The Sandlot (Dir. David Mickey Evans 1993): It's the early 1960's and 5th grader Scotty Smalls has just moved into town with his folks. Kids call him a dork because he can't even throw a baseball. But that changes when the leader of the neighborhood gang recruits him to play on the nearby sandlot field. It's the beginning of a magical summer of baseball wild adventures first kisses and fearsome confrontations with the dreaded beast and its owner who live behind the left fie
This rousing romantic adventure Robert Redford plays ex-world champion cowboy reduced to huckstering breakfast food in a suit studded with flash lights. Jane Fonda is a chic sharp member of the electronic media a TV newswoman who'll do anything to get a good story. When Redford rides out of Las Vegas casino into the desert astride his sponsor's living symbol a multi-million dollar racehorse Jane is determined to discover why. She does one step ahead of a posse of pursuing police. But by the time they reach a remote rendezvous high in the Utah mountains she is in love with both the Cowboy and his convictions...
Now you see it. You're amazed. You can't believe it. Your eyes open wider. It's horrible, but you can't look away. There's no chance for you. No escape. You're helpless, helpless. There's just one chance, if you can scream. Throw your arms across your eyes and scream, scream for your life!" And scream Fay Wray does most famously in this monster classic, one of the greatest adventure films of all time, which even in an era of computer-generated wizardry remains a marvel of stop-motion animation. Robert Armstrong stars as famed adventurer Carl Denham, who is leading a "crazy voyage" to a mysterious, uncharted island to photograph "something monstrous ... neither beast nor man". Also aboard is waif Ann Darrow (Fay Wray) and Bruce Cabot as big lug John Driscoll, the ship's first mate. King Kong's first half-hour is steady going, with engagingly corny dialogue ("Some big, hard-boiled egg gets a look at a pretty face and bang, he cracks up and goes sappy") and ominous portent that sets the stage for the horror to come. Once our heroes reach Skull Island, the movie comes to roaring, chest-thumping, T-rex-slamming, snake-throttling, pterodactyl-tearing, native-stomping life. King Kong was ranked by the American Film Institute as among the 50 best films of the century. Kong making his last stand atop the Empire State Building is one of the film's most indelible and iconic images. --Donald Liebenson, Amazon.comOn the DVD: Although a little light on extras, this is happily the Director's Cut, restoring scenes that were censored after the film's original 1933 run, including Kong peeling off Fay Wray's clothes like a banana, and our hirsute hero using unfortunate natives as dental floss. The ratio of 4:3 is correct for a film of this age; the picture and (mono) sound are perfectly acceptable without being revelatory. The 25-minute "making of" documentary from 1992 is a 60th anniversary tribute to the film, which details all of Kong's many ground-breaking contributions to cinema, from Willis O'Brien's use of stop-motion and rear projection effects to Max Steiner's music score. There are contributions from film historians, modern admirers of the film including composer Jerry Goldsmith--who admits that Steiner created a template that Hollywood composers are still following--and a few surviving participants such as sound effects man Murray Spivak. Apparently, director Merian C. Cooper's original idea was to capture live gorillas, transport them to the island of Komodo and film them fighting the giant lizards! Thanks to Willis O'Brien's pioneering effects work good sense prevailed and a cinema classic was born. --Mark Walker
What does a stray cat have in common with a radical technique to quit smoking the window ledge of a sky scraper and an evil goblin? Three of Stephen King's most imaginatively terrifying tales brought to life in this chilling trilogy of short stories...
The first few minutes of John Carpenter's Vampires--in which James Woods' vampire killer leads a dawn raid on a New Mexico "goon nest" of bloodsuckers--not only suggests a horror movie that refuses to pull its punches, but even evokes some of the more disturbing dream-memories of American Westerns. Muscular and uncompromising, the sequence suggests a new Carpenter classic unravelling before one's eyes. Things don't quite work out that way, but this is still a film to reckon with. There are a few serious (and surprising) misjudgements on the director's part, particularly a mishandling of Sheryl Lee's role as a prostitute poisoned by the bite of a "master vampire" (who pretty much wiped out Woods' team of goon terminators). But aside from some weaknesses, the action is jolting, the suggested complicity of the Catholic Church in destroying monsters is provocative, and the traces of Howard Hawks' continuing influence on Carpenter's storytelling are in evidence. -- Tom Keogh, Amazon.com
Though not quite a classic, director Michael Winner's Scorpio is still an underrated espionage thriller that was well attuned to the political cynicism of its time. Burt Lancaster plays Cross, a CIA operative who dates back to the agency's earliest days as the OSS. Scorpio (Alain Delon) is a protégé of Cross, and one of Cross's best friends in a netherworld where everyone's allegiances, personal and political, are in question. Higher-ups within the intelligence agency decide that Cross knows too much and is better off eliminated; at first, Scorpio refuses the job until the CIA frames him on a phoney narcotics bust and coerces him into the assignment. The two men play a game of global cat-and-mouse as Cross consorts with his Russian counterparts--fellow ageing dinosaurs in a young man's game. Cross's links with the Russians go back to the days of the Spanish Civil War and the time when Cross was given the ironic label of "premature anti-Fascist" by the House Unamerican Activities Committee. The incredibly convoluted plot is rife with double-crosses and reverse double-crosses, in an environment in which nothing is quite as it seems and no one is to be trusted. Winner infuses enough energy and excitement into the film's many action segments to make Scorpio worthy of comparison to John Frankenheimer's best political thrillers. The director also throws in several curveballs, such as the zither music during a meeting in a Vienna café (shades of The Third Man) and the preposterous device of disguising Lancaster as an African-American priest. The best line must be "I want Cross, and I want him burned!" --Jerry Renshaw
Director Martin Scorsese reunites with members of his GoodFellas gang (writer Nicholas Pileggi; actors Robert De Niro, Joe Pesci and Frank Vincent) for a three-hour epic about the rise and fall of mobster Sam "Ace" Rothstein (De Niro), a character based on real-life gangster Frank "Lefty" Rosenthal. (It's modelled on Wiseguy and GoodFellas and Pileggi's true crime book Casino: Love and Honour in Las Vegas.) Through Rothstein, the picture tells the story of how the Mafia seized, and finally lost control of, Las Vegas gambling. The first hour plays like a fascinating documentary, intricately detailing the inner workings of Vegas casinos. Sharon Stone is the stand out among the actors; she nabbed an Oscar nomination for her role as the voracious Ginger, the glitzy call girl who becomes Rothstein's wife. The film is not as fast-paced or gripping as Scorsese's earlier gangster pictures (Mean Streets and Good Fellas) but it's still absorbing. And, hey--it's Scorsese! --Jim Emerson, Amazon.com
Director Martin Scorsese reunites with members of his GoodFellas gang (writer Nicholas Pileggi; actors Robert De Niro, Joe Pesci, and Frank Vincent) for a three-hour epic about the rise and fall of mobster Sam "Ace" Rothstein (De Niro), a character based on real-life gangster Frank "Lefty" Rosenthal. (It's modeled after on Wiseguy and GoodFellas and Pileggi's true crime book Casino: Love and Honor in Las Vegas.) Through Rothstein, the picture tells the story of how the Mafia seized, and finally lost control of, Las Vegas gambling. The first hour plays like a fascinating documentary, intricately detailing the inner workings of Vegas casinos. Sharon Stone is the stand out among the actors; she nabbed an Oscar nomination for her role as the voracious Ginger, the glitzy call girl who becomes Rothstein's wife. The film is not as fast paced or gripping as Scorsese's earlier gangster pictures (Mean Streets and GoodFellas), but it's still absorbing. And, hey--it's Scorsese! --Jim Emerson
Shosho a scullery maid in a fashionable London nightclub whose exotic dance routines catch the eye of suave club owner Valentine Wilmot. She rises to become the toast of London and the object of his erotic obsession - to the bitter jealousy of Mabel his former lover and star dancer.
Strauss's opera 'Ariadne Auf Naxos' performed by the Metropolitan Opera Orchestra. Artists include: Jessye Norman Kathleen Battle Tatania Troyanos and James King. Conducted by James Levine.
A COP TELLS HIS STORY. WITH THE STING OF REALISM AND EXCITEMENT THAT MADE IT A TOP BESTSELLER. Richard Fleischer's gritty and fateful portrait of LA cops adapted from Joseph Wambaugh's autobiographical bestseller, is anchored by superb performances from George C. Scott as a world-weary older cop who quietly fears becoming obsolete, and Stacy Keach as the young rookie he takes under his wing. INDICATOR LIMITED EDITION SPECIAL FEATURES: Cop Stories: The Making of Richard Fleischer's The New Centurions' (2016, 44 mins) featuring interviews with actor Stacy Keach, writer Joseph Wambaugh, technical advisor Richard E. Kalk and assistant cameraman Ronald Vidor. Original theatrical trailer New and improved English subtitles for the deaf and hard-of-hearing ¢ Limited edition exclusive booklet with a new essay by Nick Pinkerton ¢ Limited Dual Format Edition of 3,000 copies UK Blu-ray premiere
Mark Watson (C. Thomas Howell) needs a scholarship to get into Harvard Law School. There's one available for a black student. The only problem is that Mark's not black...yet. But thanks to an overdose of tanning pills a new hair-do and a lowered voice he miraculously passes for African-American and receives full tuition. Now with the help of his excessive best friend (Arye Gross) a fierce professor (James Earl Jones) and the beautiful classmate (Rae Dawn Chong) he falls in love with Mark is about to learn some once-in-a-lifetime lessons about racism discrimination sex-crazed white girls and basketball. Leslie Nielsen and Julia Louis-Dreyfus co-star in this wild hit comedy filled with heart soul and the hilarious truths that colour us all.
This incredible epic follows the tragic yet inspirational life of Ariana Von Gotthard (Nastassja Kinski) a woman who gains strength and courage as a young girl coming of age in pre-war Germany. As the daughter of an upper-class Berlin family Ariana watches her family and her country torn apart at the hands of impending war. Aware of the dangerous political climate her father helps Ariana's brother to escape to Switzerland. He returns to rescue Ariana but he is killed as a traitor. Unsure of her father and brothers fate Ariana is now truly alone. She seeks comfort in the arms of a German soldier but the harsh war claims him as yet another victim. Pregnant with his child Ariana realizes she has nothing left from her past but her late mother's signet ring. She decides to flee to America to start her life again...
The second of the Merchant/Ivory films (A Room with a View, Howard's End), Maurice deals with a theme few period pieces dare mention--a young man's struggle with his homosexuality. It's not just a gay coming-of-age story, however. The hero wrestles with British class society as much as his personal and sexual identity.The film opens on a stormy, windswept beach, as an older man awkwardly instructs young, fatherless Maurice Hall (James Wilby) in the "sacred mysteries" of sex. The same turbulent, wordless struggle with passion lasts throughout this slowly evolving, beautifully filmed story. Novelist E M Forster's brainy, British melodrama hinges on choice and compulsion, as the pensive hero falls for two completely different men. First comes frail, suppressed Clive (Hugh Grant), who wants nothing more than classical Platonic harmony ... and a straight lifestyle. (Grant's performance is so convincing, one wonders how he ever became a heterosexual sex symbol.) After Clive's wedding, Maurice turns to hypnosis to cure his unspeakable longings. Unfortunately, his "cure" is interrupted by Clive's lustful, brooding, barely literate gamekeeper Scudder (Rupert Graves), a worker more at home gutting rabbits than discussing the classics. Maurice's love for a "social inferior" forces him to confront his illicit desire and his ingrained class snobbery. --Grant Balfour
Sophisticated Ray Elliott (Coogan) runs an alibi service for adulterous husbands. By getting into a tight squeeze with a new client he must rely on the alluring Lola Davis (Romijn) who gets his own heart racing...
The Blues Brothers (Dir. John Landis 1980): They'll never get caught. They're on a mission from God. After the release of Jake Blues (John Belushi) from prison he and brother Elwood (Dan Aykroyd) go to visit the orphanage where they were raised by nuns. They learn that the church stopped its support and will sell the place unless the tax on the property is paid within 11 days. The brothers decide to raise the money by putting their blues band back together and stagin
John Duttine stars as David Powlett-Jones who has been invalided out of the First World War and sent to work in a large public school in Devon. Utterly unconvinced of his teaching abilities he is persuaded to stay and so begins his long relationship with Bamfylde school...
A Boeing 747 full of passengers is on its scheduled route from Australia to California but soon events unfold to make this flight far from normal. A sadistic psychopath intent on dreadful revenge has hidden a time bomb armed with deadly nerve gas deep inside the aircraft's cargo hold. Time is running out. Pilot John Prescott (Jack Wagner) commands in the air - on the ground working out the logistics for survival are a crack team of FBI agents assisted by the Australian police force - the tense battle is on to prevent a horrific mid-air catastrophe!
All sixteen fully uncut episodes of the fourth season of conflicts crises chaos and camaraderie from inside HMP Larkhall...
Brand New Doctor! Exciting New Adventures! Episodes Comprise: 1. The Eleventh Hour 2. The Beast Below 3. Victory of the Daleks 4. The Time of Angels 5. Flesh and Stone 6. The Vampires of Venice 7. Amy's Choice 8. The Hungry Earth 9. Cold Blood 10. Vincent and the Doctor 11. The Lodger 12. The Pandorica Opens 13. The Big Bang
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