In Volume 2 of Roughnecks--Starship Troopers Chronicles, Johnny Rico, Lieutenant Razak and their computer-animated squad embark on the Tesca campaign, once again fighting the bugs in all their myriad forms, shooting anything that moves and generally causing chaos and mayhem. Inspired by Robert Heinlein's sci-fi classic and executive-produced by Paul Verhoeven, who made the big-screen version, Roughnecks is cutting-edge TV animation that's more for grown-ups than kids. The neat equipment, combat suits and weapons are as deadly as they are cool, and even though the extreme gore and violence of the movie has been toned down the endless threat from all manner of nasty bugs is still pretty terrifying (the Giant Spider Bug, for example, really is the stuff of nightmares). As with Volume 1, the five 20-minute episodes are here spliced together into a movie-length feature, which makes for a satisfyingly lengthy story arc instead of the more usual self-contained individual episodes. The show's structure also allows for plenty of character development: this time the squad are joined by an alien "skinny" called T'Phai who, as might be expected, has to work hard to bond with the rest of the team and earn their respect. Like all good war stories, at its heart Roughnecks celebrates that "Band of Brothers"-style bonding in extreme circumstances which we viewers can only experience vicariously. On the DVD: The 4:3 picture is good, although it's better to watch with the lights off to see all the detail in the moody (i.e., "dark") CG animation. The 5.1 sound shows off explosions and gunfire, but also the almost incessant techno soundtrack. There's a good commentary from cast and crew members, who talk about their various movie inspirations (from the D-Day landing sequence of Saving Private Ryan to, of course, Aliens) and their desire to parallel real war situations. There's also a photo gallery of the human actors and a trailer. This is a stylish show, and a good DVD.--Mark Walker
Everyone has an opinion on bad cars... Now it's time to hear the ones that really count - ours... As it's the Worst Car in the World, we're on our travels... to the North of England...to name and shame the most rubbish car from a manufacturer which, frankly, should have known better. But, it's not all about hateful cars...Oh no. You have to revel in some good ones to appreciate the stinkers. There's the Ferrari 458 spider, Toyota's GT86 and the 340,000 Lexus LFA rubbing shoulders with a Mercedes SLS. Our guest driver, the Stig's Yorkshire cousin, puts his whippet to one side and throws an M5 round a gymkhana course before we have a go in a couple of Transatlantic challengers. Things don't go well. We spend treasured leisure time on the golf course continuing our debate. That doesn't go well either. We even put our own cars - past and present - into the reckoning. That ends badly too. We argue over the great and the awful from Peugeot, Ford, Mahindra, FSO, Alfa Romeo, Rolls Royce, Porsche, Citroen, Peugeot, Saab....and many more. And we have a special, surprise fate in store for the car we pick as our biggest loser... Enjoy... Jeremy Clarkson, James May
Taking its cues from director Erik Van Looy's own Belgian thriller of the same name, 'The Loft' sees five married friends embark on a decision to rent their very own loft apartment for exclusive use as a home for their extra-marital affairs.
Fatal Instinct is a hilarious no-holds-barred send-up of such stylish thrillers as Basic Instinct and Fatal Attraction. Ned Ravine (Armande Assante) is a cop and a lawyer. His wife wants to kill him his secretary wants to sleep with him and there's a mysterious client who wants to sleep with him and kill him. That's Monday. Who knows what Tuesday will bring?
Starring Joanna Lumley and David McCallum Sapphire And Steel was one of the most enigmatic and acclaimed of all ITC-produced adventures. It continues to baffle and delight viewers twenty years later. Sapphire (Lumley) and Steel (McCallum) are the mysterious agents charged with protecting the Universe from the malevolent forces of Time with their uncanny powers. Assignment IV an evil amorphous entity uses photographs to move between time dimensions. It takes over a junkshop and entraps the inhabitants. A golden anniversary party where the guests are being killed off is the subject of Assignment V. Sapphire and Steel meet another element/detective Silver at an abandoned petrol station in Assignment VI and become embroiled in mystery.
In the third series of Angel the titular vampire with a soul was forced to stand alone thanks to the (temporary) death of his beloved Buffy and her show's move to a new network, with no crossover between the two allowed. He returns from seeking peace in a demon-haunted monastery to find the LA Angel Investigations team fighting supernatural crime in his absence. Fred is still haunted by the nightmare dimension from which they rescued her; Cordelia's visions get ever more painful and debilitating. The schemes of the evil law firm Wolfram and Hart become every more imaginative and dragon lady Lilah Morgan becomes even more of an enemy when lusting after Angel. Unbelievably, Darla, Angel's vampire sire and lover, turns up, pregnant with his child and is tortured by inexplicable motherly feelings as well as a raging thirst for human blood. For a few episodes things go pretty well--but Angel's enemies, both those he has made in his quest for redemption and those he made when he was unadulterated evil, are still out there. Stephanie Romanov comes into her silky own in this series, making Lilah Morgan all the more seductively evil because she is clear about the choices she has made; the satanic law-firm of Wolfram and Hart are this show's most inspired creation. As the series moves to its close, Wesley (Alexis Denisof) has hard choices to make. The devastating climax is compulsive viewing and this series also contains one of the most impressive single episodes of the entire show: in "Waiting in the Wings" writer, director and creator Joss Whedon comes up with a classic ghost story as Angel and his crew go to the ballet and find a performance that is literally timeless. On the DVD: Angel, Series 3 DVD box set is generously stocked with extra features--a season overview, commentaries on three episodes, a documentary on the way scripts are transferred to screen, and an overview of the story of the doomed vampire Darla. Of especial interest to fans are two deleted scenes--one from the ballet episode "Waiting in the Wings", in which Amy Acker (Fred) and Alexis Denisof (Wesley) dance a pas de deux at once touching and hilarious, and the other a hilarious scene from "Cordy", the cute situation comedy in which Cordelia stars in an alternate universe. --Roz Kaveney
A Boeing 747 full of passengers is on its scheduled route from Australia to California but soon events unfold to make this flight far from normal. A sadistic psychopath intent on dreadful revenge has hidden a time bomb armed with deadly nerve gas deep inside the aircraft's cargo hold. Time is running out. Pilot John Prescott (Jack Wagner) commands in the air - on the ground working out the logistics for survival are a crack team of FBI agents assisted by the Australian police force - the tense battle is on to prevent a horrific mid-air catastrophe!
No parents. No rules! A group of teenage runaways - fleeing abusive parents prostitution drugs and educational isolation - try to survive together on the mean streets of Los Angeles... An all-star cast takes you on an unforgettable tour of Hollywood's notorious underground; from the after-hours dance clubs to the hidden drug dens it's a no holds barred look at life in the fast lane.
The fifth season of Joss Whedon's hit series started out in excellent form as slayer extraordinaire Buffy Summers (Sarah Michelle Gellar) did battle with the most famous of vampires (that Dracula guy) and then went on to spar with another nemesis, little sister Dawn (Michelle Trachtenberg). Wait--Buffy has a teenage sister? Where has she been the past four years? And why is everyone acting like she's always been around? Turns out that young Dawn is actually "The Key," a form of pure energy that, true to its name, helps open the gates between different dimensions. To protect said key from falling into the wrong hands, a group of monks gave it human form and sent it to the fiercely protective Buffy for safekeeping, creating new memories of Dawn for everyone as if she'd existed... well, always. Why all the super secrecy? There's this very, very, very bad girl named Glory (Clare Kramer) who wants the key very badly, and will do anything to get it. Oh, and by the way, Glory isn't just a run-of-the-mill demon... she's way worse. Some fans will tell you that Buffy "jumped the shark" with the introduction of Dawn, when in actuality this season was the pinnacle of the show's achievement, as there was superb comedy to be had ("Buffy Vs. Dracula," the double-Xander episode "The Replacement," the introduction of the "Buffybot" in "Intervention") as well as some of television's best drama. The Whedon-scripted and -directed "The Body" remains one of Buffy's best episodes, when the young woman who faces down supernatural death on a daily basis finds herself powerless in the wake of her mother's sudden passing. The first third or so of the season was a bit choppy, but once the evil Glory came into her own, Buffy was a television force to be reckoned with. Kramer was the show's best villain (after the evil Angel, natch), and the supporting cast was never better. But as always, it was the superb Gellar who was the powerful centre of the show, sparking opposite lovelorn vampire Spike (James Marsters) and wrestling with moral dilemmas rarely seen on television. With this season, Buffy Summers became, like Tony Soprano, one of television's true greats. --Mark Englehart
A specially created box set containing all 7 seasons of Buffy The Vampire Slayer: over 100 hours of vampire ass-kicking action!
With a heart that won't quit a stomach that won't stop gurgling and a self-sworn oath to protect his turf he's Paul Blart: Mall Cop. Mild-mannered Paul Blart (Kevin James The King of Queens) has always had huge dreams of becoming a State Trooper. Until then he patrols the local mall as a security guard. With his closely cropped moustache personal transporter and gung-ho attitude only Blart seems to take his job seriously. All that changes when a team of thugs raids the mall and takes hostages. Untrained unarmed and a super-size target Blart has to become a real cop to save the day.
Review for Founding Brothers:The political wrangles of a fledgling country may sound dull compared to the drama of a war, but the early history of the United States only gets more fascinating as the Revolutionary War is left behind. Founding Brothers, a documentary from the History Channel, examines the struggle to not only establish democracy, but to give it the economic strength and governmental structure that will allow it to survive and thrive. George Washington grappled not only with politics, but with questions of style and propriety--how should a president, as opposed to a king, behave? Understanding the conflicts between Alexander Hamilton, John Adams, and Thomas Jefferson will illuminate ideas that have shaped the government of the U.S. ever since. Founding Brothers provides a wealth of portraits and illustrations from the time, as well as discreet dramatizations, that bring the rise of party politics to life, humanizing these historical figures with tales of the scandals and squabbles they faced as well as their political achievements. An excellent introduction to the roots of the American experiment, and a bracing illustration of what Jefferson meant when he said of the presidency, "No man will bring out of that office the reputation which carried him into it." --Bret Fetzer
Cardboard collides with CGI as B-Movie, ray-gun hero Captain Eager (James Vaughan) blunders into digital space.
Meet Tony (Sinatra) a wannabe big shot who's constantly broke. While the carefree widower may not have money he is rich in one respect; he's got the unconditional love of his adoring young son Ally (Eddie Hodges). However when Tony asks his wealthy brother Mario (Robinson) for a loan Mario who disapproves of Tony's lifestyle agrees to back his brother on one condition: settle down or give him custody of Ally! Tony may be desperate but he'd have to have a hole in the head to ag
This is the complete first series of the ITV comedy about two young-middle-aged divorcees with very different backgrounds trying to build - and cling to - a relationship despite the pressures pulling it apart. Starring the ever-excellent James Bolam cast as Bill Macgregor the art editor of a style magazine and Lynda Bellingham hitherto best known as Mum in the Oxo TV commercials cast as freelance illustrator Faith Grayshot. Episodes comprise: 1. Found and Lost 2. Match
Caught between the truth and a murderer's Hand! A break in at a genetics lab leads to a spiralling vortex of bloody murder in The Cat O' Nine Tails, Dario Argento's 70s Giallo classic. Strange circumstances surrounding the crime pique the interest of a journalist and a blind crossword compiler whose sharp ears have overheard talk of blackmail. However, all the would be investigators soon regret the help they gave as scientists die in front of speeding trains and photographers are viciously slain while others fall to their screaming deaths down elevator shafts in this surreal and nightmarish thriller from one of the acknowledged masters of Italian horror. As the body count increases, will no one escape the sting of The Cat O' Nine Tails? Special Features: Brand new High Definition transfer of the film (1080p) Optional English and Italian Audio Original uncompressed Mono Audio Optional English subtitles Dario's Murderous Moggy: Director Dario Argento remembers The Cat O' Nine Tails Sergio Martino: The Art and Arteries of the Giallo Cat O' Nine Tails in Reflection, an interview with long-time Argento collaborator Luigi Cozzi Original Italian Trailer Reversible sleeve with original and newly commissioned artwork by Rick Melton Exclusive collector's booklet featuring brand new writing by Alan Jones, author of 'Profondo Argento'
Based on the book by Captain Ernest Gordon a phenomenal piece of work this is an unforgettable true-life story of extreme endurance survival and redemption set amid the brutal terror of a Japanese POW camp. A story of triumph faith courage and untimely forgiveness. The Times
It’s 1956 and WPC Annie Taylor (Claudia Jessie) is the one and only female officer in the Brinford police. Hailing from a respected police family this way of life is in Annie’s blood but as the first woman amongst them to join up she has big shoes to fill not least her father’s. WPC 56 III transports us back to atmospheric world of Brinford with its heady mix of colour and music; Rock n’ Roll juke joints beauty contests and the cacophony of a police band. This hides a dark underbelly of murder and secrecy in a time still steeped in wartime horrors fueling fears of fresh enemies in a future that’s far from certain.
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