The NHS bad girls are back! Every day the girls face life death and lunacy on the wards of St. Margaret's; every night they let off steam with a dangerous appetite for uncomplicated sex and unruly misbehaviour... The complete third series of No Angels!
The fifth series of the hit American legal drama-comedy.
The Night of the Hunterincredibly, the only film the great actor CHARLES LAUGHTON ever directed is truly a standalone masterwork. A horror movie with qualities of a Grimm fairy tale, it stars a sublimely sinister ROBERT MITCHUM (Cape Fear, The Friends of Eddie Coyle) as a traveling preacher named Harry Powell (he of the tattooed knuckles), whose nefarious motives for marrying a fragile widow, played by SHELLEY WINTERS (A Place in the Sun, The Diary of Anne Frank) are uncovered by her terrified young children. Graced by images of eerie beauty and a sneaky sense of humour, this ethereal, expressionistic American classicalso featuring the contributions of actress LILLIAN GISH (Intolerance, Duel in the Sun) and writer JAMES AGEEis cinema's quirkiest rendering of the battle between good and evil. Special Features: New, restored high-definition digital transfer, with uncompressed monaural soundtrack Audio commentary featuring assistant director Terry Sanders, film critic F. X. Feeney, archivist Robert Gitt, and author Preston Neal Jones Charles Laughton Directs The Night of the Hunter, a two-and-a-half-hour archival treasure trove of outtakes from the film New documentary featuring interviews with producer Paul Gregory, Sanders, Jones, and author Jeffrey Couchman New video interview with Simon Callow, author of Charles Laughton: A Difficult Actor Clip from The Ed Sullivan Show, in which cast members perform live a scene that was deleted from the film Fifteen-minute episode of the BBC show Moving Pictures about the film Archival interview with cinematographer Stanley Cortez Gallery of sketches by author Davis Grubb New video conversation between Gitt and film critic Leonard Maltin about Charles Laughton Directs The Night of the Hunter Original theatrical trailer PLUS: A booklet featuring essays by critics Terrence Rafferty and Michael Sragow
When a bus breaks down in the desert the passengers decide to stage a production of Shakespeare's 'King Lear' to pass the time until they are rescued. However jealousies and divisions between members of the group threaten the security of all... Intellectual and offbeat horror film from acclaimed Danish director Kristian Levring adhering to the 'Dogme95' principles of film making.
The very first film in the ever popular Doctor series. Here we are first introduced to Simon Sparrow (Dirk Bogarde) and follow his hilarious adventures as a student doctor in St. Swithins Hospital - from naive bumbling trainee to his first day as a fully qualified doctor. In these early formative years he learns how to cope with the occupational hazards of being a medical student such as fiery ward sisters frightening surgeons over-knowledgeable patients the eccentricities o
Michael Caine was robbed of an Oscar. He gives his finest performance in a decade as big-talking small-time agent Ray Say, a paunchy, pale life of the party hiding his desperation under gold chains and cool bravura. When he hears the almost magical voice of Jane Horrocks's meek little LV (short for Little Voice) fill her bedroom with the rich voice of Judy Garland, he sees his ticket to the big time. Little Voice is ostensibly LV's story, and in fact the original play was written for Horrocks, whose amazing vocal impressions of Garland, Shirley Bassey and Marilyn Monroe (among others) form the centrepiece performance of the film. But as directed by Mark Herman (Brassed Off), the story of this mousy girl who shuts herself in from a bellowing world is just as overwhelmed by the bombastic characters as LV herself. Brenda Blethyn babbles a blue streak as LV's overbearing mother, Mari, an ageing widow who escapes her unhappiness in carousing and becomes almost pathologically jealous when Ray's attentions turn from her to LV. As Ray puts his dreams on the line for LV's showcase, he reveals his true self: a venal man who spits and barks out his bottled-up anger in an astoundingly bile-filled delivery of Roy Orbison's "It's Over." The showstopping moment once again overwhelms LV's tale, but Caine's performance is so astounding it seems a fair trade. --Sean Axmaker
Details TBC
The complete tenth season of the popular US drama following detectives including Andy Sipowicz (Dennis Franz) and Bobby Simone (Jimmy Smits) as they police the streets of the Big Apple. The episodes comprise: 'Ho Down', 'You've Got Mail', 'One in the Nuts', 'Meat Me in the Park', 'Death By Cycle', 'Maya Con Dios', 'Das Boots', 'Below the Belt', 'Half-Ashed', 'Healthy McDowell Movement', 'I Kid You Not', 'Arrested Development', 'Bottoms Up', 'Laughlin All the Way to the Clink', 'Tranny Get You...
A compelling look at one of the most restlessly brilliant men of all time, Leonardo da Vinci, Leonardo gets inside the mind of the genius, showing the drama behind his art and exploring a tantalizing murder-mystery.
Writer/Director Cameron Crowe's affable twentysomething romantic comedy is less a tale of tortured love than a prescient portrait of a culture on the cusp of Generation X--that is Seattle, circa 1991. One-time Rolling Stone journalist Crowe, ever aware of pop trends, lovingly details a society newly beguiled by slackers, answerphones, self-analysis, the coffee-house fetish, post-AIDS safe sex and, most importantly, grunge music--Smashing Pumpkins, Mudhoney and Jane's Addiction pepper the soundtrack, while various Pearl Jam players cameo as members of the film's fictional grunge wannabes Citizen Dick. In the midst of all this sits a cosy residential apartment block, a perfect setting for the emotional crises of on-again, off-again, on-again couples Steve and Linda (Campbell Scott and Kyra Sedgwick) and Cliff and Janet (Matt Dillon and Bridget Fonda). Steve is a sensitive transport engineer whose game-playing backfires when he meets Linda, an environmental activist with a fear of rejection. Cliff is a feckless rock musician, and front man for Citizen Dick, whose inability to commit to Janet is forcing her to take desperate measures. Will the couples split? Will they reunite? And will they learn a little something about life, maturity and commitment along the way? As you'd expect from the man behind the cutesy teen classic Say Anything (his directorial debut), Crowe's relationship resolutions are often simplistic and sentimental ("You rock my world!" and "You belong to me!" are two such vocal denouements). And this, combined with a rambling narrative often makes the movie feel longer than its 95 minutes (an inter-title announcing "The Theory of Eternal Dating" sums it up). Nonetheless, there's enough wit, comic digression and tap-along gaiety elsewhere to make Singles an enjoyably slight romantic placebo. --Kevin Maher
In 13th century a determined group of Knights Templar defends Rochester Castle against the tyrannical King John.
Jonathan is sick and tired of the boring life in his sea-gull clan. He rather experiments with new always more daring flying techniques. Since he doesn't fit in the elders expel him from the clan. So he sets out to discover the world beyond the horizon in quest for wisdom.
When an old and fading St. Dominic's church gets a young new priest (Crosby) things are bound to change. For starters young Father O'Malley meets the crusty old Father Fitzgibbons (Barry Fitzgerald) who doesn't think much of him or his ideas. The two have their differences but O'Malley is able to inspire some neighbourhood roughnecks to open their hearts and minds in a way the old priest simply could not do. Once the change has begun the church starts to find its way back into the
A powerful, atmospheric thriller and a major box-office hit for director Leslie Arliss, The Night Has Eyes boasts a supremely accomplished cast and crew, including Wilfrid Lawson, a youthful James Mason and British femme fatale Joyce Howard; Gunther Krampf's skilful cinematography is ably complemented by Charles Williams' evocative score. This memorable, highly acclaimed film is featured here in brand-new transfer from the original film elements in its as-exhibited aspect ratio. Schoolteacher Marian Ives visits the Yorkshire moors where her friend, Evelyn, disappeared a year ago. Caught in a violent storm, she takes refuge in a large, lonely house to which she is grudgingly admitted by Stephen Deremid, a reclusive pianist traumatised by his experiences in the Spanish Civil War. While Marian finds herself attracted to Stephen, she also begins to suspect that he may have had something to do with her friend's disappearance... SPECIAL FEATURES: Image Gallery Promotional Material PDF
When veteran detective, Danny Frater (played by James Nesbitt), turns up at a hospital mortuary for what he thinks is a routine ID check on a young woman's body, he gets a devastating shock; the corpse turns out to be his estranged daughter, Christina (played by Imogen King). Danny is traumatized by the news that according to the post-mortem report, she's taken her own life. Danny and Christina had a complicated father-daughter relationship in recent years, but he refuses to accept that she would have ended her own life. He sets out on a mission for the truth, retracing her last days and hours, in an agonising crusade to discover what really happened to his only child.
Available for the first time on DVD! The wildest thing to hit the world since the mini-skirt! Lynn Redgrave stars as the homely girl who takes on the role of mother to her beautiful roommate's unwanted baby. With her father's employer trying to take her on as a mistress and her roommate's husband taking her on as an easy lover Redgrave's Georgy navigates the narrows between prostitution and purity as she tries to hang on to the baby she has grown to love...
New series of The Good Karma Hospital
Drama mini-series by Amanda Coe. A story of the close and often fraught relationship between sisters Vanessa Bell and Virginia Woolf.
Eureka Entertainment to release A FISTFUL OF DYNAMITE (AKA DUCK YOU SUCKER!), Sergio Leone's criminally underrated final western starring Rod Steiger and James Coburn, available for the first time on Blu-ray in the UK as part of The Masters of Cinema Series from 25 November 2019. Presented with a Limited Edition 60-page Collector's Book and Hardbound Slipcase. From Sergio Leone, the acclaimed director of A Fistful of Dollars, For a Few Dollars More, The Good, the Bad and the Ugly and Once Upon a Time in the West comes his final Western, A Fistful of Dynamite (aka Duck, You Sucker! and released in some territories as Once Upon A Time... the Revolution). Starring acting giants Rod Steiger (In the Heat of the Night) as Juan Miranda, an amoral peasant-turned-outlaw, and James Coburn (Pat Garrett and Billy the Kid) as John Mallory, a dynamite-tossing Irish revolutionary who has fled to Mexico after becoming a fugitive in his own country. Together, they're a devilishly volatile mix of anti-establishment philosophies and violent tendencies as they attempt to liberate political prisoners, defend their compatriots against a well-equipped militia, and risk their lives on a train filled with explosives. Featuring a haunting and rousing score by iconic composer Ennio Morricone, A Fistful of Dynamite has risen in stature over the years and is now recognised alongside The Dollars Trilogy and Once Upon A Time in the West as a true masterpiece. The Masters of Cinema Series is proud to present A Fistful of Dynamite in its UK debut on Blu-ray. Blu-Ray Special Features: Hardbound Slipcase PLUS: A LIMITED EDITION 60-PAGE Perfect Bound Collector's book featuring new and archival writing on the film Two versions of the film presented in 1080p across two Blu-ray disc, including a transfer from the 2K restoration completed by Cineteca di Bologna in 2009. Optional English subtitles for the deaf and hard-of-hearing Original Mono Audio available on both versions Audio Commentary by filmmaker Alex Cox Audio Commentary by film historian Sir. Christopher Frayling A brand new and exclusive interview with film critic and writer Kim Newman A brand new and exclusive interview with Austin Fisher, author of Radical Frontiers in the Spaghetti Western: Politics, Violence and Popular Italian Cinema The Myth of Revolution [22 mins] Sir Christopher Frayling on Duck, You Sucker! Sergio Donati Remembers Duck, You Sucker! [7 mins] Sorting Out The Versions: An Analysis of Duck, You Sucker! [12 mins] Once Upon A Time in Italy [6 mins] featurette Restoration, Italian Style [6 mins] Location Comparisons [9 mins] Radio Spots Trailer
Few actresses have dominated the camera as powerfully as Dorothy Dandridge in Carmen Jones. Her polished beauty plays in irresistible contrast to her title character's leonine sexuality and fluid emotions; a man can't decide from moment to moment if he wants to save her from doom, build her a castle, or never let her out of bed. Of course, that's the problem with the boys in this semi-experimental adaptation of Bizet's opera, Carmen. Straight-arrow Joe (a strapping Harry Belafonte), an obedient corporal on a southern military base during World War II, is all set to go to flight school and marry his hometown sweetie, Cindy Lou (Olga James), when his troublemaking sergeant orders him to accompany Carmen to a civilian court. In short order, Joe is swept up in Carmen's carnal anarchy and her craving for release from lousy options in life. An impulsive act of violence ensures that Joe's future is gone forever, putting Carmen in the difficult position of destroying their relationship to save him. Oscar Hammerstein II took Bizet's music in 1943 and rewrote the book and lyrics. The result is largely a smashing success with a few missteps (the bullfighter in Bizet's piece becomes a heavyweight boxer here, which breaks up a certain grace in the story) and a couple of perfect stretches (the long prelude to Carmen and Joe's first embrace, set on Carmen's hoodoo-ish home turf). Despite the fact that both Dandridge and Belafonte were singers, their vocal performances were dubbed by LeVern Hutcherson and Marilyn Horne. (Yes, it is a little disconcerting to hear another voice coming out of the more familiar Belafonte's mouth.) Otto Preminger directed with his usual eye on economy of action and production, as the numerous musical numbers tend to be shot in lengthy, single, carefully choreographed takes. The result can be a little visually static at times, but the passion behind the singing pulls everything through.--Tom Keogh
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