Academy Award® nominee Quvenzhané Wallis stars as Annie a young happy foster kid who's also tough enough to make her way on the streets of New York in 2014. Left by her parents as a baby with the promise that they'd be back for her someday it's been a hard knock life ever since with her mean foster mum Miss Hannigan (Cameron Diaz). But everything's about to change when the hard-nosed tycoon and New York mayoral candidate Will Stacks (Jamie Foxx) makes a thinly-veiled campaign move and takes her in.
In Holiday in the Sun, Mary-Kate and Ashley Olsen (playing twins Alex and Madison) are whisked away to the Bahamas in a private jet by their pilot dad, though they are initially disappointed to be missing their class trip to Hawaii (just what high school do these girls attend?). But the 15-year-olds recover upon meeting up with their mum on the sunny tarmac, checking into their own suite at the Atlantis resort, and getting acquainted with some cute boys on the island. Parents may see this 88-minute movie as one long advertisement for the Paradise Island resort, with the constant mentioning of its name and endless showcasing of its attractions. But kids, particularly girls ages 7 to 12, will get a kick out of Alex's rivalry with the rich superwitch Brianna for marine worker Jordan's affections. Then there's the updated Cyrano storyline, with Dad's business partner's son Griffen coaching dim-but-likable Scott on how to win over Madison. Throw in an antiquities smuggling subplot, some dolphin hugging, horseback riding, and wave running and you've got some fairly innocent entertainment augmented with frothy tunes by teen group up-and-comers Play, Empty Trash (featuring vocals by the twins), The American Girls, and Noogie. --Kimberly Heinrichs, Amazon.com
The spirit of Motown runs through the long-awaited film adaption of the Broadway musical Dreamgirls, which centres around a young female singing trio who burst upon the music scene in the '60s, complete with bouffant hairdos, glitzy gowns, and a soul sound new to the white-bread American music charts. Sound familiar? You aren't the first one to draw comparisons to the meteoric rise of the Supremes, and despite any protests to the contrary, this is most definitely a thinly veiled reinterpretation of that success story. The Dreamettes--statuesque Deena (Beyonce Knowles), daffy Lorell (Anika Noni Rose) and brassy Effie (Jennifer Hudson)--are a girl group making the talent-show rounds when they're discovered by car salesman and aspiring music manager Curtis Taylor Jr. (Jamie Foxx). Sensing greatness (as well as a new marketing opportunity) Curtis signs the Dreamettes as backup singers for R&B star James "Thunder" Early (Eddie Murphy). But when Early's mercurial ways and singing style don't mesh with primarily white audiences, Curtis moves the newly-renamed Dreams to centre stage--with Deena as lead singer in place of Effie. And that's not the only arena in which Effie is replaced, as Curtis abandons their love affair for a relationship with star-in-the-making Deena. Besides the Supremes comparison, one can't talk about Dreamgirls now without revisiting its notorious Oscar snub; though it received eight nominations, the most for any film from 2006, it was shut out of the Best Picture and Director races entirely. Was the oversight justified? While Dreamgirls is certainly a handsomely mounted, lovingly executed and often vibrant film adaptation, it inspires more respect than passion, only getting under your skin during the musical numbers, which become more sporadic as the film goes on. Writer-director Bill Condon is definitely focussed on recreating the Motown milieu (down to uncanny photographs of Knowles in full Diana Ross mode), he often forgets to flesh out his characters, who even on the Broadway stage were underwritten and relied on powerhouse performances to sell them to audiences. (Stage fans will also note that numerous songs are either truncated or dropped entirely from the film.) Condon has assembled a game cast, as Knowles does a canny riff on the essence of Diana Ross' glamour (as opposed to an all-out impersonation) and Rose makes a peripheral character surprisingly vibrant; only Foxx, who never gets to pour on the charisma, is miscast. Still, there are two things even the most cranky viewers will warm to in Dreamgirls: the performances of veteran Eddie Murphy and newcomer Jennifer Hudson. Murphy is all sly charm and dazzling energy as the devilish Early, who's part James Brown, part Little Richard, and all showman. And Hudson, an American Idol contestant who didn't even make the top three, makes an impressive debut as the larger-than-life Effie, whose voice matches her passions and stubbornness. Though she sometimes may seem too young for the role, Hudson nails the movie's signature song, "And I Am Telling You I'm Not Going," with a breathtaking power that must be seen and heard to believe. And for those five minutes, if not more, you will be in Dreamgirls' thrall. --Mark Englehart
Scream (2022) Twenty-five years after the original series of murders in Woodsboro, a new killer emerges, and Sidney Prescott must return to uncover the truth. Scream (1996) A year after the murder of her mother, a teenage girl is terrorized by a new killer, who targets the girl and her friends by using horror films as part of a deadly game.
DIRECTOR'S EXTENDED EDITION Grammy® winner Beyoncé Knowles, Academy Award® winner Jamie Foxx* and Golden Globe® winner Eddie Murphy shine in unforgettable roles that display their matchless talents. And Jennifer Hudson is a revelation, in the breakthrough performance that earned her the 2006 Academy Award® for Best Supporting Actress. Based on the Tony Award®-winning Broadway hit and directed by Academy Award® winner Bill Condon** (Beauty and the Beast), the Oscar®-winning Dreamgirls is a triumph of movie entertainment that will dazzle you again and again. Includes Photobook with select song lyrics Extended and Alternate Scenes (in Director's Extended Edition) Jennifer Hudson's NEVER-BEFORE-SEEN audition and screen test footage Building The Dream (HD) Dream Logic: Film Editing (HD) Dressing The Dreams: Costume Design (HD) Center Stage: Theatrical Lighting (HD) Auditions and Screen Tests Previsualization Sequences Easter Egg - Jamie Foxx Kidding Around with Jennifer Hudson (HD)
Mark and Cassie Woodman (William Russ and Roma Downey) could be just the perfect couple. They married young and although they've had their problems there proud of their teenage son Kevin and are still as happy as they were on the day they first got married. But when Mark takes a short buisness trip Cassie and Kevin's secure family world is lost when they see a TV news report that Marks plane has crashed with loss of many lives. After an anxious wait they hear the news they've been praying for - Mark is alive although badly injured and unconscious. However Cassie is stunned to discover that Mark had a travelling companion listed as Mrs C.Whitman who didnt survive the crash. The shocks don't end there leaving her wondering if she knew her loving husband at all...
Don't camp in the woods... Just Don't! Despite the local Ranger's ominous warning a party of three boys and two girls take a camping trip to the mountain. In the steamy backwoods they sense an atmosphere of mounting tension. Soon they realise there is some deadly horror lurking in the woods. The Ranger had been right! They meet a strange girl and her equally strange family. Then one of them is murdered... then another... and another... Will any of them survive those dark hour
With a title like Chopper Chicks in Zombietown, you'd be excused from any great expectations here--but you'd also be missing out on one of trash-cinema's great pleasures: catching one of Hollywoood's A-list in their pre-fame days. In this case, the catch is Billy Bob Thornton, in a brief appearance as one of the Chopper Chicks' ex-husbands. It may be a guilty pleasure, but seeing this good 'ol boy playing dumb-as-a-doorknob long before Sling Blade (or A Simple Plan) and paying his dues is still, however strangely, gratifying. As for the film itself, Chopper Chicks is no Hell Comes to Frogtown, but it comes with all of the Troma hallmarks. The requisite beheadings and low-grade effects are all present and correct, along with the so-bad-it's-really-bad dialogue (except for the occasional so-bad-it's-good one-liner). The acting is wooden, the story negligible (cycle sluts come to town, kill zombies, save a schoolbus full of blind kids), and even the appearances by Thornton and original MTV (US) VJ Martha Quinn provide only occasional relief. The DVD extras include a photo gallery of screen-stills and the original trailer. --Randy Silver
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