When Harry Potter's name emerges from the Goblet of Fire he becomes a competitor in a grueling battle for glory among three wizarding schools - the Triwizard Tournament. But since Harry never submitted his name for the Tournament who did? Now Harry must confront a deadly dragon fierce water demons and an enchanted maze only to find himself in the cruel grasp of He Who Must Not Be Named. In this fourth film adaptation of J.K. Rowling's Harry Potter series everything changes as Harry Ron and Hermione leave childhood forever and take on challenges greater than anything they could have imagined.
Bringing the sixth and final season of 'Dawson's Creek' to a close this disc features the two-part finale aptly titled 'All Good Things Must Come To An End'. Dawson Joey Pacey Jen and Jack are reunited in Capeside after five years to celebrate Dawson's mum's wedding. But the celebratory mood comes to an end when they receive some heartbreaking news. As the gang faces a future more uncertain than ever before Joey struggles to come to terms with her true feelings for Dawson Pa
Peter Parker (Tobey Maguire) finally has the girl of his dreams, Mary Jane Watson (Kirsten Dunst), and New York City is in the throes of Spider-mania! But when a strange alien symbiote turns Spider-Man's suit black, his darkest demons come to light changing Spider-Man inside as well as out. Spider-Man is in for the fight of his life against a lethal mix of villains - the deadly Sandman (Thomas Haden Church), Venom (Topher Grace), and the New Goblin (James Franco) - as well as the enemy within himself.
Jen is a cheerleader and Jack's on the football team. I got sane and everyone else went crazy?" That's how Andie (Meredith Monroe) sums up the topsy-turvy beginning to the third season of Dawson's Creek, in which nothing seems to be as it should and the series takes a major turn. It's junior year at Capeside High, and Jack (Kerr Smith), the town's resident gay teen, is indeed on the football team, and Jen (Michelle Williams) finds herself the object of unexpected and unwelcome popularity among her fellow students, especially the freshman quarterback (Michael Pitt). Pacey (Joshua Jackson) finds that his relationship with Andie can't be restored, and Dawson (James Van Der Beek) and Joey (Katie Holmes), after the events of last year, both think it's for the best that they're no longer together--they just never think it at the same time. Significant events include the friends starting to date outside their circle, Dawson's giving up some of his aspirations, a ! crisis for the school's new principal, a college tour, and the openings of the Potter Bed & Breakfast and Leery Fresh Fish. But the Dawson-Joey relationship is still the heart of the Creek, and it comes to a head in one of the series' most memorable episodes, "The Longest Day," and then the season finale. Even in its first season without series creator Kevin Williamson, Dawson's Creek still had plenty of punch. On the DVDs, executive producer Paul Stupin does his usual commentary track for two episodes, and he's joined by Kerr Smith. They discuss the series itself, Smith's character, and Smith's subsequent career more than the events of the episodes. The second-season DVD set disappointed many fans by replacing a large portion of the music, and that trend continues in the third season, most surprisingly in the loss of Paula Cole's theme song. Instead, the opening credits feature Jann Arden's "Run Like Mad," which was used briefly in the international broadcast. Stupin explains the switch as an attempt to do something different and creative, but then admits there was also "a bit of an economic reality." Fortunately, the DVDs do have John Lennon's "Imagine" and Mary Beth Maziarz's "Daydream Believers"--songs that in dramatic context simply could not have been replaced--and it could be argued that a veteran viewer might skip the opening credits anyway. Still, for many fans, the music made Dawson's Creek what it was, and without all of it--especially the theme song--the DVDs seem like a compromise rather than a permanent keepsake. --David Horiuchi
Now perhaps the most beloved American film, It's a Wonderful Life was largely forgotten for years, due to a copyright quirk. Only in the late 1970s did it find its audience through repeated TV showings. Frank Capra's masterwork deserves its status as a feel-good communal event, but it is also one of the most fascinating films in the American cinema, a multilayered work of Dickensian density. George Bailey (played superbly by James Stewart) grows up in the small town of Bedford Falls, dreaming dreams of adventure and travel, but circumstances conspire to keep him enslaved to his home turf. Frustrated by his life, and haunted by an impending scandal, George prepares to commit suicide on Christmas Eve. A heavenly messenger (Henry Travers) arrives to show him a vision: what the world would have been like if George had never been born. The sequence is a vivid depiction of the American Dream gone bad, and probably the wildest thing Capra ever shot (the director's optimistic vision may have darkened during his experiences making military films in World War II). Capra's triumph is to acknowledge the difficulties and disappointments of life, while affirming--in the teary-eyed final reel--his cherished values of friendship and individual achievement. It's a Wonderful Life was not a big hit on its initial release, and it won no Oscars (Capra and Stewart were nominated); but it continues to weave a special magic. --Robert Horton
The story of Edinburgh's most famous four-legged friend comes to life.
Mr Bultitude is returning his reluctant son Dick to boarding school when he announces he wishes he were a boy again. Being in the possession of the Garuda Stone a magical Indian treasure his wish is granted. Moments later his son takes the stone and wishes to be an adult. So the two swap roles and lives but as they both live out their desires they get slightly more than they bargained for. Based on the acknowledged masterpiece of Victorian comic literature by F. Anstey this i
The Inbetweeners is a series about four teenagers growing up in suburbia; a world of futile crushes sibling brawls getting drunk too quickly fancying the girl next door casting aspersions on your friend's sexuality and riding rollercoasters. Will's (Simon Bird) parents have just divorced and he has unwillingly had to move and change schools. Previously enrolled at a private school where he picked up some snobbish tendencies Will now attends a comprehensive school and has had to make a new set of friends Simon (Joe Thomas) Jay (James Buckley) and Neil (Blake Harrison) none of whom are that cool or credible.
The Volume 1 of Alfred Hitchcock's greatest films including Psycho (1960) Rope Saboteur Rear Window Shadow of a Doubt The Trouble with Harry and The Man Who Knew Too Much (1956). Saboteur (1942)Aircraft factory worker Barry Kane goes on the run across the United States when he is wrongly accused of a fire that killed his best friend. Special Features: Saboteur: A Closer Look Storyboards: The Statue of Liberty Sequence Alfred Hitchcock's Sketches Production Photographs Theatrical Trailer Shadow of a Doubt (1943)A young woman discovers her visiting Uncle Charlie may not be the man he initially seemed to be. Special Features: Beyond Doubt: The Making of Hitchcock's Favorite Film Production Drawings by Art Director Robert Boyle Production Photographs Theatrical Trailer Rope (1948)Two young men strangle their classmate hide his body in their apartment and invite his closest friends and family to a dinner party as a means to challenge the perfection of their crime. Special Features: Rope Unleashed Production Photographs Theatrical Trailer Rear Window (1954)A wheelchair bound photographer spies on his neighbours from his window and becomes convinced one of them has committed a serious murder. Special Features: Rear Window Ethics: An Original Documentary A Conversation with Screenwriter John Michael Hayes Pure Cinema: Through the Eyes of The Master Breaking Barriers: The Sound of Hitchcock Hitchcock-Truffaut Interview Excerpts Masters of Cinema Feature Commentary with John Fawell author of Hitchcock's Rear Window: The Well-Made Film Production Photographs Theatrical Trailer Re-Release Trailer Narrated by James Stewart The Trouble with Harry (1955)The trouble with Harry is that everyone seems to have a different idea of what needs to be done with his body. Special Features: The Trouble with Harry Isn't Over Production Photographs Theatrical Trailer The Man Who Knew Too Much (1956)A family holidaying in Morocco stumble on to an assassination plot and the conspirators are determined to prevent them from interfering. Special Features: The Making of The Man Who Knew Too Much Production Photographs Trailers Psycho (1960)A young woman steals $40 000 from her client and subsequently encounters a young motel proprietor who has been too long under the presence and domination of his mother. Special Features: The Making of Psycho Psycho Sound In The Master's Shadow: Hitchcock's Legacy Hitchcock-Truffaut Interview Excerpts Newsreel Footage: The Release of Psycho The Shower Scene: With and Without Music The Shower Scene: Storyboards by Saul Bass The Psycho Archives Posters and Psycho Ads Lobby Cards Behind-the-Scenes Photographs Production Photographs Theatrical Trailer Re-release Trailers Feature Commentary with Stephen Rebello (author of Alfred Hitchcock and the Making of Psycho)
A tenth series of investigations featuring gruff detective Frost (David Jason). Includes Hidden Truth Close Encounters and Held In Trust.
Hollywood's best-loved star teams up with America's favourite director to create one of the world's most popular films.
The latest Merchant Ivory period drama stars Uma Thurman, Jeremy Northam, Kate Beckinsale and Nick Nolte in a tale of passion & intrigue.
The Match is a contemporary romantic comedy, set in the idyllic Highland village of Inverdoune.
In the unsanctioned, underground, and unhinged world of extreme Ping-Pong, the competition is brutal and the stakes are deadly.
Emmerdale Soap Bubble
This animated feature-length life of Jesus boasts a stellar pedigree. Originally a BBC Wales production, it showcases the voices of some of Britain's finest actors in any medium: Ralph Fiennes as a brooding and humble Jesus, Miranda Richardson as Mary Magdalene, Richard E. Grant as John the Baptist and David Thewlis as Judas. The lovely, flute-heavy score is by Oscar-winner Anne Dudley (The Full Monty). And clearly a lot of expense has gone into the Claymation-like animation. But while it's hard to find fault with the rendering of this familiar story--it is respectful and definitely done, you might say, by the Book--it would have been nice if there had been a tad more joy, if it walked a bit lighter in its sandals. As it is, all the characters seem consistently subdued, whether they are expressing angst, rage, terror or bliss--none of which is helped by the figures' blank-eyed stares (if animators are becoming ever more sophisticated, why can't they get rid of those creepy blank gazes once and for all?). Still, the weight of having such formidable actors play these familiar roles lends the production a certain credibility, and parents looking for good religious videos that won't insult their kids' intelligence will be thrilled. --Anne Hurley
The cops. The cars. The clothes. The music. From executive producer Michael Mann (Heat Collateral) comes the first season of the explosive groundbreaking detective show that redefined the word cool. Set against the seamy and steamy Miami underworld ride shotgun with suave Vice cops Sonny Crockett (Golden Globe winner Don Johnson) and Rico Tubbs (Phillip Michael Thomas) as they battle a never-ending gallery of criminals drug dealers and lowlifes. Episodes comprise: 1. Brother's Keeper (Parts 1 & 2) 2. Heart of Darkness 3. Cool Runnin' 4. The Hit List 5. Calderone's Demise 6. One-Eyed Jack 7. No Exit (a.k.a. Three-Eyed Turtle) 8. The Great McCarthy 9. Glades 10. Give a Little Take a Little 11. Little Prince 12. The Milk Run 13. Golden Triangle (Part 1) (a.k.a. Score) 14. Golden Triangle (Part 2) 15. Smuggler's Blues 16. Rites of Passage 17. The Maze 18. Made for Each Other 19. The Home Invaders 20. Nobody Lives Forever 21. Evan 22. Lombard
The complete second series of ITV's London's Burning which followed the lives and tribulations of Blackwall Fire Station's Blue Watch. Viewers loved the quirky but human characters that put their lives on the line with every episode and this set features some of the most fondly remembered including female fire-fighter Josie Ingham 'Bayleaf' 'Sicknote' and 'Charisma'. This set features all eight episodes of the second series originally transmitted in 1989.
With a tantalising "what-if?" scenario and a respectable cast of Hollywood veterans, The Final Countdown plays like a grand-scale episode of The Twilight Zone. It's really no more than that, and time-travel movies have grown far more sophisticated since this popular 1980 release, but there's still some life remaining in the movie's basic premise: what if a modern-era navy aircraft carrier--in this case the real-life nuclear-powered USS Nimitz--was caught in an anomalous storm and thrust 40 years backwards in time to the eve of Japan's attack on Pearl Harbor? Will the ship's commander (Kirk Douglas) interfere with history? Will the visiting systems analyst (Martin Sheen) convince him not to? Will a rescued senator from 1941 (Charles Durning) play an unexpected role in the future of American politics? Veteran TV director Don Taylor doesn't do much with the ideas posed by this potentially intriguing plot; he seems more interested in satisfying aviation buffs with loving footage of F-14 "Jolly Roger" fighter jets, made possible by the navy's generous cooperation. That makes The Final Countdown a better navy film than a fully fledged time-travel fantasy, but there's a nice little twist at the end, and the plot holes are easy to ignore. James Cameron would've done it better, but this popcorn thriller makes an enjoyable double bill with The Philadelphia Experiment. --Jeff Shannon
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
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