Consumed by an unquenchable rage Captain Ahab (Gregory Peck) has but one purpose; revenge on Moby Dick the great white whale who maimed and disfigured him. The obsessed skipper of a whaling boat Ahab uses his command as an excuse to sail the seven seas in an unrelenting search of his prey. Battling a mutinous crew tropical heat and violent storms Ahab finally catches up to his quarry and begins a confrontation that culminates in an epic struggle of non-stop fury...and inevitable
Forty years after Sam Peckinpah's hugely controversial 1971 original, Rod Lurie adapted and directed a new version of Straw Dogs, with a very deliberate change of location and an updating of the social context. Instead of being set in Britain, the story now takes place in small-town Mississippi, where Hollywood screenwriter David Sumner (James Marsden) is moving with his wife Amy (Kate Bosworth). She grew up in Blackwater, which she aptly refers to as "backwater," but has since become a much-desired TV actress. In their isolated house, David will write while Amy's ex-beau (Alexander Skarsgård) repairs the adjacent barn with his redneck buddies. In drawing the unease between this effete, conflict-averse intellectual and the swaggering, flag-waving, God-fearing locals, Lurie (The Contender) seems to be aiming at the hostility between red state/blue state America in 2011. But the movie breaks down when it gets to the sadistic plot turns that lead to the savage finale, a siege in which David is pushed to his primal self. In the Peckinpah film, this was a hellish and ambiguous exorcism, but here the events just seem ugly, and the movie loses control of its perspective about halfway through. James Marsden is a game actor, but he can't be as convincing a bookworm as Dustin Hoffman was in the original film. Kate Bosworth's ambivalence is the most interesting thing at play here, as she suggests the marriage might have been less than perfect all along. That subtle discontent is more intriguing than the movie's lurid collapse into ultraviolence. --Robert Horton
Forty years after Sam Peckinpah's hugely controversial 1971 original, Rod Lurie adapted and directed a new version of Straw Dogs, with a very deliberate change of location and an updating of the social context. Instead of being set in Britain, the story now takes place in small-town Mississippi, where Hollywood screenwriter David Sumner (James Marsden) is moving with his wife Amy (Kate Bosworth). She grew up in Blackwater, which she aptly refers to as "backwater," but has since become a much-desired TV actress. In their isolated house, David will write while Amy's ex-beau (Alexander Skarsgård) repairs the adjacent barn with his redneck buddies. In drawing the unease between this effete, conflict-averse intellectual and the swaggering, flag-waving, God-fearing locals, Lurie (The Contender) seems to be aiming at the hostility between red state/blue state America in 2011. But the movie breaks down when it gets to the sadistic plot turns that lead to the savage finale, a siege in which David is pushed to his primal self. In the Peckinpah film, this was a hellish and ambiguous exorcism, but here the events just seem ugly, and the movie loses control of its perspective about halfway through. James Marsden is a game actor, but he can't be as convincing a bookworm as Dustin Hoffman was in the original film. Kate Bosworth's ambivalence is the most interesting thing at play here, as she suggests the marriage might have been less than perfect all along. That subtle discontent is more intriguing than the movie's lurid collapse into ultraviolence. --Robert Horton
A maniac wired to a bomb. His hostages: 154 totally innocent children... Cokeville Wyoming. A small peaceful town. And the perfect place for a maniac to put his evil plot into action. David Young is planning 'The Big One': a scheme to create his own bizarre 'brave new world' - and to make himself fabulously wealthy - by kidnapping every child in Cokeville Elementary School and holding them to ransom. And he's got an ace up his sleeve: a bomb wired to explode if anyone dares to attack or shoot him. With 154 hostages inside the school and the emergency services helpless outside it seems that Young cannot lose...
Vibrant orange sunflowers. Rippling yelow grain. Trees bursting with white bloom. ""The pictures come to me as in a dream "" Vincent Van Gogh said. A dream that too often turned to life-shattering nightmare... Winner of Golden Globe and New York Film Critics Best Actor Awards Kirk Douglas gives a fierce portrayal as the artist torn between the joyous inspiration of his genius and the dark desperation of his tormented mind. The obsessed Van Gogh painted the way other men breathe drivi
The second of the popular Doctor series sees doctor Simon Sparrow (Dirk Bogarde) keen to escape the boredom of medical practice ashore and the threat of matrimony. Sparrow signs up as a medical officer onboard the cargo ship SS Lotus pleased to be free of any female distractions. However Sparrow soon falls foul of the ship's skipper fearsome captain Hogg (James Robertson Justice) and worse still lands in jail after a drunken celebration on arrival in South America. Two new passeng
More comical situations at St. Swithins Hospital when Dr. Grimsdyke returns for a course and develops a rejuvenating drug...
Honor. Duty. Respect. These three military traditions are in jeopardy at a British regiment stationed in colonial India at the end of the nineteenth century. A new recruit is charged with dishonorable conduct when a beautiful widow (Susannah York) is attacked. In an attempt to prevent a public court-martial the superior officers (Richard Attenborough Stacy Keach and Christopher Plummer) set up an internal hearing. Can an idealistic young officer (Michael York) defend the a
Best friends Rob and Greg decide to earn a little extra cash over the Christmas holidays by participating in a two week pharmaceutical trial. Locked in a remote hospital facility they find themselves being subjected to a bizarre series of tests that seem to induce an increasingly violent reaction in a lot of the participants. As the doctors start to lose control it becomes clear that the drugs have increasingly dangerous side effects and no one involved in the trial will be safe for long.
One year ago, dirty cop Detective Callahan (Stephen Dorff) was shot in a drug bust gone wrong, and saved by an anonymous stranger who gave him a second chance to clean up his life. But when the stranger finally comes forward, seeking revenge against the men responsible for a string of assaults on young women at a local strip club, Callahan must go rogue to find the attacker, in an effort to hide how his past played a part in these crimes. His desperation to find the attacker, and cover his tr...
David 'Cal' Callahan (Stephen Dorff) is a dirty cop gone clean. A nasty murder soon drags him back into the destuctive, drug fuelled world he fought so hard to break away from. The more obsessed he gets and the closer he moves the the truth, the more deadly the case becomes. It's not a question of when things will turn dirty, but just how dirty they'll get. Gripping crime action with a killer cast, including Dominic Purcell, David Boreanaz, Stephen Lang and James Woods.
When Lisa Temple wakes up in the hospital she remembers nothing: her name who she was her wealthy husband Paul's intention to divorce her or how she came to be badly beaten and left for dead in an alley. When Paul takes her back home Lisa is like a child who must relearn everything; from how food tastes to how to make love. At first Paul believes she is play-acting but seeing her new joy in life he remembers the woman he first fell in love with...
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