing underpants. Revolt is in the offing, with Bernard Bresslaw once again playing a seething native warrior. Roy Castle neatly plays the sort of role normally assigned to Jim Dale, as the ineffectual young officer, Peter Butterworth is a splendid compromised evangelist, while Terry Scott puts his comedic all into the role of the gruff Sergeant. Most enduring, however, is the final dinner party sequence in which the British contingent, with the Burpas at the gates of the compound, and plaster falling all about them, demonstrate typical insouciance in the face of imminent peril. The "I'm Backing Britain" Union Jack hoist at the end, however, over-excitedly reveals the streak of reactionary patriotism that lurked beneath the bumbling double-entendres of most Carry On films. --David Stubbs
In Sister Act, Whoopi Goldberg plays a Reno lounge singer who hides out as a nun when her villainous boyfriend (Harvey Keitel) goes gunning for her. Maggie Smith is the mother superior who has to cope with Whoopi's unorthodox behaviour, but the cute script turns the tables and shows the latter energising the stodgy convent with song and attitude. A real crowd-pleaser and a perfect vehicle for Goldberg, this is a happy experience all around. --Tom Keogh, Amazon.com Whoopi Goldberg returns in Sister Act 2: Back in the Habit, a gratuitous, poorly written sequel that contrives a reason to get her character back into Maggie Smith's convent. The "socially conscious" plot finds Goldberg being asked to relate to a bunch of street kids and pull them together into a choir. Since a bad guy is needed, the script grabs that old chestnut about a rich guy (James Coburn) preparing to close down the convent's school, and runs with it. The film is slow and unconvincing from start to finish, although co-stars Mary Wickes and Kathy Najimy get some good laughs, and the music is pretty spirited. --Tom Keogh, Amazon.com
The complete collection of every episode of classic Big Apple sitcom Friends.
Gavin is an ordinary boy from Billericay in Essex Stacey is an ordinary girl from Barry Island in South Wales. After months of speaking on the phone to each other at work they finally meet fall in love and get married. Series One: Falling in love causes a ripple effect on Gavin and Stacey's family and friends. And as their wedding day approaches we soon come to realise that there's nothing 'ordinary' about the Shipmans and the Wests after all... Series Two: The honeymoon is over for Gavin and Stacey and married life begins in earnest. But as Nessa and Smithy prepare for a big event of their own Stacey is missing Barry Island more than she could've imagined. Series Three: Gavin and Stacey are back with the gang from Barry and Billericay for more fun and laughter in Series 3 of the hit BBC series. Christmas Special: It's Christmas time and the Welsh contingent have been invited to celebrate the festive season with the Shipmans. So with the help of Dave and his coach; the West's head East. Dawn and Pete have come round for Christmas Eve drinks and Pete's brought his aged mum. Mick has an enormous turkey soaking in a bucket Bryn has his mistletoe on standby and Pam has a cracker of a present under the tree for Mick.
The Sopranos is more than just a suburban Godfather, it's a modern-day I, Claudius with all the consanguineous conflict of the Caesars translated to New Jersey. At the beginning of the third series--just as brilliant and compelling as the first two--the Soprano clan are under close surveillance from the FBI; but, as ever, that's the least of their problems. Anthony Jnr is getting into trouble at school, Meadow's romantic liaisons at college are a cause of friction, Carmela is having a crisis of conscience and Tony trades one dangerously neurotic mistress for another. Livia's death does nothing to help Tony's psychological problems, and his relationship with therapist Dr Melfi is increasingly strained, especially after she undergoes a shocking ordeal of her own. There's tension in Tony's other "family", too, as Christopher finally gets made but then chafes at the extra responsibility, much to Paulie's disgust. In one magnificent episode (directed by Steve Buscemi) the two become stranded in the snow-filled woods overnight where all their mutual resentment boils over even as they both freeze. But Tony's real problems emerge from the Aprile family: Jackie Jnr is becoming a dangerous loose cannon, actively encouraged by his borderline psychotic stepfather Ralphie (a marvellous Joe Pantoliano), whose erratic behaviour threatens to ignite a deadly feud ("He disrespected the Bing", says Tony after punching him). When Jackie Jnr and Meadow become an item, both of Tony's dysfunctional families collide with devastating consequences. On the DVD: The Sopranos, Series 3 arrives in a neat fold-out four-disc set, with four episodes on a double-sided first disc and three each on the remainder. The contents are an improvement on previous releases, with three separate episode commentaries, which are all informative and worthwhile: costar and sometime writer Michael Imperioli (Christopher) talks us through his own script for "The Telltale Moozadell"; Steve Buscemi appears on his directorial effort, "Pine Barrens"; and series creator David Chase chooses the penultimate episode, "Amour Fou". In addition there's a tiny three-minute backstage featurette. Picture and sound are up to par as ever. --Mark Walker
A talented, young getaway driver (Ansel Elgort) relies on the beat of his personal soundtrack to be the best in the game. When he meets the girl of his dreams (Lily James), Baby sees a chance to ditch his criminal life and make a clean getaway. But after being coerced into working for a crime boss (Kevin Spacey), he must face the music when a doomed heist threatens his life, love and freedom. Click Images to Enlarge
On the surface, in the tranquil seaside town of Monterey, California, everything seems the same. The mothers continue to dote, the husbands support, the children remain adorable and the houses are just as beautiful. But the night of the schoo lfundraiser changed all that, leaving the community reeling as the Monterey Five Madeline, Celeste, Jane, Renata and Bonnie bond together to pick up the pieces oftheir shattered lives.
Recently widowed world-famous neurosurgeon Dr. Michael Hfuhruhurr (Steve Martin) falls for the charms of gold-digging Dolores Benedict (Kathleen Turner) after accidentally hitting her with his car. Following a life saving operation with his newly developed 'screw-top' brain surgery the pair are soon married but Michael finds himself trapped in a loveless marriage of convenience when he realises that Dolores is only after his money. However on a trip to Vienna to attend a medical
Michael Felgate (Hugh Grant), an elegant, debonair Englishman who runs an auction house in New York, is head-over-heels in love for the first time in his life.
Trying to explain the cult appeal of John Carpenter's Big Trouble in Little China to the uninitiated is no easy task. The plot in a nutshell follows lorry driver Jack Burton (Kurt Russell) into San Francisco's Chinatown, where he's embroiled in street gang warfare over the mythical/magical intentions of would-be god David Lo Pan. There are wire-fu fight scenes, a floating eyeball and monsters from other dimensions. Quite simply it belongs to a genre of its own. Carpenter was drawing on years of chop-socky Eastern cinema tradition, which, at the time of the film's first release in 1986, was regrettably lost on a general audience. Predictably, it bombed. But now that Jackie Chan and Jet Li have made it big in the West, and Hong Kong cinema has spread its influence across Hollywood, it's much, much easier to enjoy this film's happy-go-lucky cocktail of influences. Russell's cocky anti-hero is easy to cheer on as he "experiences some very unreasonable things" blundering from one fight to another, and lusts after the gorgeously green-eyed Kim Cattrall. The script is peppered with countless memorable lines, too ("It's all in the reflexes"). Originally outlined as a sequel to the equally obscure Adventures of Buckaroo Banzai Across the Eighth Dimension, Big Trouble is a bona fide cult cinema delight. Jack sums up the day's reactions perfectly, "China is here? I don't even know what the Hell that means!". On the DVD: Big Trouble in Little China is released as a special edition two-disc set in its full unedited form. Some real effort has been put into both discs' animated menus, and the film itself is terrific in 2.35:1 and 5.1 (or DTS). The commentary by Carpenter and Russell may not be as fresh as their chat on The Thing, but clearly they both retain an enormous affection for the film. There are eight deleted scenes (some of which are expansions of existing scenes), plus a separate extended ending which was edited out for the right reasons. You'll also find a seven-minute featurette from the time of release, a 13-minute interview with FX guru Richard Edlund, a gallery of 200 photos, 25 pages of production notes and magazine articles from American Cinematographer and Cinefex. Best of all for real entertainment value is a music video with Carpenter and crew (the Coupe de Villes) coping with video FX and 80s hair-dos.--Paul Tonks
When LeBron James and his son are trapped in a digital space by a rogue A.I., it's Tunes vs Goons in the higheststakes challenge of his life that will redefine the bond with his son.
The era of Molly Ringwald's profitable collaboration with writer-producer-director John Hughes (Sixteen Candles, The Breakfast Club) was at its peak with this 1986 film (directed by Howard Deutch but in every sense part of the developing Hughes empire). Ringwald plays a high-school girl on the budget side of the tracks, living with her warm and loving father (Harry Dean Stanton) and usually accompanied by her insecure best friend (Jon Cryer). When a wealthy but well-meaning boy (Andrew McCarthy) asks her out, her perspective is overturned and Cryer's character is threatened. As was the case in the mid-'80s, Hughes (who wrote the script and produced the film) brought his special feel for the cross-currents of adolescent life to this story. In its very commercial way, it is an honest, entertaining piece about growing pains. The attractive supporting cast (many of whom are much better known now) does a terrific job, and Ringwald and Cryer have excellent chemistry. --Tom Keogh
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