Good and evil collide in this high-stakes game of survival! Mario Van Peebles and Nicollette Sheridan lead this action-packed thriller where nothing is as it seems. Van Peebles plays Blair a hard-edged cop who crosses the line just once too often. Now with a shady business deal heading south Blair stands ready to be exposed by Internal Affairs. Sheridan plays his lover Izabel. Once enamored by Blair's strength Izabel is beginning to see him for the ruthless and self-destructive man he really is. With time running out Blair decides to take any chance and risk any life to cover up his underhanded dealings. But with Izabel's loyalty now in question the battle takes a sinister turn as lovers become pitted against each other.
Life holds few surprises for Jim but when he falls in love with his neighbour his whole world is turned upside down and he begins to question whether his marriage is all it could be.
The Disney touch is all over this grand, colourful version of the Johann Wyss adventure of a European family setting off for the new world of New Guinea. The film opens on a ship jostled and torn by a raging storm while a family struggles to make it through alive. Tossed into a reef near a deserted tropical island, father John Mills takes charge and the family soon turns their island prison into a veritable paradise. Their multi-level tree house, built in record time, is complete with running water and a working pipe organ scavenged from the ship, while their grand yard is abloom in English roses. As a tale of hardship and pioneer pluck it's pure fantasy, but as entertainment it's energetic and appealing. The island is impossibly populated by ostriches, zebras, lions and elephants, a private zoo that delights the youngest boy and offers plenty of comic relief. The two older brothers discover even wilder life when they rescue the prisoner of oriental pirates (led by hard-bitten Sessue Hayakawa). There's little real danger anywhere in the film: even the climactic battle with the pirates is a cartoonish affair, with coconut bombs and non-lethal booby traps, until the final desperate, deadly moments. Hardly a faithful adaptation of the novel, but a lush, beautifully shot film and an entertaining adventure safe for all ages. Dorothy McGuire co-stars as the proper, worry-prone mother. --Sean Axmaker
An animated adventure from the artistic team behind 'Watership Down'. A pair of dogs Rowf (Christopher Benjamin) and Snitter (John Hurt) escape from an animal research facility situated in a remote part of the English countryside. Rowf is cynical and mistrusting of humans having only known the tortured existence of being a laboratory animal. Snitter on the other hand had previously enjoyed life as a domestic pet and longs to be loved and cared for by a human master once again. Unprepared for life in the wild the pair befriend a fox The Tod (James Bolam) who helps them learn to survive in the bleak environment by feeding on the area's livestock. As the authorities attempt to track down the escapees things take a turn for the worse when a deliberately leaked story suggests the dogs may be infected with the bubonic plague...
Ryan a well-intentioned young police officer with a troubled past is just out of training when a Senior Officer singles him out as a perfect candidate for an undercover sting. Ryan is transformed into Max a young criminal with a force-ten temper who infiltrates a notorious gang of bank robbers headed by the enigmatic and elusive master-thief known only as ‘the Monopoly Man’. Struggling with his own identity Ryan is drawn closer to the gang and finds himself crossing the line to the point of no return as he takes part in their biggest heist yet. When the gang are caught and locked together in a cell with rumours of a “snitch” in their midst Ryan must maintain his criminal persona just to stay alive.
This modern blockbuster skillfully reinterprets everything that made Heroic bloodshed classics like The Killer and A Better Tomorrow so successful with a compelling plot great characters a charismatic hero and above all breathtaking ballistic action. Hong Kong's latest superstar Ekin Cheng plays Tong Chun an impressively ruthless Triad boss who commands the respect of all his men. His friend Wei (Ben Lam) is jealous of his status and secretly sets him up... Ekin Cheng's cool gun-toting style is superbly pitted against Ben Lam's amazing kung fu prowess Chingamy Yau looks sexy as ever and screen villain Ngai Shing chills as the murderous hitman Dutch. But the real star of this excellent movie is Director Wong Jing who squeezes in enough brilliantly choreographed action to blow your mind! A great new twist to a classic genre.
A young girl witnesses her brother murder a man through a reflection in a mirror. Twenty years later the mirror is shattered, freeing his evil spirit, which seeks revenge for his death.
The Warrior Gladiator King. Through the history of mankind the times that are most recorded in mythology and song are those of the great deeds and fantastic adventures. Such a time was the Hyborean Age. Such a tale is the story of 'Conan The Barbarian'. Cimmeran Conan is captured as a child after his parents' savage murder by raiding Vanir led by Thulsa Doom head also of the snake-cult of Set. Fifteen years of agony first chained to the Wheel Of Pain grinding grain and then enslaved as a pit fighter forge a magnificent body and indominitable spirit. Freed miraculously one day by his owner Conan with his companions Subotai the Mongol and Valeria the Queen of Thieves sets forth upon his quest to learn ""the riddle of steel"" which his father has prophesied will confer ultimate power; and to kill the arch-villian Thulsa Doom...
In order to avoid an arranged marriage with a man she doesn't love, Sarah Millick runs off to Vienna with her music teacher, Carl Linden, whom she does love. They are married. In Vienna, they struggle to make a living by making music. Carl writes an operetta and tries to get it produced. They are helped along by Viennese Baron, but his intentions are not honorable. He kills Carl in a sword fight. A big producer does put on the operetta, with Sari in the lead -- but without her husband, it is a bittersweet victory.
The Water Babies tells the story of Tom, a chimney sweep who gets framed for theft in 1850s England. Even though a young girl named Ellie knows the real thieves' identities and tries to clear Tom's name, Tom's desperate escape run lands him right in the middle of Dead Man's Pool. Assumed to have met certain death, Tom gets sucked into a magical underwater world. Tom befriends the creatures he meets beneath the sea, and they accompany him on a journey to the land of Water Babies, where he intends to ask the all-powerful Cracken to help him return to the world above the water. However, when Tom finally does manage to return to land, life is far from idyllic as he must set out clear his name and trap the real thieves. Many adults possess fond memories of seeing this 1978 movie as children. The land portions of this musical feature live-action footage, while the water sequence is fully animated. To a fresh, modern audience, the abrupt change from one format to the other is somewhat disconcerting, as is the choppy, older animation style. The story, based on the classic children's book of the same name by Charles Kingsley, is an intriguing look at both Victorian culture and the fantasy world. (Ages 4-8) --Tami Horiuchi, Amazon.com
Los Angeles private eye Jack Ramsey is being set up to take the fall for a murder when his lover Kim (Moss) the wife of ambitious politician Martin Lewis (Bernsen) is found strangled. As the noose tightens around his neck Jack must race against time and the law to prove his innocence...
Chris O'Brien (Rory Cochrane) is a rookie and a devout Catholic who is looking forward to a respectable career in law enforcement. On his first day on the force he is partnered with the tough street-smart Nora Hugosian (Gina Gershon) who has the reputation of being the best with her ruthless but effective style. Working together investigating a serial killer O'Brien finds himself drawn to Hugosian. As evidence mounts and the number of bodies increases O'Brien is forced to realise that somebody very close to him could be the prime suspect...
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
Amityville Horror (Dir. Stuart Rosenberg, 1979): The Long Island colonial house on the river�s edge seemed perfect. Quaint, spacious and affordable, it was just what George and Kathy Lutz had been looking for. But looks can be deceiving...and their new dream home soon becomes a hellish nightmare as the walls begin to drip blood and satanic forces haunt them with sheer, unbridled evil. Now, with their lives - and their souls - in danger, the Lutz's must run as fast as they can from the ...
A triple bill of high-octane action adventures featuring S.W.A.T. Bad Boys and Striking Distance. S.W.A.T.: An imprisoned drug kingpin offers a huge cash reward to anyone that can break him out of police custody and only the LAPD's Special Weapons and Tactics team can prevent it. Bad Boys: When 0 million of seized heroin is stolen from the Miami Police lockup Detectives Lowrey (Will Smith) and Burnett (Martin Lawrence) Miami's most mismatched cops are called upon to solve the case before the FBI close their department. Julie (Tea Leoni) is their only lead to the case but will only speak to Lowrey. As he is not around when she calls Burnett impersonates his cool slick partner. A hilarious role reversal begins in order to retain her trust. From then on it's a race against time as the trio dodge the mob and retain their charade while putting pressure on every low-life in Miami's underworld to track down their man. Striking Distance: Tom Hardy (Bruce Willis) is a fifth generation Pittsburgh cop. Formerly a homicide detective he publicly challenged the police department including several of his family members about the identity of the serial killer who took his father's life. Convinced that a newly active serial killer is the same gunman who murdered his father - despite the fact that another man is already behind bars for that crime - Hardy is working out of his jurisdiction to catch the killer. The maverick cop finds himself at odds with his new partner (Sarah Jessica Parker) as he skirts around the system and defies his uncle (Dennis Farina) his father's successor as the Chief of Homicide.
Midnight Express: Brad Davis and John Hurt star in this riveting true story of a young American's nightmarish experiences in a Turkish prison and his unforgettable journey to freedom. Busted for attempting to smuggle hashish out of Istanbul, American College student Billy Hayes (Davis) is thrown into the city's most brutal jail. After suffering through four years of sadistic torture and inhuman conditions, Billy is about to be released when his parole is denied. Only his inner courage ...
Blood MoneyBoxing promoter Bobby Walker is found strangled with the takings from the previous night's fight stuffed into his mouth. DCI Burke isn't short of suspects but when the ringside doctor suffers the same fate the investigation takes an unexpected twist.New LifeAn acclaimed professor is murdered as he is about to announce a major pharmaceutical breakthrough. DCI Burke's inquiries centre on the leader of an anti-research protest group but take on a new slant when the scientist's own colleagues are implicated.Bad BloodA Kurdish cab driver is stabbed to death in what seems to be a racially motivated murder. However as the investigation deepens DCI Burke and his team find themselves in a race against time to prevent a full scale Glasgow gang war.The city of Glasgow backdrop with its characteristic dry wit combined with the menacing nature of the cases make Taggart unique in style and it is now the longest running detective drama on UK television.
Titles Comprise: Lolita: Humbert is smitten. He plans to marry Charlotte Haze. That way he'll always be close to his dear one - Charlotte's precocious daughter! Filmmaker Stanley Kubrick explores the theme of sexual obsession (a subject he would revisit 37 years later in Eyes Wide Shut) with this darkly comic and deeply moving version of Vladimir Nabokov's novel. James Mason plays devious deluded Humbert: wedded to needy Charlotte (Shelley Winters); rivaled by the ubiquitous Clare Quilty (chameleonlike Peter Sellers); and enraptured to his gelatinous core by the blithe teen (Sue Lyon) with that lovely lyrical lilting name - Lolita! The Postman Always Rings Twice: When Nick Smith (Cecil Kellaway) hires drifter Frank (John Garfield) to work as a handyman at his roadside diner he unwittingly sets in motion a chain of events that will lead to his own murder. Nick's beautiful wife Cora (Lana Turner) persuades her lover Frank to join her in a plot to kill her husband but events spin out of control as the suspense builds in this tale of lust and immorality... Dangerous Liaisons: The game of conquest is underway. Anything goes when a predatory wealthy widow (Glenn Close) challenges a notorious rake (John Malkovich) to seduce a beautiful young newlywed (Michelle Pfeiffer). But this time a cardinal rule will be broken: two players will fall in love - with tragic results. This acclaimed winner of three Academy Awards boasts grand 18th century without missing a beat.
X-Men 2 picks up almost directly where X-Men left off: misguided super-villain Magneto (Ian McKellen) is still a prisoner of the US government, heroic bad-boy Wolverine (Hugh Jackman) is up in Canada investigating his mysterious origin, and the events at Liberty Island (which occurred at the conclusion of X-Men) have prompted a rethink in official policy towards mutants--the proposed Mutant Registration Act has been shelved by US Congress. Into this scenario pops wealthy former army commander William Stryker, a man with the President's ear and a personal vendetta against all mutant-kind in general, and the X-Men's leader Professor X (Patrick Stewart) in particular. Once he sets his plans in motion, the X-Men must team-up with their former enemies Magneto and Mystique (Rebecca Romjin-Stamos), as well as some new allies (including Alan Cumming's gregarious, blue-skinned German mutant, Nightcrawler). The phenomenal global success of X-Men meant that director Bryan Singer had even more money to spend on its sequel, and it shows. Not only is the script better (there's significantly less cheesy dialogue than the original), but the action and effects are also even more stupendous--from Nightcrawler's teleportation sequence through the White House to a thrilling aerial dogfight featuring mutants-vs-missiles to a military assault on the X-Men's school/headquarters to the final showdown at Stryker's sub-Arctic headquarters. Yet at no point do the effects overtake the film or the characters. Moreso than the original, this is an ensemble piece, allowing each character in its even-bigger cast at least one moment in the spotlight (in fact, the cast credits don't even run until the end of the film). And that, perhaps, is part of its problem (though it's a slight one): with so much going on, and nary a recap of what's come before, it's a film that could prove baffling to anyone who missed the first instalment. But that's just a minor quibble--X-Men 2 is that rare thing, a sequel that's actually superior to its predecessor. --Robert Burrow
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