Acclaimed action superstar Jean-Claude Van Damme directs and stars in The Quest (1996), an exotic odyssey that takes him from the slums of 1920s New York to the mysterious Lost City of Tibet. Christopher Dubois (Van Damme) is a street criminal on the run from the police, thrust into a forbidding realm of gun smugglers, pirates and an ancient, underworld martial arts competition. The legendary contest, known as the Ghan-gheng, pits the world's deadliest fighters against each other in a furious winner-takes-all battle. Forced to compete, Dubois faces the ultimate test of manhood where one wrong move could cost him not only the competition, but his life. Extras: 'Roger and Me': Actor Jack McGee on filming The Quest and working with Roger Moore 'The Scottish Fighter': An interview with actor Mike Lambert Audio commentary with martial arts cinema experts Mike Leeder and Arne Venema Trailer Gallery
Enter season 5 of Angel featuring all 22 episodes of the final series. Episodes comprise: 1. Conviction 2. Just Rewards 3. Unleashed 4. Hell Bound 5. Life of the Party 6. The Cautionary Tale of Numero Cinco 7. Lineage 8. Destiny 9. Harm's Way 10. Soul Purpose 11. Damage 12. You're Welcome 13. Why We Fight 14. Smile Time 15. A Hole in the World 16. Shells 17. Underneath 18. Origin 19. Time Bomb 20. The Girl in Question 21. Power Play 22. Not Fade Away
A photographer and his group set out in the dead of winter for the Alaskan wilderness to take advantage of the limited, but beautiful daylight. They are met by an experienced hunter and local lodge owner who instills fear within the group by telling them the legend of Maneater, a huge polar bear that has fangs and claws sharper than steel. This epic tall tale quickly becomes a real living nightmare, as the group is unaware that a bear experiment has gone wrong. The bioengineering company, Clobirch Industries, has genetically altered a polar bear so it can better survive climate change, but the end result is a relentless, deadly, man-eating, killing machine. It is up to our lodge owner and his native guide to protect the group from harm, but this bear proves to be more than he or anyone else ever expected.
Before beginning the main feature make sure you watch Burt Lancaster's endorsement of Marty in the appended theatrical trailer first. Yes, he was involved as coproducer, but his conviction clearly stems from the film itself. This screen adaptation of Paddy Chayevsky's play was a breakthrough in an American neo-realism that would sustain itself for two decades. Ernest Borgnine is in his element as the Bronx butcher in his mid-30s seemingly destined for a bachelor existence on account of past disappointments. There's a winningly natural performance from Esther Minciotti as his well-meaning, ever-interfering mother, while Betsy Blair is inspired casting as schoolteacher Clara, plain and diffident but with the proverbial good heart. The supporting cast is one of telling cameos, simply and unselfconsciously delivered. Delbert Mann conveys the energetic bustle of the Italian ex-pat community, and ensures that the intimacy of the original play is not lost. On the DVD: Marty's black-and-white print reproduces crisply in the DVD format, as does Roy Webb's score, which vividly evokes 1950s American city life. There's dubbing in four and subtitles in five European languages, together with the original trailer mentioned above. Having seen Marty, you'll surely agree that Lancaster's enthusiasm was not misplaced. --Richard Whitehouse
When three college lads are thrown out of their fraternity they become so desperate for free lodgings that they join the female Delta Omicron Gamma sorority house....
To all around him, Blood splatter analyst Dexter Morgan appears to be a perfect gentleman and respected member of the police force but, behind this convincing facade, Dexter harbours a terrifying secret. He is a serial killer.Orphaned at the age of four, Dexter (Michael C. Hall) was adopted by Miami police officer Harry Morgan (James Remar), after finding him abandoned at a particularly gruesome crime scene. Discovering that Dexter had murderous urges, Harry taught the natural born killer to channel his gruesome passion in a constructive way - to kill only those who 'deserve' it! By means of satisfying his interest in blood and to erase his own crimes, Dexter now works as a forensic expert in blood patterns for the Miami Dade Police Department: the department currently investigating a spate of victims fallen at the hands of an unknown murderer branded `The Ice Truck Killer'. Discovering that the city's slayer is provocatively leaving personal messages for him to pick up, Dexter begins to wonder if `The Ice Truck Killer' is closer to him than first thought.Emmy-Award winning screenwriter James Manos Jr. (The Sopranos) delivers a dark, engrossing, yet funny adaptation of Jeff Lyndsay's crime novel Darkly Dreaming Dexter. Forefront of its shining cast is Michael C. Hall who takes complete control of Dexter and provides us not only with a clear insight into the mind of a serial killer but also forces the audience to grapple with the wonderfully twisted moral ambiguity of having a serial killer as a likeable `hero'.
What kind of guy was the wizard Merlin, anyway? He lives a long time, raises a boy to be a king, props up a Utopian empire with his magic and wisdom, and then watches as it all crumbles under such banal forces as vengeance and betrayal. This four-hour mini-series re-tells the story of Camelot and King Arthur from the perspective of the magic man who sacrifices a great deal to guide mortals toward a better destiny. Sam Neill plays Merlin as an accessible, flesh-and-blood fellow of real passion, powerless to undo the spell of a rival (Rutger Hauer) who has virtually imprisoned Merlin's great love, Nimue (Isabella Rossellini), but gifted enough to counter the treachery of Morgan Le Fey (Helena Bonham Carter) and the wicked Queen Mab (Miranda Richardson). The battle sequences and special effects are striking and original, and it is great fun to see such art-house movie actors as Richardson, Carter, Neill, etc., in fantasy entertainment the whole family can enjoy. (An unrecognizable Martin Short must be singled out, however, for a wonderful, largely dramatic performance as Mab's sidekick, Frik.) Directed by Steve Barron (The Adventures of Pinocchio), Merlin is a nice bit of glossy revisionism of a beloved legend. --Tom Keogh
Cinema's enfant terrible Ken Russell's debut feature is an exuberant farce that has become a cult classic since its theatrical release fifty years ago. Featuring early lead roles for James Booth and Roy Kinnear and with script input from Johnny Speight this much sought-after comedy gem is made available here for the first time in a brand-new transfer from the original film elements. Gormleigh-on-Sea is the sort of typical boring English seaside resort where the landladies lock away the jam at 5 o'clock and there's little do except carve your initials on the bus shelters. Then deck-chair attendant Jim has a brain-wave – persuading the Mayor to host a film festival and import a French movie siren. It's not long before the mayors of Gormleigh's rival towns look on with jealous eyes and scheming minds… Special Features: Original theatrical trailer Image gallery Promotional material PDFs
In the 1950s four pilots were passed over for astronaut training, but forty years later they finally get their chance.
Bringing the sixth and final season of 'Dawson's Creek' to a close this disc features the two-part finale aptly titled 'All Good Things Must Come To An End'. Dawson Joey Pacey Jen and Jack are reunited in Capeside after five years to celebrate Dawson's mum's wedding. But the celebratory mood comes to an end when they receive some heartbreaking news. As the gang faces a future more uncertain than ever before Joey struggles to come to terms with her true feelings for Dawson Pa
Jen is a cheerleader and Jack's on the football team. I got sane and everyone else went crazy?" That's how Andie (Meredith Monroe) sums up the topsy-turvy beginning to the third season of Dawson's Creek, in which nothing seems to be as it should and the series takes a major turn. It's junior year at Capeside High, and Jack (Kerr Smith), the town's resident gay teen, is indeed on the football team, and Jen (Michelle Williams) finds herself the object of unexpected and unwelcome popularity among her fellow students, especially the freshman quarterback (Michael Pitt). Pacey (Joshua Jackson) finds that his relationship with Andie can't be restored, and Dawson (James Van Der Beek) and Joey (Katie Holmes), after the events of last year, both think it's for the best that they're no longer together--they just never think it at the same time. Significant events include the friends starting to date outside their circle, Dawson's giving up some of his aspirations, a ! crisis for the school's new principal, a college tour, and the openings of the Potter Bed & Breakfast and Leery Fresh Fish. But the Dawson-Joey relationship is still the heart of the Creek, and it comes to a head in one of the series' most memorable episodes, "The Longest Day," and then the season finale. Even in its first season without series creator Kevin Williamson, Dawson's Creek still had plenty of punch. On the DVDs, executive producer Paul Stupin does his usual commentary track for two episodes, and he's joined by Kerr Smith. They discuss the series itself, Smith's character, and Smith's subsequent career more than the events of the episodes. The second-season DVD set disappointed many fans by replacing a large portion of the music, and that trend continues in the third season, most surprisingly in the loss of Paula Cole's theme song. Instead, the opening credits feature Jann Arden's "Run Like Mad," which was used briefly in the international broadcast. Stupin explains the switch as an attempt to do something different and creative, but then admits there was also "a bit of an economic reality." Fortunately, the DVDs do have John Lennon's "Imagine" and Mary Beth Maziarz's "Daydream Believers"--songs that in dramatic context simply could not have been replaced--and it could be argued that a veteran viewer might skip the opening credits anyway. Still, for many fans, the music made Dawson's Creek what it was, and without all of it--especially the theme song--the DVDs seem like a compromise rather than a permanent keepsake. --David Horiuchi
Sophisticated to a point, this well-executed wolf-man tale works due to its clever setting and enormous star power. We all know Jack Nicholson can go nuts but the script makes his character aware of his changes, sometimes for the better, early on. The setting, a publishing house in the middle of a takeover, gives the characters dramatic life before the horror elements kicks in. A senior editor about to get the boot, Nicholson's character becomes a new man after being bitten by a wolf. He takes on challenges at work, lives a more robust life and attracts a new love. But will his new-found energy consume him? Director Mike Nicholson keeps the action alive in the first half but the film peters out at the end with cheap theatrics and the overuse of slow motion. Michelle Pfeiffer has little to do as simply the love interest with a grittier than average personality. Better is James Spader as a smarmy colleague. Nicholson is in fine form, relying on his keen gift to spark interest (a twitch of the head, a look in the eyes), instead of heavy doses of movie make-up. Giuseppe Rotunno's sweeping camerawork sets the mood quite well. Wolf is easy to recommend, with the added feature it's hardly gratuitous. --Doug Thomas
After narrowly escaping an attempted rape Marjorie is haunted by the fact that her attacker knows where she lives. But when he appears on her doorstep and subjects her to a non-stop barrage of physical and mental assaults Marjorie manages to disarm and capture him. Filled with fear and hostility she conspires with her roommates to take the law into their own hands. But as her rage consumes her Marjorie shocks her friends with a proposal that challenges the perilously thin line bet
Not enough people went to see True Crime in cinemas. Wasn't Clint Eastwood too old to be playing a guy who a variety of glorious women, from the middle-aged Diane Venora and Laila Robins to the young Mary McCormack and Lucy Liu, find attractive? Could the onetime Man with No Name credibly play a brilliant crime reporter, Steve Everett, with an ironic turn of phrase and an incurable habit of screwing up both his personal and professional lives? The respective answers to those questions are: hell no and hell yes. True Crime features one of Eastwood's best and most entertaining performances--and his work as director is utterly assured. The story (from Andrew Klavan's bestselling novel) gives Everett the last-minute assignment of interviewing a condemned man (Isaiah Washington) on the eve of his execution. The prisoner, a born-again Christian and exemplary family man, has everything the reporter lacks except a shot at seeing the next sunrise. Everett sets out to get him that, yet far from making a beeline to the exculpatory evidence that will save the life of his "client," this very tarnished hero has to spend a lot of the next 24 hours contending with the baggage he's accumulated through drinking, wenching and familial neglect. (A Pirandellian note: Everett's daughter is played by Eastwood's own daughter, Francesca Fisher-Eastwood, and her mother, Frances Fisher, returns for a feisty cameo as a prosecutor.) This is a good one that got away. Don't let it happen again. --Richard T Jameson
Forty years after Sam Peckinpah's hugely controversial 1971 original, Rod Lurie adapted and directed a new version of Straw Dogs, with a very deliberate change of location and an updating of the social context. Instead of being set in Britain, the story now takes place in small-town Mississippi, where Hollywood screenwriter David Sumner (James Marsden) is moving with his wife Amy (Kate Bosworth). She grew up in Blackwater, which she aptly refers to as "backwater," but has since become a much-desired TV actress. In their isolated house, David will write while Amy's ex-beau (Alexander Skarsgård) repairs the adjacent barn with his redneck buddies. In drawing the unease between this effete, conflict-averse intellectual and the swaggering, flag-waving, God-fearing locals, Lurie (The Contender) seems to be aiming at the hostility between red state/blue state America in 2011. But the movie breaks down when it gets to the sadistic plot turns that lead to the savage finale, a siege in which David is pushed to his primal self. In the Peckinpah film, this was a hellish and ambiguous exorcism, but here the events just seem ugly, and the movie loses control of its perspective about halfway through. James Marsden is a game actor, but he can't be as convincing a bookworm as Dustin Hoffman was in the original film. Kate Bosworth's ambivalence is the most interesting thing at play here, as she suggests the marriage might have been less than perfect all along. That subtle discontent is more intriguing than the movie's lurid collapse into ultraviolence. --Robert Horton
This pleasant enough comic-strip adaptation features Billy Zane in purple tights and a Lone Ranger mask as a 1930s daredevil who lives in a cave, has a pet dog called Devil, and devotes himself to goodness and justice and that sort of thing. Treat Williams is a nasty millionaire out to collect the evil-plot coupons (a set of jewelled skulls) so he can send off for ultimate, world-ruling power. Zane, plus peppy heroine Kristy Swanson, is out to stop Williams by jumping from aeroplanes onto horses, grinning as he biffs scurvy minions and resisting the wiles of ludicrous lady pirate Catherine Zeta Jones. Unlike most recent comic book films, The Phantom makes no attempt at bringing its 30s-created superhero up to date: there is a lot of charming period detail and a refreshingly unneurotic, healthy hero and heroine team, but it seems a bit embalmed by its resurrection of serial-style thrills. --Kim Newman
The film Silent Movie is director Mel Brooks's comic tribute to the golden days of the silent screen. A movie within a movie 'Silent Movie' stars Brooks as Mel Funn a filmmaker who has seen better days for one thing he's just come out of a bout with the bottle. When his best friends (Marty Feldman and Dom DeLuise) rescue him from despair and convince him to make another attempt at moviemaking Mel comes up with an idea a silent picture. Alas this is the 1970s and in
Buddy (Will Ferrell) is different from all of Santa's other elves. For one thing, he's a cotton-headed ninny muggins when it comes to making toys. For another, he's 6'3 . And the real clincher: he's human! So one special December, Buddy sets off on a holiday adventure to New York City in quest of his real dad. how Buddy finds his father (James Caan) and the meaning of Christmas is a joyous, jaunty, sweet-as-a-candy-cane gift for everyone who loves bright contemporary comedy - and timeless all-family classics. Extra Content: Focus Points! Fast Track Frivolity Makes Elf Even More Festive As Glimpses of the Movie's Magical Making Pop Up While You Watch the Movie. Special Features: Commentaries by Will Ferrell and Director Jon Favreau, deleted/alternate scenes, behind the scenes: Tag Along with Will Ferrell; Film School for Kids; How they made the North Pole; Lights, Camera, Puffin!; That's a wrap; Kids on Christmas; Deck the Halls; Santa Mania; Christmas in Tinseltown. Music from Elf, Elf Kareoke, Theatrical Trailer. Includes Funko Pocket Pop! Keychain of Buddy the Elf
The Beiderbecke Collection' is a charming mix of comedy and drama that has all the hallmarks of a classic detective thriller. Follow the exploits of jazz fan Trevor and his long-suffering girlfriend Jill as they find themselves embroiled in various mysteries which follow them to Amsterdam and Edinburgh and include dodgy businessmen black economies refugees and much much more.... This box set contains the following titles: 'The Beiderbecke Affair' 'The Beiderbecke Tapes' and 'The Beiderbecke Connection'.
Drug Smuggling. Racketeering. Loan Sharking. Welcome to Hollywood! A hysterical comedy that insists it doesn't take much to make it in the movies...just a background with the mob. Loanshark Chili Palmer (Golden Globe Winner Travolta) has done his time as a gangster. So when ""business"" takes him to LA to collect a debt from down-and-out-filmmaker (Gene Hackman) Chili jumps headfirst into the Hollywood scene: he smoozes a film star (Danny Devito) romances a ""B"" movie queen (Rene Rus
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