At 'Consolidated' the office manager (Tomlin) the vice president's secretary (Parton) and the newest employee (Fonda) become great friends as they share their resentment about their egotistical sexist boss (Dabney Coleman). When they inadvertently get a chance to take revenge they institute a host of popular office procedures in his absence - even as their scheme spins wildly out of control! Full of witty social commentary this delightful comedy marks Dolly Parton's first film d
House on Haunted Hill is one of the new breed of waste-no-time thrill machines, like Deep Blue Sea, and a particularly effective example at that. The plot is pure contrivance: For a party stunt, a wealthy amusement-park manufacturer (Geoffrey Rush) offers five people a million dollars if they spend the night in a former insane asylum where the patients murdered the sadistic staff. But it turns out the five people who arrive aren't the five he invited--did his wife (Famke Janssen), who hates him, make the switch? From there events unfold with a smart combination of human and supernatural machinations; spooky jolts are dispensed at regular, but not entirely predictable, intervals. The visual effects owe a considerable debt to Jacob's Ladder, a much more ambitious movie; House on Haunted Hill just wants to get under your skin, and succeeds more than you'd expect. Rush is his entertainingly hammy self; Janssen, Taye Diggs, Ali Larter and Bridgette Wilson are attractive and reasonably straight-faced about it all; and Chris Kattan is genuinely funny as the house's neurotic owner. Some elements of the plot seem to have been lost in the editing process, but it hardly matters. More bothersome is that the scares go flat when computer effects take over at the end--the digital images just aren't as creepy as the more suggestive stuff that came before. But that's just the very end; most of the movie has a lot of momentum. Watch until the end of the credits for a final bit of eeriness. --Bret Fetzer, Amazon.com
This remake of the popular heartwarming Christmas classic captures all the joy of the original version. A little girl who has been raised not to believe in fantasy fairy tales and Santa Claus meets a department-store Santa who claims he's the real Kris Kringle. Her mother insists that it can't be true--that Kris is only a nice old man who isn't all too sane. But soon things start happening that may make both of them change their minds... and have faith in magic once again.
When happy-go-lucky milkman Jimmy (Orlando Bloom) accidentally puts out of action the UK's contender for the boxing World title, he finds himself thrust into the ring and onto the world stage as Britain's new hope.
Jack Cunningham (Ben Affleck) once had a life filled with promise. In high school, he was a basketball phenom with a full ride to college, when suddenly, for reasons unknown, he walked away from the game, forfeiting his future. Now years later, Jack is stuck in a meaningless job and drowning in the alcoholism that cost him his marriage and any hope for a better life. When he is asked to coach the basketball team at his alma mater, which has fallen far since his glory days, he reluctantly accepts, surprising no one more than himself. As the boy starts to come together as a team and win, Jack may have finally found a reason to confront the demons that have derailed him. But will it be enough to fill the void, heal the deep wounds of his past, and set him on the road to redemption? Extras: Every Loss Is Another Fight: The Road to Redemption-A revealing look into The character of Jack Cunningham with Ben Affleck and Director Gavin O'Connor. The WAY BACK: This Sporting Life
A mock documentary filmed mostly in and around LA with interviews of Cheech and Chong interspersed between four videos of songs from their last album. Songs include: 'Get outta my room' and 'Born in East LA'.
Jack Cunningham (Ben Affleck) once had a life filled with promise. In high school, he was a basketball phenom with a full ride to college, when suddenly, for reasons unknown, he walked away from the game, forfeiting his future. Now years later, Jack is stuck in a meaningless job and drowning in the alcoholism that cost him his marriage and any hope for a better life. When he is asked to coach the basketball team at his alma mater, which has fallen far since his glory days, he reluctantly accepts, surprising no one more than himself. As the boy starts to come together as a team and win, Jack may have finally found a reason to confront the demons that have derailed him. But will it be enough to fill the void, heal the deep wounds of his past, and set him on the road to redemption? Extras: Every Loss Is Another Fight: The Road to Redemption-A revealing look into The character of Jack Cunningham with Ben Affleck and Director Gavin O'Connor. The WAY BACK: This Sporting Life
This dark melodrama based on the John Patrick story 'Love Lies Bleeding' stars Barbara Stanwyck as the wonderfully wicked Martha Ivers a wealthy and domineering woman who controls a small town after inheriting a large family fortune. She lives with her weakling husband a district attorney running for mayor played by Kirk Douglas in his feature film debut - a role that's an unusual departure from his later work. What no one in the town knows however is that Stanwyck and Douglas are bound by a dark secret involving murder. Gripping and suspenseful this film noir classic also stars Van Heflin as Martha's old love who returns to town after an 18-year absence whom Douglas thinks is there for one reason: blackmail.
When a maid is accidentally hit by a car and killed her young orphaned daughter is forced to live with the snooty couple her mother used to work for. A custody battle soon ensues between an aviator who adores the little girl and the couple's crotchety Uncle Ned.
Orphans is the poignant and often hilarious story of the night before four sibling bury their mother. Gathering at the family home they prepare for her funeral. Thomas the eldest son decides to spend the night in the chapel of rest Michael becomes involved in a pub brawl Sheila is left stranded in her wheelchair after leaving Thomas and John plans a revenge attack after hearing about Michael... Peter Mullan won a range of international film awards for his direction of a fil
All reports confirm that the world is witnessing an unprecedented shower of meteorites - a once in a lifetime spectacle that must be seen. And seen it is by most of the world's population. Bill Masen lies in his hospital bed in frustration with his eyes bandaged. When he finally gets to remove them the following morning he discovers the previous nights' light show has blinded all those who saw it. He is one of the few people to still have their sight. But worse is to come. With the meteorite shower has come the spores of a man-eating alien plant form Triffidus Celestus. The fate of mankind is in the hands of a few in this classic 1962 adaptation of the John Wyndham novel.
A COP TELLS HIS STORY. WITH THE STING OF REALISM AND EXCITEMENT THAT MADE IT A TOP BESTSELLER. Richard Fleischer's gritty and fateful portrait of LA cops adapted from Joseph Wambaugh's autobiographical bestseller, is anchored by superb performances from George C. Scott as a world-weary older cop who quietly fears becoming obsolete, and Stacy Keach as the young rookie he takes under his wing. INDICATOR LIMITED EDITION SPECIAL FEATURES: Cop Stories: The Making of Richard Fleischer's The New Centurions' (2016, 44 mins) featuring interviews with actor Stacy Keach, writer Joseph Wambaugh, technical advisor Richard E. Kalk and assistant cameraman Ronald Vidor. Original theatrical trailer New and improved English subtitles for the deaf and hard-of-hearing ¢ Limited edition exclusive booklet with a new essay by Nick Pinkerton ¢ Limited Dual Format Edition of 3,000 copies UK Blu-ray premiere
Dimples: Temple stars as a young singer who entertains the New York crowds providing the window of opportunity for her pick pocket of a grand father to carry out his work. A rich lady sees the young girl peforming - and after discovering her grim existence with her grand father - offers her an opportunity to rise out of lifestyle... The Littlest Rebel: Shirley Temple's father a rebel officer sneaks back to his rundown plantation to see his family and is arrested. How
Guided by their strict yet level headed father George (Bruce McGill) and supported by mother Olive (Veronia Cartwright) the Osmond Brothers Group consisting of Alan Wayne Merrill Jay and young Donny are looking to make it big on their own in the world of Rock and Roll. But due to their squeaky clean religious image the future looks dim. Enter Mike Curb a major record label owner who has faith in the Osmond Brothers. With your Marie and Jimmy destined to join them and a number one hit in the states this original boy band begins a meteoric rise to international stardom...
A couple move to live in a small town where their lives are interrupted by the appearance of a strange little girl.
This John Irvin film is a small, hard-edged little gem, full of crisp action and tough-minded codes of honour. Harvey Keitel stars as a retired professional criminal whose younger brother (Timothy Hutton) lures him to Los Angeles for a can't-miss heist in Palm Springs. But Hutton hasn't picked his other partners very well, particularly wheelman Stephen Dorff: when it's time to divvy up the spoils, Dorff kills Hutton and a fourth partner and tries to rub out Keitel. Keitel escapes, however, and trails Dorff back to L.A., where he also figures out which Chinese mob he's tied in with. It's strictly revenge time from there on out, with Keitel as the one-man wrecking crew cutting a bloody swathe through the L.A. underworld. Keitel is grittily good, a man of few words and many bullets, while Dorff is an enjoyably sleazy psychopath. A violently propulsive little film noir. --Marshall Fine, Amazon.com
A musical vehicle for 'Mr Bojangles' Bill Robinson which pays tribute to some of the greatest jazz stars of all time. Hit songs include: 'Stormy Weather' 'Jumping Jive' and 'Ain't Misbehavin'.
Fred Astaire dances on the ceiling in this 1951 Alan Jay Lerner musical for MGM, directed by Stanley Donen (Singin' in the Rain). The appealing story finds Astaire as part of a brother-and-sister act (along with Jane Powell) that travels to London at the time of Queen Elizabeth II's wedding. Astaire and Powell each find romances that threaten to break up the act, but that's mostly fun window dressing in a movie better known for some truly creative sequences made vivid by Donen, including Astaire's famous dance with a hat rack and his duet with Powell, "How Could You Believe Me When I Said I Loved You (When You Know I've Been a Liar All My Life)?" --Tom Keogh, Amazon.com
All reports confirm that the world is witnessing an unprecedented shower of meteorites - a once in a lifetime spectacle that must be seen.' Bill Masen lies in his hospital bed and listens to the radio broadcast in frustration - the bandages on his eyes are not meant to be removed until the following morning. When the time comes he is relieved to find he can see perfectly. But is soon to discover that he is one of the few people left in the world that can. The previous night's light show has blinded all those who watched. With the meteorites have come the spores of a man-eating alien plant form - Triffidus Celestus. Multiplying quickly they uproot themselves in search of a prey that stumbles helplessly in the dark. The fate of the world is in the hands of a few as the Triffids threaten the future of mankind in this classic adaptation of John Wyndham's sci-fi chiller.
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