A naive Scotsman buys a vintage sports car and learns to drive in order to impress the daughter of an arrogant aristocrat who despises him.
Oliver Stone's tale of a fading American football coach (played by Al Pacino) and his conflicts with the businesswoman (played by Cameron Diaz) who buys the club.
Set against a backdrop of emerging teen culture and rising racial tension in late 50's London, Colin MacInnes' cult novel is brought to the screen in Julien Temple's lavish musical adaption. Struggling young photographer Colin sees his ambitious, fame-seeking girlfriend Crepe Suzette slipping away as she ruthlessly pursues a career in fashion. To win her back he'll need to compromise his idealism and do whatever it takes to make the big time himself.
Based on the novel by Will Heinrich, Sam Peckinpah's only war film is an intense and uncompromising affair that brilliantly reflects both the futility of conflict and the director's fascination with individuals confronted by events beyond their control. A World War II tale told from the German perspective, Cross Of Iron follows a platoon of German soldiers in Russia when the German Wehrmacht forces had been decimated and the Germans were retreating along the Russian front. Rolf Steiner (James Coburn) is a German corporal and recipient of the Iron Cross who has grown disenchanted with Hitler's war machine. When Captain Stransky (Maximilian Schell) assumes charge, the pair are thrown into immediate conflict, the autocratic but ultimately cowardly Stransky coveting the loyalty and honour Steiner commands. Evocatively shot by John Coquillon (Billy the Kid) in sombre tones to emphasise the horrors of combat, the superlative lead performances are matched by David Warner and James Mason as war-weary senior officers. Viewed as one of Peckinpah's most powerful works, it's an unflinching vision of the Second World War. Product Features UHD & Blu-Ray Disc 1 Audio Commentary by filmmaker and film historian Mike Siegel NEW Promoting STEINER NEW STEINER on the set NEW Filming STEINER NEW Filming STEINER pt 2 NEW STEINER in colour Blu-Ray Disc 2 On Location: Sam Peckinpah On Location: James Coburn On Location: Maximillian Schell On Location: James Mason On Location: David Warner Passion and Poetry: Sam Peckinpah's War Kruger Kisses Kern Vadim & Sam: Father & Son Cutting Room Floor Steiner in Japan: Ads filmed in 1977 Mike's Home Movies: Steiner & Kiesel Meet Again US/UK Trailer German Trailer US TV Spot
Forty years after Sam Peckinpah's hugely controversial 1971 original, Rod Lurie adapted and directed a new version of Straw Dogs, with a very deliberate change of location and an updating of the social context. Instead of being set in Britain, the story now takes place in small-town Mississippi, where Hollywood screenwriter David Sumner (James Marsden) is moving with his wife Amy (Kate Bosworth). She grew up in Blackwater, which she aptly refers to as "backwater," but has since become a much-desired TV actress. In their isolated house, David will write while Amy's ex-beau (Alexander Skarsgård) repairs the adjacent barn with his redneck buddies. In drawing the unease between this effete, conflict-averse intellectual and the swaggering, flag-waving, God-fearing locals, Lurie (The Contender) seems to be aiming at the hostility between red state/blue state America in 2011. But the movie breaks down when it gets to the sadistic plot turns that lead to the savage finale, a siege in which David is pushed to his primal self. In the Peckinpah film, this was a hellish and ambiguous exorcism, but here the events just seem ugly, and the movie loses control of its perspective about halfway through. James Marsden is a game actor, but he can't be as convincing a bookworm as Dustin Hoffman was in the original film. Kate Bosworth's ambivalence is the most interesting thing at play here, as she suggests the marriage might have been less than perfect all along. That subtle discontent is more intriguing than the movie's lurid collapse into ultraviolence. --Robert Horton
Shadow Run ought to be considerably more interesting than it is--Geoffrey Reeve is an efficient director and both Michael Caine and James Fox turn in icy performances as, respectively, an almost completely ruthless thief and the renegade intelligence man who hires him for that one last big job. Caine in particular is convincing in the half-hearted attacks of compunction that never stop him killing obstacles. Many of the bit-players--Lesley Grantham, for example--do a lot with almost nonexistent parts. The film counterpoints the planning of the heist with the social embarrassments of the fat schoolboy who becomes, by a series of coincidences, too informed about it and, ultimately, Caine's secret sharer. Reeve is rather too in love with the cathedral school background of the subplot and skimps too much on the complicated technical business of getting a computerised security van into a radio blackout zone. Still, the boy is excellent, and Caine's affair with the doomed hooker Rae Baker has some much-needed moments of wit. On the DVD: Disappointingly, the DVD, whose Dolby surround sound does miracles for the scenes of schoolboy choristers, is presented in pan and scan 1.33:1, and has no extra features except for chapter selection and trailers for other films.--Roz Kaveney
James Bolam stars as the lovable rogue Jack Ford in this classic series set in Tyneside at the end of the First World War.
The latest Merchant Ivory period drama stars Uma Thurman, Jeremy Northam, Kate Beckinsale and Nick Nolte in a tale of passion & intrigue.
The British spy with a licence to kill takes on his dark underworld double, a classy assassin who kills with golden bullets at £1 million a hit. Roger Moore, in his second outing as James Bond, meets Christopher Lee's Scaramanga, one of the most magnetic villains in the entire series, in this entertaining but rather wan entry in the 007 sweepstakes. Bond's globetrotting search takes him to Hong Kong, Bangkok, and finally China, where Scaramanga turns his island retreat into a twisted theme park for a deadly game of wits between the gunmen, moderated by Scaramanga's diminutive man Friday Nick Nack (Fantasy Island's Hervé Villechaize). Britt Ekland does her best as an embarrassingly inept Bond girl, a clumsy, dim agent named Mary Goodnight who looks fetching in a bikini, while Maud Adams is Scaramanga's tough but haunted lover and assistant. Clifton James, the redneck sheriff from Live and Let Die, makes an ill-advised appearance as a racist tourist. He briefly teams up with 007 in what is otherwise the film's highlight, a high-energy chase through the crowded streets of Bangkok that climaxes with a breathtaking mid-air corkscrew jump. Bond and company are let down by a lazy script, but Moore balances the overplayed humour with a steely performance and Lee's charm and enthusiasm makes Scaramanga a cool, deadly, and thoroughly enchanting adversary. --Sean Axmaker, Amazon.com
Like a good claret laid down for a couple of decades, Victor Victoria (1982) just improves with age. Based on a 1930s German screenplay, Blake Edwards' cross-dressing musical tackles sexuality and gender with a sweet generosity of spirit and endearing warmth. To Edwards' credit and that of his wife Julie Andrews in the title role it is far more than a star vehicle, with James Garner, Lesley Ann Warren and, particularly, Robert Preston (as worldly gay Toddy) contributing quick-fire performances that brim with brilliant timing. Andrews, too, is wonderful in a deceptively complex part. It shouldn't have worked at all. Victor Victoria was made at a time when the Hollywood musical's currency was at its lowest and Andrews might have been deemed a rather old-fashioned sort of star. But by keeping Henry Mancini's songs in context as stage numbers, the traditional values of the musical are subverted. And the whole thing is bathed in a soft, intimate light; this is a film of considerable artistry on every level. On the DVD: Victor Victoriais presented in widescreen with a sharp Dolby Digital soundtrack; the picture quality is splendid. Extras include lists of cast, crew and awards as well as the original theatrical trailer. Best of all is a touching--if occasionally repetitive--commentary from Blake Edwards and Julie Andrews, who clearly remember the project with great pride and affection. Somewhat belatedly they resurrected it as a Broadway show in the 1990s, in which Andrews again scored a considerable personal triumph. --Piers Ford
Best friends Mike Locken and George Hansen are the 'Killer Elite' undertaking jobs that are too dangerous even for the CIA. But when one of the duo is betrayed by the other things get tricky...
The shocking true story based on the most infamous unsolved murder case in American history. On April 11th 1981, Sue Sharp and her family are enjoying their stay at Cabin 28 in the peaceful holiday resort of Keddie. But a day of fun at the remote getaway turns into a heart stopping nightmare as nightfall brings masked strangers to the Cabin. A brutal battle for survival leaves several members of the family dead and one missing. An extensive police investigation follows but no one is convicted of the crime. Now, over thirty years later, Cabin 28 finally gives up its deadly secret.
Roughnecks is the computer-animated TV spin-off from director Paul Verhoeven's live-action sci-fi shoot-'em-up Starship Troopers. Verhoeven had already seen his Robocop movie spun-off into animated television with mixed results, so when it came to Starship Troopers he wanted Roughnecks to be a little different (the director acted as Executive Producer on the series). The style of computer animation here recalls, if anything, the little green soldiers from the Toy Story movies. Backed by an unending techno-based score (despite which the series has won several awards for sound editing), the 20-minute episodes are like viewing brilliantly conceived "cut scenes" from computer games. The series concept begins by taking the movie's characters, giving them different origins---and then forgets about a bug home-world in favour of a mobile threat that can appear anywhere. With souped-up combat suits that better acknowledge Robert Heinlein's original novel, the technological look and feel also owes a significant debt to Aliens. This first collection edits together the opening five episodes to make a 100-minute self-contained movie about a crawling infestation on Pluto. You'll know where shows start and end by the narration. The story is all to do with set-up as we meet the titular Roughnecks: Rico, Dizzy, Doc, Jenkins, Higgins and Razak. Between missions of rescue and mercy, a love triangle is established, Rico's heroics and Higgins' cowardice are explored and more bugs are wasted than you can possibly keep count of. The finale's discovery of "Bug City" will test anyone for arachnophobia. --Paul Tonks
He was once a man. Now he's a hell spawn battling the forces of evil on Earth - and in himself. Using his strange powers he fights to uncover the truth about his identity and fulfil his destiny. One of the comic book industry's most popular and intriguing characters Spawn explodes on the screen in a maelstrom of fantastic imagery with action romance and high-level espionage...
Get ready for action adventure and suspense in Season One of TV's longest-running military drama JAG. The first season of its 10-year reign introduces former flying ace Harmon ""Harm"" Rabb of the Navy's Judge Advocate General. Now an attorney Harm investigates prosecutes and defends military criminals in cases that often take him behind enemy lines...both in Washington and overseas. Catch the action from the beginning with all 22 episodes including the rarely seen ""Skeleton Crew."" Starring David James Elliott this Emmy Award-winning series is one of television's best. Episodes Comprise: 1. Pilot: Part 1 2. Pilot: Part 2 3. Shadow 4. Desert Son 5. Deja Vu 6. Pilot Error 7. War Cries 8. Brig Break 9. Scimitar 10. Boot 11. Sightings 12. The Brotherhood 13. Defensive Action 14. Smoked 15. Hemlock 16. High Ground 17. Black Ops 18. Survivors 19. Recovery 20. The Prisoner 21. Ares 22. Skeleton Crew
Directed by the Master of Suspense, Alfred Hitchcock's Rear Window is an edge-of-your-seat classic starring two of Hollywood's most popular stars. When a professional photographer (James Stewart) is confined to a wheelchair with a broken leg, he becomes obsessed with watching the private dramas of his neighbours play out across the courtyard. When he suspects his neighbour of murdering his nagging wife, he enlists his socialite girlfriend (Grace Kelly) to help investigate the suspicious chain of events, leading to one of the most memorable and gripping endings in all of film history. Honoured in AFI's 100 Years... 100 Movies for excellence in film, Rear Window has also been hailed as one of Alfred Hitchcock's most stylish thrillers (Leonard Maltin's Classic Movie Guide). Bonus features: REAR WINDOW ETHICS: AN ORIGINAL DOCUMENTARY A CONVERSATION WITH SCREENWRITER JOHN MICHAEL HAYES PURE CINEMA: THROUGH THE EYES OF THE MASTER BREAKING BARRIERS: THE SOUND OF HITCHCOCK HITCHCOCK-TRUFFAUT INTERVIEW EXCERPTS MASTERS OF CINEMA FEATURE COMMENTARY WITH JOHN FAWELL, AUTHOR OF HITCHCOCK'S REAR WINDOW: THE WELL-MADE FILM PRODUCTION PHOTOGRAPHS THEATRICAL TRAILER RE-RELEASE TRAILER NARRATED BY JAMES STEWART
Stevens is the perfect English butler. Now employed by Mr Lewis, the new American owner of Darlington Hall, Stevens has spent the best part of his working life serving Lord Darlington, the host of many prestigious international conferences in the 1930s. It was only when war broke out in 1939, that Lord Darlington's involvement with the Nazi party was uncovered. Now, twenty years later, Stevens realizes that his unquestioning faith and dedication to duty were misplaced, and cost him dearly in his own personal life. Over several years, he carried on an intense relationship with the Estate's attractive young housekeeper, Miss Kenton. But his unwavering sense of duty led Stevens to deny his emotions and eventually drive away the one woman he loved. Now he wants to make amends...An extraordinary story of blind emotion and repressed love, The Remains Of The Day achieved an astounding 8 Academy Award nominations, including Best Picture, Best Actor and Best Actress. Anthony Hopkins received the BAFTA Award for the Best Performance by an actor in a leading role.
Based on the true story of the building of a bridge on the Burma railway by British prisoners-of-war held under a savage Japanese regime in World War II, The Bridge on the River Kwai (1957) is one of the greatest war films ever made. The film received seven Oscars, including Best Picture, Director, Performance (Alex Guinness), for Sir Malcolm Arnold's superb music, and for the screenplay from the novel by Pierre Boulle (who also wrote Monkey Planet, the inspiration for Planet of the Apes). The story does take considerable liberties with history, including the addition of an American saboteur played by William Holden, and an entirely fictitious but superbly constructed and thrilling finale. Made on a vast scale, the film reinvented the war movie as something truly epic, establishing the cinematic beachhead for The Longest Day (1962), Patton (1970) and A Bridge Too Far (1977). It also proved a turning-point in director David Lean's career. Before he made such classic but conventionally scaled films as In Which We Serve (1942) and Hobson's Choice (1953). Afterwards there would only be four more films, but their names are Lawrence of Arabia (1962), Dr Zhivago (1965), Ryan's Daughter (1970) and A Passage to India (1984). On the DVD: Too often the best extras come attached to films that don't really warrant them. Not so here, where a truly great film has been given the attention it deserves. The first disc presents the film in the original extra-wide CinemaScope ratio of 2.55:1, in an anamorphically enhanced transfer which does maximum justice to the film's superb cinematography. The sound has been transferred from the original six-track magnetic elements into 5.1 Dolby Digital and far surpasses what many would expect from a 1950s' feature. The main bonus on the first disc is an isolated presentation of Malcolm Arnold's great Oscar-winning music score, in addition to which there is a trivia game, and maps and historical information linked to appropriate clips. The second disc contains a new, specially produced 53-minute "making of" documentary featuring many of those involved in the production of the movie. This gives a rich insight into the physical problems of making such a complex epic on location in Ceylon. Also included are the original trailer and two short promotional films from the time of release, one of which is narrated by star William Holden. Finally there is an "appreciation" by director John Milius, an extensive archive of movie posters and artwork, and a booklet that reproduces the text of the film's original 1957 brochure. --Gary S Dalkin
Paula Wilcox Shaun Dingwall Phil Daniels Kellie Bright and James Buckley star in Rock & Chips It's Christmas 1960 and the Trotters are settling into their new flat in Sir Walter Raleigh House Peckham. Rodney is a babe in arms Reg is still drawing the dole and hard-working Joan is struggling to keep the family afloat after losing her jobs at the town hall and the cinema. A 16-year-old Del has left school and is exploring employment opportunities around the docks - including a nice line in selling 45s straight off the back of a boat from America - and Freddie Robdal has been temporarily detained in Wormwood Scrubs at Her Majesty's pleasure. Meanwhile Del who has been advised that slipping an engagement ring on a girl's finger can open up a whole new world of lustful opportunity has managed to get himself engaged to half of Peckham. But will any of his engagements lead to a trip up the aisle?
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