Following the startling revelation that Raymond Red Reddington (James Spader) isn't who he says he is, Elizabeth Keen (Megan Boone) is torn between the relationship she's developed with the man claiming to be her father and her desire to get to the bottom of years of secrets and lies. Meanwhile, Red leads Liz and the FBI to the most strange and dangerous criminals yet, growing his empire and eliminating rivals in the process. All throughout, Liz and Red engage in an uneasy cat-and-mouse game in which lines will be crossed and the truth will be revealed.
Made in 1987, Mannequin represents everything that was naff about late-80s Hollywood: from its bland, boxy, electro-rock soundtrack to its sub-Sarah Ferguson fashion sense to its tawdry sets, flimsy characterisation and cheap slapstick humour (including the mandatory amusing dog). It might be centuries before its radioactive awfulness dies down enough to make it watchable, even as kitsch. Mannequin is notionally a romantic comedy in which Andrew McCarthy plays a luckless department store employee and Kim (Sex and the City) Cattrall is an Egyptian Princess reincarnated as a shop window dummy, who comes to life when she encounters McCarthy, only to revert to mannequin status when anyone but McCarthy is watching her. With her encouragement, he becomes emboldened in his career as a window decorator as well as falling in love with the Princess. James Spader's oily, stammery executive is just one of the many examples of a film that tries way too hard to be funny, the sort of characterisation that would be barely adequate for a comic TV ad, let alone a 90-minute movie. Still, for fans of Sex and the City who might want to feast upon the spectacle of a younger Kim Cattrall, Mannequin might offer a measure of relief. On DVD: Mannequin on disc has just the original trailer as an extra, while no amount of DVD enhancement can conceal the tawdry feel of this movie. --David Stubbs
Marvel Studios presents “Avengers: Age of Ultron ” the epic follow-up to the biggest Super Hero movie of all time. When Tony Stark tries to jumpstart a dormant peacekeeping program things go awry and Earth’s Mightiest Heroes including Iron Man Captain America Thor The Incredible Hulk Black Widow and Hawkeye are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges it is up to The Avengers to stop him from enacting his terrible plans and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure. Marvel’s “Avengers: Age of Ultron” stars Robert Downey Jr. who returns as Iron Man along with Chris Evans as Captain America Chris Hemsworth as Thor and Mark Ruffalo as The Hulk. Together with Scarlett Johansson as Black Widow and Jeremy Renner as Hawkeye and with the additional support of Samuel L. Jackson as Nick Fury and Cobie Smulders as Agent Maria Hill the team must reassemble to defeat James Spader as Ultron a terrifying technological villain hell-bent on human extinction. Along the way they confront two mysterious and powerful newcomers Wanda Maximoff played by Elizabeth Olsen and Pietro Maximoff played by Aaron Taylor-Johnson and meet an old friend in a new form when Paul Bettany becomes Vision.
In the third season of the hit drama The Blacklist, FBI Agent Elizabeth Liz Keen is now a fugitive and on the run with criminal mastermind Raymond Red Reddington. With Assistant FBI Director Harold Cooper under investigation, a conflicted Agent Donald Ressler leads the FBI Task Force on a massive manhunt for Liz and Red. As they struggle to stay one step ahead of their former colleagues and Liz immerses herself into Red's underworld of disreputable contacts and covert operations. Liz is on an unpredictable journey of self-discovery and all the pieces of her life, including her indefinable relationship with Tom, will be drastically challenged as she continues to believe Red holds all the answers. Click Images to Enlarge
The era of Molly Ringwald's profitable collaboration with writer-producer-director John Hughes (Sixteen Candles, The Breakfast Club) was at its peak with this 1986 film (directed by Howard Deutch but in every sense part of the developing Hughes empire). Ringwald plays a high-school girl on the budget side of the tracks, living with her warm and loving father (Harry Dean Stanton) and usually accompanied by her insecure best friend (Jon Cryer). When a wealthy but well-meaning boy (Andrew McCarthy) asks her out, her perspective is overturned and Cryer's character is threatened. As was the case in the mid-'80s, Hughes (who wrote the script and produced the film) brought his special feel for the cross-currents of adolescent life to this story. In its very commercial way, it is an honest, entertaining piece about growing pains. The attractive supporting cast (many of whom are much better known now) does a terrific job, and Ringwald and Cryer have excellent chemistry. --Tom Keogh
Director Mike Nichols' thrilling modern-day werewolf movie boasts a stellar cast, including Jack Nicholson, Michelle Pfeiffer and James Spader, and presents itself as a witty and inventive hybrid of horror film, romantic thriller and biting satire about male anxiety and office politics, where the real monster is corporate greed. Features: High Definition remaster 5.1 surround sound track Alternative stereo audio The Beast Inside: Creating Wolf' (2017, 54 mins): a new documentary on the making of the film with new interviews from SFX legend Rick Baker, screenwriter Wesley Strick and producer Douglas Wick Never-before-seen archival interviews with actors Michelle Pfeiffer, James Spader and Kate Nelligan Never-before-seen archival interviews with director Mike Nichols, producer Douglas Wick and writer Jim Harrison Never-before-seen archival interviews with SFX maestro Rick Baker and production designer Bo Welch B-roll footage Original theatrical trailer Image gallery: on-set and promotional photography New and improved English subtitles for the deaf and hard-of-hearing
Feeling surprisingly unencumbered, Raymond Reddington (James Spader) is back, and in the process of rebuilding his criminal empire. His lust for life is ever-present as he lays the foundation for this new enterprise - one that he'll design with Elizabeth Keen (Megan Boone) by his side. Liz finds herself torn between her role as an FBI agent and the temptation to act on her more criminal instincts. In a world where the search for Blacklisters has become a family trade, Red will undoubtedly reclaim his moniker as the Concierge of Crime. Features:
A powerful and very unique love story, which tells with bold, unflinching humour of the sadomasochistic love affair between a troubled young woman and her domineering boss.
Marvel Studios presents “Avengers: Age of Ultron ” the epic follow-up to the biggest Super Hero movie of all time. When Tony Stark tries to jumpstart a dormant peacekeeping program things go awry and Earth’s Mightiest Heroes including Iron Man Captain America Thor The Incredible Hulk Black Widow and Hawkeye are put to the ultimate test as the fate of the planet hangs in the balance. As the villainous Ultron emerges it is up to The Avengers to stop him from enacting his terrible plans and soon uneasy alliances and unexpected action pave the way for an epic and unique global adventure. Marvel’s “Avengers: Age of Ultron” stars Robert Downey Jr. who returns as Iron Man along with Chris Evans as Captain America Chris Hemsworth as Thor and Mark Ruffalo as The Hulk. Together with Scarlett Johansson as Black Widow and Jeremy Renner as Hawkeye and with the additional support of Samuel L. Jackson as Nick Fury and Cobie Smulders as Agent Maria Hill the team must reassemble to defeat James Spader as Ultron a terrifying technological villain hell-bent on human extinction. Along the way they confront two mysterious and powerful newcomers Wanda Maximoff played by Elizabeth Olsen and Pietro Maximoff played by Aaron Taylor-Johnson and meet an old friend in a new form when Paul Bettany becomes Vision.
Technology and sexuality meet in a head-on collision in Crashdirector David Cronenberg's controversial adaptation of writer J.G. Ballard's hugely transgressive 1973 novel starring James Spader and Holly Hunter. Spader stars as James Ballard, a film producer whose deviant sexual desires are awakened by a near fatal automobile accident with Dr. Helen Remington (Hunter). Soon the pair, alongside Ballard's wife Catherine (Deborah Kara Unger), are drawn into an underground world of car crash fetishism presided over by renegade scientist Vaughan (Elias Koteas). Danger, sex and death become entwined as eroticism and technology join together in a disturbing, deadly union. Awarded the Special Jury Prize at the 1996 Cannes Film Festival for originality, daring and audacity, Crash remains an incredibly subversive and confrontational piece of cinemaCronenberg himself describes it as a dangerous filmnow refurbished in a stunning 4K restoration. Special Features 4K restoration of the uncut NC-17 version, supervised by director of photography Peter Suschitzky and approved by director David Cronenberg High Definition Blu-rayTM (1080p) presentation 5.1 and 2.0 Stereo DTS-HD Master Audio Optional English subtitles for the deaf and hard of hearing Audio commentary with film scholar Adrian Martin Interviews with Suschitzky, executive producer Jeremy Thomas, composer Howard Shore and casting director Deirdre Bowen 2019 Q&A with Cronenberg and actor Viggo Mortensen at TIFF 1996 Q&A with Cronenberg and source novel writer J.G. Ballard at the National Film Theatre in London Behind-the-scenes footage and contemporary press interviews Architect of Pain: The Cronenberg Project video essay by Caelum Vatnsdal on Cronenberg's use of architecture and location Crash! (1971, 18 mins) short film originally broadcast as part of the BBC's Review series, starring J.G. Ballard and loosely adapted from his 1970 novel The Atrocity Exhibition Two short films inspired by Ballard and the novel Crash: Nightmare Angel (Zoe Beloff, 1986, 33 mins) and Always (crashing) (Simon Barker and Jason Wood, 2016, 14 mins) Two Cronenberg short films: The Nest (2013, 10 mins) and At the Suicide of the Last Jew in the World in the Last Cinema in the World (2007, 4 mins) Original Trailers Reversible sleeve featuring original and newlycommissioned artwork by Gilles Vranckx
In its landmark 10th season, The Blacklist returns as Raymond Reddington (James Spader) confronts unparalleled danger. With Reddington's covert role as an FBI informant facing exposure, former Blacklisters will unite against him in their lethal desire for revenge - testing Red and the FBI Task Force as never before.
In the third season of the hit drama The Blacklist, FBI Agent Elizabeth Liz Keen is now a fugitive and on the run with criminal mastermind Raymond Red Reddington. With Assistant FBI Director Harold Cooper under investigation, a conflicted Agent Donald Ressler leads the FBI Task Force on a massive manhunt for Liz and Red. As they struggle to stay one step ahead of their former colleagues and Liz immerses herself into Red's underworld of disreputable contacts and covert operations. Liz is on an unpredictable journey of self-discovery and all the pieces of her life, including her indefinable relationship with Tom, will be drastically challenged as she continues to believe Red holds all the answers.Click Images to Enlarge
Season 1 For decades ex-government agent Raymond “Red” Reddington (James Spader) has been one of the FBI’s most wanted fugitives. Brokering shadowy deals for criminals across the globe Red was known by many as “The Concierge of Crime.” Now he’s mysteriously surrendered to the FBI with an explosive offer: he will help catch the world’s most elusive criminals under the condition that he speaks only to Elizabeth “Liz” Keen (Megan Boone TV’s “Law & Order: Los Angeles”) an FBI profiler fresh out of Quantico. For Liz it’s going to be one hell of a first day on the job. Season 1 For decades ex-government Raymond “Red” Reddington has been one of the FBI’s most wanted fugitives. Brokering shadowy deals for criminals across the globe Red was known by many as “The Concierge of Crime”. Last season he mysteriously surrendered to the FBI…but now the FBI works for him as he identifies a “blacklist” of politicians mobsters spies and International terrorists. He will help catch them all – with the caveat that Elizabeth Keen continues to work as his partner. Red will teach Liz to think like a criminal and see the bigger picture…whether she wants to or not.
In the third season of the hit drama The Blacklist, FBI Agent Elizabeth Liz Keen is now a fugitive and on the run with criminal mastermind Raymond Red Reddington. With Assistant FBI Director Harold Cooper under investigation, a conflicted Agent Donald Ressler leads the FBI Task Force on a massive manhunt for Liz and Red. As they struggle to stay one step ahead of their former colleagues and Liz immerses herself into Red's underworld of disreputable contacts and covert operations. Liz is on an unpredictable journey of self-discovery and all the pieces of her life, including her indefinable relationship with Tom, will be drastically challenged as she continues to believe Red holds all the answers. Click Images to Enlarge
Please note this is a region 2 DVD and will require a region 2 or region free DVD player in order to play.
The love every parent fears. A modern variation on the Romeo and Juliet theme Endless Love features that Oscar-nominated song performed by Lionel Richie and Diana Ross. Directed by Franco Zeffirelli this timeless romance stars Brooke Shields as Jade who becomes the true love and obsession of the boy next door David. However their young love is so overwhelming that they loose touch with everything else forcing the parents of these star-crossed lovers to tr
Driving through a stormy night a wolf runs in front of Will Randall's car. Checking to see if it is okay Will (Nicholson) is bitten and the wolf disappears into the night. From this moment on Will begins to change in subtle ways that he cannot explain his senses quicken and he becomes dynamic and adventurous in every aspect of his life. However Will's new-found lust for life has a price and he finds it increasingly difficult to contain the wild and predatorial spirit that is also growing within him... Starring Jack Nicholson Michelle Pfeiffer and James Spader Wolf is a supernatural tale with a delicious modern twist. Beware: the animal is out!
A self-consciously epic sci-fi adventure of Cecil B DeMille-sized proportions, Stargate refreshes and combines several well-worn sci-fi and sword 'n' sandal genre conventions with some Erich von Daniken-style Biblical Egyptology. The directing-writing-producing team of Roland Emmerich and Dean Devlin had previously collaborated on B-movies Moon 44 (1990) and Universal Soldier (1992), but handed a significantly bigger budget they were able to give their Steven Spielberg pretensions free reign here ("Indiana Jones and his Close Encounters with the Chariots of the Gods" might be a suitable subtitle). James Spader is endearingly dithery as the fish-out-of-water academic who finds himself teamed with taciturn tough guy Kurt Russell: the two excellent leads are largely responsible for imparting what depth there is to otherwise two-dimensional characters. British composer David Arnold makes his major studio debut in the grandest fashion with an outstanding score that pays suitable homage to epic film music (John Williams' CE3K and Maurice Jarre's Lawrence of Arabia in particular). It's all done with such unabashed enthusiasm that viewers will happily forgive the film's derivative elements and even overlook the high-camp theatricality of Jaye Davidson's bizarre bad guy. Despite subsequent huge box-office hits (Independence Day, Godzilla, The Patriot), Stargate remains Emmerich and Devlin's freshest, most satisfying film. On the DVD: This special edition version adds approximately seven minutes of additional footage, much of which is in the form of slightly extended scenes, but does also include an opening sequence in Ancient Egypt, a scene with Kurt Russell and the fossilised Horus guards, and Ra's bath scene. These are also collected in a bonus "Promo Reel". The anamorphic widescreen presentation of the 2.35:1 Panavision picture looks sharp and clear, although some of the additional footage is degraded; the sound is suitably spectacular 5.1 or DTS. Devlin and Emmerich provide a relaxed, chatty commentary ("We have nothing to do with the TV series"!), although you have to access this from the Set Up menu not the Special Features menu. There's a photo gallery and trailer, but sadly no "making-of" documentary. --Mark Walker
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