The world is over. The fight is just beginning. ""The Cylons were created by man. They rebelled. They evolved. They look and feel human. Some are programmed to think they are human. There are many copies. And they have a plan."" Welcome to the radical re-imagining of 1970s sci-fi favourite 'Battlestar Galactica'!
The FBI take an unhealthy interest in the family's life causing more strain on life. If that's not enough the world of movie making seems to be poking its nose in. Skeletons come out the closet causing huge revelations... Golden Globe winners January 2000 for Best Actor (James Gandolfini) Best Actress (Edie Falco) and Best Supporting Actress (Nancy Marchand).
Panic
Nashe is an ex-fireman travelling across America burning up what's left of his inheritance and his memories of the past when he picks up a bloody and battered man by the side of the road. Both begin a series of card games where the stakes spiral out of control leading to unforseen bizarre circumstances. A card game that could literally change their lives forever.
Armed with his lethal band of flying silver spheres the deadly mortician who was thought to have killed his last victim nine years ago returns more dangerous than ever! Once again young Michael Pearson and his pal Reggie take on the master of the killer orbs as they race against time and risk their lives to thwart his murderous rampage forever...
Charlton Heston and Roddy McDowall star in this legendary science fiction masterpiece. Astronaut Taylor crash lands on a distant planet ruled by apes who use a primitive race of humans for experimentation and sport. Soon Taylor finds himself among the hunted his life in the hands of a benevolent chimpanzee scientist. Winner of an Honorary Academy Award for Outstanding Make-up Achievement and nominated for two Oscars (1968 Best Costume Design and Best Original Score) Planet of th
Features eight movies. In 'Session Man' a studio guitarist is brought in to perfect the tracks recorded by a musical supergroup who are experiencing creative differences. Also features: 'Desert's Edge' 'The Last Shot' 'Without A Pass' 'Conquering Space' '18 Minutes In Albuquerque' 'Tuesday Morning Ride' and 'To The Moon Alice'.
Produced in a time when films were both literally and figuratively black and white, Made for Each Other was unique in its effective blending of the comedic, the dramatic and, as perhaps some would insensitively say, the melodramatic. Beautiful Carole Lombard and likeable James Stewart are Jane and John Mason, a couple who meet, fall madly in love, marry and quickly have a baby. But while they--and the audience--are confident that they are meant for each other, life intercedes and the couple must meet with disapproving in-laws, job stress, financial challenges and, finally, a devastating illness.Lombard and Stewart--and the genuinely good people they portray--are utterly compelling and charming. Say yawningly what you will about tradition but the Masons' path is one that many, if not most, go down. And unlike the wonderful but wholly fantasy world of peer Preston Sturges, director John Cromwell's universe is, like real life, full of ups and downs. It's an accessible, sensitive portrayal. He gives the audience characters they want to see succeed, and to see stay together in the process. It may be a tale of triumph of the human spirit but its ultimate sentiment--one that celebrates the kindness of strangers--is thoroughly sweet, though in no way saccharine. Look for a great supporting cast, including a blustery Charles Coburn as John Mason's boss and Lucile Watson as Mason's interfering mother. --N F Mendoza
Academy Award ® Nominees James Franco* (Homefront) and Kate Hudson** (The Killer Inside Me) star in GOOD PEOPLE as a debt-ridden couple who discover a hidden bag of cash in their dead tenant's apartment. When they decide to spend it, they find themselves pulled deeper and deeper into a world of deception and they soon become the target of a deadly adversary Academy Award® Nominee Tom Wilkinson*** (The Grand Budapest Hotel), Omar Sy (X-Men: Days of Future Past) and Anna Friel (Limitless) also star in this contemporary action-thriller.
The second series of The Sopranos, David Chase's ultra-cool and ultra-modern take on New Jersey gangster life, matches the brilliance of the first, although it's marginally less violent, with more emphasis given to the stories and obsessions of supporting characters. Sadly, the programme makers were forced to throttle back on the appalling struggle between gang boss Tony Soprano and his Gorgon-like Mother Livia, the very stuff of Greek theatre, following actress Nancy Marchand's unsuccessful battle against cancer. Taking up her slack, however, is Tony's big sister Janice, a New Age victim and arrant schemer and sponger, who takes up with the twitchy, Scarface-wannabe Richie Aprile, brother of former boss Jackie, out of prison and a minor pain in Tony's ass. Other running sub-plots include soldier Chris (Michael Imperioli) hapless efforts to sell his real-life Mafia story to Hollywood, the return and treachery of Big Pussy and Tony's wife Carmela's ruthlessness in placing daughter Meadow in the right college. Even with the action so dispersed, however, James Gandofini is still toweringly dominant as Tony. The genius of his performance, and of the programme makers, is that, despite Tony being a whoring, unscrupulous, sexist boor, a crime boss and a murderer, we somehow end up feeling and rooting for him, because he's also a family man with a bratty brood to feed, who's getting his balls busted on all sides, to say nothing of keeping the Government off his back. He's the kind of crime boss we'd like to feel we would be. Tony's decent Italian-American therapist Dr Melfi's (Loraine Bracco) perverse attraction with her gangster-patient reflects our own and, in her case, causes her to lose her first series cool and turn to drink this time around. Effortlessly multi-dimensional, funny and frightening, devoid of the sentimentality that afflicts even great American TV like The West Wing, The Sopranos is boss of bosses in its televisual era. --David Stubbs
The Sopranos, writer-producer-director David Chase's extraordinary television series, is nominally an urban gangster drama, but its true impact strikes closer to home: this ambitious TV series chronicles a dysfunctional, suburban American family in bold relief. And for protagonist Tony Soprano, there is the added complexity posed by heading twin families, his collegial mob clan and his own, nouveau riche brood.The series' brilliant first season is built around what Tony learns when, whipsawed between those two worlds, he finds himself plunged into depression and seeks psychotherapy--a gesture at odds with his mid-level capo's machismo, yet instantly recognisable as a modern emotional test. With analysis built into the very spine of the show's elaborate episodic structure, creator Chase and his formidable corps of directors, writers and actors weave an unpredictable series of parallel and intersecting plot arcs that twist from tragedy to farce to social realism. While creating for a smaller screen, they enjoy a far larger canvas than a single movie would afford, and the results, like the very best episodic television, attain a richness and scope far closer to a novel than movies normally get.Unlike Francis Coppola's operatic dramatisation of Mario Puzo's Godfather epic, The Sopranos sustains a poignant, even mundane intimacy in its focus on Tony, brought to vivid life by James Gandolfini's mercurial performance. Alternately seductive, exasperated, fearful and murderous, Gandolfini is utterly convincing even when executing brutal shifts between domestic comedy and dramatic violence. Both he and the superb team of Italian-American actors recruited as his loyal (and, sometimes, not-so-loyal) henchman and their various "associates" make this mob as credible as the evocative Bronx and New Jersey locations where the episodes were filmed.The first season's other life force is Livia Soprano, Tony's monstrous, meddlesome mother. As Livia, the late Nancy Marchand eclipses her long career of patrician performances to create an indelibly earthy, calculating matriarch who shakes up both families; Livia also serves as foil and rival to Tony's loyal, usually level-headed wife, Carmela (Edie Falco). Lorraine Bracco makes Tony's therapist, Dr Melfi, a convincing confidante, by turns "professional", perceptive and sexy; the duo's therapeutic relationship is also depicted with uncommon accuracy. Such grace notes only enrich what is not merely an aesthetic high point for commercial television, but an absorbing film masterwork that deepens with subsequent screenings. --Sam Sutherland, Amazon.com
A young Mexican man slips across the border to America in the hope of finding work to support his new family back at hope. But instead of being the land of opportunities he finds America to be full of hardship and exploitation.
In 1959 screenwriter Rod Serling first opened the door to the "dimension of imagination" that is The Twilight Zone, a show quite unlike anything that had gone before, and better than much that has followed in its wake. This original and daring television series ran for a magnificent five seasons from 1959 to 1964 and still looks as fresh as ever, particularly on DVD. What distinguished the series (and still does) is the quality of the scripts, many of which were penned by Serling, but with significant contributions from veteran sci-fi authors and screenwriters such as Richard Matheson. Actors of the calibre of Robert Redford, Burgess Meredith, Lee Marvin and William Shatner gave some of their best small-screen performances, while an unforgettable main title theme by Bernard Herrmann and musical contributions from young turks such as Jerry Goldsmith underlined the show's attraction for great creative talent both behind and in front of the cameras. --Mark Walker
Bill And Ted's Excellent Adventure: Bill and Ted are two cool dudes, but to their teacher they are high school no-hopers. They fantasise about forming a band called 'Wyld Stallyns' - one day they'll put themselves together and learn to play guitar. But unless Ted achieves the seemingly impossible and passes a history presentation, he will be shipped off to military school. End of friendship. ; A figure from the future appears in the nick of time, providing a time-travelling phone booth...
To the one I love...Prepare to die The Kouga and the Iga two ninja clans with four hundred years of hostilities between them meet at the request of Lord Ieyasu. There they learn that the peace forced upon them is to be broken by the whim of royalty and that the outcome of this battle will determine the next Shogun. The passions of the past quickly reignite as two scrolls are sent out into the night. Ill-fated is this event indeed for lovers stand with hands entwined as travesty approaches on the wings of a hawk. Reared from birth as sworn enemies Gennosuke and Oboro each the heir of these rival clans seek lasting peace between their peoples. But the terms have been set and two lists seal their destinies. Two lists from which a name can only be crossed out in blood. No mercy will be spared to the enemy.
A band of merciless outlaws led by the ruthless 'Black' Jack Pickett (Gary Busey - 'Lethal Weapon' - 'Under Siege') has been blazing a trail of murder and destruction through the frontier towns of Arizona.In an attempt to bring justice to the lawless West U.S. Ranger Moses Logan (Jeff Fahey - 'The Lawnmower Man' - 'Wyatt Earp) relentlessly pursues Pickett to the small town of Ghost Rock.This peaceful town has been taken over by Pickett and his gang. Out-manned and out-gunned Logan joins forces with the famed bounty hunter John Slaughter (Michael Worth - 'US Seals' - 'Fists Of Iron') and a mysterious female gunfighter (Jenya Lano - 'Blade') to unleash war on Pickett in the streets of Ghost Rock.
With memorable and unsettling opening credits and exceptional performances and direction Armchair Thriller became a massive hit for Thames Television in the late 1970s and early 1980s. With its trademark ghoulish razor-sharp cliff hangers and iconic theme tune (by Roxy Music's Andy Mackay) this haunting anthology series was an immediate success its eerie disturbing and downright scary tales regularly attracting over 15 million viewers. Each of its ten stories is a gripping exercise in compelling television showing ordinary people plunged into extraordinary situations. For many this series remains a high-watermark of dramatic television and its many frightening and spooky moments are remembered by viewers nearly thirty years after its original transmission. The Limbo Connection: Film writer Mark Omney (James Bolam) drinks too much has endless rows with his wife Clare (Suzanne Bertish) and cannot make a living any more. Simply put his life is falling apart. Following a drunken car crash Clare goes missing. Mark tracks her down to Meadowbank Clinic and attempts to prove his theories about the nightmare in which he is caught but the police have evidence that seems to cast doubts on his state of mind.
A murder leads the Taggart team to a hi-tech microchip factory. Then an associate of Ross is murdered and the team questions Ross' association with the Glasgow underworld. Ross is determined to avenge his friend's death and pursues the case despite Jardine's orders.
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