'Dirty Tricks' follows the hapless exploits of an unscrupulous English tutor at a seedy language school in Oxford. On the surface he is an eternal student: charming witty and accomplished. Beneath the facade however he displays a brilliant and ruthless talent for lying and manipulating everyone around him. Our 'hero' becomes friendly with wealthy couple Dennis and Karen Parsons but his initial feelings of bitterness regarding their success become complicated by a frenzied affair wit
Be Cool (2005): Everyone is looking for the next big hit... Disenchanted with the movie industry Chili Palmer (Travolta) decides to try his hand in the music industry he romances the sultry widow (Thurman) of a recently whacked music exec poaches a hot young singer (Christina Milian) from a rival label and discovers that the record industry is packin' a whole lot more than a tune! Get Shorty (1995): Drug Smuggling. Racketeering. Loan Sharking. Welcome to Hollywood!
A solid enough thriller held together by some somewhat implausible plot devices, Deception stars Ben Affleck as Rudy, whose cellmate Nick is lucky enough to be pen-pal to the beautiful Ashley (Charlize Theron) who in turn has pledged herself, body and soul to the man inside whom she has never set eyes upon. Upon his release, Rudy decides to pose as Nick in order to take up with this luscious and adoring female. Unfortunately, the scheme backfires on Rudy when he discovers that Ashley was apparently a pawn in her ruthless brother Monster's game to coerce him into helping him and his gang of gun-runners rob a casino that Nick used to work in. Deception rumbles along at a pretty seedy, violent pace for a long time, with Rudy's efforts to escape resulting in Monster (a menacing Gary Sinise) using him as a dartboard in one memorably brutal scene. Following their raid on the casino, however (clad in Santa outfits), the plot takes a couple of devilish twists and turns which reward the viewer prepared to come this far down the road with these people. The lack of empathy may be redeemed by some viewers with a scene featuring Charlize Theron naked in a pool. --David Stubbs
Nick Nolte and Eddie Murphy make one of the most unusual and entertaining teams ever in Walter Hill's roller-coaster thriller 48 HRS. Nolte is a roughedged cop after two vicious cop-killers. He can't do it without the help of smooth and dapper Murphy who is serving time for a half-million dollar robbery. This unlikely partnership trades laughs as often as punches as both pursue their separate goals: Nolte wants the villains; Murphy wants his money and some much-needed female companionship. Watch for Murphy's hilarious scene in a redneck country-western bar - you'll want to see it again and again.
Two more mysteries for the detective Sherlock Holmes to solve! The Musgrave Ritual: Holmes and Watson are staying with Reginald Musgrave at Hurlstone Manor. During their stay the butler disappears after he has been dismissed for prying into family documents examining details of the Musgrave ritual. Then when Rachel the housemaid vansihes Holmes begins to employ his deductive powers. The Abbey Grange: When Sir Eustace Brackenstall is bludgeoned to death in his dinning room Holmes is called in. After interviewing Lady Mary Sir Eustace's wife who herself was assaulted in the attack Holmes concludes that it is the work of the notorious Lewisham gang and hands the matter over to the local constabulary. But on the way back to London something is nagging in Holmes mind...
A single father moves his two children to rural South Carolina, only to watch his daughter exhibit increasingly strange behavior.
Peter Parker (Tobey Maguire) has finally managed to strike a balance between his devotion to M.J. (Kirsten Dunst) and his duties as a superhero. But when his suit suddenly changes, turning jetblack and enhancing his powers, it transforms Peter, bringing out a dark vengeful side that he struggles to control. He must now battle his inner demons as two of the mostfeared villains yet, Sandman (Thomas Haden Church) and Venom (Topher Grace), gather unparalleled power and a thirst for revenge which threatens Peter and everyone he loves.
Features three John Wayne classics 'Blue Steel' 'Winds of the Wasteland' and 'The Trail Beyond'.
Wade Whitehouse is frightened to death of following in his father's footsteps. Wade Whitehouse (Nick Nolte) is at a turning point in his life. People order him around everywhere he turns from his demanding boss to his ex-wife who won't let him see his daughter to his ageing violent alcoholic father (Academy Award winner James Coburn). For Wade the future looks bleak until his quiet New Hampshire town is shattered by the death of a Boston union official in a deer hunt led by Wade's friend Jack. The incident is written off as an accident but Wade suspects that Jack is guilty of murder. Solving the crime becomes Wade's obsession and his last opportunity to redeem himself in the eyes of the town his ex-wife his father and - most of all - himself. Featuring an impressive star cast 'Affliction' is a tense and compelling psycho-drama from Paul Schrader screenwriter of 'Taxi Driver' and 'Raging Bull' and director of 'American Gigolo'.
Robin And Marian (Dir. Richard Lester 1976): Robin Hood (Connery) is an old man when he returns with his best friend Little John to England after the Crusades. Maid Marian (Hepburn) has entered a nunnery King Richard is a raving lunatic his Brother John a moron and the age of great adventure has seemed to have passed Robin by. But when The Sheriff of Nottingham (Shaw) once again threatens Sherwood Robin gathers his faithful men and band of peasants to fight oppression in
Although the superhero comic book has been a duopoly since the early 1960s, only DC's flagship characters, Superman and Batman (who originated in the late 1930s), have established themselves as big-screen franchises. Until now--this is the first runaway hit film version of the alternative superhero X-Men universe created for Marvel Comics by Stan Lee, Jack Kirby and others. It's a rare comic-book movie that doesn't fall over its cape introducing all the characters, and this is the exception. X-Men drops us into a world that is closer to our own than Batman's Gotham City, but it's still home to super-powered goodies and baddies. Opening in high seriousness with paranormal activity in a WW2 concentration camp and a senatorial inquiry into the growing "mutant problem", Bryan Singer's film sets up a complex background with economy and establishes vivid, strange characters well before we get to the fun. There's Halle Berry flying and summoning snowstorms, James Marsden zapping people with his "optic beams", Rebecca Romijn-Stamos shape-shifting her blue naked form and Ray Park lashing out with his Toad-tongue. The big conflict is between Patrick Stewart's Professor X and Ian McKellen's Magneto, super-powerful mutants who disagree about their relationship with ordinary humans, but the characters we're meant to identify with are Hugh Jackman's Wolverine and Anna Paquin's Rogue. There are in-jokes enough to keep comics fans engaged, but it feels more like a science-fiction movie than a superhero picture. --Kim Newman On the DVD: X-Men 1.5's two-disc set offers little more than the original X-Men release. The six extended scenes which can be incorporated into the feature on Disc 1 were already available on the initial DVD version (though they're cleaned up a bit here), and when played within the film's original cut they seem disjointed and tacked on, adding very little to the overall story. Disc 2, meanwhile, will have little appeal to any but the most diehard of fans. The X-Men 2 Sneak Peak, the X-Men 2 trailer, the Daredevil trailer and the Activision Wolverine's Revenge trailer are little more than adverts. The four-part documentary, meanwhile, is impressively interactive (with multi-angle segments and two play modes), but unfortunately it's also a bit dull and self-congratulatory. --Robert Burrow
The sixth season of Buffy the Vampire Slayer followed the logic of plot and character development into some gloomy places. The year begins with Buffy being raised from the dead by the friends who miss her, but who fail to understand that a sacrifice taken back is a sacrifice negated. Dragged out of what she believes to have been heavenly bliss, she finds herself "going through the motions" and entering into a relationship with the evil, besotted vampire Spike just to force her emotions. Willow becomes ever more caught up in the temptations of magic; Xander and Anya move towards marriage without ever discussing their reservations; Giles feels he is standing in the way of Buffy's adult independence; Dawn feels neglected. What none of them need is a menace that is, at this point, simply annoying--three high school contemporaries who have turned their hand to magical and high-tech villainy. Added to this is a hungry ghost, an invisibility ray, an amnesia spell and a song-and-dance demon (who acts as rationale for the incomparable musical episode "Once More, with Feeling"). This is a year in which chickens come home to roost: everything from the villainy of the three geeks to Xander's doubts about marriage come to a head, often--as in the case of the impressive wedding episode--through wildly dark humour. The estrangement of the characters from each other--a well-observed portrait of what happens to college pals in their early 20s--comes to a shocking head with the death of a major character and that death's apocalyptic consequences. The series ends on a consoling note which it has, by that point and in spite of imperfections, entirely earned. --Roz Kaveney
More ambitious in scope than any of its other animated films (before or to come), Disney's 1940 Fantasia was a dizzying, magical and highly enjoyable marriage of classical music and animated images. Fantasia 2000, originally made for the IMAX large-screen format, features some breathtaking animation and storytelling, and in a few spots soars to wonderful high points, but it still more often than not has the feel of walking in its predecessor's footsteps as opposed to creating its own path. A family of whales swimming and soaring to Respighi's The Pines of Rome is magical to watch, but ends all too soon; a forest sprite's dance of life, death and rebirth to Stravinsky's The Rite of Spring too clearly echoes the original Fantasia's Night on Bald Mountain/Ave Maria sequence. But when it's on target, Fantasia 2000 is glorious enough to make you giddy. Hans Christian Andersen's "The Steadfast Tin Soldier" is a perfect narrative set to Shostakovich's Piano Concerto No. 2, and Donald Duck's guest appearance as the assistant to Noah (of the Ark fame) set to Elgar's Pomp and Circumstance marches is a welcome companion piece (though not an equal) to The Sorcerer's Apprentice, the one original Fantasia piece included here. The high point of Fantasia 2000, though, is a fantastic day-in-the-life sequence of 1930s New York City set to Gershwin's Rhapsody in Blue and animated in the style of cartoonist Al Hirschfeld; it's a perfect melding of music, story and animation style. Let's hope future Fantasias (reportedly in the works) take a cue from the best of this compilation. The music is provided by the Chicago Symphony Orchestra, conducted by James Levine, interspersed with negligible intros by Steve Martin, Bette Midler, Itzhak Perlman, James Earl Jones and others. --Mark EnglehartFantasia and Fantasia 2000 are also available together in the three-disc DVD Fantasia Collection.
Dating from 1976, The Likely Lads belongs to an often-reviled genre--the feature-length spin-off from the 1970s sitcom. However, these were often a great deal better than TV purists make them out to be. The Dad's Army film, for example, more than measures up to the original series, the first Steptoe and Son movie is as sublime as any 1960s kitchen sink drama and much funnier, while this incarnation of The Likely Lads reaches heights of hilarity not even scaled by the splendid sitcom from which it was derived. Starring Rodney Bewes as Bob and James Bolam as Terry, this is an aimless but endlessly entertaining saga that takes in a calamitous caravan holiday in drizzly Northumbria, a farcical escapade in a seaside guest house and innumerable minor capers in between. The real business here, however, is in Dick Clement and Ian La Frenais' script and characterisation. Most of their best work involves men in confinement of some sort (Porridge, Auf Wiedersehen Pet) and here it's Bob who finds himself timidly chafing at the clutches of domestic "bliss" as personified by wife Thelma (played magnificently and underratedly by Brigit Forsyth, avoiding all the usual battleaxe clichés). He's jealous of the footloose Terry, even though the latter is clearly frustrated at his rootless existence ("I've learned nothing. Y'know what it'll say on my gravestone? "None the Bloody Wiser"!"). Beyond a mere nostalgia-fest, this is vintage, essential Brit-comedy. On the DVD: The Likely Lads is presented in widescreen 1.78:1. Unfortunately, this comedic milestone comes only with the original trailer by way of extras. --David Stubbs
Episodes Comprise: 1. Battlestar Galactica (2003 Miniseries) - Part 1.0 2. Battlestar Galactica (2003 Miniseries) - Part 1.5 3. Battlestar Galactica (2003 Miniseries) - Part 2.0 4. Battlestar Galactica (2003 Miniseries) - Part 2.5 5. 33 6. Water 7. Bastille Day 8. Act of Contrition (1) 9. You Can't Go Home Again (2) 10. Litmus 11. Six Degrees of Separation 12. Flesh and Bone 13. Tigh Me Up Tigh Me Down 14. The Hand of God 15. Colonial Day 16. Kobol's Last Gleaming Part 1 17. Kobol's Last Gleaming Part 2 18. Scattered 19. Valley of Darkness 20. Fragged 21. Resistance 22. The Farm 23. Home Part 1 24. Home Part 2 25. Final Cut 26. Flight of the Phoenix 27. Pegasus 28. Resurrection Ship Part 1 29. Resurrection Ship Part 2 30. Epiphanies 31. Black Market 32. Scar 33. Sacrifice 34. The Captain's Hand 35. Downloaded 36. Lay Down Your Burdens Part 1 37. Lay Down Your Burdens Part 2 39. Occupation 40. Precipice 41. Exodus Part 1 42. Exodus Part 2 43. Collaborators 44. Torn (1) 45. A Measure of Salvation (2) 46. Hero 47. Unfinished Business 48. The Passage 49. The Eye of Jupiter (1) 50. Rapture (2) 51. Taking a Break from All Your Worries 52. The Woman King 53. A Day in the Life 54. Dirty Hands 55. Maelstrom 56. The Son Also Rises 57. Crossroads Part 1 58. Crossroads Part 2
After serving as a bridesmaid 27 times, a young woman (Heigl) wrestles with the idea of standing by her sister's side as her sibling marries the man she's secretly in love with.
Charles Bronson demonstrates exactly what tough is in this two-fisted action drama about a drifter suddenly caught up in the fight game during The Great Depression. Chaney (Bronson) a down-on-his-luck loner hops on a freight train to New Orleans where on the seedier side of town he tries to make some quick money the only way he knows how - with his fists. Chaney approaches a hustler named Speed (Coburn) and convinces him that he can win big money for them both. Chaney wins a f
Struggling comedian James Mullinger (based on the eponymous, real-life comedian) has come to a crossroads in his life; no one wants to see him perform, his wife is fed up, and his day time boss has given him an ultimatum take a promotion and never do stand up again, or stick to the comedy and lose his job. To add salt to the wound, his boss sends him to L.A. to interview some of the greatest comedians alive for the magazine. Through spending time with his former heroes, a faint glimmer of his passion for stand-up comedy begins to stir again
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