Diane (Diane Keaton) is recently widowed after 40 years of marriage. Vivian (Jane Fonda) enjoys her men with no strings attached. Sharon (Candice Bergen) is still working through a decades-old divorce. Carol's (Mary Steenburgen) marriage is in a slump after 35 years. Four lifelong friends' lives are turned upside down to hilarious ends when their book club tackles the infamous Fifty Shades of Grey. From discovering new romance to rekindling old flames, they inspire each other to make their next chapter the best chapter.
This historical drama from acclaimed director Sir Trevor Nunn tells the true story of young royal Lady Jane Grey and how she was supplanted on the throne of England for a mere nine days by plotting ministers after the death of Henry VIII. Starring Helena Bonham Carter in her feature film debut and with a strong supporting cast including Patrick Stewart Lady Jane is a powerful and moving story of political corruption and the tragedy of love. Helena Bonham Carter gives a remarkable
NASCAR racing sensation Ricky Bobby must battle a flamboyant French Formula One driver in this new comedy.
Ronald Colman and Jane Wyatt star in this lavishly produced classic about the enchanted paradise of Shangri-La where time stands still. Frank Capra's enduring masterpiece Lost Horizon (based on the best-selling novel by James Hilton) had a running time of 132 minutes upon its initial release in 1937. For a World War II re-issue 24 minutes were cut to tone down the film's pacifist message. Film preservationist Robert Gitt working over a period of 25 years has utilized footage fo
Barney stars in his first movie which sees Mom and Dad leaving the children at home to be looked after by Grandpa and Grandma. A shooting star delivers a colourful egg and the children go off in search of it...
The stranger-than-fiction true story of George Lazenby, a poor Australian car mechanic who, through an unbelievable set of circumstances, landed the role of James Bond in On Her Majesty's Secret Service (1969), despite having never acted a day in his life. Then after being offered the next seven Bond films and a $1 million signing bonus, he turned it all down...
Trevor Nunn directs Richard Johnson and Oscar-nominee Janet Suzman in this landmark production of Shakespeare's tragedy of power and passion in Ancient Egypt. First broadcast in 1974 and based on Nunn's celebrated staging with the Royal Shakespeare Company, its intensity and originality raised the bar for small-screen adaptations of Shakespeare's plays. Emphasising the futility of the protagonists' unworldly love against the coldly calculating might of Octavian, adopted son of Julius Caesar, this intimately staged production earned a BAFTA award for director Jon Scoffield, with Janet Suzman receiving a BAFTA nomination for her mesmerising portrayal of the doomed Egyptian queen. Antony and Cleopatra also features early appearances by Ben Kingsley, Tim Pigott-Smith and Patrick Stewart who won universal praise in the role of Antony's loyal, agonised confidante, Enobarbus.
NASCAR racing sensation Ricky Bobby must battle a flamboyant French Formula One driver in this new comedy.
A stylish piece of neo-noir, D.O.A. was directed by Rocky Morton and Annabel Jankel during their glory days as creators of Max Headroom. Sometimes mocked at the time for its extravagant visual imagery, this is a film which has aged better than might have been expected. Vastly reworked from the 40s original, D.O.A. stars Dennis Quaid as the burned-out campus novelist who discovers he has been fatally poisoned and sets out to find his killer in the short time left to him, along the way rediscovering his love for the life he is going to lose. Quaid is good enough both at chain-smoking cynicism and angry zest that this becomes emotionally credible; a worryingly young Meg Ryan is excellent as the hero-worshipping sophomore he co-opts into his search. With camerawork of sometimes hallucinatory vividness, rather too many shots of fans and Ferris wheels, and Charlotte Rampling playing a dragon-lady villainess to the hilt, this is a film which teeters on the brink of camp, but has the courage of its individuality. On the DVD: D.O.A. comes to disc with almost no special features whatever save for a Spanish soundtrack and subtitles in Spanish and the Scandinavian languages. Its widescreen visual aspect is 1.85:1 and the Dolby sound does full justice to a very loud score by bands like Timbuk 3.--Roz Kaveney
The Morrison's Hotel hides many secrets and the unassuming and dedicated butler, Albert (Glenn Close), is just one of them. In 19th Century Ireland, with employment for women scarce, a young impoverished girl made a radical decision to masquerade as a man to ensure her survival. Many years later, her four walls come crashing down as secrets are uncovered leading to tension, drama, heartache and tragedy.
When a maid is accidentally hit by a car and killed her young orphaned daughter is forced to live with the snooty couple her mother used to work for. A custody battle soon ensues between an aviator who adores the little girl and the couple's crotchety Uncle Ned.
When three outlaws stumble across a dying woman and her baby they vow to escort the infant to New Jerusalem across the white-hot desert...
Brigitte is an addict. After mixing blood with her late sister Ginger in an attempt to learn more about the condition she has been infected with 'the curse'. Each day the curse in her grows stronger and she must increase her dosage of injections. When she is found laying face down in the snow after a near-escape from another beast she is thrown in drug rehabilitation: locked behind doors without her life-saving antidote...
Howard Hughes with the assistance of Howard Hawks directed this racy version of the Pat Garrett vs Billy The Kid story. The publicity campaign surrounding the film's release was a masterpiece. Armed with stills of 19-year-old Jane Russell revealing a remarkable dcolletage (while stopping to pick up a pair of milk pails!) producer/director Howard Hughes spent tens of thousands of dollars purposely to agitate the censors and arouse public indignation. He released the film independently in San Francisco in 1943 after United Artists refused to distribute it; it was quickly closed down by civic groups. Meanwhile legendary publicist Russell Birdwell leased thousands of billboards from coast to coast for three years plastering a suggestive photo of the scantily clad Russell reclining on a bed of hay gun in hand. By 1946 when Hughes finally re-released the film audiences flocked to theatres: Jane Russell was now a Hollywood star and you can see why!
What it lacks in grandeur, this 1978 TV version of The Four Feathers makes up for in fidelity to AEW Mason's classic novel. By cannibalising the superior 1939 production for epic shots and sequences, this modest adaptation draws attention to its meagre production values, relying heavily on casting and chemistry to compensate. That it succeeds, more or less, in capturing the essence of Mason's grand adventure is largely due to the appeal of Beau Bridges and Jane Seymour in the prime of their early careers. (Bridges' film career was gaining momentum; Seymour would rise from here to the similarly romantic Somewhere in Time.) Bridges is the shamed soldier Harry Faversham, transcending cowardice by rescuing his closest friends during Britain's bloody campaign in 1870s Sudan; Seymour is his beloved back home, torn between Harry and the seemingly braver Jack (Robert Powell). TV veteran Don Sharp provides tepid direction, while screenwriter Gerald DiPego would continue his prolific career for decades to come. --Jeff Shannon
Director-producer Perry Henzel's all-Jamaican 1973 classic The Harder They Come--one of the most beloved of all international cult favourites--fiercely expresses the live-wire Jamaican spirit when an impoverished Africa tuned to American radio. Ivan, a country boy who dreams of fame as a singer, rides into Kingston on a rickety country bus in the opening scenes, only to meet with disaster heaped on disaster at the hands of those masked as friends. In a breathless defining climax, Ivan finally breaks from his passivity and begins to wreak his revenge. Soon Kingston's music Mafia and the equally corrupt authorities are after him, but like the real-life people's hero (a man named Rhygin) on whom this character is partially based, Ivan leads them on a maddening chase eluding capture until the movie's shocking final moments. ,p. The film incorporates an archetypal passion for "outlaw" justice common to American Westerns, which were a staple of the Caribbean theatre circuit at the time. Released just 12 years after Jamaica achieved independence, The Harder They Come also reflects the disenchantment that soon followed a massive post-independence exodus from the island's country hamlets to the tropical ghettos of Kingston, where a more grinding urban poverty awaited. Brilliantly shot, directed, written, and acted; singer Jimmy Cliff excels in the leading role and Carl Bradshaw shines as his arch-enemy, the film tells an anthemic Jamaican story to seductive rhythms of a soundtrack that became a reggae bestseller.--Elena Oumano
The Outlaw is a fascinating Western with a determindly off-beat story about Doc Holliday Pat Garrett and Billy the Kid coming to conflict over Holliday's stolen horse and the voluptuous halfbreed played by Jane Russell. The script is often disarmingly tongue in cheek and there is a weird eroticism to the film.
If you were the only survivor of a massacre and everyone has signed you away to an insane asylum for murder would you go back to retrace every horrific memory if your freedom depended on it?
The third installment of the James Bond Ultimate Collection featuring another quintet of 007's espionage adventures. Titles Comprise: 1. Goldeneye (1995) - Pierce Brosnan 2. For Your Eyes Only (1981) - Roger Moore 3. From Russia With Love (1963) - Sean Connery 4. Live And Let Die (1973) - Roger Moore 5. On Her Majesty's Secret Service (1969) - George Lazenby For synopses and special features please refer to the individual ultimate edition of each film.
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