When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and storylines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep down, sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whately's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter said he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
The adventures of the fast-drivin' rubber-burnin' Duke boys of Hazzard County. Welcome to Hazzard County where cousins Bo and Luke Duke (John Schneider and Tom Wopat) spend their days eluding the crooked Boss Hogg (Sorrell Booke) and his dimwit Sheriff Roscoe P. Coltrane (James Best). Living with their uncle Jesse (Denver Pyle) and sexy cousin Daisy (Catherine Bach) Bo and Luke somehow find themselves entangled in mess after mess in this well-loved television series. Episodes
When Inspector Morse first appeared on television in 1987, nobody could have predicted that it would run into the next century, maintaining throughout a quality of scripts and story lines that raised the genre of the detective series to a new level. Much of its success can be attributed to John Thaw's total immersion in the role. Morse is a prickly character and not obviously easy to like. As a detective in Oxford with unfulfilled academic propensities, he is permanently excluded from a world of which he would dearly love to be a part. He is at odds with that world--and with his colleagues in the police force--most of the time. Passionate about opera and "proper beer", he is a cultural snob for whom vulgarity causes almost physical pain. As a result, he lives from one disillusionment to another. And he is scarred--more deeply than he would ever admit--by past relationships. But he also has a naïve streak and, deep-down sensitivity, which makes him a fascinating challenge for women. At the heart of Morse's professional life is his awkward partnership with Detective Sergeant Lewis, the resolutely ordinary, worldly sidekick who manages to keep his boss in an almost permanent state of exasperation while retaining his grudging respect. It's a testament to Kevin Whateley's consistently excellent performance that from such unpromising material, Lewis becomes as indispensable to the series as Barrington Pheloung's hypnotic, classic theme music. Morse's investigations do occasionally take him abroad to more exotic locations, but throughout 14 successful years of often gruesome murders, the city of Oxford itself became a central character in these brooding two-hour dramas: creator Colin Dexter stating he finally had to kill Morse off because he was giving Oxford a bad reputation as a dangerous place! --Piers Ford
Akeem and Semmi are back! Set in the lush and royal country of Zamunda, newly crowned King Akeem (Eddie Murphy) and his trusted confidante Semmi (Arsenio Hall) embark on an all-new hilarious adventure that has them traversing the globe from their great African nation to the borough of Queens, New York where it all began. Returning to their original roles in this long awaited sequel are James Earl Jones, John Amos, Louie Anderson, and Shari Headley, alongside new characters from Wesley Snipes, Tracy Morgan, and Leslie Jones.
Adapted from the book series by James Runcie
Based on a retro-styled comic book hit of the 80s, this Disney film was meant to launch a whole line of Rocketeer films--but the series began and ended with this one. That's too bad because this underrated Joe Johnston film has a certain loopy charm. The story centres on a pre-World War II stunt pilot (Bill Campbell) who accidentally comes into possession of a rocket-propelled backpack much coveted by the Nazis. With the aid of his mechanic pal (Alan Arkin), he gets it up and running, then uses it to foil a plot by a gang of vicious Nazi spies (is there any other kind?) led by Timothy Dalton. Jennifer Connelly is on hand as the love interest but the real fun here is when the Rocketeer takes off. There's also a nifty battle atop an airborne blimp. --Marshall Fine
Oscar®-winner Charlize Theron stars as elite MI6's most lethal assassin and the crown jewel of Her Majesty's Secret Intelligence Service, Lorraine Broughton. When she's sent on a covert mission into Cold War Berlin, she must use all of the spycraft, sensuality and savagery she has to stay alive in the ticking time bomb of a city simmering with revolution and double-crossing hives of traitors. Broughton must navigate her way through a deadly game of spies to recover a priceless dossier while fighting ferocious killers along the way in this breakneck action-thriller from director David Leitch (John Wick). Also includes a standard Blu-ray disc. Click Images to Enlarge
Alex Grady (Roberts) an Oregan welder and widowed father of a 5-year-old son is chosen for the United States National Karate team. He finds himself in the company of of Tommy Lee (Rhee) a soft spoken Karate instructor and a mix of international colleagues. It's a team with rough edges that must be resolved if they're to win the international competition in the South Korean capital Seoul. The team's sponsor brings in an unorthodox trainer Catherine Wade (Kirkland) to teach the men to
Let's see--he has been Han Solo in three films and Indiana Jones in three more. So why shouldn't Harrison Ford take on a new continuing character in Tom Clancy's CIA analyst Jack Ryan? In this film, directed by Phillip Noyce, Ford picked up the baton when Alec Baldwin, who played Ryan in The Hunt for Red October, opted for a Broadway role instead. In this film, Ryan and his family are on vacation when Ryan saves a member of the British royal family from attack by Irish terrorists. The next thing he knows, the Ryan clan has been targeted by the same terrorists, who invade his Maryland home. The film can't shed all of Clancy's lumbering prose, or his techno-dweeb fascination with spy satellites and the like. But no one is better than Ford at righteous heroism--and Sean Bean makes a suitably snakey villain. --Marshall Fine
A little-known chapter of American labour history is brought vividly to life in this period drama from writer-director John Sayles. It's a fictional story about labour wars among West Virginia coal miners during the 1920s, but every detail is so right that the film has the unmistakable ring of truth. The tension begins when the Stone Mountain Coal Company of Matewan, West Virginia, announces a lower pay rate for miners, who respond by calling a strike under the leadership of a United Mine Workers representative (Chris Cooper). Proving strength in numbers, the miners are joined by black and Italian miners who initially resist the strike, and a fateful battle ensues when detectives hired by the coal company attempt to evict miners from company housing. Violence erupts in a sequence of astonishing, cathartic intensity, and Matewan achieves a rare degree of moral complexity combined with gut-wrenching tragedy. The film salutes a pacifist ideal while recognising that personal and political convictions often must be defended with violence. To illustrate this point, Sayles enlisted master cinematographer Haskell Wexler, who creates the film's authentic visual texture--a triumph of artistry over limited resources. The result is a milestone of independent filmmaking, and Matewan remains one of Sayles's finest achievements. --Jeff Shannon, Amazon.com
The Fast Lady team rides again! The newlywed Munroes purchase a rundown ramshackle cottage and plan to fix it up themselves primarily to escape their meddling father. However they haven't appreciated the scope of the work required to get the place up to scratch.. They have no choice but to seek outside help. When Builder Josh Wicks arrives on the scene the bills start going through the roof... Written by Henry Blyth (The Bulldog Breed) and Jack Davi
The West's most violent story... The West's most valiant hour! John Ford's criminally overlooked western (the first collaboration between Ford and James Stewart) finally makes its way to DVD for the first time! A group of children are held captive by the Indians. A Lieutenant enlists the help of a Texas Marshall in a rescue attempt. Based on the novel by Will Cook.
Although the superhero comic book has been a duopoly since the early 1960s, only DC's flagship characters, Superman and Batman (who originated in the late 1930s) have established themselves as big-screen franchises. Until now--this is the first runaway hit film version of the alternative superhero X-Men universe created for Marvel Comics by Stan Lee, Jack Kirby and others. It's a rare comic-book movie that doesn't fall over its cape introducing all the characters, and this is the exception. X-Men drops us into a world that is closer to our own than Batman's Gotham City, but it's still home to super-powered goodies and baddies. Opening in high seriousness with paranormal activity in a WW2 concentration camp and a senatorial inquiry into the growing "mutant problem", Bryan Singer's film sets up a complex background with economy and establishes vivid, strange characters well before we get to the fun. There's Halle Berry flying and summoning snowstorms, James Marsden zapping people with his "optic beams", Rebecca Romijn-Stamos shape-shifting her blue naked form, and Ray Park lashing out with his Toad-tongue. The big conflict is between Patrick Stewart's Professor X and Ian McKellen's Magneto, super-powerful mutants who disagree about their relationship with ordinary humans, but the characters we're meant to identify with are Hugh Jackman's Wolverine (who has retractable claws and amnesia), and Anna Paquin's Rogue (who sucks the life and superpowers out of anyone she touches). The plot has to do with a big gizmo that will wreak havoc at a gathering of world leaders, but the film is more interested in setting up a tangle of bizarre relationships between even more bizarre people, with solid pros such as Stewart and McKellen relishing their sly dialogue and the newcomers strutting their stuff in cool leather outfits. There are in-jokes enough to keep comics' fans engaged, but it feels more like a science fiction movie than a superhero picture. --Kim Newman
Zavvi Exclusive Steelbook with emboss finish. This product is limited to 4000 copies. It is the year 2035. In 1996 an unknown and lethal virus wiped out five billion people and only one percent of the population has now survived the decimating plague. In a grave new world in which the planet's surface has become uninhabitable the few remaining humans must live underground and rely on time travel to try to preserve their fate. A convict reluctantly volunteers to be sent back in time to 1996 to gather information about the origin of the epidemy which he's told was spread by a mysterious Army of the Twelve Monkeys. He must locate the virus before it mutates so that scientists can determine whether the cataclysm can be stopped before it is started. Unfortunately Cole is mistakenly sent to 1990 six years earlier than expected is arrested and locked up in a mental institution where he meets Dr. Kathryn Railly a psychiatrist and Jeffrey Goines the insane son of a famous scientist... Special Features: The Hamster Factor and Other Tales of Twelve Monkeys Theatrical Trailer Twelve Monkeys Archive Feature Commentary with Director Terry Gilliam and Producer Charles Roven
Kay Mellor's comedy drama series following a collection of characters whose personal life struggles are relayed to each other during their weekly slimming class... Episodes comprise: 1. Eat Your Heart Out 2. Leggs Over Easy 3. Food For Thought 4. Bacon Bagels And The Bishop 5. Afters 6. Food Of Love
A homicide detective with a checkered past hunts for a sadistic serial killer who mutilates his victims' bodies and fashions them into horrific snowmen.
A space ship stops at an intergalactic fuel station. While the captain's refueling one of his idiotic companions plays with the controls and accidently starts the ship and crashes into the earth. This causes a sensation: the media celebrates the extraterrestrials the military interrogates them for eternal wisdom. However soon they recognize that the fellows are dumb as bricks - although some generals believe it's just a mask.
Drama mini-series by Amanda Coe. A story of the close and often fraught relationship between sisters Vanessa Bell and Virginia Woolf.
The Exorcist The belief in evil - and that evil can be cast out. From these two strands of faith author William Peter Blatty and director William Friedkin wove The Exorcist the frightening and realistic story of an innocent girl inhabited by a malevolent entity. The Exorcist II: The Heretic Pasuzu the incarnation of evil cast out of little Regan by Father Merrin returns to torment her once again... The Exorcist III A serial killer haunts the streets of
It s 1953, and Sidney Chambers (James Norton) is vicar of Grantchester, a village just outside Cambridge. Sidney's is a quiet life. Or at least, it has been right up until the moment that murder comes his way... Pushed into the dangerous world of lies, betrayal and murder, Sidney quickly finds that his insight into the human condition, and the natural trust that he engenders in people, means that he excels in his new position as detective . Joining Sidney as he journeys into this dark world is the affable but world-weary Detective Inspector Geordie Keating (Robson Green), the naive, but well-meaning curate Leonard Finch (Al Weaver), and his austere and constantly disapproving housekeeper Mrs Maguire (Tessa Peake-Jones). But crime isn't the only matter that occupies Sidney. He's smitten with the witty, beautiful, Amanda (Morven Christie), but could high society Amanda ever be allowed to marry a lowly country vicar? Can you still see the best in people when the world of murder asks you to see the worst?
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