Joe Kidd which concerns a land war in New Mexico at the turn of the century marks Clint Eastwood at the top of his form as a western hero. Filmed in 1971 Kidd brings together a veteran western Director John Sturges the classic backdrop of the High Sierras the top notch acting skills of Robert Duvall and the rugged Eastwood as a ""hired gun"" who takes action based on his own particular sense of justice. And like a very classic western it has gunfights conflicts and a slam-bang f
Further investigations with garrulous detective Frost (David Jason)... Includes: Line Of Fire Benefit Of The Doubt and Mistaken Identity.
Based on the powerfully moving true story of the challenging relationship between old tom and young tommy morris, tommy's honour recounts the life of the dynamic father-son team who ushered in the modern game of golf. as their fame grew, tom and tommy, considered by many to be scotland's golf royalty, were touched by drama and personal tragedy. at first matching his father's success, tommy's talent and fame grew to outshine his father's accomplishments and respect as founder of the open championship in 1860 with a series of his own triumphs. but in contrast to tommy's public persona, his personal turmoil ultimately led him to rebel against both the aristocracy who gave him opportunity, and the parents who shunned his passionate relationship with his wife. directed by jason connery, and starring peter mullan (war horse), jack lowden ('71), ophelia lovibond (guardians of the galaxy) and sam neill (jurassic park), this poignant drama serves as both a deeply affecting tribute to a true sporting pioneer, and a testament to the unique bond between father and son.
Clint Eastwood's stardom was supernova, thanks to Dirty Harry; John Sturges, the man behind The Magnificent Seven and a dozen other memorably leathery Westerns, was directing; and Elmore Leonard was the screenwriter. It just goes to show. Joe Kidd is a muddle and a drag, the shoddiest Eastwood vehicle since Rowdy Yates trod in his last cow flop. Kidd, first seen as a duded-up drunk sleeping one off in jail, is supposed to be a horse rancher and an expert tracker--just the fellow a rapacious land-grabber (Robert Duvall committing lazy villainy) needs to chase down the uppity Latino (John Saxon) who's trying to reclaim the grabbed land for its rightful owners. Neither the characters nor the overland pursuit makes any sense, thanks to chasms in the continuity and no direction to speak of. An absurdly arbitrary assault-by-locomotive provides the climax; as Eastwood observed, "Jesus, anything at this point--let's end it." --Richard T. Jameson
At the height of urban paranoia and the birth of survivalist movement in the 1980s, director Michael Ritchie decided to team Robin Williams and Walter Matthau in The Survivors. Talk about an odd couple; yet it actually might have worked, with Matthau's hang-dog deadpan and Williams' manic energy, were it not for a limp script by Michael Leeson. Williams and Matthau play two victims of Reaganomics, unemployed acquaintances who witness a robbery and identify one of the participants to the police, an act that turns them into targets for the robber in question who comes looking for them. Williams' response: become a one-man arsenal and join a training camp for militant survivalists. But the comedy is neither sharp enough nor sufficiently smart to pull it off; Matthau is the calm centre while Williams' comedy rockets all around him, to surprisingly little effect. --Marshall Fine, Amazon.com
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