Recently widowed world-famous neurosurgeon Dr. Michael Hfuhruhurr (Steve Martin) falls for the charms of gold-digging Dolores Benedict (Kathleen Turner) after accidentally hitting her with his car. Following a life saving operation with his newly developed 'screw-top' brain surgery the pair are soon married but Michael finds himself trapped in a loveless marriage of convenience when he realises that Dolores is only after his money. However on a trip to Vienna to attend a medical
Michael Felgate (Hugh Grant), an elegant, debonair Englishman who runs an auction house in New York, is head-over-heels in love for the first time in his life.
All 18 episodes from all three series of the BBC drama starring Sarah Lancashire as a police sergeant in a rural West Yorkshire valley. In the first series, Catherine Cawood (Lancashire) receives a visit from Kevin Weatherill (Steve Pemberton), a distressed member of the Yorkshire community she oversees, and is drawn into a ransom case in which the life of Ann Gallagher (Charlie Murphy) is at stake. Kevin employed local thug Ashley Cowgill (Joe Armstrong) to kidnap Ann in the hope of extracting a ransom from his boss, and his remorse has come too late to prevent the crime. Can Catherine get to the girl in time? In the second series, while investigating a case of sheep-stealing, Catherine discovers the decomposed body of a murdered prostitute who she later discovers is the mother of Tommy Lee Royce (James Norton). This revelation places Catherine at the centre of the investigation as a possible suspect while Royce continues to torment her from inside his cell with the help of his new accomplice Frances (Shirley Henderson). While she takes on a new case of human trafficking, Catherine deals with more complications in her personal relationships and is recommended by her bosses to undertake a course of counselling therapy. In the third series, Catherine is on the verge of retirement when the discovery of a murder victim leads her back to a still incarcerated Tommy Lee Royce. When she learns that her grandson Ryan (Rhys Connah) has been visiting him in prison, she is furious, especially when she realises her sister Clare (Siobhan Finneran) has been helping him. After Tommy escapes from prison, he only has one goal in mind... Meanwhile, pharmacist Faisal Bhatti (Amit Shah) is supplying prescription drugs illegally and trouble is closing in.
Ridley Scott returns to the universe he created in ALIEN with ALIEN: COVENANT, the second chapter in a prequel trilogy that began with PROMETHEUS -- and connects directly to Scott's 1979 seminal work of science fiction. Bound for a remote planet on the far side of the galaxy, the crew of the colony ship Covenant discovers what they think is an uncharted paradise, but is actually a dark, dangerous world -- whose sole inhabitant is the synthetic David (Michael Fassbender), survivor of the doomed Prometheus expedition.
Monsters IncLovable Sulley and his wisecracking sidekick Mike Wazowski are the top scare team at Monsters Inc. the scream-processing factory in Monstropolis. When a little girl named Boo wanders into their world it's the monsters who are scared silly and it's up to Sulley and Mike to keep her out of sight and get her back home. Special Features: Filmmakers' Round Table Monsters Inc. Ride and Go Seek: Building Monstropolis in Japan Roz's 100 Door Challenge Game Monster UniversityMike Wazowski and James P. Sullivan (Sulley) are an inseparable pair but that wasn't always the case. From the moment these two mismatched monsters met they couldn't stand each other. Unlock the door to how Mike and Sulley overcame their differences and became the best of friends. Special Features: The Blue Umbrella - Theatrical Short Audio Commentary
Star Wars: The Clone Wars Complete (4 Discs)
If youve got your high definition television set up, and your Blu-ray player or Playstation 3 at the ready, then surely home cinema demo material rarely comes in better shape than Independence Day. The spectacular 1996 blockbuster stars Will Smith in the early part of his movie career and, of course, tells the tale of invaders from other worlds bringing mighty ships to the Earth. And particularly in the first half, Independence Day wrings so much tension and style from their arrival that few films have equalled it since. The sheer spectacle of set pieces such as the blowing up of the White House, or the massive battle in the skies, simply deserves to be seen and enjoyed in high definition. Independence Day, of course, does go a bit daft as it goes about wrapping up its simple-yet-compelling premise, but its really very hard not to forgive it. So ambitious were the effects at the time that they still stand up now, and as far as science fiction blockbusters go, this remains one of the finest in recent memory. Of course, high definition does it wonders. The film looks razor-sharp, and coupled with a punchy sound mix, Independence Day is quite superb demo material. That its also a fun blockbuster too is an added, and very welcome treat. --Jon Foster
Trying to explain the cult appeal of John Carpenter's Big Trouble in Little China to the uninitiated is no easy task. The plot in a nutshell follows lorry driver Jack Burton (Kurt Russell) into San Francisco's Chinatown, where he's embroiled in street gang warfare over the mythical/magical intentions of would-be god David Lo Pan. There are wire-fu fight scenes, a floating eyeball and monsters from other dimensions. Quite simply it belongs to a genre of its own. Carpenter was drawing on years of chop-socky Eastern cinema tradition, which, at the time of the film's first release in 1986, was regrettably lost on a general audience. Predictably, it bombed. But now that Jackie Chan and Jet Li have made it big in the West, and Hong Kong cinema has spread its influence across Hollywood, it's much, much easier to enjoy this film's happy-go-lucky cocktail of influences. Russell's cocky anti-hero is easy to cheer on as he "experiences some very unreasonable things" blundering from one fight to another, and lusts after the gorgeously green-eyed Kim Cattrall. The script is peppered with countless memorable lines, too ("It's all in the reflexes"). Originally outlined as a sequel to the equally obscure Adventures of Buckaroo Banzai Across the Eighth Dimension, Big Trouble is a bona fide cult cinema delight. Jack sums up the day's reactions perfectly, "China is here? I don't even know what the Hell that means!". On the DVD: Big Trouble in Little China is released as a special edition two-disc set in its full unedited form. Some real effort has been put into both discs' animated menus, and the film itself is terrific in 2.35:1 and 5.1 (or DTS). The commentary by Carpenter and Russell may not be as fresh as their chat on The Thing, but clearly they both retain an enormous affection for the film. There are eight deleted scenes (some of which are expansions of existing scenes), plus a separate extended ending which was edited out for the right reasons. You'll also find a seven-minute featurette from the time of release, a 13-minute interview with FX guru Richard Edlund, a gallery of 200 photos, 25 pages of production notes and magazine articles from American Cinematographer and Cinefex. Best of all for real entertainment value is a music video with Carpenter and crew (the Coupe de Villes) coping with video FX and 80s hair-dos.--Paul Tonks
Winner of four Academy Awards, including best picture, director, supporting actor and best editing, Clint Eastwood's 1992 masterpiece stands as one of the greatest and most thematically compelling Westerns ever made. "The movie summarised everything I feel about the Western," said Eastwood at the time of the film's release. "The moral is the concern with gunplay." To illustrate that theme, Eastwood stars as a retired, once-ruthless killer-turned-gentle-widower and hog farmer. He accepts one last bounty-hunter mission--to find the men who brutalised a prostitute--to help support his two motherless children. Joined by his former partner (Morgan Freeman) and a cocky greenhorn (Jaimz Woolvett), he takes on a corrupt sheriff (Oscar winner Gene Hackman) in a showdown that makes the viewer feel the full impact of violence and its corruption of the soul. Dedicated to Eastwood's mentors Sergio Leone and Don Siegel and featuring a colourful role for Richard Harris, Unforgiven is arguably Eastwood's crowning directorial achievement. --Jeff Shannon
When LeBron James and his son are trapped in a digital space by a rogue A.I., it's Tunes vs Goons in the higheststakes challenge of his life that will redefine the bond with his son.
The era of Molly Ringwald's profitable collaboration with writer-producer-director John Hughes (Sixteen Candles, The Breakfast Club) was at its peak with this 1986 film (directed by Howard Deutch but in every sense part of the developing Hughes empire). Ringwald plays a high-school girl on the budget side of the tracks, living with her warm and loving father (Harry Dean Stanton) and usually accompanied by her insecure best friend (Jon Cryer). When a wealthy but well-meaning boy (Andrew McCarthy) asks her out, her perspective is overturned and Cryer's character is threatened. As was the case in the mid-'80s, Hughes (who wrote the script and produced the film) brought his special feel for the cross-currents of adolescent life to this story. In its very commercial way, it is an honest, entertaining piece about growing pains. The attractive supporting cast (many of whom are much better known now) does a terrific job, and Ringwald and Cryer have excellent chemistry. --Tom Keogh
This British anthology series produced by England's leading exporters of horror films told tales of haunted houses demons ghosts and other supernatural wonders... Includes all 13 episodes across 4 discs: The House That Bled To Death The Silent Scream The Two Faces of Evil The Mark of Satan Witching Time Visitor From The Grave Rude Awakening Charlie Boy Children of the Full Moon The Thirteenth Reunion The Carpathian Eagle Guardian of the Abyss Growing Pains.
Akira Kurosawa's rousing Seven Samurai was a natural for an American remake--after all, the codes and conventions of ancient Japan and the Wild West (at least the mythical movie West) are not so very far apart. Thus The Magnificent Seven effortlessly turns samurai into cowboys (the same trick worked more than once: Kurosawa's Yojimbo became Sergio Leone's A Fistful of Dollars). The beleaguered denizens of a Mexican village, weary of attacks by banditos, hire seven gunslingers to repel the invaders once and for all. The gunmen are cool and capable, with most of the actors playing them just on the cusp of '60s stardom: Steve McQueen, James Coburn, Charles Bronson, Robert Vaughn. The man who brings these warriors together is Yul Brynner, the baddest bald man in the West. There's nothing especially stylish about the approach of veteran director John Sturges (The Great Escape), but the storytelling is clear and strong, and the charisma of the young guns fairly flies off the screen. If that isn't enough to awaken the 12-year-old kid inside anyone, the unforgettable Elmer Bernstein music will do it: bum-bum-ba-bum, bum-ba-bum-ba-bum... Followed by three inferior sequels, Return of the Seven, Guns of the Magnificent Seven, and The Magnificent Seven Ride! --Robert Horton
From award-winning director Ken Loach and writer Paul Laverty comes a bitter sweet comedy caper which proves that sometimes all you need in life is a little spirit. Escaping a prison sentence by the skin of his teeth, the wayward and disillusioned Robbie is given one last chance to turn his life around. Together the four friends he embarks on an adventure and discovers that turning to drink might just change their lives - not cheap fortified wine, but the best malt whiskies in the world.
Ned (Bryan Cranston), an overprotective dad, visits his daughter at Stanford where he meets his biggest nightmare: her well-meaning but socially awkward Silicon Valley billionaire boyfriend, Laird (James Franco). A rivalry develops and Ned's panic level goes through the roof when he finds himself lost in this glamorous high-tech world and learns Laird is about to pop the question.
On the run from the British government in Mexico Sean Mallory (Coburn) an IRA explosives expert is befriended by Juan Miranda (Steiger) the leader of a bandit family. Upon witnessing Mallory's skills with explosives Juan asks Sean to join his gang to raid the bank of Mesa Verde but before long he's caught up in the Mexican revolution!
Kay Mellor's gritty drama revolves around a murder and the upheaval it creates in the lives of four women who live and work in a red light area. Featuring all the episodes from the three series. Estranged from her violent husband mother-of-three Gina Dixon is quickly running out of options to keep an aggressive loan shark from the front door. When she meets another single mother Carol who appears to have no financial worries she is keen to know her secret. Her new found friendship with Carol draws Gina into the sisterhood of the streets a fiercely loyal network which underpins the harsh realities of the oldest profession in the world. When a murder victim is discovered on their patch the women close ranks as their lives become inextricably bound up in the hunt for the killer...
Merlin is back for a fourth series of the hit BBC adventure as Camelot stands on the brink of a golden age. But its birth will not be an easy one. For the forces of evil are gathering and the darkest hour is just before the dawn… This series sees the arrival of the fearless Knights of Camelot and a fantastic guest cast featuring Gemma Jones (Bridget Jones’ Diary, Harry Potter), Phil Davis (Doctor Who, Brighton Rock) and Nathaniel Parker (Stardust, The Chronicles of Narnia) as well as the return of Santiago Cabrera (Heroes, Che) as the dashing Lancelot. With its thrilling mix of action, adventure and pure magic, the fourth series of Merlin will captivate the imagination as never before…Volume 1 contains episode 1-6 of the Series Four plus exclusive extras and free gifts!Included Inside Free Kingdom Ticket To Warwick Castle Worth 29.40* Exclusive To DVD Super Top Trumps Card Special Features: Cast & Crew Audio Commentaries Deleted Scenes Out-Takes Storyboards Superfan Gallery
There's not one cougar to be found in 24's dynamic third season, and that's good news for everyone. After Jack Bauer's daughter Kim (Elisha Cuthbert) survived hokey hazards in season 2, she's now a full-time staffer at CTU, the L.A.-based intelligence beehive that's abuzz once again--three years after the events of "Day Two"--when a vengeful terrorist threatens to release a lethal virus that could wipe out much of the country's population. Jack (Kiefer Sutherland) attempts to broker a deal for the virus involving drug kingpin Ramon Salazar (Joaquim de Almeida), whose operation Jack successfully infiltrated at high personal cost: to maintain his cover, he got hooked on heroin. That potentially deadly triangle--drug lords, addiction, and bioterrorism on a massive scale--sets the 24-hour clock ticking in a tight, action-packed plot involving a potential traitor in CTU's midst; the return of TV's greatest villainesses in Nina Meyers (Sarah Clarke) and former First Lady Sherry Palmer (Penny Johnson Jerald); a troubled romance between Kim and Jack's new partner Chase (James Badge Dale); and a scandalized reelection campaign by president David Palmer (Dennis Haysbert), who monitors CTU as they struggle to (literally) save the day. The intricately woven subplots that are 24's greatest strength are masterfully developed here, and character arcs are equally strong, especially among CTU staffers Tony (Carlos Bernard) and his wife Michelle (Reiko Aylesworth); CTU director Ryan Chappelle (Paul Schulze), who is season 2's tragic bargaining chip; and the annoying but well-intentioned Chloe O'Brian (Mary Lynn Rajskub), who makes pivotal contributions with by-the-book efficiency. It's 24's superior casting that overcomes the series' occasional lapses in credibility, and season 3's twists make marathon viewing a nerve-wracking delight. By the time it's all over, with a high body count and the surgical reattachment of a main character's severed hand, 24 once again leaves you gratefully exhausted. As always, Sutherland anchors the series in the role he was born to play. When Jack takes a private moment to release 24 hours' worth of near-fatal tension and psychological anguish, Sutherland proves that 24's dramatic priorities are as important as its thriller momentum. DVD extras include behind-the-scenes featurettes (about the prison break sequence, climactic F-18 Hornet air-strike, and real-life bio-weaponry) that pay welcome tribute to the series' hard-working crew, who create Emmy-worthy television under pressures as intense as 24 itself. --Jeff Shannon
John Frankenheimer's Award-winning 1962 classic THE MANCHURIAN CANDIDATE has been fully restored and will be back in cinemas this spring.
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