As the Cold War rages, ex-smuggler turned reluctant spy Harry Palmer finds himself at the centre of a dangerous undercover mission, on which he must use his links to find a missing British nuclear scientist.
King for a Day. Sir Horatio Manners offers Jack a job which he can't afford to turn down. Meanwhile Bella is concerned about where Tom is getting his money from. Episode titles include: 'King For A Day' 'Happy New Year - Some Say' 'Heads You Win - Tails I Lose' 'Kind-hearted at With A Lifebelt'.
Intelligent casting, strong performances and the persuasive chemistry between Sean Connery and Michelle Pfeiffer prove the virtues in director Fred Schepisi's well-intended but problematic screen realization of this John Le Carré espionage thriller. At its best, The Russia House depicts the bittersweet nuances of the pivotal affair between a weary, alcoholic London publisher (Connery) and the mysterious Russian beauty (Pfeiffer) who sends him a fateful manuscript exposing the weaknesses beneath Soviet defence technology. Connery's Barley is a gritty, all-too-human figure who's palpably revived by his awakening feelings for Pfeiffer's wan, vulnerable Katya, whose own reciprocal emotions are equally convincing. Together, they weave a poignant romantic duet. The problems, meanwhile, emanate from the story line that brings these opposites together. Le Carré's novels are absorbing but typically internal odysseys that seldom offer the level of straightforward action or simple arcs of plot that the big screen thrives on. For The Russia House, written as glasnost eclipsed the cold war's overt rivalries, Le Carré means to measure how old adversaries must calibrate their battle to a more subtle, subdued match of wits. Barley himself becomes enmeshed in the mystery of the manuscript because British intelligence chooses to use him as cat's paw rather than become directly involved. Such subtlety may be a more realistic take on the spy games of the recent past but it makes for an often tedious, talky alternative to taut heroics that Connery codified in his most celebrated early espionage role. If the suspense thus suffers, we're still left with an affecting love story, as well as some convincing sniping between British and US intelligence operatives, beautifully cast with James Fox, Roy Scheider and John Mahoney. Veteran playwright Tom Stoppard brings considerable style to the dialogue, without solving the problem of giving us more than those verbal exchanges to sustain dramatic interest. --Sam Sutherland
All ten episodes from the first season of the action drama series starring Clive Standen and Jennifer Beals. Devastated by the murder of his sister, Bryan Mills (Standen) is recruited to a secret US intelligence agency by Deputy Director Christina Hart (Beals). Taking his first steps in the field, Mills comes up against a number of deadly terrorist threats while also looking to track down those responsible for his sister's death. The episodes are: 'Pilot', 'Ready', 'Off Side', 'Mattie G', 'A Clockwork Swiss', 'Hail Mary', 'Solo', 'Leah', 'Gone' and 'I Surrender'.
A collection of six classic Doris Day movies in one bumper value box set! Young At Heart (1955) Barney Sloan (Frank Sinatra) is a cynical down-on-his-luck musician who reluctantly agrees to help his composer friend Alex Burke (Gig Young) with a new comedy he is working on. However Barney gains a new perspective on life and love when he meets Alex's irrepressibly perky fiancee Laurie (Doris Day) - and promptly falls in love with her! Lover Come Back (1961) Account ex
Best of enemies. Deadliest of friends. They are fast friends and worse foes. One is Billy the Kid (Kris Kristofferson) a law unto himself. The other is the law: Sheriff Pat Garrett (James Coburn) who once rode with Billy. Set to a bristling score by Bob Dylan (who also plays Billy's sidekick Alias) and with a `Who's Who' of iconic Western players Sam Peckinpah's saga of one of the West's great legends is now restored to its intended glory. For the first time since it left
Matthew McConaughey goes looking for some long lost treasure in this adaptation of Clive Cussler's book.
This release features 15 of the most memorable Neighbours episodes including: Scott and Charlene's wedding Brad and Beth's wedding and the tragic demise of Helen Daniels. Witness early screen appearances by such future megastars as Kylie Minogue Jason Donovan Natalie Imbruglia and Craig McLachlan. Shed a tear at the raw emotional power of the song 'Suddenly' by Angry Anderson.
From its charming and angst-ridden first season to the darker, apocalyptic final one, Buffy the Vampire Slayer succeeds on many levels, and in a fresher and more authentic way than the shows that came before or after it. How lucky, then, that with the release of its boxed set of seasons 1-7, you can have the estimable pleasure of watching a near-decade of Buffy in any order you choose. (And we have some ideas about how that should be done.) First: rest assured that there's no shame in coming to Buffy late, even if you initially turned your nose up at the winsome Sarah Michelle Gellar kicking the hell out of vampires (in Buffy-lingo, vamps), demons, and other evil-doers. Perhaps you did so because, well, it looked sort of science-fiction-like with all that monster latex. Start with season 3 and see that Buffy offers something for everyone, and the sooner you succumb to it, the quicker you'll appreciate how textured and riveting a drama it is. Why season 3? Because it offers you a winning cast of characters who have fallen from innocence: their hearts have been broken, their egos trampled in typically vicious high-school style, and as a result, they've begun to realise how fallible they are. As much as they try, there are always more monsters, or a bigger evil. Despite this, or perhaps because of it, the core crew remains something of a unit--there's the smart girl, Willow (Alyson Hannigan) who dreams of saving the day by downloading the plans to City Hall's sewer tunnels and mapping a route to safety. There are the ne'r do wells--the vampire Spike (James Marsters), who both clashes with and aspires to love Buffy; the tortured and torturing Angel (David Boreanz); the pretty, popular girl with an empty heart (Charisma Carpenter); and the teenage everyman, Xander (Nicholas Brendon). Then there's Buffy herself, who in the course of seven seasons morphs from a sarcastic teenager in a minidress to a heroine whose tragic flaw is an abiding desire to be a "normal" girl. On a lesser note, with the boxed set you can watch the fashion transformation of Buffy from mall rat to Prada-wearing, kickboxing diva with enviable highlights. (There was the unfortunate bob of season 2, but it's a forgivable lapse.) At least the storyline merits the transformations: every time Buffy has to end a relationship she cuts her hair, shedding both the pain and her vulnerability. In addition to the well-wrought teenage emotional landscape, Buffy deftly takes on more universal themes--power, politics, death, morality--as the series matures in seasons 4-6. And apart from a few missteps that haven't aged particularly well ("I Robot" in season 1 comes to mind), most episodes feel as harrowing and as richly drawn as they did at first viewing. That's about as much as you can ask for any form of entertainment: that it offer an escape from the viewer's workaday world and entry into one in which the heroine (ideally one with leather pants) overcomes demons far more troubling than one's own. --Megan Halverson
George Bizet's opera 'Carmen' performed by the Metropolitan Opera Chorus and Orchestra. Conducted by James Levine.
Peter Parker (Tobey Maguire) has finally managed to strike a balance between his devotion to M.J. (Kirsten Dunst) and his duties as a superhero. But when his suit suddenly changes, turning jetblack and enhancing his powers, it transforms Peter, bringing out a dark vengeful side that he struggles to control. He must now battle his inner demons as two of the mostfeared villains yet, Sandman (Thomas Haden Church) and Venom (Topher Grace), gather unparalleled power and a thirst for revenge which threatens Peter and everyone he loves. Features: Commentaries
Picking Up The Pieces: Tex (Woody Allen) a kosher butcher from New York under the witness protection program in Arizona has a problem. He has just killed his wife Candy (Sharon Stone) in a jealous rage after discovering she's having an affair with the local sheriff (Keifer Sutherland). He's cut her body into pieces and has taken them to the Mexican border but he's lost one of her hands! A blind old village woman stumbles upon the hand hits her head and miraculously regains her eyesight. Soon thousands are flocking to the local church to see the hand of the 'Madonna' and miracles are granted to all who ask. But the village priest (David Schwimmer) who is in love with the town hooker (Maria Grazia Cucinotta) senses that the hand's origin is not quite 'virginal'. Tex the Sherrif and the Priest all want something done with the hand and the unpredictable outcome proves to be both magical and hilarious. Miss Firecracker: Comedy about Carnelle (Hunter) a sexually-loose hellraiser who enters the Miss Firecracker contest in the very old-fashioned town where she was raised Yazoo City Mississippi. Carnelle's not the usual kind of contestant -- but her cousin is a famous winner -- and Carnelle's determined to equal her no matter what the obstacles.
From producer Peter Jackson (The Lord of the Rings Trilogy) and director Neill Blomkamp comes a startlingly original science-fiction thriller. With stunning special effects and gritty realism, the film plunges us into a world where the aliens have landed only to be exiled to a slum on the fringes of Johannesburg. Now, one lone human discovers the mysterious secret of the extra-terrestrial weapon technology. Hunted and hounded through the bizarre back alleys of an alien shantytown, he will discover what it means to be the ultimate outsider on your own planet.
In revealing the strength of the marriage which left Queen Victoria so devastated as a widow, the colourful costume drama Victoria and Albert could almost serve as a prequel to the film Mrs Brown. In common with that dramatisation, this TV drama features performances (and cameos) from some of Britain's finest actors, this time including Jonathan Pryce, David Suchet, Penelope Wilton, Peter Ustinov, Richard Briers and the wonderful Nigel Hawthorne as Lord Melbourne. Victoria Hamilton and Jonathan Firth are the impressive leads who command the viewer's attention through the lengthy process of turning Albert and Victoria's arranged marriage into a love story, from their first inauspicious meetings, to Albert's dissatisfaction over the impotence of his position. Concentrating as it does on Victoria's early reign means the drama does tend to skip over the couples' later years with their children and disappointments over their heir, Bertie, but overall this story has all the romance, settings, make-up and wigs of a fine costume drama. On the DVD: Victoria and Albert comes as a two-disc set that features an informative 25-minute "making of" documentary presented by the producer, that includes contributions from the Screenwriter, Director, stars Jonathan Firth and Penelope Wilton, and the Director of Photography. The filmographies are somewhat abridged but the Victoria Timeline is interesting for those wanting to learn more about the authentic history of events. --Rachel Ediss
More skits and sketches from comedy duo Mitchell And Webb.
Based on John Steinbeck's novel and directed by Elia Kazan, East of Eden was James Dean's breakout big-screen performance, one that will forever be remembered in Hollywood history. The emotionally charged film tells the story of lonely youth Cal (Dean), who view for the affection of his hardened father (Raymond Massey) and favored brother, Aron (Richard Davalos). The film received four Academy Award nominations, and Jo Van Fleet won the Best Supporting Actress Oscar for her role as Cal's wayward mother. Product Features On-Disc Special Features 4K: Commentary by Richard Schickel BD: Documentary Forever James Dean Featurette East of Eden: Art in Search of Life 1955 New York City Premiere Actors' Screen Tests Wardrobe Tests Deleted Tests Theatrical Trailer
James Stewart, Cary Grant, and the unstoppable Katharine Hepburn star in Hollywood's greatest romantic comedy With this furiously witty comedy of manners, KATHARINE HEPBURN (Woman of the Year) revitalized her career and cemented her status as the era's most iconic leading lady thanks in great part to her own shrewd orchestrations. While starring in the PHILIP BARRY stage play The Philadelphia Story, Hepburn snapped up the screen rights, handpicking her friend GEORGE CUKOR (Adam's Rib) to direct. The intoxicating screenplay by DONALD OGDEN STEWART (Holiday) pits the formidable Philadelphia socialite Tracy Lord (Hepburn, at her most luminous) against various romantic foils, chief among them her charismatic exhusband (His Girl Friday's CARY GRANT), who disrupts her imminent marriage by paying her family estate a visit, accompanied by a tabloid reporter on assignment to cover the wedding of the year (JAMES STEWART, in his only Academy Award®winning performance). A fast-talking screwball comedy as well as a tale of regrets and reconciliation, this convergence of golden-age talent is one of the greatest American films of all time. BONUS FEATURES SPECIAL EDITION FEATURES New 4K digital restoration, with uncompressed monaural soundtrack Audio commentary from 2005 featuring film scholar Jeanine Basinger New introduction to actor Katharine Hepburn's role in the development of the film by documentarians David Heeley and Joan Kramer In Search of Tracy Lord, a new documentary about the origin of the character and her social milieu Two full episodes of The Dick Cavett Show from 1973, featuring rare interviews with Hepburn, plus an excerpt of a 1978 interview from that show with director George Cukor Lux Radio Theatre adaptation of the film from 1943, featuring an introduction by filmmaker Cecil B. DeMille Restoration demonstration PLUS: An essay by critic Farran Smith Nehme
Inspired by the 1973 motion picture of the same name, Westworld is a one-hour drama series about a futuristic theme park populated by artificial beings. Written and directed by Michael Crichton this dark odyssey about the dawn of artificial consciousness and the evolution of sin is set at the intersection of the near future and the reimagined past. It explores a world in which every human appetite, no matter how noble or depraved, can be indulged. 1. Pilot 2. Chestnut 3. The Stray 4. Six Impossible Things 5. Contrapasso 6. Trace Decay 7. Trompe L'Oeil 8. The Adversary 9. Job's Root 10. The Bicameral Mind.
Broadway-bound the Muppets Take Manhattan by storm in this magical musical about breaking into show business! Fresh out drama school Kermit Fozzie Bear and the entire cast of Kermit's musical - Manhattan Melodies - head for the Big Apple with plans to turn their small play into a big hit! All they need now is someone to produce their show! But when no one in town will even meet with them it's up to Kermit to believe hard enough for all of his friends that the show WILL go on!
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